Chords for HENRY GROSS- ONE HIT WANDERER-TRAILER
Tempo:
88.55 bpm
Chords used:
F
G
C
Bb
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Ladies and gentlemen, I'd like to introduce you to my box.
Box, audience.
[F] Audience, box.
[F] It's remarkable.
Very, very clever.
It's moving.
It's very moving.
And it was interesting [C] just how he put his whole life [F] together with the music and the song.
He hit every mark, every [C] chord.
It [F] was just unbelievable.
Everybody telling me I'm guilty of a felony.
I took somebody's melody and put it in my song.
What a heart moving piece of history.
His storyline was great.
Songs [C] were great.
Everything.
[F] I don't feel the beat.
High enough, see over the mountain.
High enough, [C] fly above the rain.
Down so low, storm penitent.
[F] Everybody tells you you're crazy when you say you want to go into show business.
And they have a point [C] that you've got to listen to your heart.
And it tells you [F] there's a difference between having an open mind and a hole in [C] the head.
[Bb]
[F]
My mom [D] was a musician.
My dad was a pharmacist.
A match made in heaven to produce a rock and roller.
[A] Please welcome back from New York [G] City, Henry [N] Rowe.
Now, these are the actual notes sent home to my parents reporting on my behavior,
written [A] by my second grade [G] teacher.
As [A] usual, Henry had to be punished again.
He puts his feet in the aisle to trip people.
He talks constantly.
Same story every day.
There's no improvement at all.
My mom, she'd say, it's alright.
I'll always love you.
You don't have to get old.
[E] I'll just drop dead.
What's she doing?
[Eb] He's always had [Bm] a great stage presence, you know.
[Db] The ability to [B] go from being a common [Ab] folk to an entertainer.
I'm [A] calling about Henry Grose.
His music is [E] so much better than it sounds.
[G] His story actually [Bm] takes you through a passage, you know.
[Ab] Like, [Gbm] just you go from time to time to time [B] to time in his life.
It's really interesting.
I like that.
[C] His story is so fantastic.
[Bm] The aspects of [A] what and how he grew on up are so compelling.
[Db] This brings back memories.
You know, you're taking this trip that you experienced with your brothers and sisters when you were growing up.
It was great, man.
I [Abm] just love it.
But I can't [Db] remember them.
[B] One of the Kingsmen, the preppiest one, [F] quit.
I, of course, joined.
And when the dust settled, [E] we created a love letter to the [Gm] 1950s we called Sha Na Na.
[F]
[Bb] Seven o'clock in the morning, Sha Na [F] Na finally took the stage.
He kicked ass and [C] took names.
I knew we'd arrive.
[Bb] Then, basking [Fm] in the bliss of success, [F] the strangest thought crossed my mind.
[N] I'm leaving the band.
[Fm] Tonight it is my duty and pleasure to award Mr.
Cousin Henry Grose for Shannon right here on the midnight spree.
Aye, Henry.
[G]
[F] [G] [Bb]
[C] Wow.
[F] Your life changes when you have a hit tune.
Suddenly [Dm] I was thrust into the spotlight.
Eyes were on me [G] everywhere I went.
I knew I had to act [Bb] cool.
And I walked around like this.
[C] I got a hit.
I got a hit.
I [F] got a hit.
[Gm]
[F] [Bb]
[F] This falsetto is somehow full voice.
Yeah, I didn't believe it when I heard [Gm] it.
It's actually a spectacular instrument [F] to hear.
I mean, it's really shocking to [Bb] hear him sing.
[F] [Eb] [Bb]
[F] [Ab] So, I'm a one-hit wonder, [G] wondering where to wander next to have another hit when it hits me.
[C] I love the music.
I [G] love his songs.
You want hits.
His lyrics and just the feeling is great.
It's all in the box.
[G] Those memories are your number ones.
[C] I've seen this thing four times.
It was [G] awesome.
Great show.
Great show.
[Eb] His music was [G] great.
It's an inspiration.
I slip in my way to the top.
Never have been bored for a second.
You always [B] want to know what's [G] next and what was next.
He's not the best lyricist out there.
I want to know who [D] he is.
I thought it was marvelous.
[F] [G]
So, for 30 [F] years I'm asking myself, whatever happened to me?
Whatever happened to me?
Where am I now?
I'm right here with you doing [Gm] what I love.
You touched [F] me at this show.
It was a wonderful show.
It's a re-invention.
I really have a [Gm] belief in you.
It's always [F] hard to open my box in front of a room full of strangers.
He's gotten better [Gm] and better.
The songs are [F] incredible.
[Gm] But every time I do it, it feels [F] so great because it keeps [Gm] me sane.
[F] That's having a hole in the head.
I say the [Bb] breeze is delightful.
[F] [N]
[B]
Box, audience.
[F] Audience, box.
[F] It's remarkable.
Very, very clever.
It's moving.
It's very moving.
And it was interesting [C] just how he put his whole life [F] together with the music and the song.
He hit every mark, every [C] chord.
It [F] was just unbelievable.
Everybody telling me I'm guilty of a felony.
I took somebody's melody and put it in my song.
What a heart moving piece of history.
His storyline was great.
Songs [C] were great.
Everything.
[F] I don't feel the beat.
High enough, see over the mountain.
High enough, [C] fly above the rain.
Down so low, storm penitent.
[F] Everybody tells you you're crazy when you say you want to go into show business.
And they have a point [C] that you've got to listen to your heart.
And it tells you [F] there's a difference between having an open mind and a hole in [C] the head.
[Bb]
[F]
My mom [D] was a musician.
My dad was a pharmacist.
A match made in heaven to produce a rock and roller.
[A] Please welcome back from New York [G] City, Henry [N] Rowe.
Now, these are the actual notes sent home to my parents reporting on my behavior,
written [A] by my second grade [G] teacher.
As [A] usual, Henry had to be punished again.
He puts his feet in the aisle to trip people.
He talks constantly.
Same story every day.
There's no improvement at all.
My mom, she'd say, it's alright.
I'll always love you.
You don't have to get old.
[E] I'll just drop dead.
What's she doing?
[Eb] He's always had [Bm] a great stage presence, you know.
[Db] The ability to [B] go from being a common [Ab] folk to an entertainer.
I'm [A] calling about Henry Grose.
His music is [E] so much better than it sounds.
[G] His story actually [Bm] takes you through a passage, you know.
[Ab] Like, [Gbm] just you go from time to time to time [B] to time in his life.
It's really interesting.
I like that.
[C] His story is so fantastic.
[Bm] The aspects of [A] what and how he grew on up are so compelling.
[Db] This brings back memories.
You know, you're taking this trip that you experienced with your brothers and sisters when you were growing up.
It was great, man.
I [Abm] just love it.
But I can't [Db] remember them.
[B] One of the Kingsmen, the preppiest one, [F] quit.
I, of course, joined.
And when the dust settled, [E] we created a love letter to the [Gm] 1950s we called Sha Na Na.
[F]
[Bb] Seven o'clock in the morning, Sha Na [F] Na finally took the stage.
He kicked ass and [C] took names.
I knew we'd arrive.
[Bb] Then, basking [Fm] in the bliss of success, [F] the strangest thought crossed my mind.
[N] I'm leaving the band.
[Fm] Tonight it is my duty and pleasure to award Mr.
Cousin Henry Grose for Shannon right here on the midnight spree.
Aye, Henry.
[G]
[F] [G] [Bb]
[C] Wow.
[F] Your life changes when you have a hit tune.
Suddenly [Dm] I was thrust into the spotlight.
Eyes were on me [G] everywhere I went.
I knew I had to act [Bb] cool.
And I walked around like this.
[C] I got a hit.
I got a hit.
I [F] got a hit.
[Gm]
[F] [Bb]
[F] This falsetto is somehow full voice.
Yeah, I didn't believe it when I heard [Gm] it.
It's actually a spectacular instrument [F] to hear.
I mean, it's really shocking to [Bb] hear him sing.
[F] [Eb] [Bb]
[F] [Ab] So, I'm a one-hit wonder, [G] wondering where to wander next to have another hit when it hits me.
[C] I love the music.
I [G] love his songs.
You want hits.
His lyrics and just the feeling is great.
It's all in the box.
[G] Those memories are your number ones.
[C] I've seen this thing four times.
It was [G] awesome.
Great show.
Great show.
[Eb] His music was [G] great.
It's an inspiration.
I slip in my way to the top.
Never have been bored for a second.
You always [B] want to know what's [G] next and what was next.
He's not the best lyricist out there.
I want to know who [D] he is.
I thought it was marvelous.
[F] [G]
So, for 30 [F] years I'm asking myself, whatever happened to me?
Whatever happened to me?
Where am I now?
I'm right here with you doing [Gm] what I love.
You touched [F] me at this show.
It was a wonderful show.
It's a re-invention.
I really have a [Gm] belief in you.
It's always [F] hard to open my box in front of a room full of strangers.
He's gotten better [Gm] and better.
The songs are [F] incredible.
[Gm] But every time I do it, it feels [F] so great because it keeps [Gm] me sane.
[F] That's having a hole in the head.
I say the [Bb] breeze is delightful.
[F] [N]
[B]
Key:
F
G
C
Bb
Gm
F
G
C
Ladies and gentlemen, I'd like to introduce you to my box.
Box, audience.
[F] Audience, box.
[F] It's remarkable.
Very, very clever.
It's moving.
It's very moving.
And it was interesting [C] just how he put his whole life [F] together with the music and the song.
He hit every mark, every [C] chord.
It [F] was just unbelievable.
_ Everybody telling me I'm guilty of a felony.
I took somebody's melody and put it in my song.
What a heart moving piece of history.
His storyline was great.
Songs [C] were great.
Everything.
[F] I don't feel the beat.
High enough, see over the mountain. _
High enough, [C] fly above the rain.
Down so low, storm penitent.
[F] Everybody tells you you're crazy when you say you want to go into show business.
And they have a point [C] that you've got to listen to your heart.
And it tells you [F] there's a difference between having an open mind and a hole in [C] the head.
_ [Bb] _
_ [F] _ _ _ _ _ _ _
My mom [D] was a musician.
_ _ My dad was a pharmacist.
_ _ _ A match made in heaven to produce a rock and roller.
_ _ [A] Please welcome back from New York [G] City, Henry [N] Rowe.
_ Now, these are the actual notes sent home to my parents reporting on my behavior,
written [A] by my second grade [G] teacher.
As [A] usual, Henry had to be punished again.
He puts his feet in the aisle to trip people.
He talks constantly.
Same story every day.
There's no improvement at all.
My mom, she'd say, it's alright.
I'll always love you.
You don't have to get old.
_ [E] I'll just drop dead.
What's she doing?
[Eb] _ He's always had [Bm] a great stage presence, you know.
[Db] The ability to [B] go from being a common [Ab] folk to an entertainer.
I'm [A] calling about Henry Grose.
His music is [E] so much better than it sounds.
[G] His story actually [Bm] takes you through a passage, you know.
[Ab] Like, [Gbm] just you go from time to time to time [B] to time in his life.
It's really interesting.
I like that.
[C] His story is so fantastic.
[Bm] The aspects of [A] what and how he grew on up are so compelling.
[Db] This brings back memories.
You know, you're taking this trip that you experienced with your brothers and sisters when you were growing up.
It was great, man.
I [Abm] just love it.
But I can't [Db] remember them.
_ _ [B] One of the Kingsmen, the preppiest one, [F] quit.
I, of course, joined.
And when the dust settled, [E] we created a love letter to the [Gm] 1950s we called Sha Na Na.
[F] _ _ _
_ _ _ _ _ [Bb] Seven o'clock in the morning, Sha Na [F] Na finally took the stage.
He kicked ass and [C] took names.
I knew we'd arrive.
_ [Bb] _ Then, basking [Fm] in the bliss of success, [F] the strangest thought crossed my mind.
[N] I'm leaving the band. _ _
_ [Fm] Tonight it is my duty and pleasure to award Mr.
Cousin Henry Grose for Shannon right here on the midnight spree.
Aye, Henry.
[G] _ _ _ _
_ _ [F] _ _ _ [G] _ _ [Bb] _
_ [C] _ Wow.
[F] Your life changes when you have a hit tune.
Suddenly [Dm] I was thrust into the spotlight.
Eyes were on me [G] everywhere I went.
I knew I had to act [Bb] cool.
And I walked around like this.
_ [C] I got a hit.
I got a hit.
I [F] got a hit.
_ _ [Gm] _ _ _
_ [F] _ _ _ _ _ [Bb] _ _
[F] This falsetto is somehow full voice.
Yeah, I didn't believe it when I heard [Gm] it.
It's actually a spectacular instrument [F] to hear.
I mean, it's really shocking to [Bb] hear him sing.
_ [F] _ _ _ _ [Eb] _ _ [Bb] _
_ [F] _ _ [Ab] So, I'm a one-hit wonder, [G] wondering where to wander next to have another hit when it hits me.
[C] I love the music.
I [G] love his songs.
You want hits.
His lyrics and just the feeling is great.
It's all in the box. _ _ _
[G] _ Those memories are your number ones. _ _
_ _ _ _ _ _ _ _
[C] _ _ I've seen this thing four times.
It was [G] awesome.
Great show.
Great show.
[Eb] His music was [G] great.
It's an inspiration.
I slip in my way to the top.
Never have been bored for a second.
You always [B] want to know what's [G] next and what was next.
He's not the best lyricist out there.
I want to know who [D] he is.
I thought it was marvelous.
_ _ _ _ _ [F] _ _ [G]
So, for 30 [F] years I'm asking myself, whatever happened to me?
_ Whatever happened to me?
Where am I now?
I'm right here with you doing [Gm] what I love.
You touched [F] me at this show.
It was a wonderful show.
It's a re-invention.
I really have a [Gm] belief in you.
It's always [F] hard to open my box in front of a room full of strangers.
He's gotten better [Gm] and better.
The songs are [F] incredible.
[Gm] But every time I do it, it feels [F] so great because it keeps [Gm] me sane.
[F] That's having a hole in the head.
I say the [Bb] breeze is delightful.
_ [F] _ _ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
Box, audience.
[F] Audience, box.
[F] It's remarkable.
Very, very clever.
It's moving.
It's very moving.
And it was interesting [C] just how he put his whole life [F] together with the music and the song.
He hit every mark, every [C] chord.
It [F] was just unbelievable.
_ Everybody telling me I'm guilty of a felony.
I took somebody's melody and put it in my song.
What a heart moving piece of history.
His storyline was great.
Songs [C] were great.
Everything.
[F] I don't feel the beat.
High enough, see over the mountain. _
High enough, [C] fly above the rain.
Down so low, storm penitent.
[F] Everybody tells you you're crazy when you say you want to go into show business.
And they have a point [C] that you've got to listen to your heart.
And it tells you [F] there's a difference between having an open mind and a hole in [C] the head.
_ [Bb] _
_ [F] _ _ _ _ _ _ _
My mom [D] was a musician.
_ _ My dad was a pharmacist.
_ _ _ A match made in heaven to produce a rock and roller.
_ _ [A] Please welcome back from New York [G] City, Henry [N] Rowe.
_ Now, these are the actual notes sent home to my parents reporting on my behavior,
written [A] by my second grade [G] teacher.
As [A] usual, Henry had to be punished again.
He puts his feet in the aisle to trip people.
He talks constantly.
Same story every day.
There's no improvement at all.
My mom, she'd say, it's alright.
I'll always love you.
You don't have to get old.
_ [E] I'll just drop dead.
What's she doing?
[Eb] _ He's always had [Bm] a great stage presence, you know.
[Db] The ability to [B] go from being a common [Ab] folk to an entertainer.
I'm [A] calling about Henry Grose.
His music is [E] so much better than it sounds.
[G] His story actually [Bm] takes you through a passage, you know.
[Ab] Like, [Gbm] just you go from time to time to time [B] to time in his life.
It's really interesting.
I like that.
[C] His story is so fantastic.
[Bm] The aspects of [A] what and how he grew on up are so compelling.
[Db] This brings back memories.
You know, you're taking this trip that you experienced with your brothers and sisters when you were growing up.
It was great, man.
I [Abm] just love it.
But I can't [Db] remember them.
_ _ [B] One of the Kingsmen, the preppiest one, [F] quit.
I, of course, joined.
And when the dust settled, [E] we created a love letter to the [Gm] 1950s we called Sha Na Na.
[F] _ _ _
_ _ _ _ _ [Bb] Seven o'clock in the morning, Sha Na [F] Na finally took the stage.
He kicked ass and [C] took names.
I knew we'd arrive.
_ [Bb] _ Then, basking [Fm] in the bliss of success, [F] the strangest thought crossed my mind.
[N] I'm leaving the band. _ _
_ [Fm] Tonight it is my duty and pleasure to award Mr.
Cousin Henry Grose for Shannon right here on the midnight spree.
Aye, Henry.
[G] _ _ _ _
_ _ [F] _ _ _ [G] _ _ [Bb] _
_ [C] _ Wow.
[F] Your life changes when you have a hit tune.
Suddenly [Dm] I was thrust into the spotlight.
Eyes were on me [G] everywhere I went.
I knew I had to act [Bb] cool.
And I walked around like this.
_ [C] I got a hit.
I got a hit.
I [F] got a hit.
_ _ [Gm] _ _ _
_ [F] _ _ _ _ _ [Bb] _ _
[F] This falsetto is somehow full voice.
Yeah, I didn't believe it when I heard [Gm] it.
It's actually a spectacular instrument [F] to hear.
I mean, it's really shocking to [Bb] hear him sing.
_ [F] _ _ _ _ [Eb] _ _ [Bb] _
_ [F] _ _ [Ab] So, I'm a one-hit wonder, [G] wondering where to wander next to have another hit when it hits me.
[C] I love the music.
I [G] love his songs.
You want hits.
His lyrics and just the feeling is great.
It's all in the box. _ _ _
[G] _ Those memories are your number ones. _ _
_ _ _ _ _ _ _ _
[C] _ _ I've seen this thing four times.
It was [G] awesome.
Great show.
Great show.
[Eb] His music was [G] great.
It's an inspiration.
I slip in my way to the top.
Never have been bored for a second.
You always [B] want to know what's [G] next and what was next.
He's not the best lyricist out there.
I want to know who [D] he is.
I thought it was marvelous.
_ _ _ _ _ [F] _ _ [G]
So, for 30 [F] years I'm asking myself, whatever happened to me?
_ Whatever happened to me?
Where am I now?
I'm right here with you doing [Gm] what I love.
You touched [F] me at this show.
It was a wonderful show.
It's a re-invention.
I really have a [Gm] belief in you.
It's always [F] hard to open my box in front of a room full of strangers.
He's gotten better [Gm] and better.
The songs are [F] incredible.
[Gm] But every time I do it, it feels [F] so great because it keeps [Gm] me sane.
[F] That's having a hole in the head.
I say the [Bb] breeze is delightful.
_ [F] _ _ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _