Chords for Hendrix Little Wing Tricks
Tempo:
109.85 bpm
Chords used:
Ab
B
Eb
Gb
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Gb] [Ab] [Ebm]
[Abm] [Eb] [Gb]
[Ebm] [Db] [Eb] [Bbm]
[A] [Ab] [B] [Abm]
[Gb] [E]
[N] Hey everybody, this is Anthony from SteamySnacks.
It's Free Lesson Friday and I'm a big dummy so I actually left my big professional camcorder
at home and I'm in my office now.
But I still wanted to record a lesson so I'm just using my [Ab] webcam and I'll just do the
best that I can.
This is going to [G] be much lower quality than what I normally like to do.
Hopefully you'll still [Gbm] be able to learn something.
[G] What I'm going to look at today [Eb] is a little something from the Jimi Hendrix [Bm] version of Little Wing.
I know a lot of you guys, like me, have probably focused mainly on the Stevie Ray Vaughan version.
[C] But if you listen to the [D] Hendrix version, he [Eb] actually does some stuff that [A] Stevie does
not do because Stevie [Ab] didn't do [Eb] a note for note copy.
And I've always [Am] noticed there [B] being two [D] things in the Hendrix version [Abm] that always kind of
stuck out to me as something that I [Gm] wanted to learn but I never took the [Gb] time to do it.
[Ab] So the first one is
[Db] And the other [Abm] one is
[Gb] So [Abm] the same principle is being used in both of those things.
Let's [N] talk about where they happen.
The first one happens [A] right after [Gm]
midway through [Abm] the first chorus.
He's [Ebm] going
[Ab] And then he slides up here.
Basically, let me adjust my camera angle here so you can [A] see what's going on.
What we're going to [Ab] be doing is holding these two notes, the seventh fret on [Eb] the [Ab] A and the D string.
Just borrowing with my index finger there.
[B] And the melody that [A] we're going to be [Ebm] playing goes
[Eb] So [B] 7 to 10 on the A [Ab] string, then up to [Gm] 7 to 9 [Ab] on the D string and back down.
[Gb] [Ab] [Eb]
[Ab] But what we're going to be doing [Eb] as we play that melody is holding [A] both of these notes.
So the [Ab] first thing that we play is those two notes together.
Then [B] we play 10th fret on the A string [Ab] while we keep playing the 7th fret on the D string.
And then we play those two notes again.
But what's important is that the first time we play it, we emphasize the lower of the notes.
But the second time we play it, we emphasize the higher of the two notes because we want
it to sound like we're doing it.
[Ebm]
And then the fourth thing we [Eb] play is 7th fret on the A string, 9th fret on the D string.
[Ab] [Eb]
[Ab] Back to those notes again.
Back to this one again.
Back down.
So
[Eb] [Ab]
what's being used [Eb] there is kind of [B] like
I think it was with the bagpipes.
They have a tone that rings out continuously no matter what they play.
It's [Ab] kind of what we're doing here.
These two notes, whichever one of those is being played, kind of feels [A] like
I don't know.
It kind of gives it a droning [Ab] quality.
And then we're just adding other notes into it.
So that's the easy one.
The one that comes next happens right [Bbm] after.
[A] [Eb] [Ab]
And it took me a long time to figure out exactly what he was doing because he's [Db] actually playing
[B] what
[Eb] happens to be two consecutive notes on the [B] fretboard.
Okay?
So I'm going [Bbm] to show you the hard way to play it and then we'll [Bm] talk about an easier way
to do it.
[E] So what you're going to do, if [B] you can reach, [Ab] is you've got to forget about this grip for a second.
You're going to get all the way [Ebm] under the fretboard like [B] this.
Use your index finger to fret the fifth note on [Ebm] the G string and reach your pinky up here
to the ninth fret on the D string.
[Eb] Okay?
So we're going to play these little two note [B] combinations.
[C] Then [Abm] you're going to keep this finger here, drop to the seventh fret with [D] your ring finger,
[Abm] [B]
and then bar [Ab] the [B] strings to fifth fret with this finger.
Okay?
So we've got three two note quartet.
Then [Db] we're going to keep playing the fifth fret on the G string but then drop [E] to the
A string at the eighth [A] fret [B] and then drop to the seventh.
So this note remains constant [Db] but what we play [Gb] [Eb] is
So [B] [Eb]
that is quite [Dbm] a stretch.
[B]
Key is [Abm] to get your wrist around like this [Eb] so that it allows your pinky finger to [Fm] kind [B] [Db] of
[F] So you've got to kind of [Ebm] rotate under.
[B] [E] [Ebm]
[B] [Abm] Now if you can't do that, there is a way [Db] to cheat by [Gbm] doing it down [G] here.
[Bm]
What you're going to do is fret the first note on [Ab] the
[B] First fret on the B string and [Gm] [Ab] then reach up here to [B] the fourth fret on the G string.
You're [Ab] going to walk down four, [Ebm] two, open on the G [B] string while you keep strumming
the second fret of the B string.
And then the [E] last two notes would be [Eb] three to two [B] on the D string.
[Abm] [Ebm]
This will have a fatter sound if you do it [Db] up here because you're using the heavier strings.
And then to get out of that you just [B] [Gb] go
[B]
[Ab] Little hammer on there [Eb] from seven to nine on [Bm] the D string.
[Ab] Hammer, back off, and [Gb] then
Aside [D] from five, seven, [Gb] back down to three on the E string.
[Dbm] [B] [Gb] [B]
[Gb] Maybe it's two hammer-ons.
[Abm] [G] [Gb] Yeah, I think it's two hammer-ons.
[F] Anyway, those are just two little things that I've heard in the [Eb] Hendrix version of Little
Wing that [F] always kind of interested [Ab] me but I never took the time to learn.
And I had to learn them to teach a student here in town.
And so I figured I'd share that with you today for Free [E] Lesson Friday.
Anyway, sorry about the [N] quality of the video.
I'll try to get back to my normal standards next time I do a lesson.
Thanks.
[Abm] [Eb] [Gb]
[Ebm] [Db] [Eb] [Bbm]
[A] [Ab] [B] [Abm]
[Gb] [E]
[N] Hey everybody, this is Anthony from SteamySnacks.
It's Free Lesson Friday and I'm a big dummy so I actually left my big professional camcorder
at home and I'm in my office now.
But I still wanted to record a lesson so I'm just using my [Ab] webcam and I'll just do the
best that I can.
This is going to [G] be much lower quality than what I normally like to do.
Hopefully you'll still [Gbm] be able to learn something.
[G] What I'm going to look at today [Eb] is a little something from the Jimi Hendrix [Bm] version of Little Wing.
I know a lot of you guys, like me, have probably focused mainly on the Stevie Ray Vaughan version.
[C] But if you listen to the [D] Hendrix version, he [Eb] actually does some stuff that [A] Stevie does
not do because Stevie [Ab] didn't do [Eb] a note for note copy.
And I've always [Am] noticed there [B] being two [D] things in the Hendrix version [Abm] that always kind of
stuck out to me as something that I [Gm] wanted to learn but I never took the [Gb] time to do it.
[Ab] So the first one is
[Db] And the other [Abm] one is
[Gb] So [Abm] the same principle is being used in both of those things.
Let's [N] talk about where they happen.
The first one happens [A] right after [Gm]
midway through [Abm] the first chorus.
He's [Ebm] going
[Ab] And then he slides up here.
Basically, let me adjust my camera angle here so you can [A] see what's going on.
What we're going to [Ab] be doing is holding these two notes, the seventh fret on [Eb] the [Ab] A and the D string.
Just borrowing with my index finger there.
[B] And the melody that [A] we're going to be [Ebm] playing goes
[Eb] So [B] 7 to 10 on the A [Ab] string, then up to [Gm] 7 to 9 [Ab] on the D string and back down.
[Gb] [Ab] [Eb]
[Ab] But what we're going to be doing [Eb] as we play that melody is holding [A] both of these notes.
So the [Ab] first thing that we play is those two notes together.
Then [B] we play 10th fret on the A string [Ab] while we keep playing the 7th fret on the D string.
And then we play those two notes again.
But what's important is that the first time we play it, we emphasize the lower of the notes.
But the second time we play it, we emphasize the higher of the two notes because we want
it to sound like we're doing it.
[Ebm]
And then the fourth thing we [Eb] play is 7th fret on the A string, 9th fret on the D string.
[Ab] [Eb]
[Ab] Back to those notes again.
Back to this one again.
Back down.
So
[Eb] [Ab]
what's being used [Eb] there is kind of [B] like
I think it was with the bagpipes.
They have a tone that rings out continuously no matter what they play.
It's [Ab] kind of what we're doing here.
These two notes, whichever one of those is being played, kind of feels [A] like
I don't know.
It kind of gives it a droning [Ab] quality.
And then we're just adding other notes into it.
So that's the easy one.
The one that comes next happens right [Bbm] after.
[A] [Eb] [Ab]
And it took me a long time to figure out exactly what he was doing because he's [Db] actually playing
[B] what
[Eb] happens to be two consecutive notes on the [B] fretboard.
Okay?
So I'm going [Bbm] to show you the hard way to play it and then we'll [Bm] talk about an easier way
to do it.
[E] So what you're going to do, if [B] you can reach, [Ab] is you've got to forget about this grip for a second.
You're going to get all the way [Ebm] under the fretboard like [B] this.
Use your index finger to fret the fifth note on [Ebm] the G string and reach your pinky up here
to the ninth fret on the D string.
[Eb] Okay?
So we're going to play these little two note [B] combinations.
[C] Then [Abm] you're going to keep this finger here, drop to the seventh fret with [D] your ring finger,
[Abm] [B]
and then bar [Ab] the [B] strings to fifth fret with this finger.
Okay?
So we've got three two note quartet.
Then [Db] we're going to keep playing the fifth fret on the G string but then drop [E] to the
A string at the eighth [A] fret [B] and then drop to the seventh.
So this note remains constant [Db] but what we play [Gb] [Eb] is
So [B] [Eb]
that is quite [Dbm] a stretch.
[B]
Key is [Abm] to get your wrist around like this [Eb] so that it allows your pinky finger to [Fm] kind [B] [Db] of
[F] So you've got to kind of [Ebm] rotate under.
[B] [E] [Ebm]
[B] [Abm] Now if you can't do that, there is a way [Db] to cheat by [Gbm] doing it down [G] here.
[Bm]
What you're going to do is fret the first note on [Ab] the
[B] First fret on the B string and [Gm] [Ab] then reach up here to [B] the fourth fret on the G string.
You're [Ab] going to walk down four, [Ebm] two, open on the G [B] string while you keep strumming
the second fret of the B string.
And then the [E] last two notes would be [Eb] three to two [B] on the D string.
[Abm] [Ebm]
This will have a fatter sound if you do it [Db] up here because you're using the heavier strings.
And then to get out of that you just [B] [Gb] go
[B]
[Ab] Little hammer on there [Eb] from seven to nine on [Bm] the D string.
[Ab] Hammer, back off, and [Gb] then
Aside [D] from five, seven, [Gb] back down to three on the E string.
[Dbm] [B] [Gb] [B]
[Gb] Maybe it's two hammer-ons.
[Abm] [G] [Gb] Yeah, I think it's two hammer-ons.
[F] Anyway, those are just two little things that I've heard in the [Eb] Hendrix version of Little
Wing that [F] always kind of interested [Ab] me but I never took the time to learn.
And I had to learn them to teach a student here in town.
And so I figured I'd share that with you today for Free [E] Lesson Friday.
Anyway, sorry about the [N] quality of the video.
I'll try to get back to my normal standards next time I do a lesson.
Thanks.
Key:
Ab
B
Eb
Gb
Abm
Ab
B
Eb
_ _ _ [Gb] _ _ [Ab] _ _ [Ebm] _
_ [Abm] _ _ [Eb] _ _ _ _ [Gb] _
[Ebm] _ [Db] _ _ [Eb] _ [Bbm] _ _ _ _
_ [A] _ [Ab] _ [B] _ _ _ _ [Abm] _
[Gb] _ _ _ _ _ _ [E] _ _
_ _ [N] Hey everybody, this is Anthony from SteamySnacks.
It's Free Lesson Friday and I'm a big dummy so I actually left my big professional camcorder
at home and I'm in my office now.
But I still wanted to record a lesson so I'm just using my [Ab] webcam and I'll just do the
best that I can.
This is going to [G] be much lower quality than what I normally like to do.
Hopefully you'll still [Gbm] be able to learn something.
[G] What I'm going to look at today [Eb] is a little something from the Jimi Hendrix [Bm] version of Little Wing.
I know a lot of you guys, like me, have probably focused mainly on the Stevie Ray Vaughan version.
_ [C] But if you listen to the [D] Hendrix version, he [Eb] actually does some stuff that [A] Stevie does
not do because Stevie [Ab] didn't do [Eb] a note for note copy.
_ And I've always [Am] noticed there [B] being two [D] things in the Hendrix version [Abm] that always kind of
stuck out to me as something that I [Gm] wanted to learn but I never took the [Gb] time to do it.
[Ab] So the first one is_
_ _ [Db] And the other [Abm] one _ is_
_ [Gb] _ So [Abm] the same principle is being used in both of those things.
Let's [N] talk about where they happen.
The first one happens [A] right after [Gm]
midway through [Abm] the first chorus.
He's _ [Ebm] _ _ going_
_ _ [Ab] And then he slides up here. _ _
_ _ Basically, let me adjust my camera angle here so you can [A] see what's going on.
What we're going to [Ab] be doing _ is holding these two notes, the seventh fret on [Eb] the [Ab] A and the D string.
Just borrowing with my index finger there. _
[B] And the melody that [A] we're going to be [Ebm] playing _ goes_
_ [Eb] So _ _ [B] 7 to 10 on the A [Ab] string, then up to [Gm] 7 to 9 [Ab] on the D string and back down.
[Gb] _ [Ab] _ _ [Eb] _ _
[Ab] But what we're going to be doing [Eb] as we play that melody is holding [A] both of these notes.
So the [Ab] first thing that we play is those two notes together.
Then [B] we play 10th fret on the A string [Ab] while we keep playing the 7th fret on the D string. _ _ _ _ _ _
And then we play those two notes again.
But what's important is that the first time we play it, we emphasize the lower of the notes. _ _ _
But the second time we play it, _ we emphasize the higher of the two notes because we want
it to sound like we're doing it. _ _
_ _ _ _ _ _ [Ebm] _ _
_ And then the fourth thing we [Eb] play is 7th fret on the A string, 9th fret on the D string.
[Ab] _ _ [Eb] _ _
[Ab] _ Back to those notes again.
_ Back to this one again.
Back down.
So _ _ _ _
_ [Eb] _ _ _ [Ab] _ _ _ _
_ _ _ what's being used [Eb] there is kind of [B] like_
_ I think it was with the bagpipes.
They have a tone that rings out continuously no matter what they play.
It's [Ab] kind of what we're doing here.
_ _ These two notes, whichever one of those is being played, kind of feels _ [A] like_
I don't know.
It kind of gives it a droning [Ab] quality.
And then we're just adding other notes into it.
So that's the easy one.
The one that comes next happens right [Bbm] after. _
_ _ [A] _ [Eb] _ [Ab] _ _ _
And it took me a long time to figure out exactly what he was doing because he's [Db] actually playing
[B] what _ _ _ _ _
_ [Eb] happens to be two consecutive notes on the [B] fretboard. _
_ _ _ Okay?
So I'm going [Bbm] to show you the hard way to play it and then we'll [Bm] talk about an easier way
to do it.
[E] So what you're going to do, if [B] you can reach, [Ab] is you've got to forget about this grip for a second.
You're going to get all the way [Ebm] under the fretboard like _ [B] this.
_ Use your index finger to fret the fifth note on [Ebm] the G string and reach your pinky up here
to the ninth fret on the D string.
_ [Eb] Okay?
So we're going to play these little two note [B] combinations.
_ [C] Then [Abm] you're going to keep this finger here, drop to the seventh fret with [D] your ring finger,
_ _ [Abm] _ _ [B] _
and then bar [Ab] the _ [B] strings to fifth fret with this finger.
_ _ _ _ Okay?
So we've got three two note quartet. _ _ _ _ _
Then [Db] we're going to keep playing the fifth fret on the G string but then drop [E] to the
A string at the eighth [A] fret [B] and then drop to the seventh. _
So this note remains constant [Db] but what we play _ [Gb] [Eb] is_
_ So [B] _ [Eb] _
_ _ that is quite [Dbm] a stretch.
_ [B] _ _
Key is [Abm] to get your wrist around like this [Eb] so that it allows your pinky finger to [Fm] kind _ _ _ _ [B] _ _ _ [Db] of_
[F] So you've got to kind of [Ebm] rotate under.
[B] _ [E] _ [Ebm] _ _ _ _
_ [B] _ _ _ _ _ [Abm] Now if you can't do that, there is a way [Db] to cheat by [Gbm] doing it down [G] here.
_ [Bm] _
What you're going to do is fret the first note on [Ab] the_
[B] First fret on the B string _ and _ [Gm] [Ab] then reach up here to [B] the fourth fret on the G string. _ _
_ _ You're [Ab] going to walk down four, [Ebm] two, open on the G [B] string _ _ while you keep strumming
the second fret of the B string. _
And then the [E] last two notes would be [Eb] three to two [B] on the D string. _
_ _ _ _ [Abm] _ _ [Ebm] _ _
_ _ _ _ This will have a fatter sound if you do it [Db] up here because you're using the heavier strings.
And then to get out of that you just _ [B] _ _ [Gb] go_
_ [B] _ _
[Ab] Little hammer on there [Eb] from seven to nine on [Bm] the D string.
_ _ [Ab] Hammer, back off, and _ [Gb] then_
Aside [D] from five, seven, [Gb] back down to three _ _ on the E string.
[Dbm] _ [B] _ _ [Gb] _ _ [B] _ _
_ [Gb] _ Maybe it's two hammer-ons. _ _ _
[Abm] _ _ [G] _ _ [Gb] _ Yeah, I think it's two hammer-ons.
[F] Anyway, those are just two little things that I've heard in the [Eb] Hendrix version of Little
Wing that [F] always kind of interested [Ab] me but I never took the time to learn.
And I had to learn them to teach a student here in town.
And so I figured I'd share that with you today for Free [E] Lesson Friday.
Anyway, sorry about the [N] quality of the video.
I'll try to get back to my normal standards next time I do a lesson.
Thanks. _ _ _ _ _ _
_ [Abm] _ _ [Eb] _ _ _ _ [Gb] _
[Ebm] _ [Db] _ _ [Eb] _ [Bbm] _ _ _ _
_ [A] _ [Ab] _ [B] _ _ _ _ [Abm] _
[Gb] _ _ _ _ _ _ [E] _ _
_ _ [N] Hey everybody, this is Anthony from SteamySnacks.
It's Free Lesson Friday and I'm a big dummy so I actually left my big professional camcorder
at home and I'm in my office now.
But I still wanted to record a lesson so I'm just using my [Ab] webcam and I'll just do the
best that I can.
This is going to [G] be much lower quality than what I normally like to do.
Hopefully you'll still [Gbm] be able to learn something.
[G] What I'm going to look at today [Eb] is a little something from the Jimi Hendrix [Bm] version of Little Wing.
I know a lot of you guys, like me, have probably focused mainly on the Stevie Ray Vaughan version.
_ [C] But if you listen to the [D] Hendrix version, he [Eb] actually does some stuff that [A] Stevie does
not do because Stevie [Ab] didn't do [Eb] a note for note copy.
_ And I've always [Am] noticed there [B] being two [D] things in the Hendrix version [Abm] that always kind of
stuck out to me as something that I [Gm] wanted to learn but I never took the [Gb] time to do it.
[Ab] So the first one is_
_ _ [Db] And the other [Abm] one _ is_
_ [Gb] _ So [Abm] the same principle is being used in both of those things.
Let's [N] talk about where they happen.
The first one happens [A] right after [Gm]
midway through [Abm] the first chorus.
He's _ [Ebm] _ _ going_
_ _ [Ab] And then he slides up here. _ _
_ _ Basically, let me adjust my camera angle here so you can [A] see what's going on.
What we're going to [Ab] be doing _ is holding these two notes, the seventh fret on [Eb] the [Ab] A and the D string.
Just borrowing with my index finger there. _
[B] And the melody that [A] we're going to be [Ebm] playing _ goes_
_ [Eb] So _ _ [B] 7 to 10 on the A [Ab] string, then up to [Gm] 7 to 9 [Ab] on the D string and back down.
[Gb] _ [Ab] _ _ [Eb] _ _
[Ab] But what we're going to be doing [Eb] as we play that melody is holding [A] both of these notes.
So the [Ab] first thing that we play is those two notes together.
Then [B] we play 10th fret on the A string [Ab] while we keep playing the 7th fret on the D string. _ _ _ _ _ _
And then we play those two notes again.
But what's important is that the first time we play it, we emphasize the lower of the notes. _ _ _
But the second time we play it, _ we emphasize the higher of the two notes because we want
it to sound like we're doing it. _ _
_ _ _ _ _ _ [Ebm] _ _
_ And then the fourth thing we [Eb] play is 7th fret on the A string, 9th fret on the D string.
[Ab] _ _ [Eb] _ _
[Ab] _ Back to those notes again.
_ Back to this one again.
Back down.
So _ _ _ _
_ [Eb] _ _ _ [Ab] _ _ _ _
_ _ _ what's being used [Eb] there is kind of [B] like_
_ I think it was with the bagpipes.
They have a tone that rings out continuously no matter what they play.
It's [Ab] kind of what we're doing here.
_ _ These two notes, whichever one of those is being played, kind of feels _ [A] like_
I don't know.
It kind of gives it a droning [Ab] quality.
And then we're just adding other notes into it.
So that's the easy one.
The one that comes next happens right [Bbm] after. _
_ _ [A] _ [Eb] _ [Ab] _ _ _
And it took me a long time to figure out exactly what he was doing because he's [Db] actually playing
[B] what _ _ _ _ _
_ [Eb] happens to be two consecutive notes on the [B] fretboard. _
_ _ _ Okay?
So I'm going [Bbm] to show you the hard way to play it and then we'll [Bm] talk about an easier way
to do it.
[E] So what you're going to do, if [B] you can reach, [Ab] is you've got to forget about this grip for a second.
You're going to get all the way [Ebm] under the fretboard like _ [B] this.
_ Use your index finger to fret the fifth note on [Ebm] the G string and reach your pinky up here
to the ninth fret on the D string.
_ [Eb] Okay?
So we're going to play these little two note [B] combinations.
_ [C] Then [Abm] you're going to keep this finger here, drop to the seventh fret with [D] your ring finger,
_ _ [Abm] _ _ [B] _
and then bar [Ab] the _ [B] strings to fifth fret with this finger.
_ _ _ _ Okay?
So we've got three two note quartet. _ _ _ _ _
Then [Db] we're going to keep playing the fifth fret on the G string but then drop [E] to the
A string at the eighth [A] fret [B] and then drop to the seventh. _
So this note remains constant [Db] but what we play _ [Gb] [Eb] is_
_ So [B] _ [Eb] _
_ _ that is quite [Dbm] a stretch.
_ [B] _ _
Key is [Abm] to get your wrist around like this [Eb] so that it allows your pinky finger to [Fm] kind _ _ _ _ [B] _ _ _ [Db] of_
[F] So you've got to kind of [Ebm] rotate under.
[B] _ [E] _ [Ebm] _ _ _ _
_ [B] _ _ _ _ _ [Abm] Now if you can't do that, there is a way [Db] to cheat by [Gbm] doing it down [G] here.
_ [Bm] _
What you're going to do is fret the first note on [Ab] the_
[B] First fret on the B string _ and _ [Gm] [Ab] then reach up here to [B] the fourth fret on the G string. _ _
_ _ You're [Ab] going to walk down four, [Ebm] two, open on the G [B] string _ _ while you keep strumming
the second fret of the B string. _
And then the [E] last two notes would be [Eb] three to two [B] on the D string. _
_ _ _ _ [Abm] _ _ [Ebm] _ _
_ _ _ _ This will have a fatter sound if you do it [Db] up here because you're using the heavier strings.
And then to get out of that you just _ [B] _ _ [Gb] go_
_ [B] _ _
[Ab] Little hammer on there [Eb] from seven to nine on [Bm] the D string.
_ _ [Ab] Hammer, back off, and _ [Gb] then_
Aside [D] from five, seven, [Gb] back down to three _ _ on the E string.
[Dbm] _ [B] _ _ [Gb] _ _ [B] _ _
_ [Gb] _ Maybe it's two hammer-ons. _ _ _
[Abm] _ _ [G] _ _ [Gb] _ Yeah, I think it's two hammer-ons.
[F] Anyway, those are just two little things that I've heard in the [Eb] Hendrix version of Little
Wing that [F] always kind of interested [Ab] me but I never took the time to learn.
And I had to learn them to teach a student here in town.
And so I figured I'd share that with you today for Free [E] Lesson Friday.
Anyway, sorry about the [N] quality of the video.
I'll try to get back to my normal standards next time I do a lesson.
Thanks. _ _ _ _ _ _