Chords for Hello (from Always and Forever: An Evening of Songs at The Royal Albert Hall)

_ _ _ _ _ [Em] _ _ _
_ [A#m] _ _ _ _ [Fm] _ _ _
_ [F#] _ _ _ _ [Fm] _ _ _
[A#m] _ _ _ _ _ _ [Fm] _ _
_ [F#] _ _ _ _ _ [Fm] _ _
[F#] _ _ [Fm] I've been alone [C#] with you [Fm] _ [F#] inside my _ [Fm] mind. _
[F#] _ _ [A#m] And in my dreams [Fm] I've kissed your lips [F#] a _ thousand [Fm] _
[F#] times.
_ [A#m] I sometimes see [Fm] you pass _ [C#] [F#] outside my _ [Fm] door. _
[F#] _ _ [A#m] Hello, _ _ _ [Fm] _
_ _ [F#] is it me you're looking [A#] for?
_ _ [D#m] I can see it [G#] in your _ eyes.
[C#] I can see it in your [F#] smile.
_ _ [B] You're all I've ever [F] _ wanted.
[A#m] And my arms [F] are [A#m] open wide.
[A#] _ [D#m] Cause you know just what to [G#] say.
_ [C#] And you know just what to do.
_ _ [B] And I want to tell you [F] so much. _ _ _ _
I love [A#m] _ [Fm] you. _ _ _
_ _ [F#] _ _ _ _ [Fm] _ _
_ _ [A#m] _ _ _ _ [Fm] I _ _ [F#] _ _ _ _ _ [Fm] _
_ [F#] _ _ [A#m] _ long to [Fm] see the sunlight [F#] in your _ _ [G#] hair.
[F#] _ _ [A#m] And tell you [Fm] time and time again [F#] how much I [Fm] care. _
[F#] _ _ [A#m] Sometimes I [C#] feel my heart [Fm] [F#] will overflow.
_ _ [Fm] _ _
[F#] _ _ [A#m] Hello, _ _ [G#] _ _
_ [F#] I've just got to let you [A#] know.
_ [D#m] Cause I wonder where [G#] you are, _
_ _ [C#] _ _ what you [F#] do. _
_ [B] Are you somewhere feeling [F] lonely? _
_ [A#m] Or is someone [F] loving [A#m] you? _
[A#] Tell [D#m] me how, _ [G#] _ _
for [C#] I haven't got a [F#] clue. _
_ [B] But let me start by [F] saying, _ _ _ _ _ [A#m] I love [Fm] _ _ you.
_ _ [F#] _ _
_ _ [Fm] _ _ [F#] _ _ [A#m] _ _
_ _ [Fm] _ _ _ _ [F#] _ _
_ _ [Fm] _ _ _ [Gm] _ _ _
_ _ _ _ _ [D#] _ _ _
_ _ _ [A#] _ _ [Cm] _ _ _
_ _ _ _ _ [Am] _ _ _
_ [G] _ _ [D] _ _ _ [Bm] _ _
_ _ _ _ [D] _ _ [G] _ _
_ _ [D] _ _ [G] Hello, [Bm] _ _
_ _ [F#m] _ _ _ [Bm] is it me you're looking [B] for?
_ [Em] Cause I wonder, _ [A] _ _ _ [D] and I wonder.
_ _ [G] _ _ _ [C] Are you somewhere feeling [F#] lonely?
_ _ [Bm] Or is someone [F#] loving [Bm] you?
_ [B] Tell [Em] me how, _ for [A] I [D] don't have a [G] clue.
_ _ [C] But let me start by [F#] saying, _ _ _
Ooh, [Bm] I [D] love _ _ _
_ _ [G] _ _ _ [F#m] you. _
[C#] _ _ [Bm] _ _ _ _ [F#m] _ _
_ [Bm] _ _ _ _ _ [F#m] _ _
[G] _ _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _ _
_ _ I don't think there's a lot about what I do that has changed
in terms of my vocal approach to music.
_ _ _ A lot of the music that I sing has changed, and it varies.
But there's always been a variety of styles and approaches
to the music that I chose to sing.
So I don't think that much has changed.
And I also don't think that change is some necessary evil
that you have to experience, otherwise you're stagnating
as an artist.
I never believed that either.
_ _ I listened to early Barbra Streisand, and I know it's her.
And I listened to her on her special the other night on TV,
and I knew it was her.
And although her voice has matured, you know,
[G] the whole issue of the stamp being [F] put on it
is really stylistic more [N] than a conscious effort
to change or to evolve.
You evolve naturally.
_ Evolution is nothing that you can affect
_ by a concerted effort to