Chords for Harmonica World classical champion world classical Chromatic champion Bach Air on the G String
Tempo:
137.45 bpm
Chords used:
D
Bm
G
Em
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#]
[E]
Scales [D] may be the stuff of young musicians' nightmares,
but they have proved to be the most successful components of bass lines
in all music ever.
Jazz bassists would be absolutely lost without them.
There's always been something strangely cool about bass scales,
as J.S. Bach found out, although I don't think he knew just quite
how cool this little number would turn out to be.
[Bm]
[G] [E]
[A]
[F#m]
[Am] [B]
[E] [B] [Em]
[G] [A]
[F#m] [D]
[Bm]
[E] [F#m] [Bm]
[D] [E] [A]
[D]
[Em] [C] [B]
[Em]
[G] The pure [C#m] graceful beauty of this air owes much to [Em] its slowly descending
[F#] major scale [Bm] bass line.
[F#] Seemingly the only [Bm] moving object, while [Em] the other instruments hover
and [F#] glide like kites [Bm] above it.
A bass effect that has been copied a thousand [A] times.
[D]
[G]
[D] [G]
[Bm] [Em]
[G] [A] [D]
[Em] [D] [G]
[D] [A]
[D]
[E]
Scales [D] may be the stuff of young musicians' nightmares,
but they have proved to be the most successful components of bass lines
in all music ever.
Jazz bassists would be absolutely lost without them.
There's always been something strangely cool about bass scales,
as J.S. Bach found out, although I don't think he knew just quite
how cool this little number would turn out to be.
[Bm]
[G] [E]
[A]
[F#m]
[Am] [B]
[E] [B] [Em]
[G] [A]
[F#m] [D]
[Bm]
[E] [F#m] [Bm]
[D] [E] [A]
[D]
[Em] [C] [B]
[Em]
[G] The pure [C#m] graceful beauty of this air owes much to [Em] its slowly descending
[F#] major scale [Bm] bass line.
[F#] Seemingly the only [Bm] moving object, while [Em] the other instruments hover
and [F#] glide like kites [Bm] above it.
A bass effect that has been copied a thousand [A] times.
[D]
[G]
[D] [G]
[Bm] [Em]
[G] [A] [D]
[Em] [D] [G]
[D] [A]
[D]
Key:
D
Bm
G
Em
A
D
Bm
G
[F#] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _
Scales [D] may be the stuff of young musicians' nightmares,
but they have proved to be the most successful components of bass lines
in all music ever.
Jazz bassists would be absolutely lost without them.
There's always been something strangely cool about bass scales,
as J.S. Bach found out, although I don't think he knew just quite
how cool this little number would turn out to be. _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ _ [G] _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[Am] _ _ _ _ [B] _ _ _ _
[E] _ [B] _ _ _ [Em] _ _ _ _
[G] _ _ _ _ [A] _ _ _ _
_ _ _ [F#m] _ [D] _ _ _ _
_ _ _ _ _ _ [Bm] _ _
_ _ [E] _ _ _ [F#m] _ _ [Bm] _
_ [D] _ _ _ [E] _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Em] _ _ [C] _ _ [B] _ _ _ _
_ _ _ _ [Em] _ _ _ _
[G] _ The pure [C#m] graceful beauty of this air owes much to [Em] its slowly descending
[F#] major scale [Bm] bass line.
[F#] Seemingly the only [Bm] moving object, while [Em] the other instruments hover
and [F#] glide like kites [Bm] above it.
A bass effect that has been copied a thousand [A] times. _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ [G] _ _
[D] _ _ _ _ [G] _ _ _ _
[Bm] _ _ _ _ [Em] _ _ _ _
[G] _ _ _ _ [A] _ _ _ [D] _
_ _ [Em] _ _ [D] _ _ [G] _ _
[D] _ _ _ [A] _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _
Scales [D] may be the stuff of young musicians' nightmares,
but they have proved to be the most successful components of bass lines
in all music ever.
Jazz bassists would be absolutely lost without them.
There's always been something strangely cool about bass scales,
as J.S. Bach found out, although I don't think he knew just quite
how cool this little number would turn out to be. _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ _ [G] _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ [F#m] _ _ _ _
[Am] _ _ _ _ [B] _ _ _ _
[E] _ [B] _ _ _ [Em] _ _ _ _
[G] _ _ _ _ [A] _ _ _ _
_ _ _ [F#m] _ [D] _ _ _ _
_ _ _ _ _ _ [Bm] _ _
_ _ [E] _ _ _ [F#m] _ _ [Bm] _
_ [D] _ _ _ [E] _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Em] _ _ [C] _ _ [B] _ _ _ _
_ _ _ _ [Em] _ _ _ _
[G] _ The pure [C#m] graceful beauty of this air owes much to [Em] its slowly descending
[F#] major scale [Bm] bass line.
[F#] Seemingly the only [Bm] moving object, while [Em] the other instruments hover
and [F#] glide like kites [Bm] above it.
A bass effect that has been copied a thousand [A] times. _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ [G] _ _
[D] _ _ _ _ [G] _ _ _ _
[Bm] _ _ _ _ [Em] _ _ _ _
[G] _ _ _ _ [A] _ _ _ [D] _
_ _ [Em] _ _ [D] _ _ [G] _ _
[D] _ _ _ [A] _ _ _ _ _
[D] _ _ _ _ _ _ _ _