Chords for Hank Williams Jr. and Waylon Jennings' - 'The Conversation' by Whey Jennings and Creed Fisher
Tempo:
96.4 bpm
Chords used:
E
A
Em
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em]
[E] [E]
Hey, [G] let's talk about your [E] daddy.
[E]
Tell me how your mama loved that man.
[A]
Just break out of bottle hall.
I'll tell you about the [E] drifting cowboy van.
We [B] won't talk about the habit.
[A#] [A] Just the [E] music and the man.
Hey, you just gotta tell me,
Did your daddy really write all them songs?
[A] That don't deserve no answer, Paul.
Let's light up and [Em] just move [E] along.
Do [B] you think he wrote them about your mama?
[A] Or about the man who [E] done her wrong?
You know that.
[C#m] [A] Back then they called him crazy.
Nowadays they [Em] call him a saint.
[C#] [B] [E] [A] And the ones that call him crazy,
[F#m] And they're riding [B] on his head.
[Bm] Well, if [E] he was here right now most even,
Would he think that we were right?
Do you think [Em] he might?
[E] [A] Don't you know he would walk off?
He'd be [Em] right here [E] by our side.
If [B] we were late for a show at Provo,
[A] He'd be the first one on the bus and [E] ready to ride.
Just want to go on.
[C#m] [E] Wherever he is, I hope he's happy.
Lord, I hope he's doing well.
[Em] [E] He is, y'all,
Cause [A] he's got one arm around my mama now.
And he sure does love his old [Em] generation to hell.
[E] Lord, [B] I won't ask you no more questions.
[A] To the stories only Hank can [E] tell.
[C#m] Back [A] then they called him crazy.
Nowadays they call [E] him a saint.
Most folks don't [A] know that they fired him from the opera.
[F#] And that caused the [B] greatest pain.
I'd [E] love to tell you about love, Sue.
How Miss Audrey loved that man.
[C#] You [A] know I've always loved to listen
To the stories about that drifting [E] cowboy man.
[B] When he comes riding down,
To [A] the most wanted outlaw [E] in the land.
[G]
[E] [G]
[Em] [Bm] [G#m]
[E] [C]
[E] [E]
Hey, [G] let's talk about your [E] daddy.
[E]
Tell me how your mama loved that man.
[A]
Just break out of bottle hall.
I'll tell you about the [E] drifting cowboy van.
We [B] won't talk about the habit.
[A#] [A] Just the [E] music and the man.
Hey, you just gotta tell me,
Did your daddy really write all them songs?
[A] That don't deserve no answer, Paul.
Let's light up and [Em] just move [E] along.
Do [B] you think he wrote them about your mama?
[A] Or about the man who [E] done her wrong?
You know that.
[C#m] [A] Back then they called him crazy.
Nowadays they [Em] call him a saint.
[C#] [B] [E] [A] And the ones that call him crazy,
[F#m] And they're riding [B] on his head.
[Bm] Well, if [E] he was here right now most even,
Would he think that we were right?
Do you think [Em] he might?
[E] [A] Don't you know he would walk off?
He'd be [Em] right here [E] by our side.
If [B] we were late for a show at Provo,
[A] He'd be the first one on the bus and [E] ready to ride.
Just want to go on.
[C#m] [E] Wherever he is, I hope he's happy.
Lord, I hope he's doing well.
[Em] [E] He is, y'all,
Cause [A] he's got one arm around my mama now.
And he sure does love his old [Em] generation to hell.
[E] Lord, [B] I won't ask you no more questions.
[A] To the stories only Hank can [E] tell.
[C#m] Back [A] then they called him crazy.
Nowadays they call [E] him a saint.
Most folks don't [A] know that they fired him from the opera.
[F#] And that caused the [B] greatest pain.
I'd [E] love to tell you about love, Sue.
How Miss Audrey loved that man.
[C#] You [A] know I've always loved to listen
To the stories about that drifting [E] cowboy man.
[B] When he comes riding down,
To [A] the most wanted outlaw [E] in the land.
[G]
[E] [G]
[Em] [Bm] [G#m]
[E] [C]
Key:
E
A
Em
B
G
E
A
Em
_ _ _ _ _ _ _ [Em] _
_ _ _ _ [E] _ _ _ [E]
Hey, [G] let's talk about your [E] daddy.
_ _ [E]
Tell me how your mama loved that man.
_ _ [A]
Just break out of bottle hall.
I'll tell you about the [E] drifting cowboy van.
_ _ _ _ We [B] won't talk about the habit.
[A#] _ [A] Just the [E] music and the man.
_ _ _ _ _ _ Hey, you just gotta tell me,
_ Did your daddy really write all them songs?
_ _ [A] That don't deserve no answer, Paul.
Let's light up and [Em] just move [E] along.
_ _ _ _ Do [B] you think he wrote them about your mama?
[A] Or about the man who [E] done her wrong?
You know that.
_ [C#m] _ [A] Back then they called him crazy.
_ Nowadays they [Em] call him a saint.
[C#] _ _ [B] _ [E] _ _ [A] And the ones that call him crazy,
[F#m] And they're riding [B] on his head.
_ _ _ [Bm] _ Well, if [E] he was here right now most even,
_ Would he think that we were right?
Do you think [Em] he might?
[E] _ _ _ [A] Don't you know he would walk off?
He'd be [Em] right here [E] by our side.
_ _ _ If [B] we were late for a show at Provo,
[A] He'd be the first one on the bus and [E] ready to ride.
Just want to go on.
_ [C#m] [E] Wherever he is, I hope he's happy.
_ Lord, I hope he's doing well.
_ [Em] _ [E] He is, y'all,
Cause [A] he's got one arm around my mama now.
And he sure does love his old [Em] generation to hell.
_ _ [E] _ _ Lord, [B] I won't ask you no more questions.
[A] To the stories only Hank can [E] tell.
_ _ _ _ _ [C#m] Back [A] then they called him crazy.
_ Nowadays they call [E] him a saint.
_ _ _ Most folks don't [A] know that they fired him from the opera.
[F#] _ And that caused the [B] greatest pain.
_ _ _ _ I'd [E] love to tell you about love, Sue.
_ How Miss Audrey loved that man.
_ _ _ _ [C#] You [A] know I've always loved to listen
To the stories about that drifting [E] cowboy man.
_ _ _ _ _ [B] When he comes riding down,
To [A] the most wanted outlaw [E] in the land.
_ _ _ _ _ _ [G] _ _
[E] _ _ _ _ _ _ [G] _ _
[Em] _ _ _ _ [Bm] _ _ _ [G#m] _
_ _ [E] _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [E]
Hey, [G] let's talk about your [E] daddy.
_ _ [E]
Tell me how your mama loved that man.
_ _ [A]
Just break out of bottle hall.
I'll tell you about the [E] drifting cowboy van.
_ _ _ _ We [B] won't talk about the habit.
[A#] _ [A] Just the [E] music and the man.
_ _ _ _ _ _ Hey, you just gotta tell me,
_ Did your daddy really write all them songs?
_ _ [A] That don't deserve no answer, Paul.
Let's light up and [Em] just move [E] along.
_ _ _ _ Do [B] you think he wrote them about your mama?
[A] Or about the man who [E] done her wrong?
You know that.
_ [C#m] _ [A] Back then they called him crazy.
_ Nowadays they [Em] call him a saint.
[C#] _ _ [B] _ [E] _ _ [A] And the ones that call him crazy,
[F#m] And they're riding [B] on his head.
_ _ _ [Bm] _ Well, if [E] he was here right now most even,
_ Would he think that we were right?
Do you think [Em] he might?
[E] _ _ _ [A] Don't you know he would walk off?
He'd be [Em] right here [E] by our side.
_ _ _ If [B] we were late for a show at Provo,
[A] He'd be the first one on the bus and [E] ready to ride.
Just want to go on.
_ [C#m] [E] Wherever he is, I hope he's happy.
_ Lord, I hope he's doing well.
_ [Em] _ [E] He is, y'all,
Cause [A] he's got one arm around my mama now.
And he sure does love his old [Em] generation to hell.
_ _ [E] _ _ Lord, [B] I won't ask you no more questions.
[A] To the stories only Hank can [E] tell.
_ _ _ _ _ [C#m] Back [A] then they called him crazy.
_ Nowadays they call [E] him a saint.
_ _ _ Most folks don't [A] know that they fired him from the opera.
[F#] _ And that caused the [B] greatest pain.
_ _ _ _ I'd [E] love to tell you about love, Sue.
_ How Miss Audrey loved that man.
_ _ _ _ [C#] You [A] know I've always loved to listen
To the stories about that drifting [E] cowboy man.
_ _ _ _ _ [B] When he comes riding down,
To [A] the most wanted outlaw [E] in the land.
_ _ _ _ _ _ [G] _ _
[E] _ _ _ _ _ _ [G] _ _
[Em] _ _ _ _ [Bm] _ _ _ [G#m] _
_ _ [E] _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _