Chords for hank marvin echo
Tempo:
73.6 bpm
Chords used:
A
C
E
F#m
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I was just amazed because they hadn't heard them either.
It was a brand new thing in the country.
Let's check out an echo sound, if you will.
Yeah.
I mean, let's say for example Apache, which was the first hit.
Okay.
The shadows, right.
And that was quite an echoey record.
And that, again, had this interesting multi-tapped echo on.
Okay.
So you were going to show us your Apache.
Yeah.
Now just to indicate the difference in the [G#m] echo, say, between this and the slap,
if I just hit a damp note, you can hear [A] the echo. Let's see.
So this has a definite rhythm.
Yeah.
Yeah.
[C] And it gives [E] a nice [A] ambience to the note.
[F#m] [E]
[A] [F#m] [E]
And if you say [F] on the gulp, [A]
it's [N] not exactly in time with the music as such,
but it just seems to work somehow.
But that's the kind of echo that the Meazzi had with this multi-head.
And of course you can change the speed to make that a faster or slower effect.
So this particular sound was, I guess, written to duplicate a Meazzi echo.
Yes.
A fan in the U.K. has spent around three years writing software for a Quadroverb 2.
He's sampled all the old records [C] and a lot of my new stuff.
And he sampled the echoes and worked out the gaps [E] in the heads.
And he's set up the echo.
He's [N] even put little things in like subtle changes of EQ on each head,
which was an actual byproduct of the early echo boxes because of the way they were designed.
And he's done a terrific job.
And of course now it means everything is set up MIDI.
You can change from one to the other on stage.
Either my technician does it for me or through a pedal board
without having to turn manually to an echo box, changing speed, changing echo type or whatever.
It's all preset, and it's a terrific arrangement.
Let's listen to another one, shall we?
Okay.
Let's do that.
I think another probably quite obvious echo is the one he's on Wonderful Land.
Now, on Wonderful Land the echo is quite different from Apache.
And I'll again play a muted section so you can hear the [C] echo.
[Em] [C] [Em]
That gives this tripping, shimmering effect,
It was a brand new thing in the country.
Let's check out an echo sound, if you will.
Yeah.
I mean, let's say for example Apache, which was the first hit.
Okay.
The shadows, right.
And that was quite an echoey record.
And that, again, had this interesting multi-tapped echo on.
Okay.
So you were going to show us your Apache.
Yeah.
Now just to indicate the difference in the [G#m] echo, say, between this and the slap,
if I just hit a damp note, you can hear [A] the echo. Let's see.
So this has a definite rhythm.
Yeah.
Yeah.
[C] And it gives [E] a nice [A] ambience to the note.
[F#m] [E]
[A] [F#m] [E]
And if you say [F] on the gulp, [A]
it's [N] not exactly in time with the music as such,
but it just seems to work somehow.
But that's the kind of echo that the Meazzi had with this multi-head.
And of course you can change the speed to make that a faster or slower effect.
So this particular sound was, I guess, written to duplicate a Meazzi echo.
Yes.
A fan in the U.K. has spent around three years writing software for a Quadroverb 2.
He's sampled all the old records [C] and a lot of my new stuff.
And he sampled the echoes and worked out the gaps [E] in the heads.
And he's set up the echo.
He's [N] even put little things in like subtle changes of EQ on each head,
which was an actual byproduct of the early echo boxes because of the way they were designed.
And he's done a terrific job.
And of course now it means everything is set up MIDI.
You can change from one to the other on stage.
Either my technician does it for me or through a pedal board
without having to turn manually to an echo box, changing speed, changing echo type or whatever.
It's all preset, and it's a terrific arrangement.
Let's listen to another one, shall we?
Okay.
Let's do that.
I think another probably quite obvious echo is the one he's on Wonderful Land.
Now, on Wonderful Land the echo is quite different from Apache.
And I'll again play a muted section so you can hear the [C] echo.
[Em] [C] [Em]
That gives this tripping, shimmering effect,
Key:
A
C
E
F#m
Em
A
C
E
I was just amazed because they hadn't heard them either.
It was a brand new thing in the country.
Let's check out an echo sound, if you will.
Yeah.
I mean, let's say for example Apache, which was the first hit.
Okay.
The shadows, right.
And that was quite an echoey record.
And that, again, had this interesting multi-tapped echo on.
Okay.
So you were going to show us your Apache.
Yeah.
Now just to indicate the difference in the [G#m] echo, say, between this and the slap,
if I just hit a damp note, you can hear [A] the echo. Let's see. _ _ _ _
So this has a definite rhythm.
_ Yeah.
Yeah.
[C] And it gives [E] a nice [A] ambience to the note.
_ _ [F#m] _ [E] _
_ _ _ [A] _ _ _ [F#m] _ [E] _
And if you say [F] on the gulp, _ _ _ [A] _
it's [N] not exactly in time with the music as such,
but it just seems to work somehow.
But that's the kind of echo that the Meazzi had with this multi-head.
And of course you can change the speed to make that a faster or slower effect.
So this particular sound was, I guess, written to duplicate a Meazzi echo.
Yes.
A fan in the U.K. has spent around three years writing software for a Quadroverb 2.
He's sampled all the old records [C] and a lot of my new stuff.
And he sampled the echoes and worked out the gaps [E] in the heads.
And he's set up the echo.
He's [N] even put little things in like subtle changes of EQ on each head,
which was an actual byproduct of the early echo boxes because of the way they were designed.
And he's done a terrific job.
And of course now it means everything is set up MIDI.
You can change from one to the other on stage.
Either my technician does it for me or through a pedal board
without having to turn manually to an echo box, changing speed, changing echo type or whatever.
It's all preset, and it's a terrific arrangement.
Let's listen to another one, shall we?
Okay.
Let's do that.
I think another probably quite obvious echo is the one he's on Wonderful Land.
Now, on Wonderful Land the echo is quite different from Apache.
And I'll again play a muted section so you can hear the [C] echo. _ _ _ _ _
_ _ [Em] _ [C] _ _ _ [Em] _ _
_ _ _ That gives this tripping, shimmering effect,
It was a brand new thing in the country.
Let's check out an echo sound, if you will.
Yeah.
I mean, let's say for example Apache, which was the first hit.
Okay.
The shadows, right.
And that was quite an echoey record.
And that, again, had this interesting multi-tapped echo on.
Okay.
So you were going to show us your Apache.
Yeah.
Now just to indicate the difference in the [G#m] echo, say, between this and the slap,
if I just hit a damp note, you can hear [A] the echo. Let's see. _ _ _ _
So this has a definite rhythm.
_ Yeah.
Yeah.
[C] And it gives [E] a nice [A] ambience to the note.
_ _ [F#m] _ [E] _
_ _ _ [A] _ _ _ [F#m] _ [E] _
And if you say [F] on the gulp, _ _ _ [A] _
it's [N] not exactly in time with the music as such,
but it just seems to work somehow.
But that's the kind of echo that the Meazzi had with this multi-head.
And of course you can change the speed to make that a faster or slower effect.
So this particular sound was, I guess, written to duplicate a Meazzi echo.
Yes.
A fan in the U.K. has spent around three years writing software for a Quadroverb 2.
He's sampled all the old records [C] and a lot of my new stuff.
And he sampled the echoes and worked out the gaps [E] in the heads.
And he's set up the echo.
He's [N] even put little things in like subtle changes of EQ on each head,
which was an actual byproduct of the early echo boxes because of the way they were designed.
And he's done a terrific job.
And of course now it means everything is set up MIDI.
You can change from one to the other on stage.
Either my technician does it for me or through a pedal board
without having to turn manually to an echo box, changing speed, changing echo type or whatever.
It's all preset, and it's a terrific arrangement.
Let's listen to another one, shall we?
Okay.
Let's do that.
I think another probably quite obvious echo is the one he's on Wonderful Land.
Now, on Wonderful Land the echo is quite different from Apache.
And I'll again play a muted section so you can hear the [C] echo. _ _ _ _ _
_ _ [Em] _ [C] _ _ _ [Em] _ _
_ _ _ That gives this tripping, shimmering effect,