Chords for Guy Clark's Workshop And Wood From Madagascar

Tempo:
119.9 bpm
Chords used:

G

D

Eb

E

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Guy Clark's Workshop And Wood From Madagascar chords
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[Gbm] [D]
[A] [Gb] [A]
[Ab] [G] No, here's something that since I'm still around
Your early songs and a lot of the songs that other people did they tend to do [Eb] them at a lot of times
I've heard these songs, you know when
When old number one came out, I think I was nine.
Yeah, [E] but um, and then yeah
I always tended to hear the other songs after yours
I mean, did you write songs for other people and then they wind up on your I've always done that
I [D] mean I write songs for a publishing company.
They [G] keep me alive and
And
[Ab] I'm a part of the way I make a [C] living is them getting them out there and having other people [G] do them
Minute I write I don't care right part of what I do
But I can always do [C] them exactly the way they I think they [G] go now
Yeah, you're obviously your name is always still on the songs because I think oh, yeah
But what do [Eb] you think about some of the publishing companies are friends of mine that had been people I knew and [D] people I've heard
Of that have offers so they're like, okay, we want this particular star once your song
But we're buying it from you so it's a work-for-hire and it's not your name isn't gonna be on it.
Oh
[G] That's not a publishing deal.
That's a [D] grand
This is some wood that my friend Donny Wade sent me this is [Em] Cambodian rosewood
That's beautiful.
Yeah
[G] [E]
Lovely stuff [G] really hard to work with but why Cambodia?
No, [N] this is Madagascar.
Why why is it?
Why is it hard to work with oh, we're just split so easy down these black lines and it's real
It's brittle.
It's a real hard wood
Fell [D] off of it there
[E]
[Eb]
[C] Sound like shit
[N] Don't know
Now you make pretty much the same body style you ever yeah for the flamencos
Then this is I
Mean these [Eb] guitars don't have finishes on them, you know, I'm just
[Ab] Finish it or build it string it up
[A] [Bb]
[G] brand new strings
But like [D] this guitars louder than
[Eb] And [Em] it's a deeper body or a little bit a little bit
[G]
[N] I
Don't know that stuff that just happens.
How are like you were saying about the
Not really just kind of feel it out and they yeah, they do it.
They're not on earth exactly the same depth
You know, it's like I'm David
This is the this is the first one of these steel strings
I'm built and this John's I'm such a night.
This is this older the neck.
Yeah
Yeah, it's just been played and played rubbed in it
And this is an example of I guess after a while what it starts to look like this one starts to really feel good
So that's the lesson if you're making a guitar don't finish the neck.
Well, you know, well, that's only me
It sounds like a good idea regardless
[E] But I think
Key:  
G
2131
D
1321
Eb
12341116
E
2311
A
1231
G
2131
D
1321
Eb
12341116
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_ _ _ [Gbm] _ _ _ _ [D] _
_ [A] _ _ [Gb] _ _ _ _ [A] _
_ _ [Ab] [G] No, here's something that since I'm still around
_ Your early songs and a lot of the songs that other people did they tend to do [Eb] them at a lot of times
I've heard these songs, you know when
When old number one came out, I think I was nine.
Yeah, [E] but um, and then yeah
I always tended to hear the other songs after yours
I mean, did you write songs for other people and then they wind up on your I've always done that
I [D] mean I write songs for a publishing company.
They [G] keep me alive and
_ And
[Ab] I'm a part of the way I make a [C] living is them getting them out there and having other people [G] do them
Minute I write I don't care right part of what I do
But I can always do [C] them exactly the way they I think they [G] go now
Yeah, you're obviously your name is always still on the songs because I think oh, yeah
But what do [Eb] you think about some of the publishing companies are friends of mine that had been people I knew and [D] people I've heard
Of that have offers so they're like, okay, we want this particular star once your song
But we're buying it from you so it's a work-for-hire and it's not your name isn't gonna be on it.
Oh
_ [G] That's not a publishing deal.
That's a [D] grand
_ _ This is some wood that my friend Donny Wade sent me this is [Em] Cambodian rosewood
_ That's beautiful.
Yeah _
[G] _ [E] _ _ _ _ _ _ _
Lovely stuff [G] really hard to work with but why Cambodia?
No, [N] this is Madagascar.
Why why is it?
Why is it hard to work with oh, we're just split so easy down these black lines and it's real
It's brittle.
It's a real hard wood
_ _ _ _ _ Fell [D] off of it there _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [Eb] _ _
_ [C] _ _ Sound like shit _
[N] _ _ Don't know
Now _ you make pretty much the same body style you ever yeah for the flamencos
_ _ _ Then this is _ I
Mean these [Eb] guitars don't have finishes on them, you know, I'm just
_ [Ab] Finish it or build it string it up
_ [A] _ _ _ [Bb] _ _
[G] _ _ _ brand new strings _
But like [D] this guitars louder than
[Eb] And _ [Em] it's a deeper body or a little bit a little bit
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
[N] I
Don't know that stuff that just happens.
How are like you were saying about the
_ _ Not really just kind of feel it out and they yeah, they do it.
They're not on earth exactly the same depth
You know, it's like I'm David _ _ _
This is the this is the first one of these steel strings
I'm built and this John's I'm such a night.
This is this older the neck.
Yeah
Yeah, it's just been played and played rubbed in it
And this is an example of I guess after a while what it starts to look like this one starts to really feel good
_ So that's the lesson if you're making a guitar don't finish the neck.
Well, you know, well, that's only me
It sounds like a good idea regardless
_ _ [E] But I think