Chords for Guthrie Govan - Pirate Modes
Tempo:
84 bpm
Chords used:
Dm
D
G
E
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] And if I use all the notes of that scale, what happens is
Alright there, it's time for some jolly pirate music.
Look, that note is set complete at the end of the phrase.
You can hear that that is the best note of that note.
I'm waiting to hear the bonus.
You need that at the end, okay.
So that's using this shape as a C major scale.
You could use it over another sort.
Let's [G] say you have exactly the same [Cm] scale shape, the same place.
So you move [G] your second finger on the lowest thing there.
[N] But now the song [Dm]
[F] goes
[Dm] [E] [Dm]
[G] [D] And over that now I can
[A]
Well these notes sound wrong.
[D] Like they sound [G] like a whole set up.
[Dm] [D]
[Dm] But suddenly that's the note you want to land on.
That used to be the best note in the world.
[D] [G]
[Dm] [D] [Dm]
[E] Alright, so I don't sound like a jolly pirate anymore.
I sound like this slightly jazzy blues guy.
But the shape remains the same.
[C] All I'm doing is acknowledging that that's not how many more [D] I'm going to hear.
Because it's a different [E] chord level.
Now that is another mode of the [Ab] shape.
Does that kind of make [E] sense?
It's just the general idea of modes.
I'd hate for anyone to go away and think, oh that mode stuff is difficult.
[F] I need that to sing in.
I think the idea of if you can hear it and you [Ab] can see that I'm just [Dm] using the same shape, [F] it should all fall into place.
Alright there, it's time for some jolly pirate music.
Look, that note is set complete at the end of the phrase.
You can hear that that is the best note of that note.
I'm waiting to hear the bonus.
You need that at the end, okay.
So that's using this shape as a C major scale.
You could use it over another sort.
Let's [G] say you have exactly the same [Cm] scale shape, the same place.
So you move [G] your second finger on the lowest thing there.
[N] But now the song [Dm]
[F] goes
[Dm] [E] [Dm]
[G] [D] And over that now I can
[A]
Well these notes sound wrong.
[D] Like they sound [G] like a whole set up.
[Dm] [D]
[Dm] But suddenly that's the note you want to land on.
That used to be the best note in the world.
[D] [G]
[Dm] [D] [Dm]
[E] Alright, so I don't sound like a jolly pirate anymore.
I sound like this slightly jazzy blues guy.
But the shape remains the same.
[C] All I'm doing is acknowledging that that's not how many more [D] I'm going to hear.
Because it's a different [E] chord level.
Now that is another mode of the [Ab] shape.
Does that kind of make [E] sense?
It's just the general idea of modes.
I'd hate for anyone to go away and think, oh that mode stuff is difficult.
[F] I need that to sing in.
I think the idea of if you can hear it and you [Ab] can see that I'm just [Dm] using the same shape, [F] it should all fall into place.
Key:
Dm
D
G
E
F
Dm
D
G
_ _ _ _ _ _ _ _
[C] And if I use all the notes of that scale, what happens is_ _
_ _ _ _ _ _ Alright there, it's time for some jolly pirate music.
_ _ _ Look, that note is set complete at the end of the phrase.
You can hear that that is the best note of that note.
_ _ _ _ _ _ _
I'm waiting to hear the bonus.
_ _ You need that at the end, okay.
So that's using this shape as a C major scale.
You could use it over another sort.
Let's [G] say you have exactly the same [Cm] scale shape, the same place.
So you move [G] your second finger on the lowest thing there.
_ [N] But now the song [Dm] _
[F] goes_
_ _ [Dm] _ _ [E] _ _ [Dm] _
_ _ _ _ _ _ _ _
[G] _ _ _ [D] And over that now I can_
[A] _
_ Well these notes sound wrong.
_ [D] _ Like they sound [G] like a whole set up.
_ [Dm] _ _ [D] _ _ _
_ _ _ _ _ [Dm] _ But suddenly that's the note you want to land on.
That used to be the best note in the world. _ _
[D] _ _ _ _ _ [G] _ _ _
[Dm] _ _ [D] _ _ _ _ [Dm] _
[E] Alright, so I don't sound like a jolly pirate anymore.
I sound like this slightly jazzy blues guy. _
But the shape remains the same.
[C] All I'm doing is acknowledging that that's not how many more [D] I'm going to hear.
Because it's a different [E] chord level.
Now that is another mode of the [Ab] shape.
_ Does that kind of make [E] sense?
It's just the general idea of modes.
I'd hate for anyone to go away and think, oh that mode stuff is difficult.
[F] I need that to sing in.
I think the idea of if you can hear it and you [Ab] can see that I'm just [Dm] using the same shape, [F] it should all fall into place. _ _
[C] And if I use all the notes of that scale, what happens is_ _
_ _ _ _ _ _ Alright there, it's time for some jolly pirate music.
_ _ _ Look, that note is set complete at the end of the phrase.
You can hear that that is the best note of that note.
_ _ _ _ _ _ _
I'm waiting to hear the bonus.
_ _ You need that at the end, okay.
So that's using this shape as a C major scale.
You could use it over another sort.
Let's [G] say you have exactly the same [Cm] scale shape, the same place.
So you move [G] your second finger on the lowest thing there.
_ [N] But now the song [Dm] _
[F] goes_
_ _ [Dm] _ _ [E] _ _ [Dm] _
_ _ _ _ _ _ _ _
[G] _ _ _ [D] And over that now I can_
[A] _
_ Well these notes sound wrong.
_ [D] _ Like they sound [G] like a whole set up.
_ [Dm] _ _ [D] _ _ _
_ _ _ _ _ [Dm] _ But suddenly that's the note you want to land on.
That used to be the best note in the world. _ _
[D] _ _ _ _ _ [G] _ _ _
[Dm] _ _ [D] _ _ _ _ [Dm] _
[E] Alright, so I don't sound like a jolly pirate anymore.
I sound like this slightly jazzy blues guy. _
But the shape remains the same.
[C] All I'm doing is acknowledging that that's not how many more [D] I'm going to hear.
Because it's a different [E] chord level.
Now that is another mode of the [Ab] shape.
_ Does that kind of make [E] sense?
It's just the general idea of modes.
I'd hate for anyone to go away and think, oh that mode stuff is difficult.
[F] I need that to sing in.
I think the idea of if you can hear it and you [Ab] can see that I'm just [Dm] using the same shape, [F] it should all fall into place. _ _