Chords for Gregory Porter - Live@Home - Part 2 - Musical Genocide

_ _ _ _ [Em] _ _ _ [Db] _
_ [Ab] _ _ [Gb] _ _ [Abm] _ _ [Eb] _
_ [Abm] _ _ _ _ _ _ _
_ [Bb] _ [Ab] _ _ _ _ _ _
_ _ _ _ _ [Ab] _ _ _
_ [Bb] _ _ _ [Ab] _ _ [Eb] _ _
_ [Bb] I _ _ _ _ do [Db] not agree.
[Gb] This is not for [Ab] me.
_ [Ab] _
Musical genocide. _ _ _ _
I will not commit.
Nor will I submit [Ebm] to.
Musical genocide.
[Bb] _ _ _ [Ab] _ _
[Db] This is not for me.
[Bb] I won't let it be.
[Ab] No.
_ Musical genocide.
_ [Bb] _ _ No.
[Eb] Give [Abm] me a blues song.
Tell the world what's wrong.
What about the gospel of shame?
Giving those messages [Eb] of love and pain.
[Ebm] Oh, the song man with your heart in his hand.
[Ab] Singing his stories of love and [Fm] pain.
Oh, [Bb]
I do [Ebm] not [Abm] agree.
_ [B] No.
_ [Ab] _
_ _ [Abm] _ _ _ _ _ _
_ [Ebm] _ [Bb] This is not for me.
No.
[Ebm] Musical genocide.
_ _ _ [Ab] _ [Ebm] _
[Bbm] I will not commit.
Nor will I [Ab] submit to.
_ Musical genocide.
_ _ [Abm] _ _
[D] I [Bb] won't let it be.
[Bb] This is not for me.
[Abm]
No.
_ Musical genocide.
_ _ [Ebm] _
Hey.
[Abm] _ Give me a blues song.
Tell the world what's wrong.
And the gospel of shame.
Singing [Ebm] those messages of love [Gb] and pain.
Oh, my [B] soul man.
With your heart in his hand.
Giving his stories of [Bb] _ _ [Bb] love and pain.
I do [Ebm] not agree.
[Abm] _ No.
[Ebm] _ _ [Abm] _
_ _ [Abm] _ _ _ _ [Gb] _ _
_ [Ebm] _ [Bb] _ _ _ _ _ _
_ _ _ _ [Ebm] _ _ [Eb] _ [Gb] _
_ [Fm] _ _ _ [Gb] _ _ [Abm] _ _
_ [Bbm] _ _ _ _ _ [Ab] _ _
_ [Ebm] _ [Gb] _ _ [Bbm] _ _ _ [Ab] _
_ [Ebm] _ _ _ _ _ _ _
_ _ _ [Bbm] _ _ _ _ [Abm] _
_ _ [Ebm] _ _ _ _ [Abm] _ _
_ [D] _ _ [Gb] _ _ _ [Ab] _ _
_ _ [Bb] _ _ _ _ _ _
_ [Db] _ [Bb] _ _ _ _ [Fm] _ _
_ _ [Db] _ _ [Bbm] _ _ [Ebm] _ _
_ _ [Bb] _ _ _ _ _ [Gb] _
_ _ _ [Fm] _ _ _ [Abm] _ [Ebm] _
_ [Eb] _ _ [Bb] _ _ _ [Ab] _ _
_ _ [Bbm] _ _ _ _ _ _
[Abm] Give me [Ebm] your blues [Abm] song, tell [B] the world what you feel. _
[Db] And the gospel singer, give it up.
[Ebm] _
Oh, when a soul man with your heart in [Bbm] his hands, giving [Abm] his story, _ I [Bb] do not agree.
[Abm] No, no, no, _ [Ebm] _ _ [Ab] no, [Ebm] no, _ _ no, no.
I do [Ab] not agree.
This is [A] not for me.
[Abm] No. _
[Ebm] Musical genocide.
_ _ _ [Ab] _ I will not [Db] commit.
[Bb] Nor will I [Abm] submit to [Gb] musical genocide.
_ _ _ _ [Gb] _
I won't let [Db] it be.
[Bb] This is not for [Ab] me.
No, no, no. [Gb] Musical [Bb] genocide.
_ _ _ [F] No.
[Db] Musical genocide.
[Ebm] _ No, [Abm] no, no, no.
[Ebm] Musical genocide.
No, no, no. _
[Bb] Musical genocide.
No, no, no, no.
Musical genocide.
[Bb] _ _ _ [Ab] _ _
_ [Gb] Hmm.
_ [Db] _ _ [Fm] Four years after your [Gb] debut album,
Are you still surprised about [Db] what's happening around you?
[Gb] I [Bb] am.
_ _ Even now, I'm [F] doing this interview, [Db] I've heard of people flying, you know, [Bbm] many thousands of miles to come to [E] one of my concerts.
[Db] I'm _ amazed at, [Fm] you know, because a song _ sometimes that's created [Ab] in the [F] quiet of your room or at your [Bbm] favorite coffee shop or on your [Db] way to the subway, [Gb] you write the idea [D] for the song down.
And then the song has a [G] life and [Ebm] development.
Then you record it.
And then that [Db] recording goes all over the world.
And then those people come to [Ab] you to hear it live.
And so the process [Fm] [Eb] of the life of a song is happening for me and with me every day.
The exchange that happens, the emotional exchange that happens in a concert, [F] I'm blown away by it, amazed [Fm] by it, and I think it's extraordinary.
_ [Db] Shocked, astounded, and overjoyed.
[Gb] _ _ _ _ _ _ _ _ _ _
_ [B] _ _ _ _ [Bbm] _ _ _
_ [Ebm] _ _ _ [Bbm] _ _ _ _
_ [Gb] _ _ _ [Db] _ _ _ _