Chords for Get That Body Back - Pomplamoose
Tempo:
129.9 bpm
Chords used:
E
Em
A
F
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
[Em]
[E] You used to look like simple people, [Gb] nothing special, [A] less skin or meat.
[E] But now you look like a pair of [Gb] faucets, makes [G] me wonder [Em] what's wrong with me.
[E] You turn around in slow motion, [Gb] you go back to [A] the
[G] 70s.
[E] I used to look like Al Pacino, [Bb] time to get [Em] back on my [E] feet.
Get that [G] body back, you know I get that [A] [E]
[G] [E]
[A] [G] body [E] back.
[B] [E]
I'm lost out in slow [Gb] motion, this Richard [A] Simmons holding me.
[E] He tells me that no one is [Bb] perfect, then I hear you [Em] calling me.
[E]
[Em] [E]
[A] [C] [E]
[Em]
[A] [G]
[E] Get that [A] body back, you know I get that [G] body [E] back.
[Em]
[E] [Em]
[C] [Em]
[Gb] [E] I don't need [Em] money, I just want that body, wearing your t [C]-shirt, top of my [E] head.
Call off [Db] Little Star, open up the freezer, we can have some [A] pizza, or maybe [Em] a [E] smoothie.
I don't need [Em] money, I just want that body, wearing your t-shirt, top of my [E] head.
Call off Little [Em] Star, open up the freezer, we [E] can have some pizza, or maybe a smoothie.
Get that body [Em] back, you know I get that body back.
[A] [G]
[E] Get that body [Em] back, you know I get that body [A] back.
[Em]
[E] [Em]
[E] [Em]
[E]
Al Pacino, [Em] Al Pacino,
[E] Al Pacino,
[Em] Al Pacino,
[E] Al Pacino,
[Em] Pacino.
[E] [D]
We're on tour!
Hello, [F] we are on tour.
And we're about to play [Ab] Minneapolis.
What?
[F] Fitness SF, thank you so much for letting us film there.
[Cm] You have such an amazing gym, it [Dm] was so much fun to be there.
So great.
Super thanks to City [Ab] Dance for letting us rehearse in the space.
[G] There's Carlos and Kimberly.
Oh!
Our [F] amazing cinematographer Patrick Gillies.
Oh my [C] gosh, it always looks so good [Gm] when you shoot it man, it looks amazing.
It does, it really does.
Looks like there's some frisbee playing going on in the [Ab] background here.
This is getting out of [Bbm] control.
[F]
Thank you to Darcy Drolinger and thank you to all of the [C] Sextitude dancers who came and [F] joined us for the shoot.
You [Fm] guys were great to work with, thank you.
[Ab] And [F] thank you to Rashad Bridgen for [C] choreographing everything and [Ab] rehearsing with us.
You were so great to [Eb] work with.
And that's it, and come get [Gm] tickets, come see us on tour.
[C] [F] And super [C] thank you to our patrons.
[Ab] [F] Look at our van, we [C] have a van.
That's our [N] van.
Look at Kimberly, part of the van.
Look at Kimberly, oh man, look at that.
[Em]
[E] You used to look like simple people, [Gb] nothing special, [A] less skin or meat.
[E] But now you look like a pair of [Gb] faucets, makes [G] me wonder [Em] what's wrong with me.
[E] You turn around in slow motion, [Gb] you go back to [A] the
[G] 70s.
[E] I used to look like Al Pacino, [Bb] time to get [Em] back on my [E] feet.
Get that [G] body back, you know I get that [A] [E]
[G] [E]
[A] [G] body [E] back.
[B] [E]
I'm lost out in slow [Gb] motion, this Richard [A] Simmons holding me.
[E] He tells me that no one is [Bb] perfect, then I hear you [Em] calling me.
[E]
[Em] [E]
[A] [C] [E]
[Em]
[A] [G]
[E] Get that [A] body back, you know I get that [G] body [E] back.
[Em]
[E] [Em]
[C] [Em]
[Gb] [E] I don't need [Em] money, I just want that body, wearing your t [C]-shirt, top of my [E] head.
Call off [Db] Little Star, open up the freezer, we can have some [A] pizza, or maybe [Em] a [E] smoothie.
I don't need [Em] money, I just want that body, wearing your t-shirt, top of my [E] head.
Call off Little [Em] Star, open up the freezer, we [E] can have some pizza, or maybe a smoothie.
Get that body [Em] back, you know I get that body back.
[A] [G]
[E] Get that body [Em] back, you know I get that body [A] back.
[Em]
[E] [Em]
[E] [Em]
[E]
Al Pacino, [Em] Al Pacino,
[E] Al Pacino,
[Em] Al Pacino,
[E] Al Pacino,
[Em] Pacino.
[E] [D]
We're on tour!
Hello, [F] we are on tour.
And we're about to play [Ab] Minneapolis.
What?
[F] Fitness SF, thank you so much for letting us film there.
[Cm] You have such an amazing gym, it [Dm] was so much fun to be there.
So great.
Super thanks to City [Ab] Dance for letting us rehearse in the space.
[G] There's Carlos and Kimberly.
Oh!
Our [F] amazing cinematographer Patrick Gillies.
Oh my [C] gosh, it always looks so good [Gm] when you shoot it man, it looks amazing.
It does, it really does.
Looks like there's some frisbee playing going on in the [Ab] background here.
This is getting out of [Bbm] control.
[F]
Thank you to Darcy Drolinger and thank you to all of the [C] Sextitude dancers who came and [F] joined us for the shoot.
You [Fm] guys were great to work with, thank you.
[Ab] And [F] thank you to Rashad Bridgen for [C] choreographing everything and [Ab] rehearsing with us.
You were so great to [Eb] work with.
And that's it, and come get [Gm] tickets, come see us on tour.
[C] [F] And super [C] thank you to our patrons.
[Ab] [F] Look at our van, we [C] have a van.
That's our [N] van.
Look at Kimberly, part of the van.
Look at Kimberly, oh man, look at that.
Key:
E
Em
A
F
G
E
Em
A
[F] _ _ _ _ _ _ _ _
_ _ [Em] _ _ _ _ _ _
_ [E] _ You used to look like simple people, [Gb] _ nothing special, [A] less skin or meat.
[E] _ But now you look like a pair of [Gb] faucets, makes [G] me wonder [Em] what's wrong with me.
[E] _ You turn around in slow motion, [Gb] you go back to [A] the _
[G] 70s.
[E] I used to look like Al Pacino, [Bb] time to get [Em] back on my _ [E] feet.
Get that [G] body back, you know I get that _ _ [A] _ _ [E] _ _ _ _
_ _ _ _ _ [G] _ _ [E] _
_ _ [A] _ _ _ _ [G] body [E] _ back. _ _ _ _ _
_ [B] _ _ _ _ [E] _ _ _
_ _ I'm lost out in slow [Gb] motion, this Richard [A] Simmons holding me.
[E] _ He tells me that no one is [Bb] perfect, then I hear you [Em] calling me. _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [E] _
_ _ [A] _ _ _ [C] _ _ [E] _
_ _ _ _ _ [Em] _ _ _
_ _ [A] _ _ _ [G] _ _ _
_ [E] _ _ Get that [A] body back, you know I get that _ _ _ _ _ _ [G] body [E] back.
_ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ [Em] _ _ _
_ _ _ _ _ [C] _ [Em] _ _
[Gb] _ [E] I don't need [Em] money, I just want that body, wearing your t [C]-shirt, top of my [E] head.
Call off [Db] Little Star, open up the freezer, we can have some [A] pizza, or maybe [Em] a [E] smoothie.
I don't need [Em] money, I just want that body, wearing your t-shirt, top of my [E] head.
Call off Little [Em] Star, open up the freezer, we [E] can have some pizza, or maybe a smoothie.
Get that body [Em] back, you know I get that body back.
[A] _ _ _ [G] _ _ _
_ [E] _ Get that body [Em] back, you know I get that body [A] back.
_ _ _ [Em] _ _ _
_ [E] _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ [E] _
_ Al _ Pacino, _ _ _ [Em] Al _ Pacino, _ _
_ [E] _ Al Pacino, _ _
_ _ [Em] Al Pacino, _ _
_ [E] Al _ Pacino, _ _
_ _ [Em] _ Pacino. _ _ _
_ [E] _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ We're on tour!
Hello, [F] we are on tour.
And we're about to play [Ab] Minneapolis.
What?
[F] Fitness SF, thank you so much for letting us film there.
[Cm] You have such an amazing gym, it [Dm] was so much fun to be there.
So great.
Super thanks to City [Ab] Dance for letting us rehearse in the space.
[G] There's Carlos and Kimberly.
Oh!
_ Our [F] amazing cinematographer Patrick Gillies.
Oh my [C] gosh, it always looks so good [Gm] when you shoot it man, it looks amazing.
It does, it really does.
Looks like there's some frisbee playing going on in the [Ab] background here.
This is getting out of [Bbm] control.
[F]
Thank you to Darcy Drolinger and thank you to all of the [C] Sextitude dancers who came and [F] joined us for the shoot.
You [Fm] guys were great to work with, thank you.
[Ab] And [F] thank you to Rashad Bridgen for [C] choreographing everything and [Ab] rehearsing with us.
You were so great to [Eb] work with.
And that's it, and come get [Gm] tickets, come see us on tour.
[C] [F] And super [C] thank you to our patrons.
[Ab] [F] Look at our van, we [C] have a van.
That's our [N] van.
Look at Kimberly, _ part of the van.
Look at Kimberly, oh man, look at that. _
_ _ [Em] _ _ _ _ _ _
_ [E] _ You used to look like simple people, [Gb] _ nothing special, [A] less skin or meat.
[E] _ But now you look like a pair of [Gb] faucets, makes [G] me wonder [Em] what's wrong with me.
[E] _ You turn around in slow motion, [Gb] you go back to [A] the _
[G] 70s.
[E] I used to look like Al Pacino, [Bb] time to get [Em] back on my _ [E] feet.
Get that [G] body back, you know I get that _ _ [A] _ _ [E] _ _ _ _
_ _ _ _ _ [G] _ _ [E] _
_ _ [A] _ _ _ _ [G] body [E] _ back. _ _ _ _ _
_ [B] _ _ _ _ [E] _ _ _
_ _ I'm lost out in slow [Gb] motion, this Richard [A] Simmons holding me.
[E] _ He tells me that no one is [Bb] perfect, then I hear you [Em] calling me. _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ [E] _
_ _ [A] _ _ _ [C] _ _ [E] _
_ _ _ _ _ [Em] _ _ _
_ _ [A] _ _ _ [G] _ _ _
_ [E] _ _ Get that [A] body back, you know I get that _ _ _ _ _ _ [G] body [E] back.
_ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ [Em] _ _ _
_ _ _ _ _ [C] _ [Em] _ _
[Gb] _ [E] I don't need [Em] money, I just want that body, wearing your t [C]-shirt, top of my [E] head.
Call off [Db] Little Star, open up the freezer, we can have some [A] pizza, or maybe [Em] a [E] smoothie.
I don't need [Em] money, I just want that body, wearing your t-shirt, top of my [E] head.
Call off Little [Em] Star, open up the freezer, we [E] can have some pizza, or maybe a smoothie.
Get that body [Em] back, you know I get that body back.
[A] _ _ _ [G] _ _ _
_ [E] _ Get that body [Em] back, you know I get that body [A] back.
_ _ _ [Em] _ _ _
_ [E] _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ [E] _
_ Al _ Pacino, _ _ _ [Em] Al _ Pacino, _ _
_ [E] _ Al Pacino, _ _
_ _ [Em] Al Pacino, _ _
_ [E] Al _ Pacino, _ _
_ _ [Em] _ Pacino. _ _ _
_ [E] _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ We're on tour!
Hello, [F] we are on tour.
And we're about to play [Ab] Minneapolis.
What?
[F] Fitness SF, thank you so much for letting us film there.
[Cm] You have such an amazing gym, it [Dm] was so much fun to be there.
So great.
Super thanks to City [Ab] Dance for letting us rehearse in the space.
[G] There's Carlos and Kimberly.
Oh!
_ Our [F] amazing cinematographer Patrick Gillies.
Oh my [C] gosh, it always looks so good [Gm] when you shoot it man, it looks amazing.
It does, it really does.
Looks like there's some frisbee playing going on in the [Ab] background here.
This is getting out of [Bbm] control.
[F]
Thank you to Darcy Drolinger and thank you to all of the [C] Sextitude dancers who came and [F] joined us for the shoot.
You [Fm] guys were great to work with, thank you.
[Ab] And [F] thank you to Rashad Bridgen for [C] choreographing everything and [Ab] rehearsing with us.
You were so great to [Eb] work with.
And that's it, and come get [Gm] tickets, come see us on tour.
[C] [F] And super [C] thank you to our patrons.
[Ab] [F] Look at our van, we [C] have a van.
That's our [N] van.
Look at Kimberly, _ part of the van.
Look at Kimberly, oh man, look at that. _