Chords for George Harrison talks about The Beatles Anthology

It is difficult when [F#] four people are telling the story because it's it's actually four different [G#] stories
I mean you must [F] realize it's got to be somewhat of [B] a compromise _
[F#m] When four people [G] are involved, but we're trying to just say how it felt to us
[F] I mean it [G] is both a [F] record a video a [E] television program [F#] a book and
No doubt [F] somewhere down the line.
It will also [C#] be a t-shirt.
Yeah, it was fun
[C] It was good because [G] enough time had [A] gone
[G] between
_ [F#] 1969 and [Am] now
_ _ _ _ You know the [Fm] kind of the Beatles had gone [F#] away and we'd all had [Gm] enough time to breathe and I [E] think it's much easier
[F#] To look at it [F] now from a distance [G#m] the main [F#] gist of it is with the music to find
the most ancient [Fm] Beatle music
[C#] possible _ _ [F#] _ and
Coming chronological order through the [C] various other
_ [B] _ records we'd [F#] made _ and
_ [F] Bring it up to date [E] up to now and then it goes up.
I think into our
Hamburg material that we recorded a couple of songs
the poly door and then goes through [G] some
_ _ [G#] Decor audition and we've tried to create _ [Em] a lot of the most famous songs, but totally different [E] versions of them
You [A#] know, they're just gonna [G#] probably be
[N] You know reveling in it well
It's always the end of the beginning isn't it play the game existence till the end of the beginning?
Yeah.
Well, we
Certainly made some good [E] records back to the very earliest thing we ever did which was that'll be the day
[F#] made on a [Fm]
home recording [F#] of Paul's
_ [N] _ Very rough.
I just keeps on coming.
There's a lot of very early years that stuff that hasn't been heard
television _ or
Radio shows from Sweden and various things from the command performance things that just had a one showing on television
but we managed to get the
find the soundtracks to some variety shows [D#] we did on television in those early days and
[N] The first record comes right up to I think it's somewhere around the time of please please me
There's also a very first
Version of love me do the George Martin found I mean it's gonna sound like them if it is [G#m] them and I'm [F] sure he would
Have really [G#] enjoyed
_ _ [F#] That opportunity [Em] to be with us again.
It's just some [F] little magic that you [F#] know
When you get certain people [F] together it produces, _ you know, it makes fun
the music was always there in the background reflecting [G#] _ [D#] our feelings and our [D#m] desires and
[A#m] _ _ _ [G]
all [G#] the various things [A] we'd [F#] experienced and I think
[G#] Duns it goes in [C#] leaps and bounds and _ _ [F#] it's pretty [D] interesting.
We found different outtakes
_ _ Or maybe a version of something that had
_ Maybe some vocals that were different to the vocals that ended up on the master
so what we've done is present the [A] ultimate version [E] this became the perfect vehicle because
[Am] We always had a
You know a thing [E] between the three of us or the four of us at [F#] that time that if any one of us wasn't in
It we weren't gonna [E] get you know
[C#m] Roger waters [A] and go out as [B] the Beatles _ _
or Dave Gilmore
[C#m] _ [A] We were gonna you know _
[B] So so therefore the only [Em] other person who could be in it was [N] John