Chords for Gene Watson & Rhonda Vincent - Sweet Thang

_ I can tell.
_ _ I [Fm] do love that one.
You know, [A#] we've got some more friends I think.
Well, not only friends, if I'm not mistaken, my manager John [G] Lytles here tonight.
Him and his lovely wife Lori.
Hello, Richard.
He was trying to [F#] make it here.
I hope he made it.
[Gm] We've got Miss Sarah Broseberg also.
And thanks to Sarah for all of [A#] her help.
Oh, [Gm] she's a mighty worker.
_ I'll tell you what, between you, her, and CeCe, I'm a wreck.
[F#] _ _
[G] You ain't [G#] lived, you got three women helping you. _ _
_ _ And you know, [D] behind the scenes that helps me all the [Gm] time, but special thanks to Julia Monashard.
[F#] She does a lot of things and I don't know [E] if you've met her yet, but she is invaluable.
She works eight days a week and 26 hours a day.
_ [Gm] _
She got work to you?
_ _ I think she might.
_ I never felt better at less than my life, you know?
I'm not going to.
_ _ [A#] _ Anything can change a century.
Yeah, always that way it is.
Well, tell us about the next song, because you're the one.
I don't know what the song is.
_ I'm tied [E] in knots, folks. _ _
[D] _ _ [Fm] I'm the only person in the world [B] who's got a set list and I don't know [D#] what we're doing now. _ _ _ _ _
That's the way it's going to be tomorrow.
It's a song, I was down on Broadway [D] and I heard [G] this song and I called [A#] Gene and I [Gm] said,
Gene, I just heard this song and I knew it [G] by Ernest Tubb and Loretta Lynn.
And he said, oh, [N] no, no, no.
He said the guy that wrote that made that famous.
Tell them all about that.
Well, this is a song that came out in the [F] 60s and I used to do the song [G#] on stage both parts.
[Gm] The guy's name was Nat Stuckey.
He wrote [C] the song and he did the original.
That's [D] what was odd to me.
There was a man singing it down there and hearing _ _ [Gm] Loretta and Ernest Tubb sing it.
I had [D] never heard a man sing all of it, but you [C#m] used to sing this and sing [N] both parts.
Yeah, well, that's the way Nat did [F#] it.
He wrote the song and had it out and [G] it was a big record [A#] for him.
And then, of course, _ Mr.
Ernest Tubb and Loretta Lynn brought it out [G] and it was an even bigger hit,
which was the [N] hit that you heard.
And you said, boy, I heard this song, I'd really like to do it and everything.
And I didn't even hear it. _ _
I was last time up.
[A#] _ _ _ _
You were scaring me when you did that.
You scared me.
_ _ You should see her explain how she wants a song to come off.
_ _ _ _ [N] _
_ _ Let's don't [G] tell all of our secrets, Gene.
Come on, man.
Go see one of our shows sometime, folks.
It's a treat.
_ [F] And we even [F#] trick or treated on his show once.
We got dressed up [F#m] and paraded it [Gm] through his stage.
He didn't know what to say.
I know what you want.
We're out on the [F#] stage doing our show and, you [F] know, I can [F#m] sing some real serious [N]-minded songs.
Spicy, too.
Spicy and serious-minded songs.
_ And [G] then her and the whole group dresses up in their Halloween [D] costumes
and comes parading [A#] right along in front of our [N] microphone.
You ought to try saying a farewell party with that going on.
[A#] _
_ _ _ Thank you. _ _ _
_ _ _ _ [N] We're going to do this song right here written by Nancy Stoecki and maybe played by VT and Loretta.
[A#] _ _ [A] _ _ _ [E] I'm excited [C#m] to be back.
_ [F#] _ _ [B] _ _ [E] _ _
_ _ _ _ I've been down, I've been around some now.
_ [A] My mama's [E] a bossy lady.
_ _ And you can bet your bottom dollar she'll come a-looking for me.
When [F#] she finds that I'm [B] not there.
And [E] here she catches her sweet thing running on around.
[A] I know it'll be the devil [E] of hate.
_ [A] She'll come pulling my recycling [E] through [C#] that door.
[F#] And I can hear [B] me tackling what [E] she'll say.
_ _ [A] _ _ _
[D] Well, I'm not here to say sweet [A] things.
[D] I got [G] the notion of the [Dm] devil's right there.
[D] _ _ Sweet things _ _ around [E] me, medicine box, lights of [A] love.
[D] I want to tell all [Em] you hard [D]-rimmed roses.
_ [G] Sweet things I've [D] been done.
[C] You [G] better take my advice, [D] cause you blink [B] more than twice [E] and _ [A] _ you're [Dm] out.
[D] _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ [D] _ _
_ [G] _ _ _ _ [D] _ _ [B] _
_ [D] _ [E] _ _ [A] _ [D] _ _ _
_ [B] _ _ I [E] love my baby, all my money on _ payday.
[A] Except for a little she don't know that [E] I got.
_ Cause there's this cute little waitress down at the corner cafe.
[F#] She seems to like me quite [B] a lot.
Well, we [E] were sitting in this back booth just having a talk.
_ [A] She was believing every word that I [E] said.
_ [Bm] When [A] the door do open, [E] and mama walked [C#] in.
Yeah, [F#] my money must [B] be [E] way up to date.
_ [G#] _ [A] _ Well, [D] I wasn't here to say sweet things.
[F#]
[C] I got [G] the notion of the devil's [D] right there. _
Sweet things around me, _ _ [E] medicine box, [Bm] lights [A] of love.
[D]
[C#m] I [D] want to tell all you hard-rimmed roses.
[F#] _ [G] Sweet things [D] I've been done.
[G] You better take my advice, cause [D] you blink more [B] than twice and you're [E] out.
[A] You better take [D] my _ _
[Am] _ [G] _ advice, cause [D] you blink more [B] than twice and you're [E] _ _ [A] _ [D] out. _ _
_ [G] _ _ _ _ [D] _ [Bm] _ _
[B] _ [E] _ _ [A] _ _ [D] _ _ _
_ _ _ _ _ _ _ _