Chords for GARY MOORE AT NO 73
Tempo:
88.5 bpm
Chords used:
F
C
D
G
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Come on.
Gary Moore!
How you doing, mate?
Alright, how you lads?
Alright?
How can you melt?
Between you and me, it's up for the chop.
Say [Ab] nothing, eh?
Come through here to the cellar.
Alright, straight down the bottom, turn right.
Hello.
Hello, mate.
Alright, hey, listen.
While you're around, you're an expert on sound, aren't you?
What do you think?
Kind of, yeah.
What do you think would make a good sound for a doorbell?
Well, have you thought about trying a guitar sound for a doorbell?
That might be good.
I never thought of that.
Can we use one of yours?
Yeah.
Brilliant.
Let's have a look down there.
Look at these lines.
They're beautiful, aren't they?
How many have you got altogether?
About 25.
25?
Yeah.
And why have you got these in your collection?
What's special about these ones?
These are some of my old favourites.
This one here is my oldest guitar.
It's a 1959 Les Paul.
I've had this for about 12 years.
And it used to belong to Peter Green.
You know Albatross?
You know this [B] tune?
No, don't know it.
[E] Oh, yeah, I remember that one.
Yeah, I know this one.
And you used that guitar for recording?
Yeah, I used it on Parisian Walkways as well, which was a hit that we had before.
[N] Do you know this one?
Yeah.
Love it.
What about that one?
I've seen you use that occasionally.
This one is a 1955 Les Paul Junior.
It used to belong to the guitarist from the Sex Pistols, Steve Jones.
Oh, right, yeah.
What about that one?
It looks like a bit of a jazz guitar.
Yeah, that's an old ES5 Gibson that I got from Greg Lake.
From Emerson Lake and Palmer?
That's the one.
Yeah, an old band that.
Pink one?
Strat?
The pink one's an old 1961 Salmon Pink Strat like the Shadows used to play.
Yeah, now I've seen a lot of guys play Strat and yet they all seem to make it sound different.
How come?
Well, different players can make guitars sound completely different just by the way they touch the strings and the fingering techniques and all that.
It's down to the individual player.
And I notice you've got a lot of old guitars here.
Has that got anything to do with the sound?
Yeah, well, older guitars tend to sort of mellow with age, you know, as they get older, they get a warmer tone.
So I like them.
What about the little one?
Is that a bit of a joke guitar or a child's guitar?
Yeah, that's really just like a novelty.
I picked it up in Tokyo for about two bob, you know, it was sort of sitting in a shop there.
But you can't really play it properly.
What do you think is a good age to start?
Is that an ideal guitar for a starter?
No, because if you look at the neck on this guitar, it's a very short scale neck.
It's a whole miniature guitar and this is the proper length of the neck.
So even if you're very young and you've got small fingers, you should learn on the proper scale neck.
And then when you move on to other guitars, it's always going to be the same.
Now I'm thinking of buying a new Alecki.
Can you give me some tips?
Because the service isn't usually very good in the shops, is it?
No, the trouble is what they do is with kids when they go and they put them through a bunch of effects and they sound great,
even if it's only a cheap guitar, you should pick a guitar up and play it without even plugging it into the amplifier.
And if it sounds good then, then it's going to sound better when you plug it in.
If it sounds good when it's bad, it's going to sound great.
What about the acoustic?
Is that part of your collection?
Well, that was like a present.
But the thing about that is I haven't got anywhere to put this.
As you said, I've got a vast collection of guitars.
So I was thinking
You're not giving it away, are you?
Well, I was thinking about it, actually.
You're joking!
I couldn't take that off you, mate, because I've already got an acoustic.
But I know someone who will.
Do you hear that, then?
Gary Moore, the man himself, is going to give away his guitar.
So what I'm going to do, if it's a Gary Moore guitar, we're going to have to have a Gary Moore competition.
I'll think of a question to ask you.
I know, obvious one, isn't it?
What was the old famous band that Gary used to be in before he formed his own band?
Quite an easy one, so you've got to cast your mind back.
I promise you I won't enter the competition, because I fancy that guitar myself.
If you think you know the answer, stick it on a postcard and send it to me near the house.
And just put on the bottom, Guitar Competition.
It helps Kim sort the mail out.
And send it to the usual address.
That's number 73, PO Box 73, Maidstone, Kent.
ME 15 6RS.
What was Gary's old band?
Good luck with that competition.
Right, doorbell.
Give us a few little tricks in that.
I know you just don't play straight on stage.
You've got some tricks lined up.
Yeah, I use some different sound effects.
This [G] is like a police siren.
[Gm]
[N] So that's one of them.
And I've got this one which is sort of like a Honda 500.
It's one that's all off.
Go on, another one.
Well, this is one like it's kind of like a dive [E] bomber effect.
You just hit one of these [G] harmonics.
[N]
It's so realistic.
Have you got anything that might be a bit more doorbell-ish?
Well, I've got these harmonics which [E] might sound like a bell if you play it like
[A]
That's the one.
You play it, I'll [C] record.
[D]
[C] [F] [Am]
[D] [C] [F]
[Dm]
[F]
[D]
[F]
[G]
[Bb] [Gm]
You never [Bb] [F]
[Dm] [C] show me [F] your
[C] [Dm] You got to do it like
[C] Show me.
[F] [C] [D]
[C] [F] [Am]
[D] [C] [F]
I [D] know the danger, you're over and over the course [F] because you got wings.
[D] You're like a stranger, you better show your hand before [F] I
[Gb] [Bb] get
I'm making you behave this way, [Gm]
[Bb] [Em] you don't [D] let me
You [C] show me [F] you're still there for me.
[C] [Dm] You [C] show me [F] you're still there for me.
[Dm]
Show me [Am] that you've been going out, been like [C] this for much longer.
[D] Take a little time.
Oh, oh, oh, oh, [F] oh, oh, oh, oh, oh, oh, oh, oh, [G] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Show [A] me your [G]
ass!
[A]
[Bb] Open [C] my
[G] Don't [A] give me all [Em] [F] [G]
[A] this!
[Bb] I'll chew [C] out [D] all [C] your
[F]
[D] Take a little time.
[F] [D]
[Dm]
Gary Moore!
How you doing, mate?
Alright, how you lads?
Alright?
How can you melt?
Between you and me, it's up for the chop.
Say [Ab] nothing, eh?
Come through here to the cellar.
Alright, straight down the bottom, turn right.
Hello.
Hello, mate.
Alright, hey, listen.
While you're around, you're an expert on sound, aren't you?
What do you think?
Kind of, yeah.
What do you think would make a good sound for a doorbell?
Well, have you thought about trying a guitar sound for a doorbell?
That might be good.
I never thought of that.
Can we use one of yours?
Yeah.
Brilliant.
Let's have a look down there.
Look at these lines.
They're beautiful, aren't they?
How many have you got altogether?
About 25.
25?
Yeah.
And why have you got these in your collection?
What's special about these ones?
These are some of my old favourites.
This one here is my oldest guitar.
It's a 1959 Les Paul.
I've had this for about 12 years.
And it used to belong to Peter Green.
You know Albatross?
You know this [B] tune?
No, don't know it.
[E] Oh, yeah, I remember that one.
Yeah, I know this one.
And you used that guitar for recording?
Yeah, I used it on Parisian Walkways as well, which was a hit that we had before.
[N] Do you know this one?
Yeah.
Love it.
What about that one?
I've seen you use that occasionally.
This one is a 1955 Les Paul Junior.
It used to belong to the guitarist from the Sex Pistols, Steve Jones.
Oh, right, yeah.
What about that one?
It looks like a bit of a jazz guitar.
Yeah, that's an old ES5 Gibson that I got from Greg Lake.
From Emerson Lake and Palmer?
That's the one.
Yeah, an old band that.
Pink one?
Strat?
The pink one's an old 1961 Salmon Pink Strat like the Shadows used to play.
Yeah, now I've seen a lot of guys play Strat and yet they all seem to make it sound different.
How come?
Well, different players can make guitars sound completely different just by the way they touch the strings and the fingering techniques and all that.
It's down to the individual player.
And I notice you've got a lot of old guitars here.
Has that got anything to do with the sound?
Yeah, well, older guitars tend to sort of mellow with age, you know, as they get older, they get a warmer tone.
So I like them.
What about the little one?
Is that a bit of a joke guitar or a child's guitar?
Yeah, that's really just like a novelty.
I picked it up in Tokyo for about two bob, you know, it was sort of sitting in a shop there.
But you can't really play it properly.
What do you think is a good age to start?
Is that an ideal guitar for a starter?
No, because if you look at the neck on this guitar, it's a very short scale neck.
It's a whole miniature guitar and this is the proper length of the neck.
So even if you're very young and you've got small fingers, you should learn on the proper scale neck.
And then when you move on to other guitars, it's always going to be the same.
Now I'm thinking of buying a new Alecki.
Can you give me some tips?
Because the service isn't usually very good in the shops, is it?
No, the trouble is what they do is with kids when they go and they put them through a bunch of effects and they sound great,
even if it's only a cheap guitar, you should pick a guitar up and play it without even plugging it into the amplifier.
And if it sounds good then, then it's going to sound better when you plug it in.
If it sounds good when it's bad, it's going to sound great.
What about the acoustic?
Is that part of your collection?
Well, that was like a present.
But the thing about that is I haven't got anywhere to put this.
As you said, I've got a vast collection of guitars.
So I was thinking
You're not giving it away, are you?
Well, I was thinking about it, actually.
You're joking!
I couldn't take that off you, mate, because I've already got an acoustic.
But I know someone who will.
Do you hear that, then?
Gary Moore, the man himself, is going to give away his guitar.
So what I'm going to do, if it's a Gary Moore guitar, we're going to have to have a Gary Moore competition.
I'll think of a question to ask you.
I know, obvious one, isn't it?
What was the old famous band that Gary used to be in before he formed his own band?
Quite an easy one, so you've got to cast your mind back.
I promise you I won't enter the competition, because I fancy that guitar myself.
If you think you know the answer, stick it on a postcard and send it to me near the house.
And just put on the bottom, Guitar Competition.
It helps Kim sort the mail out.
And send it to the usual address.
That's number 73, PO Box 73, Maidstone, Kent.
ME 15 6RS.
What was Gary's old band?
Good luck with that competition.
Right, doorbell.
Give us a few little tricks in that.
I know you just don't play straight on stage.
You've got some tricks lined up.
Yeah, I use some different sound effects.
This [G] is like a police siren.
[Gm]
[N] So that's one of them.
And I've got this one which is sort of like a Honda 500.
It's one that's all off.
Go on, another one.
Well, this is one like it's kind of like a dive [E] bomber effect.
You just hit one of these [G] harmonics.
[N]
It's so realistic.
Have you got anything that might be a bit more doorbell-ish?
Well, I've got these harmonics which [E] might sound like a bell if you play it like
[A]
That's the one.
You play it, I'll [C] record.
[D]
[C] [F] [Am]
[D] [C] [F]
[Dm]
[F]
[D]
[F]
[G]
[Bb] [Gm]
You never [Bb] [F]
[Dm] [C] show me [F] your
[C] [Dm] You got to do it like
[C] Show me.
[F] [C] [D]
[C] [F] [Am]
[D] [C] [F]
I [D] know the danger, you're over and over the course [F] because you got wings.
[D] You're like a stranger, you better show your hand before [F] I
[Gb] [Bb] get
I'm making you behave this way, [Gm]
[Bb] [Em] you don't [D] let me
You [C] show me [F] you're still there for me.
[C] [Dm] You [C] show me [F] you're still there for me.
[Dm]
Show me [Am] that you've been going out, been like [C] this for much longer.
[D] Take a little time.
Oh, oh, oh, oh, [F] oh, oh, oh, oh, oh, oh, oh, oh, [G] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Show [A] me your [G]
ass!
[A]
[Bb] Open [C] my
[G] Don't [A] give me all [Em] [F] [G]
[A] this!
[Bb] I'll chew [C] out [D] all [C] your
[F]
[D] Take a little time.
[F] [D]
[Dm]
Key:
F
C
D
G
Dm
F
C
D
_ _ _ _ _ _
Come on.
Gary Moore!
How you doing, mate?
Alright, how you lads?
Alright?
How can you melt? _
Between you and me, it's up for the chop.
Say [Ab] nothing, eh?
Come through here to the cellar.
Alright, straight down the bottom, turn right.
Hello.
Hello, mate.
Alright, hey, listen.
While you're around, you're an expert on sound, aren't you?
What do you think?
Kind of, yeah.
What do you think would make a good sound for a doorbell?
Well, have you thought about trying a guitar sound for a doorbell?
That might be good.
I never thought of that.
Can we use one of yours?
Yeah.
Brilliant.
Let's have a look down there.
Look at these lines.
They're beautiful, aren't they?
How many have you got altogether?
About 25.
25?
Yeah.
And why have you got these in your collection?
What's special about these ones?
These are some of my old favourites.
This one here is my oldest guitar.
It's a 1959 Les Paul.
I've had this for about 12 years.
And it used to belong to Peter Green.
You know Albatross?
You know this [B] tune?
No, don't know it.
[E] _ Oh, yeah, I remember that one.
Yeah, I know this one.
And you used that guitar for recording?
Yeah, I used it on Parisian Walkways as well, which was a hit that we had before.
[N] Do you know this one?
Yeah. _ _
_ _ Love it.
What about that one?
I've seen you use that occasionally.
This one is a 1955 Les Paul Junior.
It used to belong to the guitarist from the Sex Pistols, Steve Jones.
Oh, right, yeah.
What about that one?
It looks like a bit of a jazz guitar.
Yeah, that's an old ES5 Gibson that I got from Greg Lake.
From Emerson Lake and Palmer?
That's the one.
Yeah, an old band that.
Pink one?
Strat?
The pink one's an old 1961 Salmon Pink Strat like the Shadows used to play.
Yeah, now I've seen a lot of guys play Strat and yet they all seem to make it sound different.
How come?
Well, different players can make guitars sound completely different just by the way they touch the strings and the fingering techniques and all that.
It's down to the individual player.
And I notice you've got a lot of old guitars here.
Has that got anything to do with the sound?
Yeah, well, older guitars tend to sort of mellow with age, you know, as they get older, they get a warmer tone.
So I like them.
What about the little one?
Is that a bit of a joke guitar or a child's guitar?
Yeah, that's really just like a novelty.
I picked it up in Tokyo for about two bob, you know, it was sort of sitting in a shop there.
But you can't really play it properly.
What do you think is a good age to start?
Is that an ideal guitar for a starter?
No, because if you look at the neck on this guitar, it's a very short scale neck.
It's a whole miniature guitar and this is the proper length of the neck.
So even if you're very young and you've got small fingers, you should learn on the proper scale neck.
And then when you move on to other guitars, it's always going to be the same.
Now I'm thinking of buying a new Alecki.
Can you give me some tips?
Because the service isn't usually very good in the shops, is it?
No, the trouble is what they do is with kids when they go and they put them through a bunch of effects and they sound great,
even if it's only a cheap guitar, you should pick a guitar up and play it without even plugging it into the amplifier.
And if it sounds good then, then it's going to sound better when you plug it in.
If it sounds good when it's bad, it's going to sound great.
What about the acoustic?
Is that part of your collection?
Well, that was like a present.
But the thing about that is I haven't got anywhere to put this.
As you said, I've got a vast collection of guitars.
So I was thinking_
You're not giving it away, are you?
Well, I was thinking about it, actually.
You're joking!
I couldn't take that off you, mate, because I've already got an acoustic.
But I know someone who will.
Do you hear that, then?
Gary Moore, the man himself, is going to give away his guitar.
So what I'm going to do, if it's a Gary Moore guitar, we're going to have to have a Gary Moore competition.
I'll think of a question to ask you.
I know, obvious one, isn't it?
What was the old famous band that Gary used to be in before he formed his own band?
Quite an easy one, so you've got to cast your mind back.
I promise you I won't enter the competition, because I fancy that guitar myself.
If you think you know the answer, stick it on a postcard and send it to me near the house.
And just put on the bottom, Guitar Competition.
It helps Kim sort the mail out.
And send it to the usual address.
That's number 73, PO Box 73, Maidstone, Kent.
ME 15 6RS.
What was Gary's old band?
Good luck with that competition.
Right, doorbell.
Give us a few little tricks in that.
I know you just don't play straight on stage.
You've got some tricks lined up.
Yeah, I use some different sound effects.
This [G] is like a police siren.
_ _ [Gm] _
_ _ [N] _ So that's one of them.
And I've got this one which is sort of like a Honda 500. _ _ _
_ _ _ _ _ _
_ _ It's one that's all off.
Go on, another one.
Well, this is one like it's kind of like a dive [E] bomber effect.
You just hit one of these [G] harmonics.
[N] _ _ _ _ _ _
It's so realistic.
Have you got anything that might be a bit more doorbell-ish?
Well, I've got these harmonics which [E] might sound like a bell if you play it like_
[A] _
_ _ _ _ _
That's the one.
You play it, I'll [C] record.
[D] _ _
_ [C] _ [F] _ _ _ [Am] _
[D] _ _ _ [C] _ [F] _ _
_ _ [Dm] _ _ _ _
_ _ _ _ [F] _ _
_ _ [D] _ _ _ _
_ _ _ _ [F] _ _
_ [G] _ _ _ _ _
[Bb] _ _ _ _ [Gm] _
You never [Bb] _ [F] _ _ _
[Dm] _ _ [C] show me [F] your_
_ [C] [Dm] You got to do it like_
[C] Show me.
[F] _ _ _ [C] _ [D] _ _
_ [C] _ [F] _ _ _ [Am] _
[D] _ _ _ [C] _ [F] _ _
I [D] _ know the danger, you're over and over the course [F] because you got wings.
_ _ [D] You're like a stranger, you better show your hand before [F] I _
_ [Gb] _ [Bb] _ get_
I'm making you behave this way, _ _ [Gm] _ _
_ _ [Bb] _ [Em] you don't [D] let me_
You [C] show me [F] you're still there for me.
[C] [Dm] You _ [C] show me [F] you're still there for me.
_ [Dm] _ _
Show me [Am] that you've been going out, been like [C] this for much longer.
[D] Take a little time.
_ Oh, oh, oh, oh, [F] oh, _ oh, oh, oh, oh, oh, oh, oh, [G] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh_
Show [A] _ me your _ [G]
ass!
_ [A] _ _ _
[Bb] Open [C] my_
[G] _ Don't [A] give me all [Em] _ _ [F] _ [G] _
_ _ [A] this!
[Bb] I'll chew [C] out [D] all [C] your_
_ [F] _
_ [D] Take a little time. _
[F] _ _ _ _ _ [D] _
_ _ [Dm] _ _ _ _
Come on.
Gary Moore!
How you doing, mate?
Alright, how you lads?
Alright?
How can you melt? _
Between you and me, it's up for the chop.
Say [Ab] nothing, eh?
Come through here to the cellar.
Alright, straight down the bottom, turn right.
Hello.
Hello, mate.
Alright, hey, listen.
While you're around, you're an expert on sound, aren't you?
What do you think?
Kind of, yeah.
What do you think would make a good sound for a doorbell?
Well, have you thought about trying a guitar sound for a doorbell?
That might be good.
I never thought of that.
Can we use one of yours?
Yeah.
Brilliant.
Let's have a look down there.
Look at these lines.
They're beautiful, aren't they?
How many have you got altogether?
About 25.
25?
Yeah.
And why have you got these in your collection?
What's special about these ones?
These are some of my old favourites.
This one here is my oldest guitar.
It's a 1959 Les Paul.
I've had this for about 12 years.
And it used to belong to Peter Green.
You know Albatross?
You know this [B] tune?
No, don't know it.
[E] _ Oh, yeah, I remember that one.
Yeah, I know this one.
And you used that guitar for recording?
Yeah, I used it on Parisian Walkways as well, which was a hit that we had before.
[N] Do you know this one?
Yeah. _ _
_ _ Love it.
What about that one?
I've seen you use that occasionally.
This one is a 1955 Les Paul Junior.
It used to belong to the guitarist from the Sex Pistols, Steve Jones.
Oh, right, yeah.
What about that one?
It looks like a bit of a jazz guitar.
Yeah, that's an old ES5 Gibson that I got from Greg Lake.
From Emerson Lake and Palmer?
That's the one.
Yeah, an old band that.
Pink one?
Strat?
The pink one's an old 1961 Salmon Pink Strat like the Shadows used to play.
Yeah, now I've seen a lot of guys play Strat and yet they all seem to make it sound different.
How come?
Well, different players can make guitars sound completely different just by the way they touch the strings and the fingering techniques and all that.
It's down to the individual player.
And I notice you've got a lot of old guitars here.
Has that got anything to do with the sound?
Yeah, well, older guitars tend to sort of mellow with age, you know, as they get older, they get a warmer tone.
So I like them.
What about the little one?
Is that a bit of a joke guitar or a child's guitar?
Yeah, that's really just like a novelty.
I picked it up in Tokyo for about two bob, you know, it was sort of sitting in a shop there.
But you can't really play it properly.
What do you think is a good age to start?
Is that an ideal guitar for a starter?
No, because if you look at the neck on this guitar, it's a very short scale neck.
It's a whole miniature guitar and this is the proper length of the neck.
So even if you're very young and you've got small fingers, you should learn on the proper scale neck.
And then when you move on to other guitars, it's always going to be the same.
Now I'm thinking of buying a new Alecki.
Can you give me some tips?
Because the service isn't usually very good in the shops, is it?
No, the trouble is what they do is with kids when they go and they put them through a bunch of effects and they sound great,
even if it's only a cheap guitar, you should pick a guitar up and play it without even plugging it into the amplifier.
And if it sounds good then, then it's going to sound better when you plug it in.
If it sounds good when it's bad, it's going to sound great.
What about the acoustic?
Is that part of your collection?
Well, that was like a present.
But the thing about that is I haven't got anywhere to put this.
As you said, I've got a vast collection of guitars.
So I was thinking_
You're not giving it away, are you?
Well, I was thinking about it, actually.
You're joking!
I couldn't take that off you, mate, because I've already got an acoustic.
But I know someone who will.
Do you hear that, then?
Gary Moore, the man himself, is going to give away his guitar.
So what I'm going to do, if it's a Gary Moore guitar, we're going to have to have a Gary Moore competition.
I'll think of a question to ask you.
I know, obvious one, isn't it?
What was the old famous band that Gary used to be in before he formed his own band?
Quite an easy one, so you've got to cast your mind back.
I promise you I won't enter the competition, because I fancy that guitar myself.
If you think you know the answer, stick it on a postcard and send it to me near the house.
And just put on the bottom, Guitar Competition.
It helps Kim sort the mail out.
And send it to the usual address.
That's number 73, PO Box 73, Maidstone, Kent.
ME 15 6RS.
What was Gary's old band?
Good luck with that competition.
Right, doorbell.
Give us a few little tricks in that.
I know you just don't play straight on stage.
You've got some tricks lined up.
Yeah, I use some different sound effects.
This [G] is like a police siren.
_ _ [Gm] _
_ _ [N] _ So that's one of them.
And I've got this one which is sort of like a Honda 500. _ _ _
_ _ _ _ _ _
_ _ It's one that's all off.
Go on, another one.
Well, this is one like it's kind of like a dive [E] bomber effect.
You just hit one of these [G] harmonics.
[N] _ _ _ _ _ _
It's so realistic.
Have you got anything that might be a bit more doorbell-ish?
Well, I've got these harmonics which [E] might sound like a bell if you play it like_
[A] _
_ _ _ _ _
That's the one.
You play it, I'll [C] record.
[D] _ _
_ [C] _ [F] _ _ _ [Am] _
[D] _ _ _ [C] _ [F] _ _
_ _ [Dm] _ _ _ _
_ _ _ _ [F] _ _
_ _ [D] _ _ _ _
_ _ _ _ [F] _ _
_ [G] _ _ _ _ _
[Bb] _ _ _ _ [Gm] _
You never [Bb] _ [F] _ _ _
[Dm] _ _ [C] show me [F] your_
_ [C] [Dm] You got to do it like_
[C] Show me.
[F] _ _ _ [C] _ [D] _ _
_ [C] _ [F] _ _ _ [Am] _
[D] _ _ _ [C] _ [F] _ _
I [D] _ know the danger, you're over and over the course [F] because you got wings.
_ _ [D] You're like a stranger, you better show your hand before [F] I _
_ [Gb] _ [Bb] _ get_
I'm making you behave this way, _ _ [Gm] _ _
_ _ [Bb] _ [Em] you don't [D] let me_
You [C] show me [F] you're still there for me.
[C] [Dm] You _ [C] show me [F] you're still there for me.
_ [Dm] _ _
Show me [Am] that you've been going out, been like [C] this for much longer.
[D] Take a little time.
_ Oh, oh, oh, oh, [F] oh, _ oh, oh, oh, oh, oh, oh, oh, [G] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh_
Show [A] _ me your _ [G]
ass!
_ [A] _ _ _
[Bb] Open [C] my_
[G] _ Don't [A] give me all [Em] _ _ [F] _ [G] _
_ _ [A] this!
[Bb] I'll chew [C] out [D] all [C] your_
_ [F] _
_ [D] Take a little time. _
[F] _ _ _ _ _ [D] _
_ _ [Dm] _ _ _ _