Chords for Frightened Rabbit - 'The Making of Pedestrian Verse' [FOLK - Part II]
Tempo:
115.5 bpm
Chords used:
B
E
Abm
Db
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![Frightened Rabbit - 'The Making of Pedestrian Verse' [FOLK - Part II] chords](https://i.ytimg.com/vi/8wun_UmfFE8/mqdefault.jpg)
Start Jamming...
[B] [Abm] [Db] [E]
[Abm]
[B] [Em]
[B]
Shut down the [Abm] gospel [Db] singers [E] and turn up the [B] old [Abm] heartbreakers.
[B] Prior to even coming to the US to tour, [G] I had [B] a great deal of influence, American music
had [Abm] on me.
The first writers I [E] really admired and [B] wanted to emulate were Jeff Tweedy of Wilco and Ryan
Adams [G] and Laura Cantrell.
A lot of Americana [B] that I was really into when I first started writing songs.
[Db] I think there's a core of, there's something [B] about country and Scottish [E] folk that has [Em] something in common.
There's a story being told, [B] there's a protagonist, there's a directness to it and an [Abm] honesty.
So I think [Gb] what happened was I was influenced by [E] that, [B] that probably came through in the
music and then it sort of fed back into our popularity over here maybe.
Leave the [Abm] akin warm [E]-heartedness, go where [B] the joyless bastard [Abm] lives.
[Gb] He's dying to bring [Em]
you down with [B] him.
[Abm] Yeah I think there's a sort of thing in the roots of what we do that has always been [Db] [B] based
in America.
So yeah, to come here and find ourselves in a position whereby we're Scottish [E] yet, from
[B] on a small label, from somewhere really [E] small, quite far away, it was translating [B] still.
Which was all thanks to people like Ryan [E] Adams and Jeff Tweedy.
So yeah, [B] I think thereafter [E] our experience of touring and [A]
American [E] music now, [B] bands like
The Antlers, Beer Hunter and The Shins all have a major effect on what we're doing.
So it's like, yeah, the country is totally rich in musical history and it's possible
to ignore it and it's had a huge effect on us.
[E] Live with [B]
us, you [Abm] can keep all [Gb] your oxygen, honey, [B] in light through [E] the sky.
[B]
[Abm]
[B] [Em]
[B]
Shut down the [Abm] gospel [Db] singers [E] and turn up the [B] old [Abm] heartbreakers.
[B] Prior to even coming to the US to tour, [G] I had [B] a great deal of influence, American music
had [Abm] on me.
The first writers I [E] really admired and [B] wanted to emulate were Jeff Tweedy of Wilco and Ryan
Adams [G] and Laura Cantrell.
A lot of Americana [B] that I was really into when I first started writing songs.
[Db] I think there's a core of, there's something [B] about country and Scottish [E] folk that has [Em] something in common.
There's a story being told, [B] there's a protagonist, there's a directness to it and an [Abm] honesty.
So I think [Gb] what happened was I was influenced by [E] that, [B] that probably came through in the
music and then it sort of fed back into our popularity over here maybe.
Leave the [Abm] akin warm [E]-heartedness, go where [B] the joyless bastard [Abm] lives.
[Gb] He's dying to bring [Em]
you down with [B] him.
[Abm] Yeah I think there's a sort of thing in the roots of what we do that has always been [Db] [B] based
in America.
So yeah, to come here and find ourselves in a position whereby we're Scottish [E] yet, from
[B] on a small label, from somewhere really [E] small, quite far away, it was translating [B] still.
Which was all thanks to people like Ryan [E] Adams and Jeff Tweedy.
So yeah, [B] I think thereafter [E] our experience of touring and [A]
American [E] music now, [B] bands like
The Antlers, Beer Hunter and The Shins all have a major effect on what we're doing.
So it's like, yeah, the country is totally rich in musical history and it's possible
to ignore it and it's had a huge effect on us.
[E] Live with [B]
us, you [Abm] can keep all [Gb] your oxygen, honey, [B] in light through [E] the sky.
[B]
Key:
B
E
Abm
Db
Em
B
E
Abm
[B] _ _ [Abm] _ _ _ [Db] _ [E] _ _
_ _ _ [Abm] _ _ _ _ _
_ _ _ [B] _ _ _ _ [Em] _
_ _ _ [B] _ _ _ _ _
Shut down the [Abm] gospel [Db] singers [E] and turn up the [B] old _ [Abm] heartbreakers.
_ _ [B] Prior to even coming to the US to tour, [G] I had [B] a great deal of influence, _ American music
had [Abm] on me.
The first writers I [E] really admired and [B] wanted to emulate were _ Jeff Tweedy of Wilco and Ryan
Adams [G] and Laura Cantrell.
A lot of Americana [B] that I was really into when I first started writing songs.
[Db] I think there's a core of, there's something [B] about country and _ Scottish [E] folk that has [Em] something in common.
There's a story being told, [B] there's a protagonist, there's a directness to it and an [Abm] honesty.
So I think [Gb] what happened was I was influenced by [E] that, _ [B] that probably came through in the
music and then it sort of fed back into our popularity over here maybe.
Leave the [Abm] akin warm [E]-heartedness, go where [B] the joyless bastard [Abm] lives.
_ _ [Gb] He's dying to bring _ [Em]
you down with [B] him. _ _ _
_ _ [Abm] Yeah I think there's a sort of thing in the roots of what we do that has always been _ _ _ [Db] _ _ [B] based
in America.
So yeah, to come here and _ find ourselves in a position whereby we're Scottish [E] yet, _ from
[B] on a small label, from somewhere really [E] small, quite far away, _ _ it was translating [B] still.
Which was _ _ all _ thanks to people like Ryan [E] Adams and Jeff Tweedy.
So yeah, [B] _ I think _ thereafter [E] our experience of touring _ and [A]
American [E] music now, _ [B] _ bands like
The Antlers, _ _ _ Beer Hunter _ and The Shins all have a major effect on what we're doing.
So it's like, yeah, the country is _ totally rich in musical history and it's possible
to ignore it and it's had a huge effect on us.
_ [E] Live with [B] _
us, you [Abm] can keep all [Gb] your oxygen, honey, [B] in light through [E] the sky.
_ [B] _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Abm] _ _ _ _ _
_ _ _ [B] _ _ _ _ [Em] _
_ _ _ [B] _ _ _ _ _
Shut down the [Abm] gospel [Db] singers [E] and turn up the [B] old _ [Abm] heartbreakers.
_ _ [B] Prior to even coming to the US to tour, [G] I had [B] a great deal of influence, _ American music
had [Abm] on me.
The first writers I [E] really admired and [B] wanted to emulate were _ Jeff Tweedy of Wilco and Ryan
Adams [G] and Laura Cantrell.
A lot of Americana [B] that I was really into when I first started writing songs.
[Db] I think there's a core of, there's something [B] about country and _ Scottish [E] folk that has [Em] something in common.
There's a story being told, [B] there's a protagonist, there's a directness to it and an [Abm] honesty.
So I think [Gb] what happened was I was influenced by [E] that, _ [B] that probably came through in the
music and then it sort of fed back into our popularity over here maybe.
Leave the [Abm] akin warm [E]-heartedness, go where [B] the joyless bastard [Abm] lives.
_ _ [Gb] He's dying to bring _ [Em]
you down with [B] him. _ _ _
_ _ [Abm] Yeah I think there's a sort of thing in the roots of what we do that has always been _ _ _ [Db] _ _ [B] based
in America.
So yeah, to come here and _ find ourselves in a position whereby we're Scottish [E] yet, _ from
[B] on a small label, from somewhere really [E] small, quite far away, _ _ it was translating [B] still.
Which was _ _ all _ thanks to people like Ryan [E] Adams and Jeff Tweedy.
So yeah, [B] _ I think _ thereafter [E] our experience of touring _ and [A]
American [E] music now, _ [B] _ bands like
The Antlers, _ _ _ Beer Hunter _ and The Shins all have a major effect on what we're doing.
So it's like, yeah, the country is _ totally rich in musical history and it's possible
to ignore it and it's had a huge effect on us.
_ [E] Live with [B] _
us, you [Abm] can keep all [Gb] your oxygen, honey, [B] in light through [E] the sky.
_ [B] _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _