Chords for Frank Zappa - What's My Line, TV Appearance 1971
Tempo:
123.95 bpm
Chords used:
Bb
Ab
F
G
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Now panel we have once again reached that very special part of what's my [N] line the time we meet our mystery guests so blindfolds in
Place, please.
Here we go.
Are they securely in place?
Yes secure secure, right mystery challenger.
Will you enter and sign in please?
All right panel it is indeed one question at a time
We'll give you three minutes to try and establish the identity of our mystery guests and we'll begin with soupy sales
Boy, that was a while.
Are they are they in already?
That was a while reception
Mystery guests is that because we would recognize you for your work on television.
No one down.
Yeah
Are you in the arts?
Yes, Jean all those old ladies from the audience sound like you're a bullfighter
Let's see, you're in the arts and not in television you work in the theater
[Bb] They're [E] not mutually [D] exclusive, you know
No, no not only eater don't worry about that well
[Bb]
Is there anything musical about your work some people think so
[N]
[D] Statement soupy.
Oh, well, are you a singer?
Not very often
Oh
June but you can't say he is not a singer.
No, I do sing from time to time
Only under duress but not professionally.
This is not no.
No, we're talking [Gb] professionally.
I see then are you on the [F] stage?
Yes
Spending music stage.
[Bb] Yes, Jean.
This [N] sounds like a nightclub performing composer singer
Who's a bullfighter?
Yes
Are you are you also a composer?
Yes
[Bb] Arlene are you part of a group?
Yes soupy.
Oh, do you have a mustache?
[F] Yes, you Frank Zappa
[N]
It's a group I think that a few people have heard of by now, oh, yeah, maybe yeah, right the mothers of invention
All right, you just you finished doing you did some work with a very good friend of mine on the coast Shelly man
[Bb] Yes, [A] that was on an album called lumpy gravy, yeah
[Abm] [G] [Gb]
[Bb] Story in life in which you were pictured with your [Em] family.
Yeah, it was too purple the picture is too purple
[E]
Well, we noticed your [Gbm] trousers match the decor.
I [Ab] mean, it was too [D] purple.
Oh, well, what's it?
Tell us about the movie Frank that you've been
[Bb] we just finished a
Film called [G] 200 motels.
It's the first feature film to be shot [G] on videotape and we used four cameras
Shot it in seven days at Pinewood [E] Studios in England and it was transferred to 35 millimeter [Eb] film
By a company called [Ab] vid tronics that has a process that takes the normal TV line
Which is straight and makes it go wiggly like that and they interlock and the result is on film
It looks like a 35 millimeter negative
Yeah, that's color is excellent and Gil [Eb] in case you're interested it's 120 a minute which isn't bad [Ab] transfer price from tape to film
especially when you consider all of your opticals are free and
[Gm] The electronic visual effects that are [F] possible far surpass anything you can do
Excuse me while we talk talk [Dm] shop
But did you do your editing on the film or did you do your editing during the transfer [Ab] from tape to film?
Well, you have the advantage of you can edit while you're shooting because you have four cameras and that's a push button, right?
Pull a lever job
Then you have 11 days of video editing where you can combine
Several scenes and [A] montage them together and then you have [Ab] the option of tightening up the product of the video editing
During your normal film stage and it took four years to write [G] this thing
I know it took four years to write the orchestra [F] music it took about two and a half or three weeks to write the
Script it took ten days to rehearse it seven days to shoot it eleven days for [Bbm] videotape editing and three [Bb] months for film editing
And the rest of the time was [N] negative cutting and transfer and you know talking about all that time
We've ran out Frank.
So I just stay with us and I'll say we'll continue right after this work
[Abm]
Place, please.
Here we go.
Are they securely in place?
Yes secure secure, right mystery challenger.
Will you enter and sign in please?
All right panel it is indeed one question at a time
We'll give you three minutes to try and establish the identity of our mystery guests and we'll begin with soupy sales
Boy, that was a while.
Are they are they in already?
That was a while reception
Mystery guests is that because we would recognize you for your work on television.
No one down.
Yeah
Are you in the arts?
Yes, Jean all those old ladies from the audience sound like you're a bullfighter
Let's see, you're in the arts and not in television you work in the theater
[Bb] They're [E] not mutually [D] exclusive, you know
No, no not only eater don't worry about that well
[Bb]
Is there anything musical about your work some people think so
[N]
[D] Statement soupy.
Oh, well, are you a singer?
Not very often
Oh
June but you can't say he is not a singer.
No, I do sing from time to time
Only under duress but not professionally.
This is not no.
No, we're talking [Gb] professionally.
I see then are you on the [F] stage?
Yes
Spending music stage.
[Bb] Yes, Jean.
This [N] sounds like a nightclub performing composer singer
Who's a bullfighter?
Yes
Are you are you also a composer?
Yes
[Bb] Arlene are you part of a group?
Yes soupy.
Oh, do you have a mustache?
[F] Yes, you Frank Zappa
[N]
It's a group I think that a few people have heard of by now, oh, yeah, maybe yeah, right the mothers of invention
All right, you just you finished doing you did some work with a very good friend of mine on the coast Shelly man
[Bb] Yes, [A] that was on an album called lumpy gravy, yeah
[Abm] [G] [Gb]
[Bb] Story in life in which you were pictured with your [Em] family.
Yeah, it was too purple the picture is too purple
[E]
Well, we noticed your [Gbm] trousers match the decor.
I [Ab] mean, it was too [D] purple.
Oh, well, what's it?
Tell us about the movie Frank that you've been
[Bb] we just finished a
Film called [G] 200 motels.
It's the first feature film to be shot [G] on videotape and we used four cameras
Shot it in seven days at Pinewood [E] Studios in England and it was transferred to 35 millimeter [Eb] film
By a company called [Ab] vid tronics that has a process that takes the normal TV line
Which is straight and makes it go wiggly like that and they interlock and the result is on film
It looks like a 35 millimeter negative
Yeah, that's color is excellent and Gil [Eb] in case you're interested it's 120 a minute which isn't bad [Ab] transfer price from tape to film
especially when you consider all of your opticals are free and
[Gm] The electronic visual effects that are [F] possible far surpass anything you can do
Excuse me while we talk talk [Dm] shop
But did you do your editing on the film or did you do your editing during the transfer [Ab] from tape to film?
Well, you have the advantage of you can edit while you're shooting because you have four cameras and that's a push button, right?
Pull a lever job
Then you have 11 days of video editing where you can combine
Several scenes and [A] montage them together and then you have [Ab] the option of tightening up the product of the video editing
During your normal film stage and it took four years to write [G] this thing
I know it took four years to write the orchestra [F] music it took about two and a half or three weeks to write the
Script it took ten days to rehearse it seven days to shoot it eleven days for [Bbm] videotape editing and three [Bb] months for film editing
And the rest of the time was [N] negative cutting and transfer and you know talking about all that time
We've ran out Frank.
So I just stay with us and I'll say we'll continue right after this work
[Abm]
Key:
Bb
Ab
F
G
E
Bb
Ab
F
Now panel we have once again reached that very special part of what's my [N] line the time we meet our mystery guests so blindfolds in
Place, please.
Here we go.
Are they securely in place?
Yes secure secure, right mystery challenger.
Will you enter and sign in please? _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ All _ _ _ _ _ right panel it is indeed one question at a time
We'll give you three minutes to try and establish the identity of our mystery guests and we'll begin with soupy sales
Boy, that was a while.
Are they are they in already?
_ _ That was a while reception
Mystery guests is that because we would recognize you for your work on television.
No one down.
Yeah
_ _ _ _ _ _ Are you in the arts?
Yes, Jean all those old ladies from the audience sound like you're a bullfighter _ _ _ _
_ Let's see, you're in the arts and not in television you work in the theater
[Bb] They're [E] not mutually [D] exclusive, you know _
_ _ No, no not only eater don't worry about that well
_ _ [Bb] _ _
_ Is there anything musical about your work some people think so
_ _ _ [N] _ _
_ _ _ _ _ [D] _ Statement soupy.
Oh, well, are you a singer? _
Not very often
_ _ _ Oh
June but you can't say he is not a singer.
_ No, I do sing from time to time
Only under duress but not professionally.
This is not no.
No, we're talking [Gb] professionally.
_ I see then are you on the [F] stage?
_ Yes
Spending music stage.
[Bb] Yes, Jean.
This [N] sounds like a nightclub performing composer singer
Who's a bullfighter?
Yes _
Are you are you also a composer?
Yes _
[Bb] _ Arlene are you part of a group? _
Yes soupy.
Oh, do you have a mustache?
[F] Yes, you Frank Zappa
_ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It's a group I think that a few people have heard of by now, oh, yeah, maybe yeah, right the mothers of invention
All right, you just you finished doing you did some work with a very good friend of mine on the coast Shelly man
[Bb] Yes, [A] that was on an album called lumpy gravy, yeah _ _ _
[Abm] _ _ [G] _ _ [Gb] _ _ _ _
[Bb] Story in life in which you were pictured with your [Em] family.
Yeah, it was too purple the picture is too purple
_ [E] _
Well, we noticed your [Gbm] trousers match the decor.
I [Ab] mean, it was too [D] purple.
Oh, well, what's it?
Tell us about the movie Frank that you've been
_ [Bb] we just finished a
_ Film called [G] 200 motels.
It's the first feature film to be shot [G] on videotape and we used four cameras
Shot it in seven days at Pinewood [E] Studios in England and it was transferred to 35 millimeter [Eb] film
By a company called [Ab] vid tronics that has a process that takes the normal TV line
Which is straight and makes it go wiggly like that and they interlock and the result is on film
It looks like a 35 millimeter negative
Yeah, that's color is excellent and Gil [Eb] in case you're interested it's 120 a minute which isn't bad [Ab] transfer price from tape to film
especially when you consider all of your opticals are free and
_ [Gm] _ The electronic visual effects that are [F] possible far surpass anything you can do
_ Excuse me while we talk talk [Dm] shop
But did you do your editing on the film or did you do your editing during the transfer [Ab] from tape to film?
Well, you have the advantage of you can edit while you're shooting because you have four cameras and that's a push button, right?
Pull a lever job
Then you have 11 days of video editing where you can combine
Several scenes and [A] montage them together and then you have [Ab] the option of tightening up the product of the video editing
During your normal film stage and it took four years to write [G] this thing
I know it took four years to write the orchestra [F] music it took about two and a half or three weeks to write the
Script it took ten days to rehearse it seven days to shoot it eleven days for [Bbm] videotape editing and three [Bb] months for film editing
And the rest of the time was [N] negative cutting and transfer and you know talking about all that time
We've ran out Frank.
So I just stay with us and I'll say we'll continue right after this work
_ [Abm] _ _
Place, please.
Here we go.
Are they securely in place?
Yes secure secure, right mystery challenger.
Will you enter and sign in please? _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ All _ _ _ _ _ right panel it is indeed one question at a time
We'll give you three minutes to try and establish the identity of our mystery guests and we'll begin with soupy sales
Boy, that was a while.
Are they are they in already?
_ _ That was a while reception
Mystery guests is that because we would recognize you for your work on television.
No one down.
Yeah
_ _ _ _ _ _ Are you in the arts?
Yes, Jean all those old ladies from the audience sound like you're a bullfighter _ _ _ _
_ Let's see, you're in the arts and not in television you work in the theater
[Bb] They're [E] not mutually [D] exclusive, you know _
_ _ No, no not only eater don't worry about that well
_ _ [Bb] _ _
_ Is there anything musical about your work some people think so
_ _ _ [N] _ _
_ _ _ _ _ [D] _ Statement soupy.
Oh, well, are you a singer? _
Not very often
_ _ _ Oh
June but you can't say he is not a singer.
_ No, I do sing from time to time
Only under duress but not professionally.
This is not no.
No, we're talking [Gb] professionally.
_ I see then are you on the [F] stage?
_ Yes
Spending music stage.
[Bb] Yes, Jean.
This [N] sounds like a nightclub performing composer singer
Who's a bullfighter?
Yes _
Are you are you also a composer?
Yes _
[Bb] _ Arlene are you part of a group? _
Yes soupy.
Oh, do you have a mustache?
[F] Yes, you Frank Zappa
_ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It's a group I think that a few people have heard of by now, oh, yeah, maybe yeah, right the mothers of invention
All right, you just you finished doing you did some work with a very good friend of mine on the coast Shelly man
[Bb] Yes, [A] that was on an album called lumpy gravy, yeah _ _ _
[Abm] _ _ [G] _ _ [Gb] _ _ _ _
[Bb] Story in life in which you were pictured with your [Em] family.
Yeah, it was too purple the picture is too purple
_ [E] _
Well, we noticed your [Gbm] trousers match the decor.
I [Ab] mean, it was too [D] purple.
Oh, well, what's it?
Tell us about the movie Frank that you've been
_ [Bb] we just finished a
_ Film called [G] 200 motels.
It's the first feature film to be shot [G] on videotape and we used four cameras
Shot it in seven days at Pinewood [E] Studios in England and it was transferred to 35 millimeter [Eb] film
By a company called [Ab] vid tronics that has a process that takes the normal TV line
Which is straight and makes it go wiggly like that and they interlock and the result is on film
It looks like a 35 millimeter negative
Yeah, that's color is excellent and Gil [Eb] in case you're interested it's 120 a minute which isn't bad [Ab] transfer price from tape to film
especially when you consider all of your opticals are free and
_ [Gm] _ The electronic visual effects that are [F] possible far surpass anything you can do
_ Excuse me while we talk talk [Dm] shop
But did you do your editing on the film or did you do your editing during the transfer [Ab] from tape to film?
Well, you have the advantage of you can edit while you're shooting because you have four cameras and that's a push button, right?
Pull a lever job
Then you have 11 days of video editing where you can combine
Several scenes and [A] montage them together and then you have [Ab] the option of tightening up the product of the video editing
During your normal film stage and it took four years to write [G] this thing
I know it took four years to write the orchestra [F] music it took about two and a half or three weeks to write the
Script it took ten days to rehearse it seven days to shoot it eleven days for [Bbm] videotape editing and three [Bb] months for film editing
And the rest of the time was [N] negative cutting and transfer and you know talking about all that time
We've ran out Frank.
So I just stay with us and I'll say we'll continue right after this work
_ [Abm] _ _