Chords for Frank Marino demos the "Peterson Stomp Classic" tuner
Tempo:
76.25 bpm
Chords used:
E
Am
F
B
D#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, I'm Frank Marino from Mahogany Rush.
I want to check out a pedal with you here.
It's something I've been using for a long time from the days when before they were actually in pedal format.
It used to be mechanical.
It's a strobe tuner from Peterson.
It's called a Stomp Classic now and they've been making a few Stomp versions of them.
But they've gone back to the dial face that used to be on the old Cons and the Petersons.
In the old days they had the mechanical dial and I just loved those things.
I used to put two of them together and tune that way in the dressing room all the time.
The other cool things about it are that it has a built-in DI on the back.
XLR DI with 0, 10 dB down, 20 dB down pad.
And it's got a switch for true bypass or the different modes of how you want to look at it.
If you want to make the pedal true bypass or not.
If you want the pedal to mute.
And the display is really just great.
The display is amazing.
You can see it in the dark.
You can see when it's sharp, [Bm] when it's flat.
It's great.
[N] It's got a lot of different tunings inside.
You can get temper tuning and temper tuning.
It's even more than I'll ever use.
But I just love it for the way that it tunes.
It looks great.
I can see it.
It's solid.
It's a great tuner.
I'm glad that they [E] went to this design.
[Am] [C#m] [E]
[Am] [F] [F#m]
[B] [C#] [D#] [D]
[F#]
[A] [D] [F] I think it's got a cool feature that I don't even know if they did this.
I didn't read about this in the book.
Maybe I missed it or whatever.
I noticed that, because I like to leave my tuner on all the time when I'm playing.
I have it jacked in so I can always see it.
I can look down.
Up until now, in the middle of a solo, I'd [Am] hold a note and just see if I was in there.
So, okay, I've got to sort of tune it while I'm playing.
But I noticed that if you play major [B] chords, it gets it right.
[A]
It's knowing that it's an A note, I guess because there's a strong fundamental [G] in it.
[C] [D] [D#]
[A] Check it out, [F] man.
[G] [E] [B]
I don't know if they know that's supposed to happen.
Because you don't just have to hold the one note.
So, if I'm on stage, and sometimes at the end of my guitar solo,
I'm beating the hell out of the bar, and then I've got to get to the soft part where I play chords,
and it's often like, [E] uh-oh.
And I can see right away where I'm at.
So, I think that's a cool feature.
[D#] Check it out, the classic stomp from Peterson.
I'm definitely using these from now on.
I want to check out a pedal with you here.
It's something I've been using for a long time from the days when before they were actually in pedal format.
It used to be mechanical.
It's a strobe tuner from Peterson.
It's called a Stomp Classic now and they've been making a few Stomp versions of them.
But they've gone back to the dial face that used to be on the old Cons and the Petersons.
In the old days they had the mechanical dial and I just loved those things.
I used to put two of them together and tune that way in the dressing room all the time.
The other cool things about it are that it has a built-in DI on the back.
XLR DI with 0, 10 dB down, 20 dB down pad.
And it's got a switch for true bypass or the different modes of how you want to look at it.
If you want to make the pedal true bypass or not.
If you want the pedal to mute.
And the display is really just great.
The display is amazing.
You can see it in the dark.
You can see when it's sharp, [Bm] when it's flat.
It's great.
[N] It's got a lot of different tunings inside.
You can get temper tuning and temper tuning.
It's even more than I'll ever use.
But I just love it for the way that it tunes.
It looks great.
I can see it.
It's solid.
It's a great tuner.
I'm glad that they [E] went to this design.
[Am] [C#m] [E]
[Am] [F] [F#m]
[B] [C#] [D#] [D]
[F#]
[A] [D] [F] I think it's got a cool feature that I don't even know if they did this.
I didn't read about this in the book.
Maybe I missed it or whatever.
I noticed that, because I like to leave my tuner on all the time when I'm playing.
I have it jacked in so I can always see it.
I can look down.
Up until now, in the middle of a solo, I'd [Am] hold a note and just see if I was in there.
So, okay, I've got to sort of tune it while I'm playing.
But I noticed that if you play major [B] chords, it gets it right.
[A]
It's knowing that it's an A note, I guess because there's a strong fundamental [G] in it.
[C] [D] [D#]
[A] Check it out, [F] man.
[G] [E] [B]
I don't know if they know that's supposed to happen.
Because you don't just have to hold the one note.
So, if I'm on stage, and sometimes at the end of my guitar solo,
I'm beating the hell out of the bar, and then I've got to get to the soft part where I play chords,
and it's often like, [E] uh-oh.
And I can see right away where I'm at.
So, I think that's a cool feature.
[D#] Check it out, the classic stomp from Peterson.
I'm definitely using these from now on.
Key:
E
Am
F
B
D#
E
Am
F
Hi, I'm Frank Marino from Mahogany Rush.
I want to check out a pedal with you here.
It's something I've been using for a long time from the days when before they were actually in pedal format.
It used to be mechanical.
It's a strobe tuner from Peterson.
It's called a Stomp Classic now and they've been making a few Stomp versions of them.
But they've gone back to the dial face that used to be on the old Cons and the Petersons.
In the old days they had the mechanical dial and I just loved those things.
I used to put two of them together and tune that way in the dressing room all the time.
The other cool things about it are that it has a built-in DI on the back.
XLR DI with 0, 10 dB down, 20 dB down pad.
_ And it's got a switch for true bypass or the different modes of how you want to look at it.
If you want to make the pedal true bypass or not.
If you want the pedal to mute.
And the display is really just great.
The display is amazing.
You can see it in the dark.
_ You can see when it's sharp, [Bm] when it's flat.
It's great. _
_ _ [N] It's got a lot of different tunings inside.
You can get temper tuning and temper tuning.
It's even more than I'll ever use.
But I just love it for the way that it tunes.
It looks great.
I can see it.
It's solid.
_ It's a great tuner.
I'm glad that they [E] went to this design. _
_ [Am] _ _ _ _ _ [C#m] _ [E] _
_ [Am] _ _ _ [F] _ [F#m] _ _ _
[B] _ _ _ [C#] _ _ _ [D#] _ [D] _
_ _ _ _ _ _ _ [F#] _
_ _ _ _ [A] _ _ [D] [F] I think it's got a cool feature that I don't even know if they did this.
I didn't read about this in the book.
Maybe I missed it or whatever.
I noticed that, because I like to leave my tuner on all the time when I'm playing.
I have it jacked in so I can always see it.
I can look down.
Up until now, in the middle of a solo, I'd [Am] hold a note and just see if I was in there.
So, okay, I've got to sort of tune it while I'm playing.
But I noticed that if you play major [B] chords, it gets it right.
_ [A] _ _ _ _
It's knowing that it's an A note, I guess because there's a strong fundamental [G] in it. _ _
_ [C] _ _ [D] _ _ _ [D#] _ _
_ [A] _ _ Check it out, [F] man. _ _
_ [G] _ _ _ _ _ [E] _ [B] _
_ I don't know if they know that's supposed to happen.
Because you don't just have to hold the one note.
So, if I'm on stage, and sometimes at the end of my guitar solo,
I'm beating the hell out of the bar, and then I've got to get to the soft part where I play chords,
and it's often like, [E] uh-oh.
And I can see right away where I'm at.
So, I think that's a cool feature.
[D#] Check it out, the classic stomp from Peterson.
I'm definitely using these from now on.
I want to check out a pedal with you here.
It's something I've been using for a long time from the days when before they were actually in pedal format.
It used to be mechanical.
It's a strobe tuner from Peterson.
It's called a Stomp Classic now and they've been making a few Stomp versions of them.
But they've gone back to the dial face that used to be on the old Cons and the Petersons.
In the old days they had the mechanical dial and I just loved those things.
I used to put two of them together and tune that way in the dressing room all the time.
The other cool things about it are that it has a built-in DI on the back.
XLR DI with 0, 10 dB down, 20 dB down pad.
_ And it's got a switch for true bypass or the different modes of how you want to look at it.
If you want to make the pedal true bypass or not.
If you want the pedal to mute.
And the display is really just great.
The display is amazing.
You can see it in the dark.
_ You can see when it's sharp, [Bm] when it's flat.
It's great. _
_ _ [N] It's got a lot of different tunings inside.
You can get temper tuning and temper tuning.
It's even more than I'll ever use.
But I just love it for the way that it tunes.
It looks great.
I can see it.
It's solid.
_ It's a great tuner.
I'm glad that they [E] went to this design. _
_ [Am] _ _ _ _ _ [C#m] _ [E] _
_ [Am] _ _ _ [F] _ [F#m] _ _ _
[B] _ _ _ [C#] _ _ _ [D#] _ [D] _
_ _ _ _ _ _ _ [F#] _
_ _ _ _ [A] _ _ [D] [F] I think it's got a cool feature that I don't even know if they did this.
I didn't read about this in the book.
Maybe I missed it or whatever.
I noticed that, because I like to leave my tuner on all the time when I'm playing.
I have it jacked in so I can always see it.
I can look down.
Up until now, in the middle of a solo, I'd [Am] hold a note and just see if I was in there.
So, okay, I've got to sort of tune it while I'm playing.
But I noticed that if you play major [B] chords, it gets it right.
_ [A] _ _ _ _
It's knowing that it's an A note, I guess because there's a strong fundamental [G] in it. _ _
_ [C] _ _ [D] _ _ _ [D#] _ _
_ [A] _ _ Check it out, [F] man. _ _
_ [G] _ _ _ _ _ [E] _ [B] _
_ I don't know if they know that's supposed to happen.
Because you don't just have to hold the one note.
So, if I'm on stage, and sometimes at the end of my guitar solo,
I'm beating the hell out of the bar, and then I've got to get to the soft part where I play chords,
and it's often like, [E] uh-oh.
And I can see right away where I'm at.
So, I think that's a cool feature.
[D#] Check it out, the classic stomp from Peterson.
I'm definitely using these from now on.