Chords for Frank Carter & Dean Richardson - Interview - Paris 2019 - Duke TV [FR-DE-ES-IT-RU Subs]

What's up?
I'm Frank Iyer.
I'm Dean Richardson.
We're The Rattlesnakes and you're watching us on Duke TV.
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[F] _ _ _ _ _ It's _ _ _ _ _ been two years [Db] of absolute transition for me,
like quite [Dm] painful experience.
I let a [N] lot of stuff go.
But every time you let something go, you gain a lot as well.
And I think that's the key with the album,
[E] is ultimately [F] it's a hopeful record.
[C] We wanted to handle [N] it so that people can see
that there's a light at the end of the tunnel, you know?
No matter what's happening in your life right now,
no matter how dark things [Em] feel, [Fm] how low you feel,
there's [Bb] always tomorrow, you know?
[F] And tomorrow is [D] whatever you want it to be.
You [Db] can choose to live in your misery
or you [Ab] can choose to end it
and stop [C] perpetuating the sorrow [F] and the sadness
and go out and reclaim your life as your own, you know?
The [G] record is about taking all of the pain
and the suffering [Em] that's inside you
and [B] externalizing it in a way
[Gm] that you can push it away from you and live your life.
This guy's been [A] our friend for a long time.
We've played shows through the years.
It's always a pleasure.
[N] We enjoy his footwear and everything.
He's a friend of ours, really.
You know, I knew him years ago
and then we both met him in Spain
and I think the Spanish tour that we did
was just so ridiculous.
I ended up, I just somehow ended up on stage with them
[D] singing Killing in the name of. _
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[N] _ That rekindled our [F] friendship, didn't it?
Because I think we all just [Dm] thought it was so funny.
[G] _ _ So he asked me [Fm] if we would be interested [E] to work
on some music for his new album
to which I said, yeah, [G] of course, we'd love to. _ _
_ But you have to be on our album as well.
So I kind of forced it [F] on him, but he said yes.
He said, what do [N] you want?
And we just, both of us were like,
whatever you want to do.
He could have played the triangle
and we would have been happy.
We didn't even give him a piece of the song.
We just said, here's the song.
[Em] Yeah, we just gave him the whole track.
[Fm] Do what you want.
[Gb] And he [C] did.
And he [F] ate half of the song.
Yeah, he loved it, [Eb] yeah.
_ _ _ [F] Yeah.
We've _ _ had [Db] _ _ _
[C] _ _ _ [Eb] _ [Gb] some amazing [N] shows with the Foo Fighters.
We're very lucky we're doing,
we're doing basically their Europe run this summer.
Stadiums and a couple of coliseums, very much.
That's the real thing in Croatia.
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_ _ [F] We _ don't _ _ hide.
I think on the Foo's [Gb] first Foo show,
we both went into the crowd on [F] song one.
We pride ourselves [N] on being kind of the best support band
you could ever have.
Like we know that, you know, those fans are not there to see us,
but they are there to be entertained.
And we know that they're there [Eb] because they love amazing [Gb] rock music.
That's what the Foo Fighters do.
And that's what we do.
You just [N] have to go out and be the biggest rock star you can be.
And kind of just allow yourself to enjoy the experience as well, you know,
because people just want to be [F] entertained.
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[N] Walking on people comes when you finally get fans.
_ You need [G] a lot more than 10 people in the room.
It starts by going and becoming one of those people in the [N] middle of the crowd.
And then when you can't do that and you still want it,
I guess it's just about getting off stage.
Yeah, pretty much.
You spend your entire young life trying to get on stages and then you're like,
I'm back in the crowd.
I was like that from very young.
I just was always this explosive ball of energy when I performed.
Mostly I imagine due to sheer nervousness and terror and excitement and fear.
Didn't know what the fuck I was doing.
I just would walk out on stage [E] and just be like, if I [C] explode for half an hour,
[G] then everyone will [F] forget that I [N] can't really sing.
I can't really, and I keep forgetting the lyrics, you know.
[Ab] It's just, yeah, just distraction [G] techniques from us both.
It's like, if [Am] I hang off that, they won't actually [E] look at my play.
Exactly, [Ebm] yeah. _
_ _ [Ab] _ _ When _ you're young and you're playing [D] smaller [N] shows,
_ you believe, or at least I believe, that the intensity and the adrenaline
came from other people.
The reality is it doesn't.
The energy in the crowd is in direct relation to what you do on stage.
The minute I worked that out, which seems really obvious, _
everything got easier for me because then I was like,
okay, well, this is going to be hard for one song
and then after that we'll have them.
And it's literally how it is for us now.
We know by the end of the first song, we usually have the crowd
right in the palm of our hand because we're honest and we're real.
And then luckily [F] after that, we've got good songs.
So [Eb] if you don't have good [N] songs, you're in a lot of trouble. _
Doesn't matter how [Em] many front flips you can do, [F] you're in a lot of trouble. _
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You're in a lot of trouble. _ _ _ _ _ _ _
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