Chords for FPE-TV Emil Werstler Daath Guitar Lesson
Tempo:
138.6 bpm
Chords used:
G
D
A
F#
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [D] [G]
[A] [A#] [N]
This
[F]
[F#] [G] is the Paul Gilbert octave trick that most guitar players overlook because it's
a simple idea and as guitar players we're always like, oh it's going to be complicated.
But it's real simple, you've got an octave, say we're in A [Gm] minor.
[G]
So in theory you can just repeat the same shape three times, [G#] that's three octaves.
And what I'm doing is pretty much just like a [G] blues thing, like a flat five [D] thing, something like that.
[C#] But the idea is it's like a gypsy [G] thing, like gypsies they do, [D] most rock players and metal
players do three notes per string, something like [C] that.
But instead of six notes done three notes a string, you do four and [D] two so you get more
of a percussive kind of [F#] feel.
[D] [A] That [Dm] was the same group of like six [C#] notes, [F#] same [D]
[G] shape, [C#] same shape.
[Gm]
[G]
[A] That [G] kind of thing right there.
You want to do a different one, you want to do a dominant one, same thing.
[D]
[G]
Right?
So you can build all kinds of crazy shit with that, you can do a dominant [Dm] one.
[G]
You don't have to be limited to like six note groupings, six note patterns, the [C] idea is
to do something
[A] [A#] [N]
This
[F]
[F#] [G] is the Paul Gilbert octave trick that most guitar players overlook because it's
a simple idea and as guitar players we're always like, oh it's going to be complicated.
But it's real simple, you've got an octave, say we're in A [Gm] minor.
[G]
So in theory you can just repeat the same shape three times, [G#] that's three octaves.
And what I'm doing is pretty much just like a [G] blues thing, like a flat five [D] thing, something like that.
[C#] But the idea is it's like a gypsy [G] thing, like gypsies they do, [D] most rock players and metal
players do three notes per string, something like [C] that.
But instead of six notes done three notes a string, you do four and [D] two so you get more
of a percussive kind of [F#] feel.
[D] [A] That [Dm] was the same group of like six [C#] notes, [F#] same [D]
[G] shape, [C#] same shape.
[Gm]
[G]
[A] That [G] kind of thing right there.
You want to do a different one, you want to do a dominant one, same thing.
[D]
[G]
Right?
So you can build all kinds of crazy shit with that, you can do a dominant [Dm] one.
[G]
You don't have to be limited to like six note groupings, six note patterns, the [C] idea is
to do something
Key:
G
D
A
F#
C#
G
D
A
[B] _ _ [D] _ _ _ [G] _ _ _
_ _ _ [A] _ [A#] _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ This _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ [F#] _ [G] is the Paul Gilbert octave trick that most guitar players overlook because it's
a simple idea and as guitar players we're always like, oh it's going to be complicated. _
But it's real simple, you've got an octave, _ _ say we're in A [Gm] minor.
_ _ _ [G] _ _
_ _ _ _ So in theory you can just repeat the same shape three times, [G#] that's three octaves.
And what I'm doing is pretty much just like a _ _ [G] blues thing, like a flat five [D] thing, _ _ _ _ _ _ _ _ something like that.
[C#] But the idea is it's like a gypsy [G] thing, like gypsies they do, [D] most rock players and metal
players do three notes per string, _ _ _ something like [C] that.
But instead of six notes done three notes a string, you do four and [D] two so you get more
of a _ percussive kind of [F#] feel. _ _
_ _ _ _ _ _ _ _
[D] _ _ [A] That [Dm] was the same group of like six [C#] notes, _ [F#] same _ _ [D] _ _ _
_ _ _ [G] shape, _ [C#] same shape.
[Gm] _ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [A] That [G] kind of thing right there.
You want to do a different one, you want to do a dominant one, same thing. _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ Right?
So you can build all kinds of crazy shit with that, you can do a dominant [Dm] one.
_ [G] _
_ _ _ You don't have to be limited to like _ six note groupings, six note patterns, the [C] idea is
to do something
_ _ _ [A] _ [A#] _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ This _ _ _
_ _ _ _ _ _ _ [F] _
_ _ _ _ _ _ _ _
_ _ _ _ [F#] _ [G] is the Paul Gilbert octave trick that most guitar players overlook because it's
a simple idea and as guitar players we're always like, oh it's going to be complicated. _
But it's real simple, you've got an octave, _ _ say we're in A [Gm] minor.
_ _ _ [G] _ _
_ _ _ _ So in theory you can just repeat the same shape three times, [G#] that's three octaves.
And what I'm doing is pretty much just like a _ _ [G] blues thing, like a flat five [D] thing, _ _ _ _ _ _ _ _ something like that.
[C#] But the idea is it's like a gypsy [G] thing, like gypsies they do, [D] most rock players and metal
players do three notes per string, _ _ _ something like [C] that.
But instead of six notes done three notes a string, you do four and [D] two so you get more
of a _ percussive kind of [F#] feel. _ _
_ _ _ _ _ _ _ _
[D] _ _ [A] That [Dm] was the same group of like six [C#] notes, _ [F#] same _ _ [D] _ _ _
_ _ _ [G] shape, _ [C#] same shape.
[Gm] _ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [A] That [G] kind of thing right there.
You want to do a different one, you want to do a dominant one, same thing. _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ Right?
So you can build all kinds of crazy shit with that, you can do a dominant [Dm] one.
_ [G] _
_ _ _ You don't have to be limited to like _ six note groupings, six note patterns, the [C] idea is
to do something