Chords for Foxey Lady Solo
Tempo:
78.375 bpm
Chords used:
Eb
Ab
C
F
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
It's all based on F sharp minor pentatonic primarily in 14th position
[Eb]
[Ab] [Eb] And Jimmy begins by sliding up to the 18th fret on the G string
[Ab] Slide down from the 14th fret of the D and then second time
[F] He lands on the 16th fret [E] root note F [Ab] sharp on the D string.
So one more time that
[Eb] Then he goes
So
That's right on F sharp minor pentatonic and he does the bend
And then brings the vibrato and once the note has been up to pitch, which is very vocal like and then while the note is bent
[Bb] [Eb] [N] He picks it and releases it
[Em] Now this next riff is very odd he slides up probably a mistake but sounds
Exceptionally cool because it's Hendrix he slides up to the 15th fret
[Eb] And bends up a half step so you can get that F sharp note.
So one more time you got
[C]
[B] Then
[Bbm] And then he plays
[Eb]
Which is really weird
pulling off from the 14th fret to the 12th fret on the D string
Which is really out of the scale when he played the song live
He would play a lick that made a little more sense he would go
And stay in the scale but in this case
Just one of those weird idiosyncratic things then he slides up to the 16th fret on the a [Cm] string
[Eb]
This F sharp note up a whole step to G sharp
[Ab]
[F] Followed by a quick hammer pull off 14th to 16th fret [Cm]
on the D [Eb] string
[C] Moves back to straight F sharp minor pentatonic on the top three strings
So that index fingers barred across the 14th fret
One more time [Cm] [Bbm]
[Eb] right there that for that's the first note of bar six
Then he plays a t-bone Walker style lick
So you got root note flat seven root note ninth and the ninth is a cool sound there
[D] [Ab] [C] Right there on beat three of bar six
He begins a repeated phrase by bending on the 16th fret of the D string up a whole step
And then fretting the 14th fret of the B
sounding another C sharp same pitch
[Gb] followed by E 17th fret of the [Ab] B and
Then in bar seven he goes
[C] So [C] he does this
This bend twice and you can do that either as a single string or as a unison bend
[Gb] It's kind of getting a little bit of both the first time in bar six you hear
[Cm] [B] All right, let's go over the outro section of foxy lady
Jimmy comes in following the drum fill with his rhinoceros sound which [Fm] is created by sliding
Up the low E string and when you get to the [Eb] 19th fret
You bend the string a whole step
Like that
And then [F] he goes back to that primary rhythm figure
[Fm] [Bb]
[Fm] [C]
[Eb]
[Ab] [Eb] And Jimmy begins by sliding up to the 18th fret on the G string
[Ab] Slide down from the 14th fret of the D and then second time
[F] He lands on the 16th fret [E] root note F [Ab] sharp on the D string.
So one more time that
[Eb] Then he goes
So
That's right on F sharp minor pentatonic and he does the bend
And then brings the vibrato and once the note has been up to pitch, which is very vocal like and then while the note is bent
[Bb] [Eb] [N] He picks it and releases it
[Em] Now this next riff is very odd he slides up probably a mistake but sounds
Exceptionally cool because it's Hendrix he slides up to the 15th fret
[Eb] And bends up a half step so you can get that F sharp note.
So one more time you got
[C]
[B] Then
[Bbm] And then he plays
[Eb]
Which is really weird
pulling off from the 14th fret to the 12th fret on the D string
Which is really out of the scale when he played the song live
He would play a lick that made a little more sense he would go
And stay in the scale but in this case
Just one of those weird idiosyncratic things then he slides up to the 16th fret on the a [Cm] string
[Eb]
This F sharp note up a whole step to G sharp
[Ab]
[F] Followed by a quick hammer pull off 14th to 16th fret [Cm]
on the D [Eb] string
[C] Moves back to straight F sharp minor pentatonic on the top three strings
So that index fingers barred across the 14th fret
One more time [Cm] [Bbm]
[Eb] right there that for that's the first note of bar six
Then he plays a t-bone Walker style lick
So you got root note flat seven root note ninth and the ninth is a cool sound there
[D] [Ab] [C] Right there on beat three of bar six
He begins a repeated phrase by bending on the 16th fret of the D string up a whole step
And then fretting the 14th fret of the B
sounding another C sharp same pitch
[Gb] followed by E 17th fret of the [Ab] B and
Then in bar seven he goes
[C] So [C] he does this
This bend twice and you can do that either as a single string or as a unison bend
[Gb] It's kind of getting a little bit of both the first time in bar six you hear
[Cm] [B] All right, let's go over the outro section of foxy lady
Jimmy comes in following the drum fill with his rhinoceros sound which [Fm] is created by sliding
Up the low E string and when you get to the [Eb] 19th fret
You bend the string a whole step
Like that
And then [F] he goes back to that primary rhythm figure
[Fm] [Bb]
[Fm] [C]
Key:
Eb
Ab
C
F
Cm
Eb
Ab
C
It's all based on F sharp minor pentatonic primarily in 14th position
[Eb] _
_ [Ab] _ _ [Eb] _ And Jimmy begins by sliding up to the 18th fret on the G string
[Ab] _ _ _ Slide down from the 14th fret of the D and then second time
_ [F] He lands on the 16th fret [E] root note F [Ab] sharp on the D string.
So one more time that
_ _ _ [Eb] Then he goes
_ _ So
That's right on F sharp minor pentatonic and he does the bend
_ And then brings the vibrato and once the note has been up to pitch, which is very vocal like and then while the note is bent _
[Bb] _ _ [Eb] _ _ [N] He picks it and releases it
_ _ [Em] Now this next riff is very odd he slides up probably a mistake but sounds
Exceptionally cool because it's Hendrix he slides up to the 15th fret
[Eb] And bends up a half step so you can get that F sharp note.
So one more time you got
[C] _
_ [B] Then
[Bbm] And then he plays
[Eb] _
Which is really weird
pulling off from the 14th fret to the 12th fret on the D string
Which is really out of the scale when he played the song live
He would play a lick that made a little more sense he would go _ _ _ _
And stay in the scale but in this case
_ _ Just one of those weird idiosyncratic things then he slides up to the 16th fret on the a [Cm] string
[Eb] _ _ _ _ _ _ _ _
This F sharp note up a whole step to G sharp
[Ab] _ _ _
[F] Followed by a quick hammer pull off 14th to 16th fret [Cm] _
_ _ on the D [Eb] string
_ [C] Moves back to straight F sharp minor pentatonic on the top three strings
_ So that index fingers barred across the 14th fret
_ _ _ One more time [Cm] _ _ _ _ _ _ _ [Bbm] _
_ [Eb] _ _ right there that for that's the first note of bar six
Then he plays a t-bone Walker style lick _ _ _
So you got root note flat seven root note ninth and the ninth is a cool sound there
[D] _ _ [Ab] _ _ [C] _ Right there on beat three of bar six
He begins a repeated phrase by bending on the 16th fret of the D string up a whole step
And then fretting the 14th fret of the B
sounding another C sharp same pitch
[Gb] followed by E 17th fret of the [Ab] B and
_ _ _ Then in bar seven he goes
[C] So [C] _ _ he does this
This bend twice and you can do that either as a single string or as a unison bend
_ [Gb] It's kind of getting a little bit of both the first time in bar six you hear
[Cm] _ _ _ [B] _ All right, let's go over the outro section of foxy lady
Jimmy comes in following the drum fill with his rhinoceros sound which [Fm] is created by sliding
Up the low E string and when you get to the [Eb] 19th fret
You bend the string a whole step
_ _ Like that _ _
_ And then [F] he goes back to that primary rhythm figure
[Fm] _ _ _ _ _ _ [Bb] _ _
_ [Fm] _ _ _ _ _ _ [C] _
[Eb] _
_ [Ab] _ _ [Eb] _ And Jimmy begins by sliding up to the 18th fret on the G string
[Ab] _ _ _ Slide down from the 14th fret of the D and then second time
_ [F] He lands on the 16th fret [E] root note F [Ab] sharp on the D string.
So one more time that
_ _ _ [Eb] Then he goes
_ _ So
That's right on F sharp minor pentatonic and he does the bend
_ And then brings the vibrato and once the note has been up to pitch, which is very vocal like and then while the note is bent _
[Bb] _ _ [Eb] _ _ [N] He picks it and releases it
_ _ [Em] Now this next riff is very odd he slides up probably a mistake but sounds
Exceptionally cool because it's Hendrix he slides up to the 15th fret
[Eb] And bends up a half step so you can get that F sharp note.
So one more time you got
[C] _
_ [B] Then
[Bbm] And then he plays
[Eb] _
Which is really weird
pulling off from the 14th fret to the 12th fret on the D string
Which is really out of the scale when he played the song live
He would play a lick that made a little more sense he would go _ _ _ _
And stay in the scale but in this case
_ _ Just one of those weird idiosyncratic things then he slides up to the 16th fret on the a [Cm] string
[Eb] _ _ _ _ _ _ _ _
This F sharp note up a whole step to G sharp
[Ab] _ _ _
[F] Followed by a quick hammer pull off 14th to 16th fret [Cm] _
_ _ on the D [Eb] string
_ [C] Moves back to straight F sharp minor pentatonic on the top three strings
_ So that index fingers barred across the 14th fret
_ _ _ One more time [Cm] _ _ _ _ _ _ _ [Bbm] _
_ [Eb] _ _ right there that for that's the first note of bar six
Then he plays a t-bone Walker style lick _ _ _
So you got root note flat seven root note ninth and the ninth is a cool sound there
[D] _ _ [Ab] _ _ [C] _ Right there on beat three of bar six
He begins a repeated phrase by bending on the 16th fret of the D string up a whole step
And then fretting the 14th fret of the B
sounding another C sharp same pitch
[Gb] followed by E 17th fret of the [Ab] B and
_ _ _ Then in bar seven he goes
[C] So [C] _ _ he does this
This bend twice and you can do that either as a single string or as a unison bend
_ [Gb] It's kind of getting a little bit of both the first time in bar six you hear
[Cm] _ _ _ [B] _ All right, let's go over the outro section of foxy lady
Jimmy comes in following the drum fill with his rhinoceros sound which [Fm] is created by sliding
Up the low E string and when you get to the [Eb] 19th fret
You bend the string a whole step
_ _ Like that _ _
_ And then [F] he goes back to that primary rhythm figure
[Fm] _ _ _ _ _ _ [Bb] _ _
_ [Fm] _ _ _ _ _ _ [C] _