Chords for For Every Mountain -Kurt Karr (Piano Chords)
Tempo:
118.25 bpm
Chords used:
D
A
F
C
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
Hello, this is JJ from piano downloads calm and I wanted to talk to you a little bit about
[F#] for every [D]
mountain
[F] the one by Kurt car and I really like the
classical movements in that
Or just the chords in there that are really simple that make it sound really classical
So in the beginning she [D] starts singing freely [Dm] and it starts out on a D minor
Then it goes to a G [Gm] minor
[G]
Then to an F and then to C [C]
[C]
[Em] and then C over even [F] F
[Am] And then here's the cool part
[F#m]
[D]
[Gm] [F] So what was that something really simple makes it sound like?
Man, you're classically studied or whatever.
So, you know, so
[C]
like this
[A] from a
[D]
to D
over F sharp
[F#m] So you can [F#] think because the F sharp is on the bass you [D] have a
6 3 inversion, you know, and then what you do is go to D on [F#m] the left hand and then play [D] E flat diminished
or you know F sharp diminished one of the one of the diminished and [Gm] then go to G minor and
[F] Then here's another classical [F] thing
[E] E major
[G#m] [E] E over a [A] and then a
You over a flat and then a [C#m] and then a over C [A] sharp
[D] [A] And then the keyboard player does this chord, which I don't think belongs in there
but you know to each his [E] own and [A] then
[Dm] for every mountain [D] to [G] [C]
see
or
Now, [A] let me talk a little bit about this chord because this is not a classical chord.
This is just a one
All you're playing is a [D#] seven you see the [F] tritone for for F, you know, so [D] all you do
And then you [A] know, it's kind of cool.
It's kind of good for like if you do
two or four like from six
[Cm] [A] [A#]
You know, so, you know, that's just [D] a simple way to do
[A] Your one chord and that's you know, [G] there's your 13 [D#] and there's a nine there's a seven really less is more
So let's get back to [Dm] there for every mountain
[G] [C]
[Dm] [F]
[D] Right B flat and then they do a seven three six.
You can be [Em] really simple with [F#m] it
[A] [G] to a
[C] To G stay [F#m] on that a on the right hand and then [D] and then do the D over F sharp
[C]
[Gm] G minor
[F] [C]
[E] [A]
[Dm] [F]
so
[Dm] [F]
right
[C] [F]
But here's another chord that I missed.
Let's rewind back to the part where she's singing freely
[G] I've got so much to be [A#] thankful for
[C] So [Em] many blessings
[C] [F]
[D]
[D] Right and they do this thing [Gm]
and then they do an a [A] over C sharp and
Then he goes into that that chord.
He [F] goes into another chord that [Em] I wish he didn't do
But that's okay, you know
Cuz he's playing and I'm not so, you know, [F] I mean, what are you gonna do and then a nice little diminished idea?
[F#] Something [A] and then [E] for this, you know after [G#m] everything
[A] [C#m]
[Dm] And then you can just play around with it
[C] [F]
[G] [C]
[A] Something getting [D] lost I [F#m] [D]
[Gm] [F] [C]
[E] [G#m] [A]
[C#m] [A] [D]
[D#] like [D] going major
[D#m] because [D] major
gives hope
[D#] sometimes [D] all
[D#] Sometimes all you can [E] offer [D] is hope
[E]
What is what am I [D] doing?
Thank you for watching
[N]
[F#] for every [D]
mountain
[F] the one by Kurt car and I really like the
classical movements in that
Or just the chords in there that are really simple that make it sound really classical
So in the beginning she [D] starts singing freely [Dm] and it starts out on a D minor
Then it goes to a G [Gm] minor
[G]
Then to an F and then to C [C]
[C]
[Em] and then C over even [F] F
[Am] And then here's the cool part
[F#m]
[D]
[Gm] [F] So what was that something really simple makes it sound like?
Man, you're classically studied or whatever.
So, you know, so
[C]
like this
[A] from a
[D]
to D
over F sharp
[F#m] So you can [F#] think because the F sharp is on the bass you [D] have a
6 3 inversion, you know, and then what you do is go to D on [F#m] the left hand and then play [D] E flat diminished
or you know F sharp diminished one of the one of the diminished and [Gm] then go to G minor and
[F] Then here's another classical [F] thing
[E] E major
[G#m] [E] E over a [A] and then a
You over a flat and then a [C#m] and then a over C [A] sharp
[D] [A] And then the keyboard player does this chord, which I don't think belongs in there
but you know to each his [E] own and [A] then
[Dm] for every mountain [D] to [G] [C]
see
or
Now, [A] let me talk a little bit about this chord because this is not a classical chord.
This is just a one
All you're playing is a [D#] seven you see the [F] tritone for for F, you know, so [D] all you do
And then you [A] know, it's kind of cool.
It's kind of good for like if you do
two or four like from six
[Cm] [A] [A#]
You know, so, you know, that's just [D] a simple way to do
[A] Your one chord and that's you know, [G] there's your 13 [D#] and there's a nine there's a seven really less is more
So let's get back to [Dm] there for every mountain
[G] [C]
[Dm] [F]
[D] Right B flat and then they do a seven three six.
You can be [Em] really simple with [F#m] it
[A] [G] to a
[C] To G stay [F#m] on that a on the right hand and then [D] and then do the D over F sharp
[C]
[Gm] G minor
[F] [C]
[E] [A]
[Dm] [F]
so
[Dm] [F]
right
[C] [F]
But here's another chord that I missed.
Let's rewind back to the part where she's singing freely
[G] I've got so much to be [A#] thankful for
[C] So [Em] many blessings
[C] [F]
[D]
[D] Right and they do this thing [Gm]
and then they do an a [A] over C sharp and
Then he goes into that that chord.
He [F] goes into another chord that [Em] I wish he didn't do
But that's okay, you know
Cuz he's playing and I'm not so, you know, [F] I mean, what are you gonna do and then a nice little diminished idea?
[F#] Something [A] and then [E] for this, you know after [G#m] everything
[A] [C#m]
[Dm] And then you can just play around with it
[C] [F]
[G] [C]
[A] Something getting [D] lost I [F#m] [D]
[Gm] [F] [C]
[E] [G#m] [A]
[C#m] [A] [D]
[D#] like [D] going major
[D#m] because [D] major
gives hope
[D#] sometimes [D] all
[D#] Sometimes all you can [E] offer [D] is hope
[E]
What is what am I [D] doing?
Thank you for watching
[N]
Key:
D
A
F
C
E
D
A
F
Hello, this is JJ from piano downloads calm and I wanted to talk to you a little bit about
[F#] _ for every [D]
mountain
_ _ [F] the one by Kurt car and I really like the
classical movements in that
Or just the chords in there that are really simple that make it sound really classical
So in the beginning she [D] starts singing freely [Dm] and it starts out on a D minor
_ Then it goes to a G [Gm] minor
_ _ _ _ [G] _
_ _ Then to an F and then to C [C] _
_ _ _ _ [C] _ _ _ _
[Em] _ and then C over even [F] F _
_ _ _ _ [Am] And then here's the cool part
_ _ [F#m] _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ [Gm] _ _ [F] So what was that something really simple makes it sound like?
_ Man, you're classically studied or whatever.
So, you know, so
[C] _
like this _ _ _ _ _ _
[A] _ from a
_ _ [D] _ _
_ to D
over F sharp
_ _ _ _ _ [F#m] So you can [F#] think because the F sharp is on the bass you [D] have a
6 3 inversion, you know, and then what you do is go to D on [F#m] the left hand and then play [D] E flat diminished _ _
_ or you know F sharp diminished one of the one of the diminished _ and _ _ [Gm] _ _ then go to G minor and
[F] _ _ _ Then here's another classical [F] thing
_ [E] _ _ E major
[G#m] _ [E] E over a [A] and then a _
You over a flat and then a [C#m] _ and then a over C [A] sharp
_ [D] _ _ _ [A] And then the keyboard player does this chord, which I don't think belongs in there
but you know to each his [E] own and [A] then
_ _ _ [Dm] _ _ for every mountain [D] _ to [G] _ _ _ [C] _
see
_ _ _ _ or
_ Now, [A] let me talk a little bit about this chord because this is not a classical chord.
This is just a one
All you're playing is a [D#] seven you see the [F] tritone for for F, you know, so [D] all you do
_ And then you [A] know, it's kind of cool.
It's kind of good for like if you do
two or four like from six
[Cm] _ _ _ [A] _ _ [A#] _ _
You know, so, you know, that's just [D] a simple way to do
_ _ [A] Your one chord and that's you know, [G] there's your 13 [D#] and there's a nine there's a seven really less is more
So let's get back to [Dm] there for every mountain _ _
_ [G] _ _ _ [C] _ _ _ _
_ _ _ _ [Dm] _ _ [F] _ _
_ _ [D] _ Right B flat and then they do a seven three six.
You can be [Em] really simple with [F#m] it _
[A] _ [G] to a
_ [C] To G stay [F#m] on that a on the right hand and then [D] and then do the D over F sharp
_ _ _ _ [C] _
_ [Gm] G minor
[F] _ _ [C] _ _
_ [E] _ _ _ _ _ [A] _ _
_ [Dm] _ _ _ _ [F] _ _ _
_ so
[Dm] _ _ _ [F] _
right
[C] _ _ _ _ _ _ [F] _
_ _ _ _ _ _ But here's another chord that I missed.
Let's rewind back to the part where she's singing freely
_ [G] I've got so much to be [A#] thankful for _ _
[C] _ _ _ _ So [Em] many blessings
_ [C] _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [D] Right and they do this thing _ [Gm] _
_ _ and then they do an a [A] over C sharp and _ _ _ _ _ _
_ Then he goes into that that chord.
He [F] goes into another chord that [Em] I wish he didn't do
_ But that's okay, you know
Cuz he's playing and I'm not so, you know, [F] I mean, what are you gonna do and then a nice little diminished idea?
[F#] _ Something _ _ [A] and then [E] for this, you know after [G#m] everything
_ _ [A] _ _ [C#m] _ _
_ [Dm] _ _ And then you can just play around with it
[C] _ _ _ _ _ _ [F] _ _
[G] _ _ _ _ _ [C] _ _ _
_ [A] _ Something getting [D] lost I _ [F#m] _ _ [D] _ _ _ _ _
_ [Gm] _ _ _ [F] _ _ _ [C] _
_ [E] _ _ _ [G#m] _ _ [A] _ _
_ [C#m] _ _ _ [A] _ _ [D] _ _
_ _ _ _ _ _ [D#] like [D] going major
[D#m] because [D] major
gives hope
_ _ _ [D#] sometimes [D] all
_ _ _ _ [D#] Sometimes all you can [E] offer _ [D] is hope
_ _ _ [E] _
What is what am I [D] doing?
_ _ _ Thank you for watching
_ _ _ _ _ _ [N] _
[F#] _ for every [D]
mountain
_ _ [F] the one by Kurt car and I really like the
classical movements in that
Or just the chords in there that are really simple that make it sound really classical
So in the beginning she [D] starts singing freely [Dm] and it starts out on a D minor
_ Then it goes to a G [Gm] minor
_ _ _ _ [G] _
_ _ Then to an F and then to C [C] _
_ _ _ _ [C] _ _ _ _
[Em] _ and then C over even [F] F _
_ _ _ _ [Am] And then here's the cool part
_ _ [F#m] _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ [Gm] _ _ [F] So what was that something really simple makes it sound like?
_ Man, you're classically studied or whatever.
So, you know, so
[C] _
like this _ _ _ _ _ _
[A] _ from a
_ _ [D] _ _
_ to D
over F sharp
_ _ _ _ _ [F#m] So you can [F#] think because the F sharp is on the bass you [D] have a
6 3 inversion, you know, and then what you do is go to D on [F#m] the left hand and then play [D] E flat diminished _ _
_ or you know F sharp diminished one of the one of the diminished _ and _ _ [Gm] _ _ then go to G minor and
[F] _ _ _ Then here's another classical [F] thing
_ [E] _ _ E major
[G#m] _ [E] E over a [A] and then a _
You over a flat and then a [C#m] _ and then a over C [A] sharp
_ [D] _ _ _ [A] And then the keyboard player does this chord, which I don't think belongs in there
but you know to each his [E] own and [A] then
_ _ _ [Dm] _ _ for every mountain [D] _ to [G] _ _ _ [C] _
see
_ _ _ _ or
_ Now, [A] let me talk a little bit about this chord because this is not a classical chord.
This is just a one
All you're playing is a [D#] seven you see the [F] tritone for for F, you know, so [D] all you do
_ And then you [A] know, it's kind of cool.
It's kind of good for like if you do
two or four like from six
[Cm] _ _ _ [A] _ _ [A#] _ _
You know, so, you know, that's just [D] a simple way to do
_ _ [A] Your one chord and that's you know, [G] there's your 13 [D#] and there's a nine there's a seven really less is more
So let's get back to [Dm] there for every mountain _ _
_ [G] _ _ _ [C] _ _ _ _
_ _ _ _ [Dm] _ _ [F] _ _
_ _ [D] _ Right B flat and then they do a seven three six.
You can be [Em] really simple with [F#m] it _
[A] _ [G] to a
_ [C] To G stay [F#m] on that a on the right hand and then [D] and then do the D over F sharp
_ _ _ _ [C] _
_ [Gm] G minor
[F] _ _ [C] _ _
_ [E] _ _ _ _ _ [A] _ _
_ [Dm] _ _ _ _ [F] _ _ _
_ so
[Dm] _ _ _ [F] _
right
[C] _ _ _ _ _ _ [F] _
_ _ _ _ _ _ But here's another chord that I missed.
Let's rewind back to the part where she's singing freely
_ [G] I've got so much to be [A#] thankful for _ _
[C] _ _ _ _ So [Em] many blessings
_ [C] _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [D] Right and they do this thing _ [Gm] _
_ _ and then they do an a [A] over C sharp and _ _ _ _ _ _
_ Then he goes into that that chord.
He [F] goes into another chord that [Em] I wish he didn't do
_ But that's okay, you know
Cuz he's playing and I'm not so, you know, [F] I mean, what are you gonna do and then a nice little diminished idea?
[F#] _ Something _ _ [A] and then [E] for this, you know after [G#m] everything
_ _ [A] _ _ [C#m] _ _
_ [Dm] _ _ And then you can just play around with it
[C] _ _ _ _ _ _ [F] _ _
[G] _ _ _ _ _ [C] _ _ _
_ [A] _ Something getting [D] lost I _ [F#m] _ _ [D] _ _ _ _ _
_ [Gm] _ _ _ [F] _ _ _ [C] _
_ [E] _ _ _ [G#m] _ _ [A] _ _
_ [C#m] _ _ _ [A] _ _ [D] _ _
_ _ _ _ _ _ [D#] like [D] going major
[D#m] because [D] major
gives hope
_ _ _ [D#] sometimes [D] all
_ _ _ _ [D#] Sometimes all you can [E] offer _ [D] is hope
_ _ _ [E] _
What is what am I [D] doing?
_ _ _ Thank you for watching
_ _ _ _ _ _ [N] _