Chords for Fiction Factory - Feels Like Heaven | Cover (live)
Tempo:
112.75 bpm
Chords used:
F
C
Am
Dm
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, I'm Espen Kraft.
A couple of my followers and viewers here on this channel has asked me to [Ab]
do this early
80s synth-pop track called Feels Like Heaven by a group called Fiction Factory.
[C] So let's take a look at the connection [Am] and gear we're going to use for this
[F] 84 synth-pop [C] classic.
[Am] Okay, so I'm [D] playing [C] the Roland Alpha Juno [F] 2.
[C] The sounds you're hearing [A] is really coming from the MKS [F]-20, the electric [D] piano with the [C] analog chorus
[G] for the [C] body of the sound.
And the sparkle is of the [Am] TX-802 [F] Yamaha FM synth
[C] for that [G] DX.
And the
[N] reverb setting is from the Lexicon PCM-81.
And for the drums, I use the sequential tom.
And that's been synced up to the DAW, so the DAW provides MIDI in for the sequential tom to
synchronize to.
I need that steady pulse from the DAW so I can sync up the bass later.
And the sequential tom outputs MIDI to the Roland TR-626 that provides hi-hat.
We'll take a look at that in a minute.
So I've routed the kick to the left of the tom and snare to the right of the tom.
And this is my little pattern going.
I'll mix those kick and snares to the center of the drum sound later at the mixing stage.
But I have to do that to
have the individual outputs 1 and 2 having only a kick and snare.
And I put the tom up into
external sync.
So when it receives start from the DAW, it will be started as well.
Moving on to the TR-626 that has only one purpose and that is to provide the hi-hats.
So I've routed the individual out
of the TR-626 into the mixer as well.
And the hi-hat pattern is very simple.
It receives MIDI input from the tom.
And let's hear that hi-hat pattern.
Very simple but effective.
So that's the drums taken care of and everything is routed into this Yamaha
01V mixer, digital mixer.
I have the vocals live coming in on channel 2.
I have the tom, the kick left and the snare right going
into channel 3 and 4.
I have the hi-hat on channel 8 and I have the bass on channel 7.
I route the electric pianos directly into the analog inputs of the Audient sound card.
So I don't go through the Yamaha on that one.
And everything is piped
optically as an ADAT format signal into the Audient sound card [C] that can handle 8 ADAT inputs.
Everything you hear is done live in one take and only the synth riff and the bass is overdubbed in post.
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] But no [C] one knows
You say unfamiliar cold [Am] touch [F] and then you turn [Dm] and go
Feels [F] like heaven
[C] Feels [Dm]
like [F] heaven
[C]
See how it plans for [Am] saddened eyes
[F] And tears to pave the [C] way I thought the fever as [Am] I knew
[F] My hair will turn to [C] gray
Study your face and take [Am] break
[F] To close the comfort [C] now
We can recall the [Am] harmony
[F] That lingered but turns [Dm] out feels [F] like heaven
[C] Feels [Dm]
[F] like heaven
[C] You [Dm]
wanted [F] all [Dm] I had to [F] give
[Dm] See me I [F] feel
[Dm] See me I [G] live
[C] Feels
[Am] [F]
[C]
[Am] [F]
[Dm] [F] like heaven
[C] Feels
[Dm] [F] like heaven
[C]
[Dm] Feels [F] like heaven
[C] Feels
[Dm] [F] like heaven
[C]
[Dm] [F]
[G]
[C]
[N]
A couple of my followers and viewers here on this channel has asked me to [Ab]
do this early
80s synth-pop track called Feels Like Heaven by a group called Fiction Factory.
[C] So let's take a look at the connection [Am] and gear we're going to use for this
[F] 84 synth-pop [C] classic.
[Am] Okay, so I'm [D] playing [C] the Roland Alpha Juno [F] 2.
[C] The sounds you're hearing [A] is really coming from the MKS [F]-20, the electric [D] piano with the [C] analog chorus
[G] for the [C] body of the sound.
And the sparkle is of the [Am] TX-802 [F] Yamaha FM synth
[C] for that [G] DX.
And the
[N] reverb setting is from the Lexicon PCM-81.
And for the drums, I use the sequential tom.
And that's been synced up to the DAW, so the DAW provides MIDI in for the sequential tom to
synchronize to.
I need that steady pulse from the DAW so I can sync up the bass later.
And the sequential tom outputs MIDI to the Roland TR-626 that provides hi-hat.
We'll take a look at that in a minute.
So I've routed the kick to the left of the tom and snare to the right of the tom.
And this is my little pattern going.
I'll mix those kick and snares to the center of the drum sound later at the mixing stage.
But I have to do that to
have the individual outputs 1 and 2 having only a kick and snare.
And I put the tom up into
external sync.
So when it receives start from the DAW, it will be started as well.
Moving on to the TR-626 that has only one purpose and that is to provide the hi-hats.
So I've routed the individual out
of the TR-626 into the mixer as well.
And the hi-hat pattern is very simple.
It receives MIDI input from the tom.
And let's hear that hi-hat pattern.
Very simple but effective.
So that's the drums taken care of and everything is routed into this Yamaha
01V mixer, digital mixer.
I have the vocals live coming in on channel 2.
I have the tom, the kick left and the snare right going
into channel 3 and 4.
I have the hi-hat on channel 8 and I have the bass on channel 7.
I route the electric pianos directly into the analog inputs of the Audient sound card.
So I don't go through the Yamaha on that one.
And everything is piped
optically as an ADAT format signal into the Audient sound card [C] that can handle 8 ADAT inputs.
Everything you hear is done live in one take and only the synth riff and the bass is overdubbed in post.
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] [C]
[Am]
[F] But no [C] one knows
You say unfamiliar cold [Am] touch [F] and then you turn [Dm] and go
Feels [F] like heaven
[C] Feels [Dm]
like [F] heaven
[C]
See how it plans for [Am] saddened eyes
[F] And tears to pave the [C] way I thought the fever as [Am] I knew
[F] My hair will turn to [C] gray
Study your face and take [Am] break
[F] To close the comfort [C] now
We can recall the [Am] harmony
[F] That lingered but turns [Dm] out feels [F] like heaven
[C] Feels [Dm]
[F] like heaven
[C] You [Dm]
wanted [F] all [Dm] I had to [F] give
[Dm] See me I [F] feel
[Dm] See me I [G] live
[C] Feels
[Am] [F]
[C]
[Am] [F]
[Dm] [F] like heaven
[C] Feels
[Dm] [F] like heaven
[C]
[Dm] Feels [F] like heaven
[C] Feels
[Dm] [F] like heaven
[C]
[Dm] [F]
[G]
[C]
[N]
Key:
F
C
Am
Dm
G
F
C
Am
Hi, I'm Espen Kraft.
A couple of my followers and viewers here on this channel has asked me to [Ab]
do this early
_ 80s synth-pop track called Feels Like Heaven by a group called Fiction Factory.
[C] _ _ _ _ _ So let's take a look at the connection [Am] and gear we're going to use for this
[F] 84 synth-pop [C] classic. _ _ _ _ _
_ _ [Am] Okay, so I'm [D] playing [C] the Roland Alpha Juno [F] 2.
[C] The sounds you're hearing [A] is really coming from the MKS [F]-20, the electric [D] piano with the [C] analog chorus
[G] for the [C] body of the sound.
And the sparkle is of the [Am] TX-802 [F] Yamaha FM synth
[C] for that [G] DX.
_ _ And the
[N] reverb setting is from the Lexicon PCM-81.
_ And for the drums, I use the sequential tom.
And that's been synced up to the DAW, so the DAW provides MIDI in for the sequential tom to
synchronize to.
I need that steady pulse from the DAW so I can sync up the bass later.
And the sequential tom outputs MIDI to the Roland TR-626 that provides hi-hat.
We'll take a look at that in a minute.
_ So I've routed the kick to the left of the tom and snare to the right of the tom.
And this is my little pattern going. _
I'll mix those kick and snares to the center of the drum sound later at the mixing stage.
_ _ But I have to do that to
have the individual outputs 1 and 2 having only a kick and snare.
And I put the tom up into
external sync.
So when it receives start from the DAW, it will be started as well.
_ Moving on to the TR-626 that has only one purpose and that is to provide the hi-hats.
So I've routed the individual out
of the TR-626 into the mixer as well.
And the hi-hat pattern is very simple.
It receives MIDI input from the tom.
And let's hear that hi-hat pattern.
_ _ _ _ _ _ Very _ simple but effective. _ _ _
So that's the drums taken care of and everything is routed into this Yamaha
_ 01V mixer, digital mixer.
I have the vocals live coming in on channel 2.
I have the tom, the kick left and the snare right going
into channel 3 and 4.
I have the hi-hat on channel 8 and I have the bass on channel 7.
I route the electric pianos directly into the analog inputs of the Audient sound card.
So I don't go through the Yamaha on that one.
And everything is piped
optically as an ADAT format signal into the Audient sound card [C] that can handle 8 ADAT inputs.
Everything you hear is done live in one take and only the synth riff and the bass is overdubbed in post. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ But no [C] one knows
You say unfamiliar cold [Am] touch _ [F] and then you turn [Dm] and go
Feels [F] like heaven
_ [C] Feels _ _ _ _ _ _ [Dm] _ _
_ like [F] heaven
_ _ _ [C]
See _ _ _ _ _ _ _ how it plans for _ [Am] saddened eyes
[F] And tears to pave the [C] way I thought the fever as [Am] I knew _
_ [F] My hair will turn to [C] gray
Study your face and take [Am] break
_ [F] To close the comfort [C] now
We can recall the _ [Am] harmony _
_ [F] That lingered but turns [Dm] out feels [F] like heaven
_ _ [C] Feels _ _ _ _ _ _ [Dm] _ _
_ [F] like heaven
_ _ [C] You _ _ _ _ _ _ [Dm] _ _
wanted [F] _ all _ [Dm] I had to [F] _ _ give
[Dm] See me I [F] feel
_ _ _ [Dm] See me I [G] _ _ _ live _
_ _ [C] Feels _ _ _ _
_ _ [Am] _ _ _ _ [F] _ _
_ [C] _ _ _ _ _ _ _
_ _ [Am] _ _ [F] _ _ _ _
_ [Dm] _ _ _ _ [F] like heaven
_ _ [C] _ Feels _ _ _
_ _ [Dm] _ _ _ [F] like heaven
_ _ [C] _ _ _ _ _ _
_ _ [Dm] _ _ Feels [F] like heaven
_ _ [C] _ Feels _ _ _
_ _ [Dm] _ _ _ [F] like heaven
_ _ [C] _ _ _ _ _ _
_ [Dm] _ _ _ _ _ [F] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
A couple of my followers and viewers here on this channel has asked me to [Ab]
do this early
_ 80s synth-pop track called Feels Like Heaven by a group called Fiction Factory.
[C] _ _ _ _ _ So let's take a look at the connection [Am] and gear we're going to use for this
[F] 84 synth-pop [C] classic. _ _ _ _ _
_ _ [Am] Okay, so I'm [D] playing [C] the Roland Alpha Juno [F] 2.
[C] The sounds you're hearing [A] is really coming from the MKS [F]-20, the electric [D] piano with the [C] analog chorus
[G] for the [C] body of the sound.
And the sparkle is of the [Am] TX-802 [F] Yamaha FM synth
[C] for that [G] DX.
_ _ And the
[N] reverb setting is from the Lexicon PCM-81.
_ And for the drums, I use the sequential tom.
And that's been synced up to the DAW, so the DAW provides MIDI in for the sequential tom to
synchronize to.
I need that steady pulse from the DAW so I can sync up the bass later.
And the sequential tom outputs MIDI to the Roland TR-626 that provides hi-hat.
We'll take a look at that in a minute.
_ So I've routed the kick to the left of the tom and snare to the right of the tom.
And this is my little pattern going. _
I'll mix those kick and snares to the center of the drum sound later at the mixing stage.
_ _ But I have to do that to
have the individual outputs 1 and 2 having only a kick and snare.
And I put the tom up into
external sync.
So when it receives start from the DAW, it will be started as well.
_ Moving on to the TR-626 that has only one purpose and that is to provide the hi-hats.
So I've routed the individual out
of the TR-626 into the mixer as well.
And the hi-hat pattern is very simple.
It receives MIDI input from the tom.
And let's hear that hi-hat pattern.
_ _ _ _ _ _ Very _ simple but effective. _ _ _
So that's the drums taken care of and everything is routed into this Yamaha
_ 01V mixer, digital mixer.
I have the vocals live coming in on channel 2.
I have the tom, the kick left and the snare right going
into channel 3 and 4.
I have the hi-hat on channel 8 and I have the bass on channel 7.
I route the electric pianos directly into the analog inputs of the Audient sound card.
So I don't go through the Yamaha on that one.
And everything is piped
optically as an ADAT format signal into the Audient sound card [C] that can handle 8 ADAT inputs.
Everything you hear is done live in one take and only the synth riff and the bass is overdubbed in post. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ _ _ _ [C] _ _
_ _ _ _ _ _ [Am] _ _
_ _ [F] _ But no [C] one knows
You say unfamiliar cold [Am] touch _ [F] and then you turn [Dm] and go
Feels [F] like heaven
_ [C] Feels _ _ _ _ _ _ [Dm] _ _
_ like [F] heaven
_ _ _ [C]
See _ _ _ _ _ _ _ how it plans for _ [Am] saddened eyes
[F] And tears to pave the [C] way I thought the fever as [Am] I knew _
_ [F] My hair will turn to [C] gray
Study your face and take [Am] break
_ [F] To close the comfort [C] now
We can recall the _ [Am] harmony _
_ [F] That lingered but turns [Dm] out feels [F] like heaven
_ _ [C] Feels _ _ _ _ _ _ [Dm] _ _
_ [F] like heaven
_ _ [C] You _ _ _ _ _ _ [Dm] _ _
wanted [F] _ all _ [Dm] I had to [F] _ _ give
[Dm] See me I [F] feel
_ _ _ [Dm] See me I [G] _ _ _ live _
_ _ [C] Feels _ _ _ _
_ _ [Am] _ _ _ _ [F] _ _
_ [C] _ _ _ _ _ _ _
_ _ [Am] _ _ [F] _ _ _ _
_ [Dm] _ _ _ _ [F] like heaven
_ _ [C] _ Feels _ _ _
_ _ [Dm] _ _ _ [F] like heaven
_ _ [C] _ _ _ _ _ _
_ _ [Dm] _ _ Feels [F] like heaven
_ _ [C] _ Feels _ _ _
_ _ [Dm] _ _ _ [F] like heaven
_ _ [C] _ _ _ _ _ _
_ [Dm] _ _ _ _ _ [F] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _