Chords for Esperanza - Lari Basilio

Tempo:
99.9 bpm
Chords used:

A

E

C#m

F#

D#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Esperanza - Lari Basilio chords
Start Jamming...
[C#m] [D#] [E] [F#] [E]
[A]
[C#m] [E] [F#] [A]
[C#m] [D#] [E] Hi, I'm Lauri Vassilio [F#] and I'm here with [A] Positive Grid checking out the new BIAS AMP 2.0.
[C#m]
[A]
[Am] [A]
[G#]
I [A] have been using BIAS for quite some time now and to have [E] this great variety [A] of tones and [E] possibilities in only one place, it is like [A] amazing for me.
Working with BIAS I found new ways to [E] pursue that tone, my tone, and I'm having great results out of it.
[A]
[E]
[F#m] [B] [E] [A]
[E]
[F#] I [E] [C#m] think the clean sound is the starting [E] point of [F#] the making of [A] my tone.
I like to add some crunch to get a little bit more sustain and [C#m] get more [E]
punch.
[C#m] I actually love making presets.
[C#] [A]
[C#m]
[F#] [E] [A]
Another feature that I'm digging is the reverb.
I like to put reverb [C#m] on everything I play, so it's something that I really dig.
The reverb that I used was [F#] the Hall Ambient, which is amazing, sounds huge.
[D#]
[A]
[G#m] [A] I love that new feature on BIAS 2.0. [E] It has new types of microphones.
Now I'm able to use two [A] of them at the same time.
Being able to mix and blend two types of [E] microphones, it's amazing.
It's giving me even more possibilities.
[A] I use the Classic SM57, but I [E] also use ribbon [A] microphone to give a little more body.
Both blended, sounds amazing.
[C#m] [B]
[G#m] [C#m] [G#m] [C#m] [A] You will play better when you [D#] [E] feel that tone is [G#m] right for you.
I mean, when you feel [E] like home, that's the right tone.
[A]
[C#m]
[C#] [A] Thanks so much for watching.
Check out my tones on ToneCloud [F#m] and have fun!
[C#m] [A]
Key:  
A
1231
E
2311
C#m
13421114
F#
134211112
D#
12341116
A
1231
E
2311
C#m
13421114
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[C#m] _ [D#] _ [E] _ _ _ [F#] _ _ [E] _
[A] _ _ _ _ _ _ _ _
[C#m] _ [E] _ _ _ _ [F#] _ _ [A] _
_ _ _ _ _ _ _ _
[C#m] _ [D#] [E] Hi, I'm Lauri Vassilio [F#] and I'm here with [A] Positive Grid checking out the new BIAS AMP 2.0. _
[C#m] _ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [Am] _ [A] _ _
_ _ _ _ _ _ [G#] _ _
_ I _ [A] have been using BIAS for quite some time now and to have [E] this great variety [A] of tones and [E] possibilities in only one place, it is like [A] amazing for me.
Working with BIAS I found new ways to [E] pursue that tone, my tone, and I'm having great results out of it.
[A] _ _
_ _ _ _ [E] _ _ _ _
[F#m] _ _ [B] _ _ [E] _ [A] _ _ _
_ _ _ _ [E] _ _ _
[F#] I [E] _ _ _ [C#m] think the clean sound is the starting [E] point of [F#] the making of [A] my tone.
I like to add some crunch to get a little bit more sustain and [C#m] get more [E]
punch.
[C#m] I actually love making presets.
[C#] _ [A] _ _
_ _ [C#m] _ _ _ _ _ _
_ [F#] _ _ [E] _ _ [A] _ _ _
Another feature that I'm digging is the reverb.
I like to put reverb [C#m] on everything I play, so it's something that I really dig.
The reverb that I used was [F#] the Hall Ambient, which is amazing, sounds huge.
_ [D#] _ _ _
_ _ _ _ _ [A] _ _ _
[G#m] _ _ _ _ _ [A] _ I love that new feature on BIAS 2.0. [E] It has new types of microphones.
Now I'm able to use two [A] of them at the same time.
Being able to mix and blend two types of [E] microphones, it's amazing.
It's giving me even more possibilities.
[A] I use the Classic SM57, but I [E] also use ribbon [A] microphone to give a little more body.
Both blended, sounds amazing.
_ _ _ _ [C#m] _ _ [B] _
[G#m] _ _ [C#m] _ [G#m] _ _ [C#m] _ [A] You will play better when you [D#] [E] feel that tone is [G#m] right for you.
I mean, when you feel [E] like home, that's the right tone.
[A] _ _ _
_ _ _ _ _ [C#m] _ _ _
_ _ _ _ [C#] _ [A] _ Thanks so much for watching.
Check out my tones on ToneCloud [F#m] and have fun!
_ [C#m] _ _ _ _ [A] _ _ _

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