Chords for Elvis Presley - Trouble -1958.
Tempo:
114.65 bpm
Chords used:
C#
A
F#
D#
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[B] That is a busboy.
Look at you.
Busboy.
Where did you meet him?
Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop it, please.
I heard him sing a song.
[N] That's all.
Oh.
You do know him?
He sang here once for your big-shot friends.
Told him he had a nice voice.
That was all, huh?
That's all.
Hey, you, kid.
Come here.
[C] [A]
Yeah, you, busboy.
Come on over here.
[F#m] [B]
The lady tells me you sing.
[A] Is that right?
Well, I
That'd be right, because [B] if it ain't, then the lady is lying.
[A]
Okay, I'll sing.
For what?
[D] Nothing.
Just wanted to make sure [A] she was telling the truth.
That's all.
Hey, Jimmy.
[E]
Just [G#] a minute.
[A]
I want to make sure you're telling the truth, [D] too.
I'd like to hear you.
Go on up [A] there and sing a song for her.
[E] Now?
[F#] Yeah, [G#m] now.
[B] Right now.
And you better be a singer.
[A] Ladies and gentlemen, we have a little surprise for you.
There's a great new singer [F#] here tonight.
[B] The busboy.
No, no, no.
On the level.
A very good friend of Mr.
Fields says this guy can really go.
So let's all get together and give a real good listen to
What's your name, kid?
Caruso.
[N] Caruso, the busboy.
Come on.
[C#] [F#]
[Am] [C#]
[D#] [C#] [A] [B]
[C#] If you're looking for trouble, you [G#m] came to the right place.
If you're looking for trouble, [B] look right in my face.
[C#] I was born standing up and talking back.
My daddy was a green-eyed man.
[F#] [A] [F#]
My little
[D#] [C#] Yeah, yeah.
My daddy was a green-eyed man.
[C#] Well, [G#] I'm evil.
[D#] [F#] So don't [C#] you mess around with [C#m] me.
[A#] [G#] I
[C#] never looked for trouble, [G#m] but I never ran.
[C#] I don't take no orders.
[G#m] I'm no kind of man.
[C#]
I'm only made out.
In flesh, blood and bone.
But if you're gonna start a rumble, don't you try it.
[D#] Because [F#] [G#] I'm [F#m] evil.
[C#]
[D#m] [C#] Well, I'm [G#] evil.
So don't you mess around [D] with me.
[D#]
[C#] I'm evil.
Evil.
[D#] Evil.
I'm evil.
Evil.
Evil.
[G#] So don't you mess [C#] around with me.
I'm evil.
Evil.
[A#] [C#]
Evil.
[Cm] I'm evil.
Evil.
Evil.
So don't you [F#] mess [C#] around with me.
[D#] [G] I'm evil.
I'm a young evil.
[D#] So don't you mess around [C#] with me.
[A] [C#] [C#]
[N] Yeah.
[C] [Em]
[C#] You're a singer, kid.
[E] I just got a dirty mind, that's all.
Sorry, kid.
[C#m] [C#] Yeah.
Crazy, daddy, crazy!
[F#] I'm not close, kid.
That was swell.
My [G#] name's McGran.
You wanna stop being a busboy?
I just stopped.
[C#] I'd like to talk to you.
I own the King Creole down the street.
Well, good for you.
Yeah, it's a dying swan, but I figure maybe we can put you over and bring the swan back to life.
You interested?
Hello, [F#] Charlie.
[G#] Hello, Raph.
What's the matter, kid?
Can't you stand the whiskey [G#m] down at your joint?
Well, I always like to see what the competition's doing.
I was gonna offer the [C#] kid here a little [D#] job [C#] myself.
Well, I beat you to it.
Yeah, you always [E] do, Charlie, but I wind up with him sooner [A#] or later.
He handled Ronnie when she [C#] was a singer.
I wind up.
[G#] What do you say, kid?
I got a date.
[D#]
Look at you.
Busboy.
Where did you meet him?
Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop it, please.
I heard him sing a song.
[N] That's all.
Oh.
You do know him?
He sang here once for your big-shot friends.
Told him he had a nice voice.
That was all, huh?
That's all.
Hey, you, kid.
Come here.
[C] [A]
Yeah, you, busboy.
Come on over here.
[F#m] [B]
The lady tells me you sing.
[A] Is that right?
Well, I
That'd be right, because [B] if it ain't, then the lady is lying.
[A]
Okay, I'll sing.
For what?
[D] Nothing.
Just wanted to make sure [A] she was telling the truth.
That's all.
Hey, Jimmy.
[E]
Just [G#] a minute.
[A]
I want to make sure you're telling the truth, [D] too.
I'd like to hear you.
Go on up [A] there and sing a song for her.
[E] Now?
[F#] Yeah, [G#m] now.
[B] Right now.
And you better be a singer.
[A] Ladies and gentlemen, we have a little surprise for you.
There's a great new singer [F#] here tonight.
[B] The busboy.
No, no, no.
On the level.
A very good friend of Mr.
Fields says this guy can really go.
So let's all get together and give a real good listen to
What's your name, kid?
Caruso.
[N] Caruso, the busboy.
Come on.
[C#] [F#]
[Am] [C#]
[D#] [C#] [A] [B]
[C#] If you're looking for trouble, you [G#m] came to the right place.
If you're looking for trouble, [B] look right in my face.
[C#] I was born standing up and talking back.
My daddy was a green-eyed man.
[F#] [A] [F#]
My little
[D#] [C#] Yeah, yeah.
My daddy was a green-eyed man.
[C#] Well, [G#] I'm evil.
[D#] [F#] So don't [C#] you mess around with [C#m] me.
[A#] [G#] I
[C#] never looked for trouble, [G#m] but I never ran.
[C#] I don't take no orders.
[G#m] I'm no kind of man.
[C#]
I'm only made out.
In flesh, blood and bone.
But if you're gonna start a rumble, don't you try it.
[D#] Because [F#] [G#] I'm [F#m] evil.
[C#]
[D#m] [C#] Well, I'm [G#] evil.
So don't you mess around [D] with me.
[D#]
[C#] I'm evil.
Evil.
[D#] Evil.
I'm evil.
Evil.
Evil.
[G#] So don't you mess [C#] around with me.
I'm evil.
Evil.
[A#] [C#]
Evil.
[Cm] I'm evil.
Evil.
Evil.
So don't you [F#] mess [C#] around with me.
[D#] [G] I'm evil.
I'm a young evil.
[D#] So don't you mess around [C#] with me.
[A] [C#] [C#]
[N] Yeah.
[C] [Em]
[C#] You're a singer, kid.
[E] I just got a dirty mind, that's all.
Sorry, kid.
[C#m] [C#] Yeah.
Crazy, daddy, crazy!
[F#] I'm not close, kid.
That was swell.
My [G#] name's McGran.
You wanna stop being a busboy?
I just stopped.
[C#] I'd like to talk to you.
I own the King Creole down the street.
Well, good for you.
Yeah, it's a dying swan, but I figure maybe we can put you over and bring the swan back to life.
You interested?
Hello, [F#] Charlie.
[G#] Hello, Raph.
What's the matter, kid?
Can't you stand the whiskey [G#m] down at your joint?
Well, I always like to see what the competition's doing.
I was gonna offer the [C#] kid here a little [D#] job [C#] myself.
Well, I beat you to it.
Yeah, you always [E] do, Charlie, but I wind up with him sooner [A#] or later.
He handled Ronnie when she [C#] was a singer.
I wind up.
[G#] What do you say, kid?
I got a date.
[D#]
Key:
C#
A
F#
D#
G#
C#
A
F#
_ _ [B] _ _ That is a busboy.
Look at you.
_ _ Busboy.
Where did you meet him?
Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop it, please.
I heard him sing a song.
[N] That's all.
_ _ Oh.
_ You do know him?
He sang here once for your big-shot friends.
_ Told him he had a nice voice.
That was all, huh?
_ That's all. _ _ _
Hey, you, kid.
Come here.
[C] _ _ [A]
Yeah, you, busboy.
Come on over here.
_ [F#m] _ _ [B] _
The lady tells me you sing.
[A] Is that right?
Well, I_
That'd be right, because [B] if it ain't, then the lady is lying.
_ [A] _ _ _
_ _ Okay, I'll sing.
For what?
[D] Nothing.
Just wanted to make sure [A] she was telling the truth.
That's all.
Hey, Jimmy.
[E]
Just [G#] a minute.
_ [A] _ _ _ _ _
_ _ _ _ _ I want to make sure you're telling the truth, [D] too.
I'd like to hear you.
Go on up [A] there and sing a song for her.
_ [E] Now?
[F#] Yeah, [G#m] now.
[B] Right now.
And you better be a singer. _ _ _ _
_ [A] _ Ladies and gentlemen, we have a little surprise for you.
There's a great new singer [F#] here tonight.
[B] The busboy.
_ No, no, no.
On the level.
A very good friend of Mr.
Fields says this guy can really go.
So let's all get together and give a real good listen to_
What's your name, kid?
Caruso.
_ [N] _ Caruso, the busboy.
Come on.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#] _ _ _ _ [F#] _ _
_ _ [Am] _ _ _ [C#] _ _ _
_ _ [D#] _ [C#] _ _ [A] _ _ [B] _
_ [C#] If you're looking for trouble, _ you [G#m] came to the right place.
If you're looking for trouble, _ _ [B] look right in my face.
[C#] I was born standing up _ and talking back.
My daddy was a green-eyed man. _
_ _ [F#] _ _ _ [A] _ _ [F#]
My little_
[D#] _ _ _ _ [C#] Yeah, yeah.
My daddy was a green-eyed man.
_ [C#] _ Well, [G#] I'm evil.
_ _ [D#] _ [F#] So don't [C#] you mess around with [C#m] me.
[A#] _ [G#] I _ _
_ _ [C#] _ never looked for trouble, _ [G#m] but I never ran.
_ [C#] I don't take no orders.
_ [G#m] I'm no kind of man.
_ _ [C#]
I'm only made out.
_ In flesh, blood and bone.
But if you're gonna start a rumble, don't you try it.
[D#] Because [F#] [G#] I'm [F#m] evil. _
_ _ _ _ _ [C#] _ _ _
_ [D#m] _ _ [C#] _ _ _ Well, I'm [G#] evil.
_ _ _ So don't you mess around [D] with me.
_ [D#] _ _ _
_ _ [C#] I'm evil.
Evil. _ _
_ [D#] Evil.
I'm evil.
Evil.
Evil.
_ _ [G#] So don't you mess [C#] around with me.
_ I'm evil. _ _
Evil.
_ _ [A#] _ _ _ _ [C#] _
Evil.
[Cm] I'm evil.
Evil.
Evil.
So don't you [F#] mess [C#] around with me.
_ [D#] [G] I'm evil.
I'm a young evil.
_ [D#] So don't you mess around [C#] with me.
_ _ [A] _ [C#] _ _ [C#] _ _ _
_ _ _ [N] Yeah. _ _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ [Em] _
_ _ [C#] You're a singer, kid.
[E] I just got a dirty mind, that's all.
Sorry, kid.
[C#m] _ _ [C#] Yeah. _ _
Crazy, daddy, crazy! _ _ _ _ _
_ [F#] I'm not close, kid.
_ That was swell.
My [G#] name's McGran.
You wanna stop being a busboy?
I just stopped.
[C#] I'd like to talk to you.
I own the King Creole down the street.
Well, good for you.
Yeah, it's a dying swan, but I figure maybe we can put you over and bring the swan back to life.
You interested?
Hello, [F#] Charlie.
[G#] Hello, Raph.
What's the matter, kid?
Can't you stand the whiskey [G#m] down at your joint?
Well, I always like to see what the competition's doing.
I was gonna offer the [C#] kid here a little [D#] job [C#] myself.
Well, I beat you to it.
Yeah, you always [E] do, Charlie, but I wind up with him sooner [A#] or later. _
He handled Ronnie when she [C#] was a singer.
I wind up.
[G#] What do you say, kid?
_ _ _ I got a date.
_ [D#] _
Look at you.
_ _ Busboy.
Where did you meet him?
Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop it, please.
I heard him sing a song.
[N] That's all.
_ _ Oh.
_ You do know him?
He sang here once for your big-shot friends.
_ Told him he had a nice voice.
That was all, huh?
_ That's all. _ _ _
Hey, you, kid.
Come here.
[C] _ _ [A]
Yeah, you, busboy.
Come on over here.
_ [F#m] _ _ [B] _
The lady tells me you sing.
[A] Is that right?
Well, I_
That'd be right, because [B] if it ain't, then the lady is lying.
_ [A] _ _ _
_ _ Okay, I'll sing.
For what?
[D] Nothing.
Just wanted to make sure [A] she was telling the truth.
That's all.
Hey, Jimmy.
[E]
Just [G#] a minute.
_ [A] _ _ _ _ _
_ _ _ _ _ I want to make sure you're telling the truth, [D] too.
I'd like to hear you.
Go on up [A] there and sing a song for her.
_ [E] Now?
[F#] Yeah, [G#m] now.
[B] Right now.
And you better be a singer. _ _ _ _
_ [A] _ Ladies and gentlemen, we have a little surprise for you.
There's a great new singer [F#] here tonight.
[B] The busboy.
_ No, no, no.
On the level.
A very good friend of Mr.
Fields says this guy can really go.
So let's all get together and give a real good listen to_
What's your name, kid?
Caruso.
_ [N] _ Caruso, the busboy.
Come on.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#] _ _ _ _ [F#] _ _
_ _ [Am] _ _ _ [C#] _ _ _
_ _ [D#] _ [C#] _ _ [A] _ _ [B] _
_ [C#] If you're looking for trouble, _ you [G#m] came to the right place.
If you're looking for trouble, _ _ [B] look right in my face.
[C#] I was born standing up _ and talking back.
My daddy was a green-eyed man. _
_ _ [F#] _ _ _ [A] _ _ [F#]
My little_
[D#] _ _ _ _ [C#] Yeah, yeah.
My daddy was a green-eyed man.
_ [C#] _ Well, [G#] I'm evil.
_ _ [D#] _ [F#] So don't [C#] you mess around with [C#m] me.
[A#] _ [G#] I _ _
_ _ [C#] _ never looked for trouble, _ [G#m] but I never ran.
_ [C#] I don't take no orders.
_ [G#m] I'm no kind of man.
_ _ [C#]
I'm only made out.
_ In flesh, blood and bone.
But if you're gonna start a rumble, don't you try it.
[D#] Because [F#] [G#] I'm [F#m] evil. _
_ _ _ _ _ [C#] _ _ _
_ [D#m] _ _ [C#] _ _ _ Well, I'm [G#] evil.
_ _ _ So don't you mess around [D] with me.
_ [D#] _ _ _
_ _ [C#] I'm evil.
Evil. _ _
_ [D#] Evil.
I'm evil.
Evil.
Evil.
_ _ [G#] So don't you mess [C#] around with me.
_ I'm evil. _ _
Evil.
_ _ [A#] _ _ _ _ [C#] _
Evil.
[Cm] I'm evil.
Evil.
Evil.
So don't you [F#] mess [C#] around with me.
_ [D#] [G] I'm evil.
I'm a young evil.
_ [D#] So don't you mess around [C#] with me.
_ _ [A] _ [C#] _ _ [C#] _ _ _
_ _ _ [N] Yeah. _ _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ [Em] _
_ _ [C#] You're a singer, kid.
[E] I just got a dirty mind, that's all.
Sorry, kid.
[C#m] _ _ [C#] Yeah. _ _
Crazy, daddy, crazy! _ _ _ _ _
_ [F#] I'm not close, kid.
_ That was swell.
My [G#] name's McGran.
You wanna stop being a busboy?
I just stopped.
[C#] I'd like to talk to you.
I own the King Creole down the street.
Well, good for you.
Yeah, it's a dying swan, but I figure maybe we can put you over and bring the swan back to life.
You interested?
Hello, [F#] Charlie.
[G#] Hello, Raph.
What's the matter, kid?
Can't you stand the whiskey [G#m] down at your joint?
Well, I always like to see what the competition's doing.
I was gonna offer the [C#] kid here a little [D#] job [C#] myself.
Well, I beat you to it.
Yeah, you always [E] do, Charlie, but I wind up with him sooner [A#] or later. _
He handled Ronnie when she [C#] was a singer.
I wind up.
[G#] What do you say, kid?
_ _ _ I got a date.
_ [D#] _