Chords for Elvin Bishop - The Making of "Can't Even Do Wrong Right"
Tempo:
129.1 bpm
Chords used:
E
A
G#
C#m
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I don't know if you know it or not, but me and this guy right here go back about 40 some years
And I'll tell you something.
He's not only still got every bit of that real great high voice
But he's got a better idea of [G#] what to do with it.
It's just I don't think there's a [E] better singer in the world
[G#] Oh, man, it's great.
[C#m] It's so much.
You know it's like coming full circle.
You [D#] know back to where it [F#] all kind of started for me
[E]
[B] This whole
[A] LP kind of
Has a [E] feeling of my history to it
[D]
[Dm] [D] The hey Bob a [E] re-bop that was a tune that was [Bm] written around the time.
I was born I
[D]
[G] [F] Think it came out [E] in 1943 [Dm] and it was a hit for Lionel Hampton
[A]
Honest I do I've recorded that before but it was the first [A#] blues song I [E] ever heard so it always has a special place in my heart
[E] [A]
[E]
[Gm]
[F#]
[E] Longer than 50 years all the way back to them cold days in Chicago
[Em] Fighting that Hawk on the South Side.
[E] Yeah peppers land pepper [C#m] Teresa Teresa lame
[A]
[Em] [E] [B]
Now [C#m] I'll tell you something [E] Charlie kicked it right [F#m] dead in the ass [E] he killed it
[G#]
Well I [E] had to it was it was attacking me
[A]
I
[E] Had this tune I had written and let your woman have her way and I thought [A]
wow
[D#] Mickey could really [A] tear that up
[B] [E] love
And [A] obey I
[E] Called up make an ask him feed [A] be on the project and he said [E] yeah, I'd love to and he came up and we did it
That's what you hear
[A] all
all the preachers
All came up great
[E]
[A]
[E]
[A]
[E] Actually, we could [G#m] just assume that all of [G#] Mickey's parts are good enough and what if [C#m] there's anything wrong
[E] That's probably [F#] what it comes down to me.
You're gonna do work out [E] for you.
Yeah, you gotta sing with this guy
[A] [F#m] There's [E] been a gap in there
[G#] [C#m]
[B] [F#]
Okay
[E] [G#]
[A] [F#m]
[E]
[N] [A#]
[A]
[E] What did I tell you [D] you can't even do [A] wrong right now can't do wrong
And I'll tell you something.
He's not only still got every bit of that real great high voice
But he's got a better idea of [G#] what to do with it.
It's just I don't think there's a [E] better singer in the world
[G#] Oh, man, it's great.
[C#m] It's so much.
You know it's like coming full circle.
You [D#] know back to where it [F#] all kind of started for me
[E]
[B] This whole
[A] LP kind of
Has a [E] feeling of my history to it
[D]
[Dm] [D] The hey Bob a [E] re-bop that was a tune that was [Bm] written around the time.
I was born I
[D]
[G] [F] Think it came out [E] in 1943 [Dm] and it was a hit for Lionel Hampton
[A]
Honest I do I've recorded that before but it was the first [A#] blues song I [E] ever heard so it always has a special place in my heart
[E] [A]
[E]
[Gm]
[F#]
[E] Longer than 50 years all the way back to them cold days in Chicago
[Em] Fighting that Hawk on the South Side.
[E] Yeah peppers land pepper [C#m] Teresa Teresa lame
[A]
[Em] [E] [B]
Now [C#m] I'll tell you something [E] Charlie kicked it right [F#m] dead in the ass [E] he killed it
[G#]
Well I [E] had to it was it was attacking me
[A]
I
[E] Had this tune I had written and let your woman have her way and I thought [A]
wow
[D#] Mickey could really [A] tear that up
[B] [E] love
And [A] obey I
[E] Called up make an ask him feed [A] be on the project and he said [E] yeah, I'd love to and he came up and we did it
That's what you hear
[A] all
all the preachers
All came up great
[E]
[A]
[E]
[A]
[E] Actually, we could [G#m] just assume that all of [G#] Mickey's parts are good enough and what if [C#m] there's anything wrong
[E] That's probably [F#] what it comes down to me.
You're gonna do work out [E] for you.
Yeah, you gotta sing with this guy
[A] [F#m] There's [E] been a gap in there
[G#] [C#m]
[B] [F#]
Okay
[E] [G#]
[A] [F#m]
[E]
[N] [A#]
[A]
[E] What did I tell you [D] you can't even do [A] wrong right now can't do wrong
Key:
E
A
G#
C#m
F#
E
A
G#
_ _ _ _ _ _ _ _
_ _ _ _ I don't know if you know it or not, but me and this guy right here go back about 40 some years
And I'll tell you something.
He's not only still got every bit of that real great high voice _
But he's got a better idea of [G#] what to do with it.
It's just I don't think there's a [E] better singer in the world _ _ _ _
_ _ [G#] _ _ _ Oh, man, it's great.
[C#m] It's so much.
You know it's like coming full circle.
You [D#] know back to where it [F#] all kind of started for me
_ _ [E] _ _ _
[B] _ This whole
[A] _ _ LP kind of
Has a [E] feeling of my history to it
[D] _ _
[Dm] _ _ _ [D] The hey Bob a [E] re-bop that was a tune that was [Bm] written around the time.
I was born I
_ [D] _
_ _ [G] _ _ [F] Think it came out [E] in 1943 [Dm] and it was a hit for Lionel Hampton
[A] _
_ _ _ _ _ _ _ _
_ _ Honest I do I've recorded that before but it was the first [A#] blues song I [E] ever heard so it always has a special place in my heart
_ _ [E] _ _ _ _ [A] _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ [Gm] _
_ _ [F#] _ _ _ _ _ _
[E] Longer than 50 years all the way back to them cold days in Chicago
_ [Em] Fighting that Hawk on the South Side.
[E] Yeah peppers land pepper [C#m] Teresa Teresa lame
_ _ _ [A] _ _ _ _
_ _ _ [Em] _ _ [E] _ _ [B] _
Now [C#m] I'll tell you something [E] _ Charlie kicked it right [F#m] dead in the ass [E] he killed it
_ _ [G#]
Well I [E] had to it was it was attacking me
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ I _ _ _
_ _ _ [E] _ Had this tune I had written and let your woman have her way and I thought [A]
wow
[D#] Mickey could really [A] tear that up _ _
[B] _ _ [E] _ _ _ love _
_ _ _ _ And [A] obey _ I
_ [E] Called up make an ask him feed [A] be on the project and he said [E] yeah, I'd love to and he came up and we did it
That's what you hear
_ _ _ [A] all
all the preachers
_ All came up great
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ Actually, we could [G#m] just assume that all of [G#] Mickey's parts are good enough and what if [C#m] there's anything wrong
_ _ [E] That's probably [F#] what it comes down to me.
You're gonna do work out [E] for you.
Yeah, you gotta sing with this guy _
[A] _ _ _ _ [F#m] There's [E] been a gap in there _ _ _ _ _ _ _
[G#] _ _ _ _ _ _ [C#m] _ _
_ [B] _ _ _ [F#] _ _ _ _
Okay
[E] _ _ _ _ _ [G#] _
[A] _ _ _ _ _ [F#m] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ [A#] _
_ _ _ _ _ [A] _ _ _
_ [E] What did I tell you [D] you can't even do [A] wrong right _ now _ _ can't do wrong _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I don't know if you know it or not, but me and this guy right here go back about 40 some years
And I'll tell you something.
He's not only still got every bit of that real great high voice _
But he's got a better idea of [G#] what to do with it.
It's just I don't think there's a [E] better singer in the world _ _ _ _
_ _ [G#] _ _ _ Oh, man, it's great.
[C#m] It's so much.
You know it's like coming full circle.
You [D#] know back to where it [F#] all kind of started for me
_ _ [E] _ _ _
[B] _ This whole
[A] _ _ LP kind of
Has a [E] feeling of my history to it
[D] _ _
[Dm] _ _ _ [D] The hey Bob a [E] re-bop that was a tune that was [Bm] written around the time.
I was born I
_ [D] _
_ _ [G] _ _ [F] Think it came out [E] in 1943 [Dm] and it was a hit for Lionel Hampton
[A] _
_ _ _ _ _ _ _ _
_ _ Honest I do I've recorded that before but it was the first [A#] blues song I [E] ever heard so it always has a special place in my heart
_ _ [E] _ _ _ _ [A] _
_ _ _ _ _ _ _ [E] _
_ _ _ _ _ _ _ [Gm] _
_ _ [F#] _ _ _ _ _ _
[E] Longer than 50 years all the way back to them cold days in Chicago
_ [Em] Fighting that Hawk on the South Side.
[E] Yeah peppers land pepper [C#m] Teresa Teresa lame
_ _ _ [A] _ _ _ _
_ _ _ [Em] _ _ [E] _ _ [B] _
Now [C#m] I'll tell you something [E] _ Charlie kicked it right [F#m] dead in the ass [E] he killed it
_ _ [G#]
Well I [E] had to it was it was attacking me
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ I _ _ _
_ _ _ [E] _ Had this tune I had written and let your woman have her way and I thought [A]
wow
[D#] Mickey could really [A] tear that up _ _
[B] _ _ [E] _ _ _ love _
_ _ _ _ And [A] obey _ I
_ [E] Called up make an ask him feed [A] be on the project and he said [E] yeah, I'd love to and he came up and we did it
That's what you hear
_ _ _ [A] all
all the preachers
_ All came up great
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ _ Actually, we could [G#m] just assume that all of [G#] Mickey's parts are good enough and what if [C#m] there's anything wrong
_ _ [E] That's probably [F#] what it comes down to me.
You're gonna do work out [E] for you.
Yeah, you gotta sing with this guy _
[A] _ _ _ _ [F#m] There's [E] been a gap in there _ _ _ _ _ _ _
[G#] _ _ _ _ _ _ [C#m] _ _
_ [B] _ _ _ [F#] _ _ _ _
Okay
[E] _ _ _ _ _ [G#] _
[A] _ _ _ _ _ [F#m] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [N] _ _ _ _ [A#] _
_ _ _ _ _ [A] _ _ _
_ [E] What did I tell you [D] you can't even do [A] wrong right _ now _ _ can't do wrong _ _ _
_ _ _ _ _ _ _ _