Chords for Dylan, Richards and Wood talking about Mick Taylor before Live Aid
Tempo:
103.2 bpm
Chords used:
Bb
C
Eb
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Did you hear the new Mouth of Stuff, the new Dire Straits song about the waybill losing MTD?
No.
It's quite good.
It's Molly from
he's saying that
I have trapped a steel bag.
Did you hear that?
No, they're doing some
all I know about Dire Straits is they're working in London and they have trapped a steel bag.
I like that bag.
They've got
I mean, it's good music, isn't it?
And they've got this
I never heard of that.
Lovely guitar.
I'm glad you knew the old record.
I have.
It's good, yeah.
It certainly burns your nose.
And your throat.
[G] I'm not good with that.
But you taught me when you were at me.
[C] I haven't seen [N] him.
I haven't seen him since last year.
He's a good guy.
He always says he'll be there next week.
You know.
He calls.
He's coming in to call me.
I haven't seen him in a year.
So we didn't pay him.
He sure could play though.
Sometimes I think he was incredible.
And other nights
Never two nights in a row.
[E] [N] You'd find that he's always going to have his one, two, three, or in.
And he stops when you're getting him.
I think it's [Bb] in print anymore.
He's done a couple of great songs on this record.
I remember the one with [N] Leatherjack.
Yeah, yeah.
That was you and I were in it.
That was the AM, the F.
Right.
[Eb] And that song, I remember the [Bb] copy.
I remember that song.
Brook, the answer is here.
Not [N] if you were trying to play that.
I think yeah.
The great thing about him
is that he's so good at playing.
He's a good stop.
Or start sometimes.
Easy A.
A scary A.
I mean Nick Terry
very hardly gets a note.
He's what I [B] knew.
I see him once a [Bb] year.
Maybe once every three years sometimes now.
When he was with us he's
[Eb] I'd imagine his problem
[Bb] coming in from Brian
and
Well he always had a problem going [C] on stage
in [Bb] his first group of guys.
I ran into him in my first [Ab] group
and he used to go
I want to play for me.
And I used to do his set and that.
[A] He's not [Bb] really
a group man that much.
He's not too many ideas
of things he wants to do.
I think he's got a little [N] chore.
He doesn't have the energy to organise
what he really wants to do.
It took him five years to make that album
after he left us.
And yet he's so good on other people.
That's like really impressive.
I mean some people are just fantastic accompanists.
You know.
And even though
they're dying to get out there in front
of the stars it's really an illusion.
Because what really pulls out
their stuff is playing with other [B] people.
It's [Bb] weird.
I don't know.
I don't
No.
It's quite good.
It's Molly from
he's saying that
I have trapped a steel bag.
Did you hear that?
No, they're doing some
all I know about Dire Straits is they're working in London and they have trapped a steel bag.
I like that bag.
They've got
I mean, it's good music, isn't it?
And they've got this
I never heard of that.
Lovely guitar.
I'm glad you knew the old record.
I have.
It's good, yeah.
It certainly burns your nose.
And your throat.
[G] I'm not good with that.
But you taught me when you were at me.
[C] I haven't seen [N] him.
I haven't seen him since last year.
He's a good guy.
He always says he'll be there next week.
You know.
He calls.
He's coming in to call me.
I haven't seen him in a year.
So we didn't pay him.
He sure could play though.
Sometimes I think he was incredible.
And other nights
Never two nights in a row.
[E] [N] You'd find that he's always going to have his one, two, three, or in.
And he stops when you're getting him.
I think it's [Bb] in print anymore.
He's done a couple of great songs on this record.
I remember the one with [N] Leatherjack.
Yeah, yeah.
That was you and I were in it.
That was the AM, the F.
Right.
[Eb] And that song, I remember the [Bb] copy.
I remember that song.
Brook, the answer is here.
Not [N] if you were trying to play that.
I think yeah.
The great thing about him
is that he's so good at playing.
He's a good stop.
Or start sometimes.
Easy A.
A scary A.
I mean Nick Terry
very hardly gets a note.
He's what I [B] knew.
I see him once a [Bb] year.
Maybe once every three years sometimes now.
When he was with us he's
[Eb] I'd imagine his problem
[Bb] coming in from Brian
and
Well he always had a problem going [C] on stage
in [Bb] his first group of guys.
I ran into him in my first [Ab] group
and he used to go
I want to play for me.
And I used to do his set and that.
[A] He's not [Bb] really
a group man that much.
He's not too many ideas
of things he wants to do.
I think he's got a little [N] chore.
He doesn't have the energy to organise
what he really wants to do.
It took him five years to make that album
after he left us.
And yet he's so good on other people.
That's like really impressive.
I mean some people are just fantastic accompanists.
You know.
And even though
they're dying to get out there in front
of the stars it's really an illusion.
Because what really pulls out
their stuff is playing with other [B] people.
It's [Bb] weird.
I don't know.
I don't
Key:
Bb
C
Eb
B
G
Bb
C
Eb
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Did you hear the new Mouth of Stuff, the new Dire Straits song about the waybill losing MTD?
No.
It's quite good.
It's Molly from_
he's saying that_
I have trapped a steel bag.
_ Did you hear that?
No, they're doing some_
all I know about Dire Straits is they're working in London and they have trapped a steel bag.
I like that bag.
They've got_
I mean, it's good music, isn't it?
And they've got this_
I _ _ never heard of that.
Lovely guitar.
I'm glad you knew the old record. _ _
I have.
It's good, yeah.
It certainly burns your nose.
And your throat. _ _ _
[G] I'm not good with that.
But you taught me when you were at me.
_ [C] _ I haven't seen [N] _ him.
I haven't seen him since last year.
He's a good guy.
He always says he'll be there next week.
You know.
He calls.
He's coming in to call me.
I haven't seen him in a year.
So we didn't pay him.
_ _ _ _ _ _ _
He sure could play though.
Sometimes I think he was incredible.
And other nights_
_ _ Never two nights in a row. _
[E] [N] You'd find that he's always going to have his one, two, three, or in.
And he stops when you're getting him.
_ I think it's [Bb] in print anymore.
He's done a couple of great songs on this record.
I remember the one with [N] Leatherjack.
Yeah, yeah.
That was you and I were in it.
That was the AM, the F.
_ Right.
_ [Eb] And that song, I remember the [Bb] copy.
I remember that song.
Brook, the answer is here.
Not [N] if you were trying to play that.
_ I think yeah.
The _ _ great thing about him
is that he's so good at playing.
He's a good stop.
Or start sometimes.
Easy A.
A scary A.
_ I mean Nick Terry
very hardly gets a note.
He's what I [B] knew.
I see him once a [Bb] year.
Maybe once every three years sometimes now.
When he was with us _ he's_
_ [Eb] I'd imagine his problem
[Bb] coming in from Brian
_ _ _ and_
Well he always had a problem going [C] on stage
in [Bb] his first group of guys.
I ran into him in my first [Ab] group
and he used to go
I want to play for me.
And I used to do his set and that.
_ [A] He's not [Bb] really
a group man that much.
He's not too many ideas
of things he wants to do.
I think he's got a little [N] chore.
He doesn't have the energy to organise
what he really wants to do.
It took him five years to make that album
after he left us.
And yet he's so good on other people.
_ That's like really impressive.
I mean some people are just fantastic accompanists.
You know. _
And even though
they're dying to get out there in front
of the stars it's really an illusion.
Because what really pulls out
their stuff is playing with other [B] people.
It's [Bb] _ weird.
I don't know. _
_ _ _ _ _ _ I don't
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Did you hear the new Mouth of Stuff, the new Dire Straits song about the waybill losing MTD?
No.
It's quite good.
It's Molly from_
he's saying that_
I have trapped a steel bag.
_ Did you hear that?
No, they're doing some_
all I know about Dire Straits is they're working in London and they have trapped a steel bag.
I like that bag.
They've got_
I mean, it's good music, isn't it?
And they've got this_
I _ _ never heard of that.
Lovely guitar.
I'm glad you knew the old record. _ _
I have.
It's good, yeah.
It certainly burns your nose.
And your throat. _ _ _
[G] I'm not good with that.
But you taught me when you were at me.
_ [C] _ I haven't seen [N] _ him.
I haven't seen him since last year.
He's a good guy.
He always says he'll be there next week.
You know.
He calls.
He's coming in to call me.
I haven't seen him in a year.
So we didn't pay him.
_ _ _ _ _ _ _
He sure could play though.
Sometimes I think he was incredible.
And other nights_
_ _ Never two nights in a row. _
[E] [N] You'd find that he's always going to have his one, two, three, or in.
And he stops when you're getting him.
_ I think it's [Bb] in print anymore.
He's done a couple of great songs on this record.
I remember the one with [N] Leatherjack.
Yeah, yeah.
That was you and I were in it.
That was the AM, the F.
_ Right.
_ [Eb] And that song, I remember the [Bb] copy.
I remember that song.
Brook, the answer is here.
Not [N] if you were trying to play that.
_ I think yeah.
The _ _ great thing about him
is that he's so good at playing.
He's a good stop.
Or start sometimes.
Easy A.
A scary A.
_ I mean Nick Terry
very hardly gets a note.
He's what I [B] knew.
I see him once a [Bb] year.
Maybe once every three years sometimes now.
When he was with us _ he's_
_ [Eb] I'd imagine his problem
[Bb] coming in from Brian
_ _ _ and_
Well he always had a problem going [C] on stage
in [Bb] his first group of guys.
I ran into him in my first [Ab] group
and he used to go
I want to play for me.
And I used to do his set and that.
_ [A] He's not [Bb] really
a group man that much.
He's not too many ideas
of things he wants to do.
I think he's got a little [N] chore.
He doesn't have the energy to organise
what he really wants to do.
It took him five years to make that album
after he left us.
And yet he's so good on other people.
_ That's like really impressive.
I mean some people are just fantastic accompanists.
You know. _
And even though
they're dying to get out there in front
of the stars it's really an illusion.
Because what really pulls out
their stuff is playing with other [B] people.
It's [Bb] _ weird.
I don't know. _
_ _ _ _ _ _ I don't