Chords for Don't Mess With My Toot Toot - Rockin' Sidney live with interview
Tempo:
90.85 bpm
Chords used:
G
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
They've been recorded, but this is the guy that wrote it.
This is the guy that
Sang it first.
Would you welcome from down in Louisiana?
Rockin Sydney with my tutu
[G]
[D]
[G]
[D]
[G] Don't mess with my tutu
Don't mess with my tutu
Now you can have [D] the other one
But don't you mess [G] with my tutu
When she was born in a boy suit the docs left her behind
So you're [D] gonna be special
[G] You
Don't mess with my tutu
Don't mess with my tip
And you can [D] have the other one
But don't you mess [G] with my tutu?
Don't [D]
[G]
[D]
[G] mess with
Don't mess with
Now, you're gonna [D] have the other one
but don't you [G] mess with
You can go touch
If you let my chest touch, you're gonna [D] have your velvet case.
I'm gonna [G] break your face.
Don't mess with my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one, but don't you [G] mess with my tit-tits.
When she was born in a birch wood, the doctor slapped her behind.
He said, you gotta be [D] special.
You're [G] sweet and cute too.
Don't mess my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one.
But don't you [G] mess with my tit-tits.
Hey, Blossops!
[D]
[G]
[D]
[G] Don't mess with my tit-tits.
Everybody!
Don't mess with my tit-tits.
Now you can have [D] the other one,
but don't you mess [G] with my tit-tits.
Everybody, come on girls, don't mess with my tit-tits.
Don't mess with my tit-tits.
And you can have [D] the other one, but don't you mess [G] with my two-two.
Hey, boss-ah!
[D]
[G] Hey, boss-ah!
[D]
[G]
Thank you!
Don't mess with my two-two!
[N] I love it.
I love it.
Sidney, come on over.
We want an introduction to these people.
Rockin' Sidney.
Sidney, I, uh, I heard that
I love that tune, by the way.
I heard that you recorded this in your garage or someplace like that?
Oh, sure did.
Well, actually, it was a garage, and I turned it up into a studio.
What I call a studio.
How many tracks do you have in there?
Four.
So it's kind of a small studio, then.
Right.
Did you produce your own record?
Yes, I produced most of my first record.
That particular record, I produced it,
and then I sort of, like, leased it to a guy named Floyd Swallow
on an independent label out of Vail Platte, Louisiana.
It was on a small label first, wasn't it?
Right.
Now it's on Epic Records.
Epic.
What is my two-two?
My two-two, it's a hit song.
I'll tell you what.
My two-two
I said, that's a set-up question, because when the song first came out,
there were some people who did not understand Cajun,
and they thought it might be something vulgar,
or you might be singing about your rear end, or what?
Right.
But it's not that at all, is it?
No.
My two-two is an old saying, you know, among the Cajun and Creole-speaking people.
It means my all, my everything, my best girlfriend, something special.
How old is the song?
This song is about 12 years old.
But that was an old song when I was a kid called Mo Shad Too Toot.
Somebody recorded it a long time ago.
It was real popular, the word.
So I decided to write this particular song.
Was this song anything like the other one?
No, it's two different
In fact, I never heard the record.
I just heard Cajun bands howling,
Oh, Mo Shad Too Toot!
And everybody would get excited.
So I said, wow, that's it.
What
Have you been singing the song for a long time?
No, not in the public.
I sung it around the house a lot.
And then I decided to
I recorded it just before Christmas.
What's your real name?
My real name is Sidney Simeon.
S-I-M-I-E-N.
Was that a problem?
Yes, for the disc jockeys.
When I first started playing music,
I used my real name, Sidney Simeon,
and the jockeys couldn't pronounce the name Simeon.
They were saying Simon, Seymour, Simeon.
So a guy named Floyd Swallow,
same guy that I'm talking about,
we've been recording
I've been recording for him for years.
So he's changed my name to Rockin' Sidney.
He said, hey, you rock when you're on the bandstand,
so that's the name for you.
Hey, I like it.
I like it very much.
We'll take a break at Nashville now.
This is the guy that
Sang it first.
Would you welcome from down in Louisiana?
Rockin Sydney with my tutu
[G]
[D]
[G]
[D]
[G] Don't mess with my tutu
Don't mess with my tutu
Now you can have [D] the other one
But don't you mess [G] with my tutu
When she was born in a boy suit the docs left her behind
So you're [D] gonna be special
[G] You
Don't mess with my tutu
Don't mess with my tip
And you can [D] have the other one
But don't you mess [G] with my tutu?
Don't [D]
[G]
[D]
[G] mess with
Don't mess with
Now, you're gonna [D] have the other one
but don't you [G] mess with
You can go touch
If you let my chest touch, you're gonna [D] have your velvet case.
I'm gonna [G] break your face.
Don't mess with my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one, but don't you [G] mess with my tit-tits.
When she was born in a birch wood, the doctor slapped her behind.
He said, you gotta be [D] special.
You're [G] sweet and cute too.
Don't mess my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one.
But don't you [G] mess with my tit-tits.
Hey, Blossops!
[D]
[G]
[D]
[G] Don't mess with my tit-tits.
Everybody!
Don't mess with my tit-tits.
Now you can have [D] the other one,
but don't you mess [G] with my tit-tits.
Everybody, come on girls, don't mess with my tit-tits.
Don't mess with my tit-tits.
And you can have [D] the other one, but don't you mess [G] with my two-two.
Hey, boss-ah!
[D]
[G] Hey, boss-ah!
[D]
[G]
Thank you!
Don't mess with my two-two!
[N] I love it.
I love it.
Sidney, come on over.
We want an introduction to these people.
Rockin' Sidney.
Sidney, I, uh, I heard that
I love that tune, by the way.
I heard that you recorded this in your garage or someplace like that?
Oh, sure did.
Well, actually, it was a garage, and I turned it up into a studio.
What I call a studio.
How many tracks do you have in there?
Four.
So it's kind of a small studio, then.
Right.
Did you produce your own record?
Yes, I produced most of my first record.
That particular record, I produced it,
and then I sort of, like, leased it to a guy named Floyd Swallow
on an independent label out of Vail Platte, Louisiana.
It was on a small label first, wasn't it?
Right.
Now it's on Epic Records.
Epic.
What is my two-two?
My two-two, it's a hit song.
I'll tell you what.
My two-two
I said, that's a set-up question, because when the song first came out,
there were some people who did not understand Cajun,
and they thought it might be something vulgar,
or you might be singing about your rear end, or what?
Right.
But it's not that at all, is it?
No.
My two-two is an old saying, you know, among the Cajun and Creole-speaking people.
It means my all, my everything, my best girlfriend, something special.
How old is the song?
This song is about 12 years old.
But that was an old song when I was a kid called Mo Shad Too Toot.
Somebody recorded it a long time ago.
It was real popular, the word.
So I decided to write this particular song.
Was this song anything like the other one?
No, it's two different
In fact, I never heard the record.
I just heard Cajun bands howling,
Oh, Mo Shad Too Toot!
And everybody would get excited.
So I said, wow, that's it.
What
Have you been singing the song for a long time?
No, not in the public.
I sung it around the house a lot.
And then I decided to
I recorded it just before Christmas.
What's your real name?
My real name is Sidney Simeon.
S-I-M-I-E-N.
Was that a problem?
Yes, for the disc jockeys.
When I first started playing music,
I used my real name, Sidney Simeon,
and the jockeys couldn't pronounce the name Simeon.
They were saying Simon, Seymour, Simeon.
So a guy named Floyd Swallow,
same guy that I'm talking about,
we've been recording
I've been recording for him for years.
So he's changed my name to Rockin' Sidney.
He said, hey, you rock when you're on the bandstand,
so that's the name for you.
Hey, I like it.
I like it very much.
We'll take a break at Nashville now.
Key:
G
D
G
D
G
D
G
D
_ _ They've been recorded, but this is the guy that wrote it.
This is the guy that
Sang it first.
Would you welcome from down in Louisiana?
Rockin Sydney with my tutu
_ [G] _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ Don't mess with my tutu
Don't mess with my tutu
Now you can have [D] the other one
But don't you mess [G] with my tutu
When she was born in a boy suit the docs left her behind
So you're [D] gonna be special
_ _ [G] _ _ You
Don't mess with my tutu
Don't mess with my tip
And you can [D] have the other one
But don't you mess [G] with my tutu?
_ _ Don't _ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ mess with _
Don't mess with
_ Now, you're gonna [D] have the other one
but don't you [G] mess with
You can go touch
If you let my chest touch, you're gonna [D] have your velvet case.
I'm gonna [G] break your face.
Don't mess with my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one, but don't you [G] mess with my tit-tits.
When she was born in a birch wood, the doctor slapped her behind.
He said, you gotta be [D] special.
You're [G] sweet and cute too.
Don't mess my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one.
But don't you [G] mess with my tit-tits.
Hey, Blossops! _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ Don't mess with my tit-tits.
Everybody!
Don't mess with my tit-tits.
Now you can have [D] the other one,
but don't you mess [G] with my tit-tits.
Everybody, come on girls, don't mess with my tit-tits.
Don't mess with my tit-tits.
And you can have [D] the other one, _ but don't you mess [G] with my two-two.
Hey, boss-ah! _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] Hey, boss-ah! _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
Thank you!
Don't mess with my two-two! _
[N] _ _ _ _ _ I love it.
I love it.
_ Sidney, come on over.
We want an introduction to these people. _ _ _ _ _ _
_ _ _ _ _ Rockin' Sidney. _
Sidney, I, uh, I heard that_
I love that tune, by the way.
I heard that you recorded this in your garage or someplace like that?
Oh, sure did.
Well, actually, it was a garage, and I turned it up into a studio.
What I call a studio.
How many tracks do you have in there?
Four.
So it's kind of a small studio, then.
Right.
Did you produce your own record?
Yes, I produced most of my first record.
That particular record, I produced it,
and then I sort of, like, leased it to a guy named Floyd Swallow
on an independent label out of Vail Platte, Louisiana.
It was on a small label first, wasn't it?
Right.
Now it's on Epic Records.
Epic.
What is my two-two?
My two-two, it's a hit song. _ _ _
_ I'll tell you what.
_ My two-two_
I said, that's a set-up question, because when the song first came out,
there were some people who did not understand Cajun,
and they thought it might be something vulgar,
or you might be singing about your rear end, or what?
Right.
But it's not that at all, is it?
No.
My two-two is an old _ saying, you know, among the Cajun and Creole-speaking people.
It means my all, my everything, my best girlfriend, something special.
How old is the song?
This song is about 12 years old.
But that was an old song when I was a kid called Mo Shad Too Toot.
Somebody recorded it a long time ago.
It was real popular, the word.
So I decided to write this particular song.
Was this song anything like the other one?
No, it's two different_
In fact, I never heard the record.
I just heard Cajun bands howling,
Oh, Mo Shad Too Toot!
And everybody would get excited.
So I said, wow, that's it.
_ _ _ What_
Have you been singing the song for a long time?
No, not in the public.
I sung it around the house a lot.
And then I decided to_
I recorded it just before Christmas.
What's your real name?
My real name is Sidney Simeon.
S-I-M-I-E-N.
Was that a problem?
Yes, for the disc jockeys.
When I first started playing music,
I used my real name, Sidney Simeon,
and the jockeys couldn't pronounce the name Simeon.
They were saying Simon, Seymour, Simeon.
So a guy named Floyd Swallow,
same guy that I'm talking about,
we've been recording_
I've been recording for him for years.
So he's changed my name to Rockin' Sidney.
He said, hey, you rock when you're on the bandstand,
so that's the name for you.
Hey, I like it.
I like it very much.
We'll take a break at Nashville now.
This is the guy that
Sang it first.
Would you welcome from down in Louisiana?
Rockin Sydney with my tutu
_ [G] _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ Don't mess with my tutu
Don't mess with my tutu
Now you can have [D] the other one
But don't you mess [G] with my tutu
When she was born in a boy suit the docs left her behind
So you're [D] gonna be special
_ _ [G] _ _ You
Don't mess with my tutu
Don't mess with my tip
And you can [D] have the other one
But don't you mess [G] with my tutu?
_ _ Don't _ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ mess with _
Don't mess with
_ Now, you're gonna [D] have the other one
but don't you [G] mess with
You can go touch
If you let my chest touch, you're gonna [D] have your velvet case.
I'm gonna [G] break your face.
Don't mess with my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one, but don't you [G] mess with my tit-tits.
When she was born in a birch wood, the doctor slapped her behind.
He said, you gotta be [D] special.
You're [G] sweet and cute too.
Don't mess my tit-tits.
Don't mess with my tit-tits.
Now you can [D] have the other one.
But don't you [G] mess with my tit-tits.
Hey, Blossops! _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ Don't mess with my tit-tits.
Everybody!
Don't mess with my tit-tits.
Now you can have [D] the other one,
but don't you mess [G] with my tit-tits.
Everybody, come on girls, don't mess with my tit-tits.
Don't mess with my tit-tits.
And you can have [D] the other one, _ but don't you mess [G] with my two-two.
Hey, boss-ah! _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] Hey, boss-ah! _ _ _
_ _ _ _ _ _ [D] _ _
_ _ [G] _ _ _ _ _ _
Thank you!
Don't mess with my two-two! _
[N] _ _ _ _ _ I love it.
I love it.
_ Sidney, come on over.
We want an introduction to these people. _ _ _ _ _ _
_ _ _ _ _ Rockin' Sidney. _
Sidney, I, uh, I heard that_
I love that tune, by the way.
I heard that you recorded this in your garage or someplace like that?
Oh, sure did.
Well, actually, it was a garage, and I turned it up into a studio.
What I call a studio.
How many tracks do you have in there?
Four.
So it's kind of a small studio, then.
Right.
Did you produce your own record?
Yes, I produced most of my first record.
That particular record, I produced it,
and then I sort of, like, leased it to a guy named Floyd Swallow
on an independent label out of Vail Platte, Louisiana.
It was on a small label first, wasn't it?
Right.
Now it's on Epic Records.
Epic.
What is my two-two?
My two-two, it's a hit song. _ _ _
_ I'll tell you what.
_ My two-two_
I said, that's a set-up question, because when the song first came out,
there were some people who did not understand Cajun,
and they thought it might be something vulgar,
or you might be singing about your rear end, or what?
Right.
But it's not that at all, is it?
No.
My two-two is an old _ saying, you know, among the Cajun and Creole-speaking people.
It means my all, my everything, my best girlfriend, something special.
How old is the song?
This song is about 12 years old.
But that was an old song when I was a kid called Mo Shad Too Toot.
Somebody recorded it a long time ago.
It was real popular, the word.
So I decided to write this particular song.
Was this song anything like the other one?
No, it's two different_
In fact, I never heard the record.
I just heard Cajun bands howling,
Oh, Mo Shad Too Toot!
And everybody would get excited.
So I said, wow, that's it.
_ _ _ What_
Have you been singing the song for a long time?
No, not in the public.
I sung it around the house a lot.
And then I decided to_
I recorded it just before Christmas.
What's your real name?
My real name is Sidney Simeon.
S-I-M-I-E-N.
Was that a problem?
Yes, for the disc jockeys.
When I first started playing music,
I used my real name, Sidney Simeon,
and the jockeys couldn't pronounce the name Simeon.
They were saying Simon, Seymour, Simeon.
So a guy named Floyd Swallow,
same guy that I'm talking about,
we've been recording_
I've been recording for him for years.
So he's changed my name to Rockin' Sidney.
He said, hey, you rock when you're on the bandstand,
so that's the name for you.
Hey, I like it.
I like it very much.
We'll take a break at Nashville now.