Chords for DON'T CALL ME - BECKY HOBBS
Tempo:
78.7 bpm
Chords used:
E
B
A
F#
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Thank you [F#] all.
[F#]
I'd like to introduce you to my fan, [G] the Wild [B] Hare.
We're from the United States of America, back here on the drum from Hartford, Connecticut.
[F#] [B]
[G#] Yeah, I [Gm] like it when he plays rough like that.
On the bass, from Ruston, Louisiana, [A] and vocals, [F#] Sean Hody.
[E] [D]
[Em]
[F#m] [B]
[N]
From California, on guitar and vocals, Dwayne Chacua.
[E] [A] [E]
[B]
[Em] [E]
[D]
He's [F] rocking tonight.
[F#] The newest member of the Wild Hares, from Mount Pleasant, Michigan, [C#] on pedal, steel, and [B] vocals, Dan Shainberg.
[F#] [E]
[B] [E] [A] [Em]
[E]
And last but not least, our sound engineer, from grunty Virginia, USA, Gary [G#] Dale, back at the sound [Cm] bar.
[D] [E]
[G] Gonna do a song for all the women here tonight, [G#] who are just a little bit mad at [B] your man.
[B] You know how it goes, [F#] boys will be boys.
[G] Right, Benita?
Yes.
It's called Don't Call Me Baby, [E] I'll Call You.
[Bm] Well [B] I had such high [A] expectations.
[E] I thought I'd found the [B] perfect man.
But there's [E] something wrong, Mr.
[A] Right.
I know where you've been [E] tonight.
And now my [B] heart is slipped right [E] through your hands.
And you [A] can take my name from your little box, but don't write my phone number, it's all up.
[A] Better stop dreaming, cause it won't [E] come true.
Don't call me baby, I'll call you.
Yeah!
Uh-huh.
[C#m] Tonight your bad [A] reputation is [C#] getting easy to [B] believe.
[E] Well, come on, look at me like I was some ladder.
I wouldn't have you on a silver platter.
You won't even break that memory.
[C#m] Yeah.
[A] And you can take my name from your [B] little box, but don't [E] write my phone number, it's all up.
[A] Better stop dreaming, cause it won't come [E] true.
Don't call me baby, I'll call you.
Don't call me baby, I'll call you.
Uh-huh.
[A] [E]
[B] [E]
[A] [E] [B]
Yeah!
And [A] you can take my name from your little box, but [E] don't write my phone number, it's all up.
[A] Better stop dreaming, cause [E] it won't come true.
Don't call me baby, I'll [E] call you.
Don't call me baby, I'll call you.
Don't call me [B] baby, I'll [Em] call you.
[E]
[Em] [E]
[B] [G]
[D] Thank you!
You guys are [N] wonderful.
I want to say a very, very special thank you to Voytech, who brought us in here for this wonderful country picnic festival.
And Cornelius, who I met in Nashville several years ago.
And our angel [F#m] who's looking after us, Danuta.
[N] And Andy, who drove us today.
And Jack, who's driving us tomorrow.
And everyone here who has been so nice to us, thank you.
[F#]
I'd like to introduce you to my fan, [G] the Wild [B] Hare.
We're from the United States of America, back here on the drum from Hartford, Connecticut.
[F#] [B]
[G#] Yeah, I [Gm] like it when he plays rough like that.
On the bass, from Ruston, Louisiana, [A] and vocals, [F#] Sean Hody.
[E] [D]
[Em]
[F#m] [B]
[N]
From California, on guitar and vocals, Dwayne Chacua.
[E] [A] [E]
[B]
[Em] [E]
[D]
He's [F] rocking tonight.
[F#] The newest member of the Wild Hares, from Mount Pleasant, Michigan, [C#] on pedal, steel, and [B] vocals, Dan Shainberg.
[F#] [E]
[B] [E] [A] [Em]
[E]
And last but not least, our sound engineer, from grunty Virginia, USA, Gary [G#] Dale, back at the sound [Cm] bar.
[D] [E]
[G] Gonna do a song for all the women here tonight, [G#] who are just a little bit mad at [B] your man.
[B] You know how it goes, [F#] boys will be boys.
[G] Right, Benita?
Yes.
It's called Don't Call Me Baby, [E] I'll Call You.
[Bm] Well [B] I had such high [A] expectations.
[E] I thought I'd found the [B] perfect man.
But there's [E] something wrong, Mr.
[A] Right.
I know where you've been [E] tonight.
And now my [B] heart is slipped right [E] through your hands.
And you [A] can take my name from your little box, but don't write my phone number, it's all up.
[A] Better stop dreaming, cause it won't [E] come true.
Don't call me baby, I'll call you.
Yeah!
Uh-huh.
[C#m] Tonight your bad [A] reputation is [C#] getting easy to [B] believe.
[E] Well, come on, look at me like I was some ladder.
I wouldn't have you on a silver platter.
You won't even break that memory.
[C#m] Yeah.
[A] And you can take my name from your [B] little box, but don't [E] write my phone number, it's all up.
[A] Better stop dreaming, cause it won't come [E] true.
Don't call me baby, I'll call you.
Don't call me baby, I'll call you.
Uh-huh.
[A] [E]
[B] [E]
[A] [E] [B]
Yeah!
And [A] you can take my name from your little box, but [E] don't write my phone number, it's all up.
[A] Better stop dreaming, cause [E] it won't come true.
Don't call me baby, I'll [E] call you.
Don't call me baby, I'll call you.
Don't call me [B] baby, I'll [Em] call you.
[E]
[Em] [E]
[B] [G]
[D] Thank you!
You guys are [N] wonderful.
I want to say a very, very special thank you to Voytech, who brought us in here for this wonderful country picnic festival.
And Cornelius, who I met in Nashville several years ago.
And our angel [F#m] who's looking after us, Danuta.
[N] And Andy, who drove us today.
And Jack, who's driving us tomorrow.
And everyone here who has been so nice to us, thank you.
Key:
E
B
A
F#
Em
E
B
A
_ _ _ Thank you [F#] all.
_ [F#]
I'd like to introduce you to my fan, [G] the Wild [B] Hare.
We're from the United States of America, back here on the drum from Hartford, Connecticut.
[F#] _ _ [B] _ _ _ _ _
_ _ _ [G#] _ Yeah, _ _ _ _ I [Gm] like it when he plays rough like that. _
On the bass, from Ruston, Louisiana, [A] and vocals, [F#] Sean Hody.
_ _ [E] _ _ _ _ [D] _
_ _ _ _ _ [Em] _ _ _
_ _ _ [F#m] _ _ _ _ [B] _
_ [N] _ _ _ _ _ _ _
_ _ From California, on guitar and vocals, Dwayne Chacua.
[E] _ _ [A] _ _ [E] _ _ _
_ _ [B] _ _ _ _ _ _
_ [Em] _ _ _ _ [E] _ _ _
_ _ _ _ [D] _ _ _ _
_ He's [F] rocking tonight.
_ [F#] The newest member of the Wild Hares, from Mount Pleasant, Michigan, [C#] on pedal, steel, and [B] vocals, Dan Shainberg.
[F#] _ [E] _ _ _ _ _ _
[B] _ _ [E] _ _ [A] _ _ _ [Em] _
_ [E] _ _ _ _ _ _
And last but not least, our sound engineer, from grunty Virginia, USA, Gary [G#] Dale, back at the sound [Cm] bar.
_ [D] _ _ [E] _
_ _ _ [G] Gonna do a song for all the women here tonight, [G#] who are just a little bit mad at [B] your man.
[B] You know how it goes, [F#] boys will be boys.
[G] Right, Benita?
Yes.
It's called Don't Call Me Baby, [E] I'll Call You. _ _ _ _ _ _
_ _ _ _ [Bm] Well [B] I had such high [A] expectations.
_ _ [E] I thought I'd found the [B] perfect man.
_ _ But there's [E] something wrong, Mr.
[A] Right.
I know where you've been [E] tonight.
And now my [B] heart is slipped right [E] through your hands.
And you [A] can take my name from your little box, but don't write my phone number, it's all up.
[A] Better stop dreaming, cause it won't [E] come true.
Don't call me baby, I'll call you. _ _
Yeah!
_ _ Uh-huh. _ _
_ [C#m] Tonight your bad [A] reputation is [C#] _ getting easy to [B] believe. _
[E] Well, come on, look at me like I was some ladder.
I wouldn't have you on a silver platter.
You won't even break that memory.
[C#m] Yeah.
[A] And you can take my name from your [B] little box, but don't [E] write my phone number, it's all up.
[A] Better stop dreaming, cause it won't come [E] true.
Don't call me baby, I'll call you.
Don't call me baby, I'll call you.
Uh-huh. _
_ [A] _ _ _ _ [E] _ _ _
_ [B] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ [B] _
_ _ Yeah!
And [A] you can take my name from your little box, but [E] don't write my phone number, it's all up.
[A] Better stop dreaming, cause [E] it won't come true.
Don't call me baby, I'll [E] call you.
Don't call me baby, I'll call you.
Don't call me [B] baby, I'll [Em] call you.
_ [E] _
_ [Em] _ _ _ [E] _ _ _ _
_ [B] _ _ _ _ [G] _ _ _
_ _ [D] Thank you!
_ You guys are [N] wonderful.
I want to say a very, very special thank you to Voytech, who brought us in here for this wonderful country picnic festival.
And Cornelius, who I met in Nashville several years ago.
And our angel [F#m] who's looking after us, Danuta.
_ [N] And Andy, who drove us today.
And Jack, who's driving us tomorrow.
And everyone here who has been so nice to us, thank you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [F#]
I'd like to introduce you to my fan, [G] the Wild [B] Hare.
We're from the United States of America, back here on the drum from Hartford, Connecticut.
[F#] _ _ [B] _ _ _ _ _
_ _ _ [G#] _ Yeah, _ _ _ _ I [Gm] like it when he plays rough like that. _
On the bass, from Ruston, Louisiana, [A] and vocals, [F#] Sean Hody.
_ _ [E] _ _ _ _ [D] _
_ _ _ _ _ [Em] _ _ _
_ _ _ [F#m] _ _ _ _ [B] _
_ [N] _ _ _ _ _ _ _
_ _ From California, on guitar and vocals, Dwayne Chacua.
[E] _ _ [A] _ _ [E] _ _ _
_ _ [B] _ _ _ _ _ _
_ [Em] _ _ _ _ [E] _ _ _
_ _ _ _ [D] _ _ _ _
_ He's [F] rocking tonight.
_ [F#] The newest member of the Wild Hares, from Mount Pleasant, Michigan, [C#] on pedal, steel, and [B] vocals, Dan Shainberg.
[F#] _ [E] _ _ _ _ _ _
[B] _ _ [E] _ _ [A] _ _ _ [Em] _
_ [E] _ _ _ _ _ _
And last but not least, our sound engineer, from grunty Virginia, USA, Gary [G#] Dale, back at the sound [Cm] bar.
_ [D] _ _ [E] _
_ _ _ [G] Gonna do a song for all the women here tonight, [G#] who are just a little bit mad at [B] your man.
[B] You know how it goes, [F#] boys will be boys.
[G] Right, Benita?
Yes.
It's called Don't Call Me Baby, [E] I'll Call You. _ _ _ _ _ _
_ _ _ _ [Bm] Well [B] I had such high [A] expectations.
_ _ [E] I thought I'd found the [B] perfect man.
_ _ But there's [E] something wrong, Mr.
[A] Right.
I know where you've been [E] tonight.
And now my [B] heart is slipped right [E] through your hands.
And you [A] can take my name from your little box, but don't write my phone number, it's all up.
[A] Better stop dreaming, cause it won't [E] come true.
Don't call me baby, I'll call you. _ _
Yeah!
_ _ Uh-huh. _ _
_ [C#m] Tonight your bad [A] reputation is [C#] _ getting easy to [B] believe. _
[E] Well, come on, look at me like I was some ladder.
I wouldn't have you on a silver platter.
You won't even break that memory.
[C#m] Yeah.
[A] And you can take my name from your [B] little box, but don't [E] write my phone number, it's all up.
[A] Better stop dreaming, cause it won't come [E] true.
Don't call me baby, I'll call you.
Don't call me baby, I'll call you.
Uh-huh. _
_ [A] _ _ _ _ [E] _ _ _
_ [B] _ _ _ _ [E] _ _ _
_ [A] _ _ _ _ [E] _ _ [B] _
_ _ Yeah!
And [A] you can take my name from your little box, but [E] don't write my phone number, it's all up.
[A] Better stop dreaming, cause [E] it won't come true.
Don't call me baby, I'll [E] call you.
Don't call me baby, I'll call you.
Don't call me [B] baby, I'll [Em] call you.
_ [E] _
_ [Em] _ _ _ [E] _ _ _ _
_ [B] _ _ _ _ [G] _ _ _
_ _ [D] Thank you!
_ You guys are [N] wonderful.
I want to say a very, very special thank you to Voytech, who brought us in here for this wonderful country picnic festival.
And Cornelius, who I met in Nashville several years ago.
And our angel [F#m] who's looking after us, Danuta.
_ [N] And Andy, who drove us today.
And Jack, who's driving us tomorrow.
And everyone here who has been so nice to us, thank you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _