Chords for Doc & Merle play "Make Me A Pallet" and "Streamline Cannonball."
Tempo:
135.7 bpm
Chords used:
D
G
A
E
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
We listened to a lot of people.
I think Merle, if you had to, if you ask him who his
favorite musician was, it would be, there would be two people.
It would be his grandfather, Gaither Carlton, and
the late Gaither Carlton.
He was with us up until 72, and then the late John Hurt.
My mother started me out when Dad was out on the road.
The first few years, I learned just being around the old.
I guess my main influence was Mississippi John, John Hurt.
He learned an awful lot from his grandfather on the banjo.
In fact, all his frailness came from Gaither, his style.
And John Hurt, well, John Hurt made an impression on everybody that listened to him.
It wasn't only his music, it was a man.
It was on the first concert I ever was on.
Well, I just, uh What?
I couldn't believe the music he did.
[Dm] John Hurt was one of my favorite people and favorite musicians out of the
rediscoveries of the old-timers and the folk scene in the 60s.
And Merle and I had the pleasure of playing a whole lot of music on shows with John Hurt.
And we actually had the pleasure of sitting down and picking some tunes with John a lot of times.
And we'd like to do a song here that me and Michael kind of likes to sing, too.
I kind of like the flavor of this song.
I guarantee you Merle will give [C#] you some of the John Hurt flavor on the guitar.
He plays a little stronger than Brother John did.
[D]
But you'll hear the flavor in there, those of you that are familiar with John's music.
[G] [D]
[G] [D]
[G] [A]
[D] [F#] [G]
[D] [G] [A]
[D] [Em]
[D] [G]
[A] [D] [F#m]
[G] [D] [G]
[A] [D] [G]
[D] [G]
[A] [D]
[F#m] [G] [D]
[G] [A] [D] [G]
[D] [G]
[A] [D]
[F#] [G] [D]
[G] [D] [G]
[D] [G]
[A] [D]
[F#m] [G] Yes, I'm going up the [D] country through that sleet and snow.
Ain't no telling [G] just [D] how far [G] I'll go.
[A] [D]
[F#] [G] [A] [D]
[G] [A] [D] [Am] [G]
Get my breakfast here and my [D] dinner in Tennessee.
[G]
Get my breakfast here and [A] my dinner in Tennessee.
[D]
Well, I'll [F#m] get my breakfast [G] here, my dinner in Tennessee.
[D]
I [G] told you I [D] was coming, so you better look for me.
[G]
Make me [D] down a pallet on your floor.
[G]
Hey, make me down a [A] pallet on your floor.
[D] If you do, [F#] she might shoot [G] you, cut and [Em] stab you too.
[D] Hey, there ain't no tellin' what all that gal might do.
[G]
Make me down a pallet on your [D] floor.
[G]
Make me down a pallet on [A] your floor.
[D]
Honey, [F#m] make it down, [G] make it soft and low.
[D] Then [G] baby, [D] my good gal, she won't know.
[G]
[D] [G]
[A] [D]
[F#] [Em] [D]
The way I've been sleepin', my back and shoulders tired.
[G] The way I've been sleepin', my back and [A] shoulders tired.
Well, [D] the way I've been [F#] sleepin', [G] my back and shoulders tired.
[D] I think I'll turn and try sleepin' a while on my side.
[G] Make me down a pallet on [D] your floor.
[G] Make me down a [A] pallet on your floor.
[D]
Honey, [F#] make it [Em] down, make it soft and [D] low.
Then baby, my good gal, she won't know.
Bigot son!
[G]
[D] [G]
[A] [D]
[F#] [G] [D]
[G] [A] [D]
[Dm] [N]
[A]
[E] [A]
[C#m] Long about 1939, long about 1939,
Brother Roy Acuff recorded a song called The Streamline Cannonball.
And I got to thinkin' about this song a long time after that one day,
and I thought, well, now that Streamline Cannonball didn't waltz down the railroad track.
You know, it got a move on.
Old Roy played her kinda like this.
[E] She moves along like a cannonball,
[A] Like a star in its [E] heavenly flight.
Well, I thought it ought to go a little different than that, something like that.
[Bm] [B]
[D#] [E]
[A] [E]
[A] [B] [C#m] [E]
She moves along like a [A] cannonball,
Like a star in [E] its heavenly flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
Along the steel rail and the short cross [A]-dye,
I'm on my [E] way back home.
I'm [A] on that [C#m] train, the king of them all,
[E] The Streamline Cannonball.
She moves along like a cannonball,
[A] Like a star in its heavenly [Em] flight.
[A] The lonesome [E] sound of the [C#m] whistle you [E] love,
As she [B] rambles on through [E] the night.
[A] [E]
[A] [E]
[C#m] [E]
I can see a smile on the engineer's [A] face,
And although he's old [Em] and gray,
A [A] contented heart, [E] he waits for his call,
On that Streamline [B] [E] Cannonball.
She moves along like a cannonball,
[A] Like a star in its [Em] heavenly flight.
[B] [E] The lonesome sound of the whistle [C#m] you love,
[E] As she rambles on through the night.
[A] [E]
[A] [E] [C#m] [Em]
[B] [E] The headlights she beams all out through the night,
[A] And the firebox flash [E] you can't see.
I ride [A] the blinds, it's [E] the life that I love,
It's home sweet home to me.
She moves along like a cannonball,
Like a [A] star in its heavenly [E] flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
As she rambles on through the night.
[G] [E]
I think Merle, if you had to, if you ask him who his
favorite musician was, it would be, there would be two people.
It would be his grandfather, Gaither Carlton, and
the late Gaither Carlton.
He was with us up until 72, and then the late John Hurt.
My mother started me out when Dad was out on the road.
The first few years, I learned just being around the old.
I guess my main influence was Mississippi John, John Hurt.
He learned an awful lot from his grandfather on the banjo.
In fact, all his frailness came from Gaither, his style.
And John Hurt, well, John Hurt made an impression on everybody that listened to him.
It wasn't only his music, it was a man.
It was on the first concert I ever was on.
Well, I just, uh What?
I couldn't believe the music he did.
[Dm] John Hurt was one of my favorite people and favorite musicians out of the
rediscoveries of the old-timers and the folk scene in the 60s.
And Merle and I had the pleasure of playing a whole lot of music on shows with John Hurt.
And we actually had the pleasure of sitting down and picking some tunes with John a lot of times.
And we'd like to do a song here that me and Michael kind of likes to sing, too.
I kind of like the flavor of this song.
I guarantee you Merle will give [C#] you some of the John Hurt flavor on the guitar.
He plays a little stronger than Brother John did.
[D]
But you'll hear the flavor in there, those of you that are familiar with John's music.
[G] [D]
[G] [D]
[G] [A]
[D] [F#] [G]
[D] [G] [A]
[D] [Em]
[D] [G]
[A] [D] [F#m]
[G] [D] [G]
[A] [D] [G]
[D] [G]
[A] [D]
[F#m] [G] [D]
[G] [A] [D] [G]
[D] [G]
[A] [D]
[F#] [G] [D]
[G] [D] [G]
[D] [G]
[A] [D]
[F#m] [G] Yes, I'm going up the [D] country through that sleet and snow.
Ain't no telling [G] just [D] how far [G] I'll go.
[A] [D]
[F#] [G] [A] [D]
[G] [A] [D] [Am] [G]
Get my breakfast here and my [D] dinner in Tennessee.
[G]
Get my breakfast here and [A] my dinner in Tennessee.
[D]
Well, I'll [F#m] get my breakfast [G] here, my dinner in Tennessee.
[D]
I [G] told you I [D] was coming, so you better look for me.
[G]
Make me [D] down a pallet on your floor.
[G]
Hey, make me down a [A] pallet on your floor.
[D] If you do, [F#] she might shoot [G] you, cut and [Em] stab you too.
[D] Hey, there ain't no tellin' what all that gal might do.
[G]
Make me down a pallet on your [D] floor.
[G]
Make me down a pallet on [A] your floor.
[D]
Honey, [F#m] make it down, [G] make it soft and low.
[D] Then [G] baby, [D] my good gal, she won't know.
[G]
[D] [G]
[A] [D]
[F#] [Em] [D]
The way I've been sleepin', my back and shoulders tired.
[G] The way I've been sleepin', my back and [A] shoulders tired.
Well, [D] the way I've been [F#] sleepin', [G] my back and shoulders tired.
[D] I think I'll turn and try sleepin' a while on my side.
[G] Make me down a pallet on [D] your floor.
[G] Make me down a [A] pallet on your floor.
[D]
Honey, [F#] make it [Em] down, make it soft and [D] low.
Then baby, my good gal, she won't know.
Bigot son!
[G]
[D] [G]
[A] [D]
[F#] [G] [D]
[G] [A] [D]
[Dm] [N]
[A]
[E] [A]
[C#m] Long about 1939, long about 1939,
Brother Roy Acuff recorded a song called The Streamline Cannonball.
And I got to thinkin' about this song a long time after that one day,
and I thought, well, now that Streamline Cannonball didn't waltz down the railroad track.
You know, it got a move on.
Old Roy played her kinda like this.
[E] She moves along like a cannonball,
[A] Like a star in its [E] heavenly flight.
Well, I thought it ought to go a little different than that, something like that.
[Bm] [B]
[D#] [E]
[A] [E]
[A] [B] [C#m] [E]
She moves along like a [A] cannonball,
Like a star in [E] its heavenly flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
Along the steel rail and the short cross [A]-dye,
I'm on my [E] way back home.
I'm [A] on that [C#m] train, the king of them all,
[E] The Streamline Cannonball.
She moves along like a cannonball,
[A] Like a star in its heavenly [Em] flight.
[A] The lonesome [E] sound of the [C#m] whistle you [E] love,
As she [B] rambles on through [E] the night.
[A] [E]
[A] [E]
[C#m] [E]
I can see a smile on the engineer's [A] face,
And although he's old [Em] and gray,
A [A] contented heart, [E] he waits for his call,
On that Streamline [B] [E] Cannonball.
She moves along like a cannonball,
[A] Like a star in its [Em] heavenly flight.
[B] [E] The lonesome sound of the whistle [C#m] you love,
[E] As she rambles on through the night.
[A] [E]
[A] [E] [C#m] [Em]
[B] [E] The headlights she beams all out through the night,
[A] And the firebox flash [E] you can't see.
I ride [A] the blinds, it's [E] the life that I love,
It's home sweet home to me.
She moves along like a cannonball,
Like a [A] star in its heavenly [E] flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
As she rambles on through the night.
[G] [E]
Key:
D
G
A
E
F#
D
G
A
_ _ We listened to a lot of people.
I think Merle, if you had to, if you ask him who his _
favorite musician was, it would be, there would be two people.
It would be his grandfather, Gaither Carlton, and
the late Gaither Carlton.
He was _ with us up until 72, and then the late John Hurt.
_ My mother started me out when Dad was out on the road. _ _ _
_ _ _ _ _ The first few years, I learned just being around the old. _
_ I guess my main influence was Mississippi John, John Hurt.
He learned an awful lot from his grandfather on the banjo. _
_ _ In fact, all his frailness came from Gaither, his style.
_ _ And John Hurt, well, John Hurt made an impression on everybody that listened to him.
It wasn't only his music, it was a man.
It was on the first concert I ever was on.
_ Well, I just, uh_ What?
I couldn't believe _ the music he did.
[Dm] John Hurt was one of my favorite people and favorite musicians out of the
rediscoveries of the old-timers and the folk scene in the 60s.
And Merle and I had the pleasure of playing a whole lot of music on shows with John Hurt.
And we actually had the pleasure of sitting down and picking some tunes with John a lot of times.
_ And we'd like to do a song here that me and Michael kind of likes to sing, too.
I kind of like the flavor of this song.
I guarantee you Merle will give [C#] you some of the John Hurt flavor on the guitar.
He plays a little stronger than Brother John did.
[D]
But you'll hear the flavor in there, those of you that are familiar with John's music.
_ _ _ [G] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ [D] _
_ _ _ [G] _ _ _ _ [A] _
_ _ _ _ [D] _ [F#] _ _ [G] _
_ _ _ _ [D] _ _ [G] _ [A] _
[D] _ _ _ _ [Em] _ _ _ _
_ [D] _ _ _ _ [G] _ _ _
_ [A] _ _ _ _ [D] _ _ [F#m] _
_ [G] _ _ _ _ [D] _ _ [G] _
[A] _ [D] _ _ _ _ [G] _ _ _
_ [D] _ _ _ _ [G] _ _ _
_ _ [A] _ _ _ _ [D] _ _
[F#m] _ _ [G] _ _ _ _ [D] _ _
[G] _ [A] _ [D] _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [A] _ _ _ _ _ [D] _
[F#] _ _ _ [G] _ _ _ [D] _ _
[G] _ _ [D] _ _ _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ _ [A] _ _ _ _ [D] _
_ [F#m] _ [G] Yes, I'm going up the [D] country through that sleet and snow.
Ain't no telling [G] just _ _ _ [D] _ _ how far [G] I'll go.
_ _ [A] _ _ _ _ [D] _
_ [F#] _ [G] _ _ _ _ [A] _ [D] _
_ [G] _ [A] _ [D] _ _ _ [Am] _ [G]
Get my breakfast here and my [D] dinner in Tennessee.
_ _ [G]
Get my breakfast here and [A] my dinner in Tennessee.
_ _ [D]
Well, I'll [F#m] get my breakfast [G] here, my dinner in Tennessee.
[D]
I [G] told you I [D] was coming, so you better look for me.
_ [G]
Make me [D] down a pallet on your floor.
_ [G]
Hey, make me down a [A] pallet on your floor.
[D] If you do, [F#] she might shoot [G] you, cut and [Em] stab you too.
[D] Hey, there ain't no tellin' what all that gal might do.
_ [G]
Make me down a pallet on your [D] floor.
_ [G]
Make me down a pallet on [A] your floor.
_ [D]
Honey, [F#m] make it down, [G] make it soft and low.
[D] Then [G] baby, [D] my good gal, she won't _ know.
[G] _
_ _ _ _ _ [D] _ _ [G] _
_ _ _ [A] _ _ _ _ [D] _
_ [F#] _ _ [Em] _ _ _ _ [D] _
_ _ _ _ _ _ The way I've been sleepin', my back and shoulders tired.
_ [G] The way I've been sleepin', my back and [A] shoulders tired.
Well, [D] the way I've been [F#] sleepin', [G] my back and shoulders tired.
[D] I think I'll turn and try sleepin' a while on my side.
[G] Make me down a pallet on [D] your floor.
_ [G] Make me down a [A] pallet on your floor.
_ _ [D]
Honey, [F#] make it [Em] down, make it soft and [D] low.
Then baby, my good gal, she won't know.
Bigot son!
[G] _ _
_ _ _ [D] _ _ _ [G] _ _
_ _ [A] _ _ _ _ [D] _ _
[F#] _ _ [G] _ _ _ _ [D] _ _
[G] _ [A] _ [D] _ _ _ _ _ _
[Dm] _ _ _ _ _ _ _ [N] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [E] _ _ [A] _
_ _ _ [C#m] Long about 1939, long about 1939,
Brother Roy Acuff recorded a song called The Streamline Cannonball.
And I got to thinkin' about this song a long time after that one day,
and I thought, well, now that Streamline Cannonball didn't waltz down the railroad track.
You know, it got a move on.
Old Roy played her kinda like this.
[E] She _ moves along like a _ cannonball,
[A] Like a star in its [E] heavenly flight.
_ Well, I thought it ought to go a little different than that, something like that.
[Bm] _ _ _ _ [B] _ _ _
_ [D#] _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ [A] _ _ [B] _ [C#m] _ _ [E] _
_ _ _ _ _ She moves along like a _ [A] cannonball,
Like a star in [E] its heavenly flight.
_ The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
_ Along the steel rail and the short cross [A]-dye,
I'm on my [E] way back home.
_ I'm [A] on that [C#m] train, the king of them all,
[E] The Streamline Cannonball. _
She moves along like a cannonball,
[A] Like a star in its heavenly [Em] flight. _ _
[A] The lonesome [E] sound of the [C#m] whistle you [E] love,
As she [B] rambles on through [E] the night. _ _ _ _
_ _ _ _ [A] _ _ _ [E] _
_ _ _ _ _ [A] _ _ [E] _
[C#m] _ _ [E] _ _ _ _ _ _
_ I can see a smile on the engineer's [A] face,
And although he's old [Em] and gray,
A [A] contented heart, [E] he waits for his call,
On that Streamline [B] _ [E] Cannonball.
_ She moves along like a _ cannonball,
[A] Like a star in its [Em] heavenly flight.
_ [B] _ [E] _ The lonesome sound of the whistle [C#m] you love,
[E] As she rambles on through the night. _ _ _ _ _ _
_ [A] _ _ _ [E] _ _ _ _
_ _ [A] _ [E] _ _ [C#m] _ _ [Em] _
[B] _ _ [E] _ _ _ _ The headlights she beams all out through the night,
[A] And the firebox flash [E] you can't see.
I ride [A] the blinds, it's [E] the life that I love,
It's home sweet home to me.
She moves along like a cannonball,
Like a [A] star in its heavenly [E] flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
As she rambles on through the night. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [E] _ _ _ _
I think Merle, if you had to, if you ask him who his _
favorite musician was, it would be, there would be two people.
It would be his grandfather, Gaither Carlton, and
the late Gaither Carlton.
He was _ with us up until 72, and then the late John Hurt.
_ My mother started me out when Dad was out on the road. _ _ _
_ _ _ _ _ The first few years, I learned just being around the old. _
_ I guess my main influence was Mississippi John, John Hurt.
He learned an awful lot from his grandfather on the banjo. _
_ _ In fact, all his frailness came from Gaither, his style.
_ _ And John Hurt, well, John Hurt made an impression on everybody that listened to him.
It wasn't only his music, it was a man.
It was on the first concert I ever was on.
_ Well, I just, uh_ What?
I couldn't believe _ the music he did.
[Dm] John Hurt was one of my favorite people and favorite musicians out of the
rediscoveries of the old-timers and the folk scene in the 60s.
And Merle and I had the pleasure of playing a whole lot of music on shows with John Hurt.
And we actually had the pleasure of sitting down and picking some tunes with John a lot of times.
_ And we'd like to do a song here that me and Michael kind of likes to sing, too.
I kind of like the flavor of this song.
I guarantee you Merle will give [C#] you some of the John Hurt flavor on the guitar.
He plays a little stronger than Brother John did.
[D]
But you'll hear the flavor in there, those of you that are familiar with John's music.
_ _ _ [G] _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ [G] _ _ _ _ _ [D] _
_ _ _ [G] _ _ _ _ [A] _
_ _ _ _ [D] _ [F#] _ _ [G] _
_ _ _ _ [D] _ _ [G] _ [A] _
[D] _ _ _ _ [Em] _ _ _ _
_ [D] _ _ _ _ [G] _ _ _
_ [A] _ _ _ _ [D] _ _ [F#m] _
_ [G] _ _ _ _ [D] _ _ [G] _
[A] _ [D] _ _ _ _ [G] _ _ _
_ [D] _ _ _ _ [G] _ _ _
_ _ [A] _ _ _ _ [D] _ _
[F#m] _ _ [G] _ _ _ _ [D] _ _
[G] _ [A] _ [D] _ _ _ _ [G] _ _
_ _ [D] _ _ _ _ [G] _ _
_ _ [A] _ _ _ _ _ [D] _
[F#] _ _ _ [G] _ _ _ [D] _ _
[G] _ _ [D] _ _ _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ _ [A] _ _ _ _ [D] _
_ [F#m] _ [G] Yes, I'm going up the [D] country through that sleet and snow.
Ain't no telling [G] just _ _ _ [D] _ _ how far [G] I'll go.
_ _ [A] _ _ _ _ [D] _
_ [F#] _ [G] _ _ _ _ [A] _ [D] _
_ [G] _ [A] _ [D] _ _ _ [Am] _ [G]
Get my breakfast here and my [D] dinner in Tennessee.
_ _ [G]
Get my breakfast here and [A] my dinner in Tennessee.
_ _ [D]
Well, I'll [F#m] get my breakfast [G] here, my dinner in Tennessee.
[D]
I [G] told you I [D] was coming, so you better look for me.
_ [G]
Make me [D] down a pallet on your floor.
_ [G]
Hey, make me down a [A] pallet on your floor.
[D] If you do, [F#] she might shoot [G] you, cut and [Em] stab you too.
[D] Hey, there ain't no tellin' what all that gal might do.
_ [G]
Make me down a pallet on your [D] floor.
_ [G]
Make me down a pallet on [A] your floor.
_ [D]
Honey, [F#m] make it down, [G] make it soft and low.
[D] Then [G] baby, [D] my good gal, she won't _ know.
[G] _
_ _ _ _ _ [D] _ _ [G] _
_ _ _ [A] _ _ _ _ [D] _
_ [F#] _ _ [Em] _ _ _ _ [D] _
_ _ _ _ _ _ The way I've been sleepin', my back and shoulders tired.
_ [G] The way I've been sleepin', my back and [A] shoulders tired.
Well, [D] the way I've been [F#] sleepin', [G] my back and shoulders tired.
[D] I think I'll turn and try sleepin' a while on my side.
[G] Make me down a pallet on [D] your floor.
_ [G] Make me down a [A] pallet on your floor.
_ _ [D]
Honey, [F#] make it [Em] down, make it soft and [D] low.
Then baby, my good gal, she won't know.
Bigot son!
[G] _ _
_ _ _ [D] _ _ _ [G] _ _
_ _ [A] _ _ _ _ [D] _ _
[F#] _ _ [G] _ _ _ _ [D] _ _
[G] _ [A] _ [D] _ _ _ _ _ _
[Dm] _ _ _ _ _ _ _ [N] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [E] _ _ [A] _
_ _ _ [C#m] Long about 1939, long about 1939,
Brother Roy Acuff recorded a song called The Streamline Cannonball.
And I got to thinkin' about this song a long time after that one day,
and I thought, well, now that Streamline Cannonball didn't waltz down the railroad track.
You know, it got a move on.
Old Roy played her kinda like this.
[E] She _ moves along like a _ cannonball,
[A] Like a star in its [E] heavenly flight.
_ Well, I thought it ought to go a little different than that, something like that.
[Bm] _ _ _ _ [B] _ _ _
_ [D#] _ [E] _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
_ _ [A] _ _ [B] _ [C#m] _ _ [E] _
_ _ _ _ _ She moves along like a _ [A] cannonball,
Like a star in [E] its heavenly flight.
_ The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
_ Along the steel rail and the short cross [A]-dye,
I'm on my [E] way back home.
_ I'm [A] on that [C#m] train, the king of them all,
[E] The Streamline Cannonball. _
She moves along like a cannonball,
[A] Like a star in its heavenly [Em] flight. _ _
[A] The lonesome [E] sound of the [C#m] whistle you [E] love,
As she [B] rambles on through [E] the night. _ _ _ _
_ _ _ _ [A] _ _ _ [E] _
_ _ _ _ _ [A] _ _ [E] _
[C#m] _ _ [E] _ _ _ _ _ _
_ I can see a smile on the engineer's [A] face,
And although he's old [Em] and gray,
A [A] contented heart, [E] he waits for his call,
On that Streamline [B] _ [E] Cannonball.
_ She moves along like a _ cannonball,
[A] Like a star in its [Em] heavenly flight.
_ [B] _ [E] _ The lonesome sound of the whistle [C#m] you love,
[E] As she rambles on through the night. _ _ _ _ _ _
_ [A] _ _ _ [E] _ _ _ _
_ _ [A] _ [E] _ _ [C#m] _ _ [Em] _
[B] _ _ [E] _ _ _ _ The headlights she beams all out through the night,
[A] And the firebox flash [E] you can't see.
I ride [A] the blinds, it's [E] the life that I love,
It's home sweet home to me.
She moves along like a cannonball,
Like a [A] star in its heavenly [E] flight.
The [A] lonesome [E] sound of the whistle you love,
As she rambles on through the night.
As she rambles on through the night. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [E] _ _ _ _