Chords for Divinyls Sunrise 2 Dec 07
Tempo:
113.65 bpm
Chords used:
C
B
E
D
D#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Welcome [E] back to Salmon, Andrew.
Thank you, Carly.
Thanks very much, Carly.
[B] Well, now to a new series [G] we're calling Divinyls Unplugged.
Over the [F] next fortnight, our cameras will follow [B] one of the great Aussie rock and roll
bands as they reunite and return [C] to the stage after a decade-long absence.
[B] Chrissie Amplet and the crew will embark on a tour culminating in a massive outdoor concert,
but it's the behind-the-scenes, fly-on-wall drama that we want to bring you.
And here's instalment [Dm] number one with reporter Simon Reeve.
It's a fine, lovely, [C] pleasure and pleasure.
The [Dm] big day has arrived.
This [C] Melbourne warehouse will play host to one of [Am] music's most exciting reunions, and
[F] the back-slapping has already begun.
You're [C] looking great.
I feel great.
[Dm] You look good.
[C] I feel good.
You look great.
[D] Yeah, I'm feeling good.
How are you, man?
[C] Excellent.
The band is [Dm] bumping in.
[C] These are the best technicians [A] and musos in the business.
[D#] Just because you can't play [C] properly.
Not true.
I [C#] don't want [F#] [D#m] anybody else.
When [C#] I think about [F#] you, I can't try to say.
The Divinals are [C#] back.
And [F#] we're here [E] to Announce the
What are [D#] we here for?
After a decade-long hiatus, they're [C#m] touring again, and [B] today is their [G#] first rehearsal.
But even before Mark McEntee and Chrissie Amplet arrive, [N] there's concern about the room temperature.
What would it be like when the doors closed more?
Because to me, this is a little too warm for Chrissie, which is a bit of why I'm thinking
we should not have her come until she really needs to be here.
Do we have a big fan?
It's gonna be freezing in here in two days.
Let me try to explain it to her when she comes, so that, like, she knows how she can be when
she walks into a room.
She sent me an email last night, particularly about it.
They've been put on notice.
If the room is too hot, Chrissie will be fuming.
I think it belongs to her to tell you what the situation is.
And soon enough, she will.
Mark, we're back at the rehearsal.
Yeah, I know.
I don't really like rehearsing that much.
She may like it even less shortly.
Do we have to do this?
Do we?
Well, I don't know.
Do we have to rehearse?
Inside, the crew scrambles to find a fan to counter the stifling heat.
I don't want to do this.
We've got to learn.
I don't want to do this.
We have to learn the songs.
But in no time, everyone's worst fears are [B] realized. It's hot.
And I need air.
It's too hot in here.
One fan.
Andrew, it's hot.
I didn't know.
I knew we were saving money, but could we have air [N] conditioning?
It seems the rock and roll approach didn't work with the air conditioning company.
What is it?
What's happened to you?
All I said was get the air conditioner down here now, right?
And he goes, two days.
Chrissie is laying down the law.
Well, it's, you know, can you feel it?
I know it's still.
It's actually hotter in here now than it has been all day.
No air conditioner, no lead singer.
So if you can't get it here tomorrow, why don't you just let it go?
[A] Mark's unhappy too.
The guitar's not even [B] complete.
Look, it's got the [D] back missing.
[G#] It's faulty.
[E] Things are off to a bad start, and they don't get much better during a critical first band meeting.
Eleven years ago, we were all sitting here, and here we are again.
Andrew McManus is their manager and one of the largest promoters around.
In an industry full of bigwigs, they don't get much bigger than this.
The brand and the band name is out there again.
Okay.
So we've turned full circle.
We've turned full circle, we're back.
Yeah, we're [C#] breaking through.
[Fm] The Diviners will blast back onto the [D] scene with a performance at Homebake and [N] then a national tour.
But now it's Andrew's turn to lay down the law.
There will be no free concert tickets for friends.
Like, close family and things like that, I'm happy to give tickets to and comps.
But when we start getting massive guest lists, they've got to buy.
What are you suggesting?
We buy our tickets for our friends?
Absolutely.
Absolutely.
Or they buy them.
I mean, after my thousand guests, there's not a lot of room.
So, hell, you know.
I didn't know you had any friends.
The set list is also causing friction.
Mark and Chrissie just can't agree on the songs they'll perform.
Well, that's okay.
If Chrissie doesn't want to sing those songs, we'll do them without her.
[G#]
Have you got someone else in mind?
Yeah, I do.
I bet you do.
And who is that?
Suddenly, there's another dispute.
No one's quite sure what it's about, but Chrissie and Mark [G] are determined to solve it.
Can I have you [F] apologise to Charlie?
There was a problem.
We'll work it out.
Will you work it out?
Yeah.
I don't want
If I hear you talking behind anybody's back, even
I mean, I don't want
I mean, I don't care the smile.
I mean, even behind Phil's back.
Now, Mark has stormed out.
Mark's gone.
Intention span of a net.
Who, Mark?
Gone.
Meanwhile, Chrissie just can't get used to the new earpieces they'll be [C#m] using on the road.
And I don't know how I'm going to feel about this, whether I'm going to be separate, whether I'm going to sing better.
I don't know.
There's only [G#] two weeks before the tour.
The eyes of the world will be watching, but the bickering is halting rehearsals before they even begin.
I don't want to do this tour.
2000 [D#] and what year is it?
[F#] What's the year now?
[B] [C#]
That is rock [E] and roll.
You must be a rock star.
[E] Is it a little warm in here?
I feel a little [D#] warm.
They should open their set with,
You've got me steaming at a hundred degrees.
If they can't get that air conditioner fixed anyway.
Do you think she ever takes her sunglasses off?
She seems pretty easy to work with anyway.
They should get Tony Abbott in there with his people skills to mediate between the band.
They make the Spice Girls look like kittens, don't they?
Turmoil!
Simon [D] Reeve there.
Next week we'll [C] follow Chrissie Mark and the entire team as they travel to Ballarat for a warm up gig.
[F] It's an interesting ride.
I've actually seen a sneak peek of [D] this.
It's quite amusing.
[D#] That's our second instalment [E] of Divinals Unplugged. [B] Hello Ballarat.
Is Ballarat ready?
[D]
Thank you, Carly.
Thanks very much, Carly.
[B] Well, now to a new series [G] we're calling Divinyls Unplugged.
Over the [F] next fortnight, our cameras will follow [B] one of the great Aussie rock and roll
bands as they reunite and return [C] to the stage after a decade-long absence.
[B] Chrissie Amplet and the crew will embark on a tour culminating in a massive outdoor concert,
but it's the behind-the-scenes, fly-on-wall drama that we want to bring you.
And here's instalment [Dm] number one with reporter Simon Reeve.
It's a fine, lovely, [C] pleasure and pleasure.
The [Dm] big day has arrived.
This [C] Melbourne warehouse will play host to one of [Am] music's most exciting reunions, and
[F] the back-slapping has already begun.
You're [C] looking great.
I feel great.
[Dm] You look good.
[C] I feel good.
You look great.
[D] Yeah, I'm feeling good.
How are you, man?
[C] Excellent.
The band is [Dm] bumping in.
[C] These are the best technicians [A] and musos in the business.
[D#] Just because you can't play [C] properly.
Not true.
I [C#] don't want [F#] [D#m] anybody else.
When [C#] I think about [F#] you, I can't try to say.
The Divinals are [C#] back.
And [F#] we're here [E] to Announce the
What are [D#] we here for?
After a decade-long hiatus, they're [C#m] touring again, and [B] today is their [G#] first rehearsal.
But even before Mark McEntee and Chrissie Amplet arrive, [N] there's concern about the room temperature.
What would it be like when the doors closed more?
Because to me, this is a little too warm for Chrissie, which is a bit of why I'm thinking
we should not have her come until she really needs to be here.
Do we have a big fan?
It's gonna be freezing in here in two days.
Let me try to explain it to her when she comes, so that, like, she knows how she can be when
she walks into a room.
She sent me an email last night, particularly about it.
They've been put on notice.
If the room is too hot, Chrissie will be fuming.
I think it belongs to her to tell you what the situation is.
And soon enough, she will.
Mark, we're back at the rehearsal.
Yeah, I know.
I don't really like rehearsing that much.
She may like it even less shortly.
Do we have to do this?
Do we?
Well, I don't know.
Do we have to rehearse?
Inside, the crew scrambles to find a fan to counter the stifling heat.
I don't want to do this.
We've got to learn.
I don't want to do this.
We have to learn the songs.
But in no time, everyone's worst fears are [B] realized. It's hot.
And I need air.
It's too hot in here.
One fan.
Andrew, it's hot.
I didn't know.
I knew we were saving money, but could we have air [N] conditioning?
It seems the rock and roll approach didn't work with the air conditioning company.
What is it?
What's happened to you?
All I said was get the air conditioner down here now, right?
And he goes, two days.
Chrissie is laying down the law.
Well, it's, you know, can you feel it?
I know it's still.
It's actually hotter in here now than it has been all day.
No air conditioner, no lead singer.
So if you can't get it here tomorrow, why don't you just let it go?
[A] Mark's unhappy too.
The guitar's not even [B] complete.
Look, it's got the [D] back missing.
[G#] It's faulty.
[E] Things are off to a bad start, and they don't get much better during a critical first band meeting.
Eleven years ago, we were all sitting here, and here we are again.
Andrew McManus is their manager and one of the largest promoters around.
In an industry full of bigwigs, they don't get much bigger than this.
The brand and the band name is out there again.
Okay.
So we've turned full circle.
We've turned full circle, we're back.
Yeah, we're [C#] breaking through.
[Fm] The Diviners will blast back onto the [D] scene with a performance at Homebake and [N] then a national tour.
But now it's Andrew's turn to lay down the law.
There will be no free concert tickets for friends.
Like, close family and things like that, I'm happy to give tickets to and comps.
But when we start getting massive guest lists, they've got to buy.
What are you suggesting?
We buy our tickets for our friends?
Absolutely.
Absolutely.
Or they buy them.
I mean, after my thousand guests, there's not a lot of room.
So, hell, you know.
I didn't know you had any friends.
The set list is also causing friction.
Mark and Chrissie just can't agree on the songs they'll perform.
Well, that's okay.
If Chrissie doesn't want to sing those songs, we'll do them without her.
[G#]
Have you got someone else in mind?
Yeah, I do.
I bet you do.
And who is that?
Suddenly, there's another dispute.
No one's quite sure what it's about, but Chrissie and Mark [G] are determined to solve it.
Can I have you [F] apologise to Charlie?
There was a problem.
We'll work it out.
Will you work it out?
Yeah.
I don't want
If I hear you talking behind anybody's back, even
I mean, I don't want
I mean, I don't care the smile.
I mean, even behind Phil's back.
Now, Mark has stormed out.
Mark's gone.
Intention span of a net.
Who, Mark?
Gone.
Meanwhile, Chrissie just can't get used to the new earpieces they'll be [C#m] using on the road.
And I don't know how I'm going to feel about this, whether I'm going to be separate, whether I'm going to sing better.
I don't know.
There's only [G#] two weeks before the tour.
The eyes of the world will be watching, but the bickering is halting rehearsals before they even begin.
I don't want to do this tour.
2000 [D#] and what year is it?
[F#] What's the year now?
[B] [C#]
That is rock [E] and roll.
You must be a rock star.
[E] Is it a little warm in here?
I feel a little [D#] warm.
They should open their set with,
You've got me steaming at a hundred degrees.
If they can't get that air conditioner fixed anyway.
Do you think she ever takes her sunglasses off?
She seems pretty easy to work with anyway.
They should get Tony Abbott in there with his people skills to mediate between the band.
They make the Spice Girls look like kittens, don't they?
Turmoil!
Simon [D] Reeve there.
Next week we'll [C] follow Chrissie Mark and the entire team as they travel to Ballarat for a warm up gig.
[F] It's an interesting ride.
I've actually seen a sneak peek of [D] this.
It's quite amusing.
[D#] That's our second instalment [E] of Divinals Unplugged. [B] Hello Ballarat.
Is Ballarat ready?
[D]
Key:
C
B
E
D
D#
C
B
E
Welcome [E] back to Salmon, Andrew.
Thank you, Carly.
Thanks very much, Carly.
[B] Well, now to a new series [G] we're calling Divinyls Unplugged.
Over the [F] next fortnight, our cameras will follow [B] one of the great Aussie rock and roll
bands as they reunite and return [C] to the stage after a decade-long absence.
[B] Chrissie Amplet and the crew will embark on a tour culminating in a massive outdoor concert,
but it's the behind-the-scenes, fly-on-wall drama that we want to bring you.
And here's instalment [Dm] number one with reporter Simon Reeve.
It's a fine, lovely, [C] pleasure and pleasure.
The [Dm] big day has arrived.
This [C] Melbourne warehouse will play host to one of [Am] music's most exciting reunions, and
[F] the back-slapping has already begun.
You're [C] looking great.
I feel great.
[Dm] You look good.
[C] I feel good.
You look great.
[D] Yeah, I'm feeling good.
How are you, man?
[C] Excellent.
The band is [Dm] bumping in.
[C] These are the best technicians [A] and musos in the business.
[D#] Just because you can't play [C] properly.
Not true.
I [C#] don't want [F#] _ [D#m] anybody else.
When [C#] I think about [F#] you, I can't try to say.
The Divinals are [C#] back.
And [F#] we're here _ [E] to_ Announce _ the_
What are [D#] we here for?
After a decade-long hiatus, they're [C#m] touring again, and [B] today is their [G#] first rehearsal.
But even before Mark McEntee and Chrissie Amplet arrive, [N] there's concern about the room temperature.
What would it be like when the doors closed more?
Because to me, this is a little too warm for Chrissie, which is a bit of why I'm thinking
we should not have her come until she really needs to be here.
Do we have a big fan?
It's gonna be freezing in here in two days.
Let me try to explain it to her when she comes, so that, like, she knows how she can be when
she walks into a room.
She sent me an email last night, particularly about it.
They've been put on notice.
If the room is too hot, Chrissie will be fuming.
I think it belongs to her to tell you what the situation is.
And soon enough, she will.
Mark, we're back at the rehearsal.
Yeah, I know.
I don't really like rehearsing that much.
She may like it even less shortly.
Do we have to do this?
Do we?
Well, I don't know.
Do we have to rehearse?
Inside, the crew scrambles to find a fan to counter the stifling heat.
I don't want to do this.
We've got to learn.
I don't want to do this.
We have to learn the songs.
But in no time, everyone's worst fears are [B] realized. It's hot.
And I need air.
It's too hot in here.
One fan.
_ Andrew, it's hot.
I didn't know.
I knew we were saving money, but could we have air [N] conditioning?
It seems the rock and roll approach didn't work with the air conditioning company.
What is it?
What's happened to you?
All I said was get the air conditioner down here now, right?
And he goes, two days.
Chrissie is laying down the law.
Well, it's, you know, can you feel it?
I know it's still.
It's actually hotter in here now than it has been all day.
No air conditioner, no lead singer.
So if you can't get it here tomorrow, why don't you just let it go?
[A] Mark's unhappy too.
The guitar's not even [B] complete.
Look, it's got the [D] back missing.
[G#] It's faulty.
[E] Things are off to a bad start, and they don't get much better during a critical first band meeting.
Eleven years ago, we were all sitting here, _ and here we are again.
Andrew McManus is their manager and one of the largest promoters around.
In an industry full of bigwigs, they don't get much bigger than this.
The brand and the band name is out there again.
Okay.
So we've turned full circle.
We've turned full circle, we're back.
Yeah, we're [C#] breaking through.
[Fm] The Diviners will blast back onto the [D] scene with a performance at Homebake and [N] then a national tour.
But now it's Andrew's turn to lay down the law.
There will be no free concert tickets for friends.
Like, close family and things like that, I'm happy to give tickets to and comps.
But when we start getting massive guest lists, they've got to buy.
What are you suggesting?
We buy our tickets for our friends?
Absolutely.
Absolutely.
Or they buy them.
I mean, after my thousand guests, there's not a lot of room.
So, hell, you know.
I didn't know you had any friends.
The set list is also causing friction.
Mark and Chrissie just can't agree on the songs they'll perform.
Well, that's okay.
If Chrissie doesn't want to sing those songs, we'll do them without her.
_ [G#]
Have you got someone else in mind?
Yeah, I do.
I bet you do.
And who is that?
Suddenly, there's another dispute.
No one's quite sure what it's about, but Chrissie and Mark [G] are determined to solve it.
Can I have you [F] apologise to Charlie?
There was a problem.
We'll work it out.
Will you work it out?
Yeah.
I don't want_
If I hear you talking behind anybody's back, even_
I mean, I don't want_
I mean, I don't care the smile.
I mean, even behind Phil's back.
Now, Mark has stormed out.
Mark's gone.
_ Intention span of a net.
Who, Mark?
Gone.
Meanwhile, Chrissie just can't get used to the new earpieces they'll be [C#m] using on the road.
And I don't know how I'm going to feel about this, whether I'm going to be separate, _ whether I'm going to sing better.
I don't know.
There's only [G#] two weeks before the tour.
The eyes of the world will be watching, but the bickering is halting rehearsals before they even begin.
I don't want to do this tour.
2000 [D#] and what year is it?
[F#] What's the year now?
[B] _ _ [C#] _
_ That is rock [E] and roll.
You must be a rock star.
[E] Is it a little warm in here?
I feel a little [D#] warm.
They should open their set with,
You've got me steaming at a hundred degrees.
If they can't get that air conditioner fixed anyway.
Do you think she ever takes her sunglasses off?
She seems pretty easy to work with anyway.
They should get Tony Abbott in there with his people skills to mediate between the band.
They make the Spice Girls look like kittens, don't they?
Turmoil!
Simon [D] Reeve there.
Next week we'll [C] follow Chrissie Mark and the entire team as they travel to Ballarat for a warm up gig.
[F] It's an interesting ride.
I've actually seen a sneak peek of [D] this.
It's quite amusing.
[D#] That's our second instalment [E] of Divinals Unplugged. [B] Hello Ballarat.
_ Is Ballarat ready?
[D] _ _
Thank you, Carly.
Thanks very much, Carly.
[B] Well, now to a new series [G] we're calling Divinyls Unplugged.
Over the [F] next fortnight, our cameras will follow [B] one of the great Aussie rock and roll
bands as they reunite and return [C] to the stage after a decade-long absence.
[B] Chrissie Amplet and the crew will embark on a tour culminating in a massive outdoor concert,
but it's the behind-the-scenes, fly-on-wall drama that we want to bring you.
And here's instalment [Dm] number one with reporter Simon Reeve.
It's a fine, lovely, [C] pleasure and pleasure.
The [Dm] big day has arrived.
This [C] Melbourne warehouse will play host to one of [Am] music's most exciting reunions, and
[F] the back-slapping has already begun.
You're [C] looking great.
I feel great.
[Dm] You look good.
[C] I feel good.
You look great.
[D] Yeah, I'm feeling good.
How are you, man?
[C] Excellent.
The band is [Dm] bumping in.
[C] These are the best technicians [A] and musos in the business.
[D#] Just because you can't play [C] properly.
Not true.
I [C#] don't want [F#] _ [D#m] anybody else.
When [C#] I think about [F#] you, I can't try to say.
The Divinals are [C#] back.
And [F#] we're here _ [E] to_ Announce _ the_
What are [D#] we here for?
After a decade-long hiatus, they're [C#m] touring again, and [B] today is their [G#] first rehearsal.
But even before Mark McEntee and Chrissie Amplet arrive, [N] there's concern about the room temperature.
What would it be like when the doors closed more?
Because to me, this is a little too warm for Chrissie, which is a bit of why I'm thinking
we should not have her come until she really needs to be here.
Do we have a big fan?
It's gonna be freezing in here in two days.
Let me try to explain it to her when she comes, so that, like, she knows how she can be when
she walks into a room.
She sent me an email last night, particularly about it.
They've been put on notice.
If the room is too hot, Chrissie will be fuming.
I think it belongs to her to tell you what the situation is.
And soon enough, she will.
Mark, we're back at the rehearsal.
Yeah, I know.
I don't really like rehearsing that much.
She may like it even less shortly.
Do we have to do this?
Do we?
Well, I don't know.
Do we have to rehearse?
Inside, the crew scrambles to find a fan to counter the stifling heat.
I don't want to do this.
We've got to learn.
I don't want to do this.
We have to learn the songs.
But in no time, everyone's worst fears are [B] realized. It's hot.
And I need air.
It's too hot in here.
One fan.
_ Andrew, it's hot.
I didn't know.
I knew we were saving money, but could we have air [N] conditioning?
It seems the rock and roll approach didn't work with the air conditioning company.
What is it?
What's happened to you?
All I said was get the air conditioner down here now, right?
And he goes, two days.
Chrissie is laying down the law.
Well, it's, you know, can you feel it?
I know it's still.
It's actually hotter in here now than it has been all day.
No air conditioner, no lead singer.
So if you can't get it here tomorrow, why don't you just let it go?
[A] Mark's unhappy too.
The guitar's not even [B] complete.
Look, it's got the [D] back missing.
[G#] It's faulty.
[E] Things are off to a bad start, and they don't get much better during a critical first band meeting.
Eleven years ago, we were all sitting here, _ and here we are again.
Andrew McManus is their manager and one of the largest promoters around.
In an industry full of bigwigs, they don't get much bigger than this.
The brand and the band name is out there again.
Okay.
So we've turned full circle.
We've turned full circle, we're back.
Yeah, we're [C#] breaking through.
[Fm] The Diviners will blast back onto the [D] scene with a performance at Homebake and [N] then a national tour.
But now it's Andrew's turn to lay down the law.
There will be no free concert tickets for friends.
Like, close family and things like that, I'm happy to give tickets to and comps.
But when we start getting massive guest lists, they've got to buy.
What are you suggesting?
We buy our tickets for our friends?
Absolutely.
Absolutely.
Or they buy them.
I mean, after my thousand guests, there's not a lot of room.
So, hell, you know.
I didn't know you had any friends.
The set list is also causing friction.
Mark and Chrissie just can't agree on the songs they'll perform.
Well, that's okay.
If Chrissie doesn't want to sing those songs, we'll do them without her.
_ [G#]
Have you got someone else in mind?
Yeah, I do.
I bet you do.
And who is that?
Suddenly, there's another dispute.
No one's quite sure what it's about, but Chrissie and Mark [G] are determined to solve it.
Can I have you [F] apologise to Charlie?
There was a problem.
We'll work it out.
Will you work it out?
Yeah.
I don't want_
If I hear you talking behind anybody's back, even_
I mean, I don't want_
I mean, I don't care the smile.
I mean, even behind Phil's back.
Now, Mark has stormed out.
Mark's gone.
_ Intention span of a net.
Who, Mark?
Gone.
Meanwhile, Chrissie just can't get used to the new earpieces they'll be [C#m] using on the road.
And I don't know how I'm going to feel about this, whether I'm going to be separate, _ whether I'm going to sing better.
I don't know.
There's only [G#] two weeks before the tour.
The eyes of the world will be watching, but the bickering is halting rehearsals before they even begin.
I don't want to do this tour.
2000 [D#] and what year is it?
[F#] What's the year now?
[B] _ _ [C#] _
_ That is rock [E] and roll.
You must be a rock star.
[E] Is it a little warm in here?
I feel a little [D#] warm.
They should open their set with,
You've got me steaming at a hundred degrees.
If they can't get that air conditioner fixed anyway.
Do you think she ever takes her sunglasses off?
She seems pretty easy to work with anyway.
They should get Tony Abbott in there with his people skills to mediate between the band.
They make the Spice Girls look like kittens, don't they?
Turmoil!
Simon [D] Reeve there.
Next week we'll [C] follow Chrissie Mark and the entire team as they travel to Ballarat for a warm up gig.
[F] It's an interesting ride.
I've actually seen a sneak peek of [D] this.
It's quite amusing.
[D#] That's our second instalment [E] of Divinals Unplugged. [B] Hello Ballarat.
_ Is Ballarat ready?
[D] _ _