Chords for Dinah Washington 'Difference-complete TV segment

_ [E] _ _ [G#m] _ _ One of [E] the world's most unique movie houses has always been the Apollo Theater on [G#] 125th
Street in New [F#] York City.
The show is already [E] in progress.
As usual, the bill features two of the swingin' stars of the day.
[F#] Dinah Washington, who started out as the vocalist of Lionel Hampton's band, [G#m] and the former
Chick Webb saxophone player, [G#] Louis Jordan.
[F#] Louis?
Yes?
I [E] was just about to tell them how the Apollo Theater [F#m] never bothers to advertise the picture display.
[G#m] Right.
_ [C#] The Apollo cares about the stage.
[E] Well, I understand when the [G#m] stage is on, the audience is on.
But the show is going real good.
They don't even bother [C#m] to run the movie.
Right.
Is it [D#m] true that the minute you finish one show, [G#m] you have to get ready for the next one?
True.
[E] When Jessica Leston [G#m] played the Apollo, she says, I have no back page.
At the other end of the [C] bandstand, they have a [F#m] revolving door.
[G#m] _ Excuse me, Ronnie, I'm out.
_ [F#] _ _ _ _
_ _ [B] Thank you very much, ladies and gentlemen.
And now it's star [N] time at the Apollo Theater.
And what could be finer than my Dinah?
Here she is, the queen of the blues, Miss Dinah Washington.
_ _ [C#m] _ _ _ _ [G] _
_ _ [D] _ _ [A] _ _ [D#] I'm so [B] glad you're here.
_ _ _ _ _ _ [F#m] _
_ _ _ _ _ _ [G#] _ _
[E] _ _ _ [F#] _ _ _ _ [D] _
_ _ _ _ [F#] _ _ _ _
[F#m] _ _ _ [Dm] _ _ [G#m] _ _ _
_ _ _ _ [E] _ _ [G#m] _ _
[C#] _ _ _ [F#m] _ _ _ _ _
I'm [C#] so _ _ [F#m] _
glad you're here.
_ _ _ _ _ _ [B] _
_ [F#] _ _ _ I'm so glad you're here. _
_ _ _ [D] _ _ _ _ [G#] _
_ _ [Bm] _ _ [C#m] _ _ [F#] _ _
[D] _ _ _ _ _ [F#m] _ _ _
_ _ _ _ [C] _ _ [D] _ _
_ _ [F#] _ _ _ _ _ [G] _
_ _ _ [F#] _ _ [A] _ _ _
[G#m] _ _ _ _ [D] _ _ _ _
_ [G#] _ _ _ [B] _ _ [C#] _ _
_ _ [F#] _ _ _ [C] _ _ [D] _
_ _ [F#] _ _ [C#] _ _ [N] _ _
_ _ _ _ _ _ _ _
_ I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
[F#] _ _ [F] _ [F#] _
I'm _ so _ _ _
_ _ _ _ _ _ [D] _ [B] _
_ _ [G#m] _ _ [F#] _ _ _
[Am] glad [C#m] you're here.
[A] I'm so glad you're [F#] here. _
I'm so glad you're here.
I'm so glad you're here.
[G] I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so glad you're here.
I'm so _ [B] _ _ [C] _ _
[F#] _ _ _ [Fm] _ _ _ _ [Cm] _
_ _ [Dm] _ [F#] glad you're here.
_ _ _ _ [C#] I'm [D#] so _ [Dm] glad [F#] you're here. _
I'm so glad you're [C#m] here.
I'm so glad you're here.
[B] _ _
Only [E] 5,000 per her.
Says some [F#] old judge and she [G] calls honey.
Says he's got a [C#] place fixed to her.
He says, now judge, suppose I say.
[E]
Judge says, ha, ha, ha, isn't it?
You said it, sir.
I [Dm] think it's cheaper [A]
than making whoopies.
[F#] Well, [C#] it's a whole lot cheaper than making _ [G#m] whoopies.
Make _ _ _ [N] _ _ _ _ _ _ _ _ _ _