Chords for Devin Townsend Unleashed
Tempo:
117.6 bpm
Chords used:
B
F#
Bm
C#
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bm]
[B]
[Bm]
[D] [Bm]
[F#m] [Bm]
[Dm]
[B] [B]
[G#m]
[B]
[G#] [B]
[G#m]
[F#] [G#m] [F#]
[B]
[G#m]
[B]
[F#]
[F#]
[D#] [B]
[D#] [G#]
[B]
[G#]
[B] [Bm] [B]
[C#]
[A#]
[D] [G#] [B]
[D]
[C] [B]
[F#]
[G#]
[C] [F#]
[C] [F#]
[B] Yeah, it's a bit of a wanky, wank, wank, wank.
[G#] Basically, I guess the whole idea with this whole wank bullshit is everybody spends their
entire teen years learning to do this crap.
[B] By the end of it, you get to about 35 years old.
[F#]
[G#m] My wife's at home freaking [B] out.
I'm [C#] sitting here doing this type of shit that I learned when I was a dungeon master in grade 12.
And you guys are going, oh, okay, cool, yeah, everybody's doing these things.
Oh, boy, what, it's gonna start tapping.
Oh, it's tapping, too.
Maybe a slide?
Oh, indeed, great.
You know what else is really great?
That indeed signifies the [E] true wanky [C#] geekdom of this hall.
Sweeping.
Basically, you [N] start doing this shit, basically you go to the neck pick, right?
Like you do this stuff.
Basically, you can recite the Gettysburg Address if you wanted.
[C#] It's all basically just based on shapes and [B] polygons, right?
And essentially, it's like doing this shit.
You're feeling to [C] yourself, you know, what sort of void am I filling [A] in terms of musical composition?
And the answer is nothing.
I'm doing shit all.
I'm sitting [F#] around here pissing around, trying to make music that people are gonna like,
and in the meantime, we're going, [B] getting broke!
And everybody else is sort of going, dude, you know, you just need to chill out for a
little while and play some.
[B]
[C#] [B] See, that's not the point of this whole exercise.
The exercise is to say, hey, man, music [F#] is a vibration, and we're all just kind of like
engaged in each other's vibrations in [B] some way or another.
Indeed, the only true thing in life is the fact that the thing that we all share as humans
is a first person's perspective.
I, yes, indeed.
So in all that way, we're all brothers and sisters.
It's all so hippy and beautiful, baby.
I don't know what else to say.
So anyway, in this little demonstration, we're gonna go through and we're gonna discuss a
couple of things.
I don't know if we could sing a song.
Here we go.
We could do this.
Got a new record we got like.
Yeah, so.
[F#] So we fall [C#] on warm silence.
[D#] [Bm] I know, yes, I [D#m] know we [Gm] all fall [Bm] away.
Oh, so
[F#] we fall [C#] on warm [G#] silence.
[F#m] I know, [D#m] yes, I know we [Gm] all fall away.
[C#]
[B]
[Bm]
[B]
[A]
[B]
Star playing really signifies a lot to me.
I'm not gay.
That definitely is true.
[B] I think actually human anatomy in any way, shape or form is actually pretty disgusting.
I don't know where can you go from here.
I'm writing three records right [F#] now.
Like I finished the first one.
We did P.
That was the name of the first record.
Came out as more [C#] of a quiet thing.
I used a real clean tone, single coil signature.
[F#m] Working with PV currently.
[F#] This is the guitar I'm working with them.
I just started the [C#] second record.
It's called Addicted.
And, you know, it's kind of like a heavier, more sort of based on the pop elements that I've
kind of exposed throughout my career.
And then I go into deconstruction, which is basically my idea of like a [D#] musical.
God forbid.
It's like Andrew [D] Lloyd Webber.
[B] Indeed.
And then after that, I'm going to try and get into some really sort of mellow, sort of new age stuff.
You know, I could probably do [F#] some, I don't know, [Bm] like, where'd my [B] volume go?
I'm gonna shut myself [Bm] down.
[B] My name's Big Head. [A] Hey, everybody.
[D] My name's Devin, and we will now do a little bit of a demonstration on [D#m] what makes me so paranoid.
And [G#m] I think that all comes back to what I do musically.
Indeed?
[B] Awesome.
Good.
[A#]
[B]
[Bm]
[D] [Bm]
[F#m] [Bm]
[Dm]
[B] [B]
[G#m]
[B]
[G#] [B]
[G#m]
[F#] [G#m] [F#]
[B]
[G#m]
[B]
[F#]
[F#]
[D#] [B]
[D#] [G#]
[B]
[G#]
[B] [Bm] [B]
[C#]
[A#]
[D] [G#] [B]
[D]
[C] [B]
[F#]
[G#]
[C] [F#]
[C] [F#]
[B] Yeah, it's a bit of a wanky, wank, wank, wank.
[G#] Basically, I guess the whole idea with this whole wank bullshit is everybody spends their
entire teen years learning to do this crap.
[B] By the end of it, you get to about 35 years old.
[F#]
[G#m] My wife's at home freaking [B] out.
I'm [C#] sitting here doing this type of shit that I learned when I was a dungeon master in grade 12.
And you guys are going, oh, okay, cool, yeah, everybody's doing these things.
Oh, boy, what, it's gonna start tapping.
Oh, it's tapping, too.
Maybe a slide?
Oh, indeed, great.
You know what else is really great?
That indeed signifies the [E] true wanky [C#] geekdom of this hall.
Sweeping.
Basically, you [N] start doing this shit, basically you go to the neck pick, right?
Like you do this stuff.
Basically, you can recite the Gettysburg Address if you wanted.
[C#] It's all basically just based on shapes and [B] polygons, right?
And essentially, it's like doing this shit.
You're feeling to [C] yourself, you know, what sort of void am I filling [A] in terms of musical composition?
And the answer is nothing.
I'm doing shit all.
I'm sitting [F#] around here pissing around, trying to make music that people are gonna like,
and in the meantime, we're going, [B] getting broke!
And everybody else is sort of going, dude, you know, you just need to chill out for a
little while and play some.
[B]
[C#] [B] See, that's not the point of this whole exercise.
The exercise is to say, hey, man, music [F#] is a vibration, and we're all just kind of like
engaged in each other's vibrations in [B] some way or another.
Indeed, the only true thing in life is the fact that the thing that we all share as humans
is a first person's perspective.
I, yes, indeed.
So in all that way, we're all brothers and sisters.
It's all so hippy and beautiful, baby.
I don't know what else to say.
So anyway, in this little demonstration, we're gonna go through and we're gonna discuss a
couple of things.
I don't know if we could sing a song.
Here we go.
We could do this.
Got a new record we got like.
Yeah, so.
[F#] So we fall [C#] on warm silence.
[D#] [Bm] I know, yes, I [D#m] know we [Gm] all fall [Bm] away.
Oh, so
[F#] we fall [C#] on warm [G#] silence.
[F#m] I know, [D#m] yes, I know we [Gm] all fall away.
[C#]
[B]
[Bm]
[B]
[A]
[B]
Star playing really signifies a lot to me.
I'm not gay.
That definitely is true.
[B] I think actually human anatomy in any way, shape or form is actually pretty disgusting.
I don't know where can you go from here.
I'm writing three records right [F#] now.
Like I finished the first one.
We did P.
That was the name of the first record.
Came out as more [C#] of a quiet thing.
I used a real clean tone, single coil signature.
[F#m] Working with PV currently.
[F#] This is the guitar I'm working with them.
I just started the [C#] second record.
It's called Addicted.
And, you know, it's kind of like a heavier, more sort of based on the pop elements that I've
kind of exposed throughout my career.
And then I go into deconstruction, which is basically my idea of like a [D#] musical.
God forbid.
It's like Andrew [D] Lloyd Webber.
[B] Indeed.
And then after that, I'm going to try and get into some really sort of mellow, sort of new age stuff.
You know, I could probably do [F#] some, I don't know, [Bm] like, where'd my [B] volume go?
I'm gonna shut myself [Bm] down.
[B] My name's Big Head. [A] Hey, everybody.
[D] My name's Devin, and we will now do a little bit of a demonstration on [D#m] what makes me so paranoid.
And [G#m] I think that all comes back to what I do musically.
Indeed?
[B] Awesome.
Good.
[A#]
Key:
B
F#
Bm
C#
G#
B
F#
Bm
_ _ _ _ [Bm] _ _ _ _
[B] _ _ _ _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [D] _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ [Bm] _ _
_ _ _ _ [Dm] _ _ _ _
_ _ [B] _ _ _ _ [B] _ _
_ _ _ _ _ _ _ [G#m] _
_ _ _ _ [B] _ _ _ _
[G#] _ _ [B] _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ _ [F#] _ _ [G#m] _ _ [F#] _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [G#m] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ [B] _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ [G#] _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G#] _ _
[B] _ _ _ _ [Bm] _ _ _ [B] _
_ _ _ [C#] _ _ _ _ _
_ _ _ _ [A#] _ _ _ _
[D] _ _ [G#] _ _ [B] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ [C] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#] _ _
[G#] _ _ _ _ _ _ _ _
_ [C] _ _ _ [F#] _ _ _ _
_ [C] _ _ [F#] _ _ _ _ _
_ _ _ _ _ [B] Yeah, it's a bit of a wanky, wank, wank, wank.
_ [G#] Basically, I guess the whole idea with this whole wank bullshit is everybody spends their
entire teen years learning to do this crap.
[B] By the end of it, you get to about 35 years old.
_ _ [F#] _ _ _
[G#m] My wife's at home freaking [B] out.
I'm [C#] sitting here doing this type of shit that I learned when I was a dungeon master in grade 12.
And you guys are going, oh, okay, cool, yeah, everybody's doing these things.
Oh, boy, what, it's gonna start tapping.
Oh, it's tapping, too.
Maybe a slide?
Oh, indeed, great.
You know what else is really great?
That indeed signifies the [E] true wanky [C#] geekdom of this hall.
Sweeping. _
Basically, you [N] start doing this shit, basically you go to the neck pick, right?
Like you do this stuff.
Basically, you can recite the Gettysburg Address if you wanted.
[C#] It's all basically just based on shapes and [B] polygons, right?
And essentially, it's like doing this shit.
You're feeling to [C] yourself, you know, what sort of void am I filling [A] in terms of musical composition?
And the answer is nothing.
I'm doing shit all.
I'm sitting [F#] around here pissing around, trying to make music that people are gonna like,
and in the meantime, we're going, [B] getting broke!
And everybody else is sort of going, dude, you know, you just need to chill out for a
little while and play some.
[B] _ _
[C#] _ _ _ [B] _ _ See, that's not the point of this whole exercise.
The exercise is to say, hey, man, music [F#] is a vibration, and we're all just kind of like
engaged in each other's vibrations in [B] some way or another.
Indeed, the only true thing in life is the fact that the thing that we all share as humans
is a first person's perspective.
I, yes, indeed.
So in all that way, we're all brothers and sisters.
It's all so hippy and beautiful, baby.
I don't know what else to say.
So anyway, in this little demonstration, we're gonna go through and we're gonna discuss a
couple of things.
I don't know if we could sing a song.
Here we go.
We could do this.
Got a new record we got like. _
_ Yeah, so.
_ _ [F#] So we _ fall [C#] on warm _ silence.
[D#] _ _ _ [Bm] _ I know, yes, I [D#m] know we [Gm] all fall [Bm] away. _ _ _ _
Oh, _ _ so _ _
[F#] we fall _ [C#] _ on _ warm [G#] _ silence.
_ [F#m] I know, [D#m] yes, I know we [Gm] all fall away.
_ _ [C#] _
_ _ _ _ [B] _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ _
Star playing really signifies a lot to me. _
I'm not gay.
That definitely is true.
[B] I think actually human anatomy in any way, shape or form is actually pretty disgusting. _ _
I don't know where can you go from here.
I'm writing three records right [F#] now.
Like I finished the first one.
We did P.
That was the name of the first record.
Came out as more [C#] of a quiet thing.
I used a real clean tone, single coil signature.
[F#m] Working with PV currently.
[F#] This is the guitar I'm working with them.
I just started the [C#] second record.
It's called Addicted.
_ And, you know, it's kind of like a heavier, more sort of based on the pop elements that I've
kind of exposed throughout my career.
And then I go into deconstruction, which is basically my idea of like a [D#] _ _ musical.
God forbid.
It's like Andrew [D] Lloyd Webber.
[B] Indeed.
And then after that, I'm going to try and get into some really sort of mellow, sort of new age stuff.
You know, I could probably do [F#] some, I don't know, [Bm] like, where'd _ _ my [B] volume go?
_ _ I'm gonna shut myself [Bm] down. _
_ _ _ _ [B] _ My name's Big Head. [A] Hey, everybody.
[D] My name's Devin, and we will now do a little bit of a demonstration on [D#m] what makes me so paranoid.
And [G#m] I think that all comes back to what I do musically.
Indeed?
[B] Awesome.
_ Good.
[A#] _ _ _ _
[B] _ _ _ _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [D] _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ [Bm] _ _
_ _ _ _ [Dm] _ _ _ _
_ _ [B] _ _ _ _ [B] _ _
_ _ _ _ _ _ _ [G#m] _
_ _ _ _ [B] _ _ _ _
[G#] _ _ [B] _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ _ [F#] _ _ [G#m] _ _ [F#] _
_ _ _ _ _ _ _ [B] _
_ _ _ _ [G#m] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#] _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ [B] _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ _ _ [G#] _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G#] _ _
[B] _ _ _ _ [Bm] _ _ _ [B] _
_ _ _ [C#] _ _ _ _ _
_ _ _ _ [A#] _ _ _ _
[D] _ _ [G#] _ _ [B] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ [C] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#] _ _
[G#] _ _ _ _ _ _ _ _
_ [C] _ _ _ [F#] _ _ _ _
_ [C] _ _ [F#] _ _ _ _ _
_ _ _ _ _ [B] Yeah, it's a bit of a wanky, wank, wank, wank.
_ [G#] Basically, I guess the whole idea with this whole wank bullshit is everybody spends their
entire teen years learning to do this crap.
[B] By the end of it, you get to about 35 years old.
_ _ [F#] _ _ _
[G#m] My wife's at home freaking [B] out.
I'm [C#] sitting here doing this type of shit that I learned when I was a dungeon master in grade 12.
And you guys are going, oh, okay, cool, yeah, everybody's doing these things.
Oh, boy, what, it's gonna start tapping.
Oh, it's tapping, too.
Maybe a slide?
Oh, indeed, great.
You know what else is really great?
That indeed signifies the [E] true wanky [C#] geekdom of this hall.
Sweeping. _
Basically, you [N] start doing this shit, basically you go to the neck pick, right?
Like you do this stuff.
Basically, you can recite the Gettysburg Address if you wanted.
[C#] It's all basically just based on shapes and [B] polygons, right?
And essentially, it's like doing this shit.
You're feeling to [C] yourself, you know, what sort of void am I filling [A] in terms of musical composition?
And the answer is nothing.
I'm doing shit all.
I'm sitting [F#] around here pissing around, trying to make music that people are gonna like,
and in the meantime, we're going, [B] getting broke!
And everybody else is sort of going, dude, you know, you just need to chill out for a
little while and play some.
[B] _ _
[C#] _ _ _ [B] _ _ See, that's not the point of this whole exercise.
The exercise is to say, hey, man, music [F#] is a vibration, and we're all just kind of like
engaged in each other's vibrations in [B] some way or another.
Indeed, the only true thing in life is the fact that the thing that we all share as humans
is a first person's perspective.
I, yes, indeed.
So in all that way, we're all brothers and sisters.
It's all so hippy and beautiful, baby.
I don't know what else to say.
So anyway, in this little demonstration, we're gonna go through and we're gonna discuss a
couple of things.
I don't know if we could sing a song.
Here we go.
We could do this.
Got a new record we got like. _
_ Yeah, so.
_ _ [F#] So we _ fall [C#] on warm _ silence.
[D#] _ _ _ [Bm] _ I know, yes, I [D#m] know we [Gm] all fall [Bm] away. _ _ _ _
Oh, _ _ so _ _
[F#] we fall _ [C#] _ on _ warm [G#] _ silence.
_ [F#m] I know, [D#m] yes, I know we [Gm] all fall away.
_ _ [C#] _
_ _ _ _ [B] _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ [A] _
_ _ _ _ _ _ _ [B] _
_ _ _ _ _ _ _ _
Star playing really signifies a lot to me. _
I'm not gay.
That definitely is true.
[B] I think actually human anatomy in any way, shape or form is actually pretty disgusting. _ _
I don't know where can you go from here.
I'm writing three records right [F#] now.
Like I finished the first one.
We did P.
That was the name of the first record.
Came out as more [C#] of a quiet thing.
I used a real clean tone, single coil signature.
[F#m] Working with PV currently.
[F#] This is the guitar I'm working with them.
I just started the [C#] second record.
It's called Addicted.
_ And, you know, it's kind of like a heavier, more sort of based on the pop elements that I've
kind of exposed throughout my career.
And then I go into deconstruction, which is basically my idea of like a [D#] _ _ musical.
God forbid.
It's like Andrew [D] Lloyd Webber.
[B] Indeed.
And then after that, I'm going to try and get into some really sort of mellow, sort of new age stuff.
You know, I could probably do [F#] some, I don't know, [Bm] like, where'd _ _ my [B] volume go?
_ _ I'm gonna shut myself [Bm] down. _
_ _ _ _ [B] _ My name's Big Head. [A] Hey, everybody.
[D] My name's Devin, and we will now do a little bit of a demonstration on [D#m] what makes me so paranoid.
And [G#m] I think that all comes back to what I do musically.
Indeed?
[B] Awesome.
_ Good.
[A#] _ _ _ _