Black Night Chords by Deep Purple
Tempo:
139.5 bpm
Chords used:
F
Bb
Fm
Cm
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Deep Ebblin' Rock was out and the record company decided that there wasn't a single on it,
which didn't worry us one bit.
We were of the opinion that in England singles didn't really matter for a band of our type.
Whether we were right or wrong, I don't know, but that's just the stance that we took, maybe a little self-consciously.
No, we don't do singles, man.
But the record company insisted and insisted,
so we were trundled into a studio in Queensway and told to write one.
Well, you know, there's nothing less likely to make you write a single than that.
You know, do it.
You've got four hours.
So we went through all sorts of bits and pieces, found a couple of little odd ideas,
but nothing that floated our boat particularly.
So we did what all proper rock bands do, is we went to the pub.
And the drink of the day, I believe, was Scotch and Coke.
So we had a few of those.
Weaved our way rather uncertainly back into the studio and grinned at each other for a while.
And then Richie said, again, what about that version of Ricky Nelson's Summertime from the Gershwin song?
And we went, yeah.
He said, well, there's a little riff under there.
Which
But it just went round and round.
So we kind of played it around and round and it got very quickly very boring.
One of us, who knows who, came up with the idea of putting a turnaround in it.
Which made it a little less repetitive and boring.
And then Ian Pace did one of these magical little things where one of those drum breaks that he used to come up with in those days.
What are you doing there, Ian?
I have no idea.
It just fits, you know.
So that was cool.
Suddenly we had a sort of a structure.
And we came up with about three minutes of this thing.
And it was rocking on quite nicely.
And Gillan disappeared into a corner and came back with a set of utterly nonsensical lyrics.
Which, they mean absolutely nothing as far as I can tell.
I think, at the time, I do remember, in spite of the Scotch and Coke, him saying
I think Roger might have thrown in a couple of rhymes.
And then we had Black Night.
Spelling is important there.
We never knew whether it was N-I-G-H-T or K-N-I-G-H-T.
So it's either about a chess piece or a particularly cloudy English winter evening.
I'm not quite sure.
[Cm] [F] [Bb]
[F]
[Cm] [F]
[Bb] [F]
Black night, it's not right
Won't feel so right
Don't care, sit tight
[Eb] Lady, you're part of the [F] wind, I'm alive and [Bb] I'm free
[Ab] Free [F] to be me
[Bb] Black night [Ab] is a long way to [C] go Go
[Fm]
[Cm] [F] [Bb] [F]
[Fm]
[Cm] [F] [Bb]
[F]
Don't need luxury
Fall on the rough sea
Can't feel, can't see
[Eb]
Lady, you're part of [F] the wind, I'm alive [Bb] and I'm free
[Ab] Free [F] to be me
[Fm] [Bb]
Black night [Ab] is a long way to [C] go
[Cm]
[F]
[F] [Bbm]
[Fm]
[F]
[Eb] [Fm]
[Cm] [F]
[Bb] [Fm] [Eb] [F]
Black night, black night
Don't need black lights
Can't see black lights
[Cm] Lady, you're part of [F] the wind, I'm alive and [Bb] I'm free
[Ab] Free [Fm] to be me
[Bb]
Black night [Ab] is a long [C] way to go
[Fm]
which didn't worry us one bit.
We were of the opinion that in England singles didn't really matter for a band of our type.
Whether we were right or wrong, I don't know, but that's just the stance that we took, maybe a little self-consciously.
No, we don't do singles, man.
But the record company insisted and insisted,
so we were trundled into a studio in Queensway and told to write one.
Well, you know, there's nothing less likely to make you write a single than that.
You know, do it.
You've got four hours.
So we went through all sorts of bits and pieces, found a couple of little odd ideas,
but nothing that floated our boat particularly.
So we did what all proper rock bands do, is we went to the pub.
And the drink of the day, I believe, was Scotch and Coke.
So we had a few of those.
Weaved our way rather uncertainly back into the studio and grinned at each other for a while.
And then Richie said, again, what about that version of Ricky Nelson's Summertime from the Gershwin song?
And we went, yeah.
He said, well, there's a little riff under there.
Which
But it just went round and round.
So we kind of played it around and round and it got very quickly very boring.
One of us, who knows who, came up with the idea of putting a turnaround in it.
Which made it a little less repetitive and boring.
And then Ian Pace did one of these magical little things where one of those drum breaks that he used to come up with in those days.
What are you doing there, Ian?
I have no idea.
It just fits, you know.
So that was cool.
Suddenly we had a sort of a structure.
And we came up with about three minutes of this thing.
And it was rocking on quite nicely.
And Gillan disappeared into a corner and came back with a set of utterly nonsensical lyrics.
Which, they mean absolutely nothing as far as I can tell.
I think, at the time, I do remember, in spite of the Scotch and Coke, him saying
I think Roger might have thrown in a couple of rhymes.
And then we had Black Night.
Spelling is important there.
We never knew whether it was N-I-G-H-T or K-N-I-G-H-T.
So it's either about a chess piece or a particularly cloudy English winter evening.
I'm not quite sure.
[Cm] [F] [Bb]
[F]
[Cm] [F]
[Bb] [F]
Black night, it's not right
Won't feel so right
Don't care, sit tight
[Eb] Lady, you're part of the [F] wind, I'm alive and [Bb] I'm free
[Ab] Free [F] to be me
[Bb] Black night [Ab] is a long way to [C] go Go
[Fm]
[Cm] [F] [Bb] [F]
[Fm]
[Cm] [F] [Bb]
[F]
Don't need luxury
Fall on the rough sea
Can't feel, can't see
[Eb]
Lady, you're part of [F] the wind, I'm alive [Bb] and I'm free
[Ab] Free [F] to be me
[Fm] [Bb]
Black night [Ab] is a long way to [C] go
[Cm]
[F]
[F] [Bbm]
[Fm]
[F]
[Eb] [Fm]
[Cm] [F]
[Bb] [Fm] [Eb] [F]
Black night, black night
Don't need black lights
Can't see black lights
[Cm] Lady, you're part of [F] the wind, I'm alive and [Bb] I'm free
[Ab] Free [Fm] to be me
[Bb]
Black night [Ab] is a long [C] way to go
[Fm]
Key:
F
Bb
Fm
Cm
Ab
F
Bb
Fm
_ _ Deep Ebblin' Rock was out and the _ record company decided that there wasn't a single on it,
_ _ _ which didn't worry us one bit.
We were of the opinion that in England _ _ singles didn't really matter for a band of our type. _ _ _ _ _
Whether we were right or wrong, I don't know, but that's just the _ stance that we took, _ maybe a little self-consciously.
No, we don't do singles, man. _
_ _ But the record company _ insisted and insisted,
so _ _ we were trundled into _ a studio in _ _ Queensway _ _ _ and told to write one.
Well, you know, there's nothing _ less likely to make you write a single _ than that. _ _ _ _
You know, do it.
You've got four hours.
So we went through all sorts of bits and pieces, found a couple of little odd ideas,
but nothing that floated our boat particularly.
_ _ _ So we did what all proper rock bands do, is we went to the pub.
_ _ _ And the drink of the day, I believe, was Scotch and Coke. _ _ _
So we had a few of those. _ _ _
_ _ _ Weaved our way rather uncertainly back into the studio _ _ and _ _ _ grinned at each other for a while.
And _ then Richie said, _ _ _ again, what about that _ _ version of Ricky Nelson's Summertime from the Gershwin song?
_ _ And we went, yeah.
He said, well, there's a little riff under there.
_ _ Which_
_ _ But it just went round and round. _
_ _ So we kind of played it around and round and it got very quickly very boring. _ _ _
One of us, who knows who, came up with the idea of putting a turnaround in it. _ _ _ _ _
_ _ _ _ _ Which made it a little less repetitive and boring.
And then Ian Pace did one of these magical little things where one of those drum breaks that he used to come up with _ in those days. _
_ _ What are you doing there, Ian?
I have no idea.
It just fits, you know.
So that was cool. _ _ _
Suddenly we had a sort of a structure. _ _
_ _ _ And we came up with about three minutes of this thing.
And _ it was rocking on quite nicely.
And Gillan disappeared into a corner and came back with a set of utterly nonsensical lyrics. _
Which, they mean _ absolutely nothing as far as I can tell.
I think, _ _ at the time, I do remember, in spite of the Scotch and Coke, him _ saying_
I think Roger might have thrown in a couple of rhymes. _ _ _ _
And then we had Black Night.
_ _ _ Spelling is _ _ important there.
We never knew whether it was N-I-G-H-T or K-N-I-G-H-T.
So it's either about a chess piece or a particularly cloudy English winter evening.
I'm not quite sure. _ _ _ _ _
[Cm] _ _ [F] _ _ [Bb] _ _ _ _
_ _ _ [F] _ _ _ _ _
[Cm] _ _ [F] _ _ _ _ _ _
_ _ _ [Bb] _ _ _ [F] _
Black night, it's not right _
Won't feel _ so right _
Don't care, _ sit tight
[Eb] Lady, you're part of the [F] wind, I'm alive and [Bb] I'm free
_ [Ab] _ Free [F] to be _ me
_ _ _ [Bb] Black _ night [Ab] is a long way to [C] go Go
_ _ _ _ _ [Fm] _ _
[Cm] _ _ [F] _ _ [Bb] _ _ [F] _ _
_ _ [Fm] _ _ _ _ _ _
[Cm] _ _ [F] _ _ [Bb] _ _ _ _
_ _ _ [F] _ _ _ _
Don't need _ _ luxury _
Fall on the rough sea _
Can't feel, _ can't see
[Eb]
Lady, you're part of [F] the wind, I'm alive [Bb] and I'm free
_ [Ab] _ _ Free [F] to be _ me
[Fm] _ _ _ _ [Bb] _
Black night [Ab] is a long way to [C] go _
_ _ _ _ _ [Cm] _ _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ [Bbm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Fm] _
_ _ _ _ _ _ [F] _ _
[Eb] _ _ [Fm] _ _ _ _ _ _
_ [Cm] _ _ [F] _ _ _ _ _
[Bb] _ _ [Fm] _ _ [Eb] _ _ _ [F]
Black night, black night _
Don't need black lights _
Can't see _ black lights
[Cm] Lady, you're part of [F] the wind, I'm alive and [Bb] I'm free
_ _ [Ab] _ Free [Fm] to be me
_ _ [Bb] _ _ _
Black night [Ab] is a long [C] way to go
_ _ _ _ _ _ _ [Fm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ which didn't worry us one bit.
We were of the opinion that in England _ _ singles didn't really matter for a band of our type. _ _ _ _ _
Whether we were right or wrong, I don't know, but that's just the _ stance that we took, _ maybe a little self-consciously.
No, we don't do singles, man. _
_ _ But the record company _ insisted and insisted,
so _ _ we were trundled into _ a studio in _ _ Queensway _ _ _ and told to write one.
Well, you know, there's nothing _ less likely to make you write a single _ than that. _ _ _ _
You know, do it.
You've got four hours.
So we went through all sorts of bits and pieces, found a couple of little odd ideas,
but nothing that floated our boat particularly.
_ _ _ So we did what all proper rock bands do, is we went to the pub.
_ _ _ And the drink of the day, I believe, was Scotch and Coke. _ _ _
So we had a few of those. _ _ _
_ _ _ Weaved our way rather uncertainly back into the studio _ _ and _ _ _ grinned at each other for a while.
And _ then Richie said, _ _ _ again, what about that _ _ version of Ricky Nelson's Summertime from the Gershwin song?
_ _ And we went, yeah.
He said, well, there's a little riff under there.
_ _ Which_
_ _ But it just went round and round. _
_ _ So we kind of played it around and round and it got very quickly very boring. _ _ _
One of us, who knows who, came up with the idea of putting a turnaround in it. _ _ _ _ _
_ _ _ _ _ Which made it a little less repetitive and boring.
And then Ian Pace did one of these magical little things where one of those drum breaks that he used to come up with _ in those days. _
_ _ What are you doing there, Ian?
I have no idea.
It just fits, you know.
So that was cool. _ _ _
Suddenly we had a sort of a structure. _ _
_ _ _ And we came up with about three minutes of this thing.
And _ it was rocking on quite nicely.
And Gillan disappeared into a corner and came back with a set of utterly nonsensical lyrics. _
Which, they mean _ absolutely nothing as far as I can tell.
I think, _ _ at the time, I do remember, in spite of the Scotch and Coke, him _ saying_
I think Roger might have thrown in a couple of rhymes. _ _ _ _
And then we had Black Night.
_ _ _ Spelling is _ _ important there.
We never knew whether it was N-I-G-H-T or K-N-I-G-H-T.
So it's either about a chess piece or a particularly cloudy English winter evening.
I'm not quite sure. _ _ _ _ _
[Cm] _ _ [F] _ _ [Bb] _ _ _ _
_ _ _ [F] _ _ _ _ _
[Cm] _ _ [F] _ _ _ _ _ _
_ _ _ [Bb] _ _ _ [F] _
Black night, it's not right _
Won't feel _ so right _
Don't care, _ sit tight
[Eb] Lady, you're part of the [F] wind, I'm alive and [Bb] I'm free
_ [Ab] _ Free [F] to be _ me
_ _ _ [Bb] Black _ night [Ab] is a long way to [C] go Go
_ _ _ _ _ [Fm] _ _
[Cm] _ _ [F] _ _ [Bb] _ _ [F] _ _
_ _ [Fm] _ _ _ _ _ _
[Cm] _ _ [F] _ _ [Bb] _ _ _ _
_ _ _ [F] _ _ _ _
Don't need _ _ luxury _
Fall on the rough sea _
Can't feel, _ can't see
[Eb]
Lady, you're part of [F] the wind, I'm alive [Bb] and I'm free
_ [Ab] _ _ Free [F] to be _ me
[Fm] _ _ _ _ [Bb] _
Black night [Ab] is a long way to [C] go _
_ _ _ _ _ [Cm] _ _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ _ [Bbm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Fm] _
_ _ _ _ _ _ [F] _ _
[Eb] _ _ [Fm] _ _ _ _ _ _
_ [Cm] _ _ [F] _ _ _ _ _
[Bb] _ _ [Fm] _ _ [Eb] _ _ _ [F]
Black night, black night _
Don't need black lights _
Can't see _ black lights
[Cm] Lady, you're part of [F] the wind, I'm alive and [Bb] I'm free
_ _ [Ab] _ Free [Fm] to be me
_ _ [Bb] _ _ _
Black night [Ab] is a long [C] way to go
_ _ _ _ _ _ _ [Fm] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _