Chords for Dean Heckel singing "You Can Call Me Al" by Paul Simon and "MMMbop" by Hanson
Tempo:
49.15 bpm
Chords used:
G
D
E
A
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [E] [D]
Mel walks down the street, he says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is so hard.
I need a photo opportunity.
I want a shot of redemption.
Home, home, dogs in the moonlight,
following my wellie toad.
Mr.
Beer belly, beer belly, get those mutts away from me.
No, I don't fight next up, use any form.
If you be my bodyguard, I can be your red-on-red sky.
I can call you Betty, Betty when you call me.
You call me out.
You can call me out.
Mel walks down the street, he said,
why am I so short of attention?
I got to show a little span of attention on my night so long.
Where's my wife and my family?
What about that ye goo who beat my role model?
Now that my role model's gone, he dug back down in the alley
with some rollie-mollie level that missed, girl.
All along, every incident's an accident,
and it's a validation.
If you be my bodyguard, I can be your long-lost pal.
I can call you Betty, Betty when you call me.
You can call me out.
You can call me out.
You have so many relationships in this life,
but only one or two will last.
You go through all the pain and strife.
You turn your back, and it goes so fast.
Yeah, it goes so fast.
So hold on to the ones who really care,
because in the end, the freedom won't lose their.
You get old and start losing your hair.
So then who will still care?
You tell me who will still care?
Yeah, yeah.
Ooh, my dude, my dude, my dude.
Yeah, [G] yeah.
My dude, [D] my dude.
Yeah, yeah.
Man walks down the street and says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is [G] so hard.
I need a [D] photo opportunity.
I want to shine a big damn chin.
One hand up, and she's singing.
Hands down.
Sing a song, take a phone.
Dogs in the moonlight.
Far away is my wedding door.
[G] Mr.
Beer belly, beer belly.
Get [D] those mice away from me.
No, I don't find that stuff confusing anymore.
You be my bodyguard.
I can be your long lost pal.
I can call you Betty.
Betty, when you call me, you can call me out.
You can call me out.
So you tell me who will still care?
You tell me who will still care?
Baby, I'm my dude, my dude.
I'm your dude, my dude.
Yeah, [G] yeah.
I'm my dude, my dude.
[D] I'm your dude, my dude.
Yeah, yeah.
Can you see it, baby?
Can you see it?
[G]
[A] Thank you, thank you, appreciate it.
[B] Thank you, thank you.
Mel walks down the street, he says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is so hard.
I need a photo opportunity.
I want a shot of redemption.
Home, home, dogs in the moonlight,
following my wellie toad.
Mr.
Beer belly, beer belly, get those mutts away from me.
No, I don't fight next up, use any form.
If you be my bodyguard, I can be your red-on-red sky.
I can call you Betty, Betty when you call me.
You call me out.
You can call me out.
Mel walks down the street, he said,
why am I so short of attention?
I got to show a little span of attention on my night so long.
Where's my wife and my family?
What about that ye goo who beat my role model?
Now that my role model's gone, he dug back down in the alley
with some rollie-mollie level that missed, girl.
All along, every incident's an accident,
and it's a validation.
If you be my bodyguard, I can be your long-lost pal.
I can call you Betty, Betty when you call me.
You can call me out.
You can call me out.
You have so many relationships in this life,
but only one or two will last.
You go through all the pain and strife.
You turn your back, and it goes so fast.
Yeah, it goes so fast.
So hold on to the ones who really care,
because in the end, the freedom won't lose their.
You get old and start losing your hair.
So then who will still care?
You tell me who will still care?
Yeah, yeah.
Ooh, my dude, my dude, my dude.
Yeah, [G] yeah.
My dude, [D] my dude.
Yeah, yeah.
Man walks down the street and says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is [G] so hard.
I need a [D] photo opportunity.
I want to shine a big damn chin.
One hand up, and she's singing.
Hands down.
Sing a song, take a phone.
Dogs in the moonlight.
Far away is my wedding door.
[G] Mr.
Beer belly, beer belly.
Get [D] those mice away from me.
No, I don't find that stuff confusing anymore.
You be my bodyguard.
I can be your long lost pal.
I can call you Betty.
Betty, when you call me, you can call me out.
You can call me out.
So you tell me who will still care?
You tell me who will still care?
Baby, I'm my dude, my dude.
I'm your dude, my dude.
Yeah, [G] yeah.
I'm my dude, my dude.
[D] I'm your dude, my dude.
Yeah, yeah.
Can you see it, baby?
Can you see it?
[G]
[A] Thank you, thank you, appreciate it.
[B] Thank you, thank you.
Key:
G
D
E
A
B
G
D
E
_ _ _ _ [G] _ _ [E] _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ Mel walks down the street, he says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is so hard.
I need a photo opportunity.
I want a shot of redemption. _
_ _ Home, home, dogs in the moonlight,
following my wellie toad.
Mr.
Beer belly, beer belly, get those mutts away from me.
No, I don't fight next up, use any form.
If you be my bodyguard, I can be your red-on-red sky. _
I can call you Betty, Betty when you call me.
You call me out.
You can call me out. _ _ _ _ _ _
Mel walks down the street, he said,
why am I so short of attention?
I got to show a little span of attention on my night so long.
Where's my wife and my family?
What about that ye goo who beat my role model?
Now that my role model's gone, he dug back down in the alley
with some rollie-mollie level that missed, girl.
All along, every incident's an accident,
and it's a validation.
If _ you be my bodyguard, I can be your long-lost pal. _ _
I can call you Betty, Betty when you call me.
You can call me out.
You can call me out.
_ _ You have so many relationships in this life,
but only one or two will last.
You go through all the pain and strife.
You turn your back, and it goes so fast.
Yeah, it goes so fast.
_ So hold on to the ones who really care,
because in the end, the freedom won't lose their.
You get old and start losing your hair.
So then who will still care?
You tell me who will still care?
Yeah, yeah.
Ooh, my dude, my dude, my dude.
Yeah, [G] yeah.
My dude, [D] my _ dude.
Yeah, yeah. _ _ _ _ _ _
Man walks down the street and says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is [G] so hard.
I need a [D] photo opportunity.
I want to shine a big damn chin.
One hand up, and she's singing.
Hands down.
Sing a song, take a phone.
Dogs in the moonlight.
Far away is my wedding door.
[G] Mr.
Beer belly, beer belly.
Get [D] those mice away from me.
No, I don't find that stuff confusing anymore.
You be my bodyguard.
I can be your long lost pal.
_ I can call you Betty.
Betty, when you call me, you can call me out.
You can call me out. _ _
_ _ So you tell me who will still care?
You tell me who will still care?
Baby, I'm my dude, my dude.
I'm your dude, my dude.
Yeah, [G] yeah.
I'm my dude, my dude.
[D] I'm your dude, my dude.
Yeah, yeah.
_ Can you see it, baby? _
Can you see it?
_ _ _ _ [G] _ _
[A] Thank you, thank you, appreciate it.
[B] Thank you, thank you. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ Mel walks down the street, he says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is so hard.
I need a photo opportunity.
I want a shot of redemption. _
_ _ Home, home, dogs in the moonlight,
following my wellie toad.
Mr.
Beer belly, beer belly, get those mutts away from me.
No, I don't fight next up, use any form.
If you be my bodyguard, I can be your red-on-red sky. _
I can call you Betty, Betty when you call me.
You call me out.
You can call me out. _ _ _ _ _ _
Mel walks down the street, he said,
why am I so short of attention?
I got to show a little span of attention on my night so long.
Where's my wife and my family?
What about that ye goo who beat my role model?
Now that my role model's gone, he dug back down in the alley
with some rollie-mollie level that missed, girl.
All along, every incident's an accident,
and it's a validation.
If _ you be my bodyguard, I can be your long-lost pal. _ _
I can call you Betty, Betty when you call me.
You can call me out.
You can call me out.
_ _ You have so many relationships in this life,
but only one or two will last.
You go through all the pain and strife.
You turn your back, and it goes so fast.
Yeah, it goes so fast.
_ So hold on to the ones who really care,
because in the end, the freedom won't lose their.
You get old and start losing your hair.
So then who will still care?
You tell me who will still care?
Yeah, yeah.
Ooh, my dude, my dude, my dude.
Yeah, [G] yeah.
My dude, [D] my _ dude.
Yeah, yeah. _ _ _ _ _ _
Man walks down the street and says,
why am I so soft in the middle?
Why am I soft in the middle?
The rest of my life is [G] so hard.
I need a [D] photo opportunity.
I want to shine a big damn chin.
One hand up, and she's singing.
Hands down.
Sing a song, take a phone.
Dogs in the moonlight.
Far away is my wedding door.
[G] Mr.
Beer belly, beer belly.
Get [D] those mice away from me.
No, I don't find that stuff confusing anymore.
You be my bodyguard.
I can be your long lost pal.
_ I can call you Betty.
Betty, when you call me, you can call me out.
You can call me out. _ _
_ _ So you tell me who will still care?
You tell me who will still care?
Baby, I'm my dude, my dude.
I'm your dude, my dude.
Yeah, [G] yeah.
I'm my dude, my dude.
[D] I'm your dude, my dude.
Yeah, yeah.
_ Can you see it, baby? _
Can you see it?
_ _ _ _ [G] _ _
[A] Thank you, thank you, appreciate it.
[B] Thank you, thank you. _ _ _