Chords for DAVID GILMOUR on London Tonight -- Remember That Night DVD
Tempo:
128.05 bpm
Chords used:
D
G
C
A
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
in London tonight.
David Gilmour was the lead guitarist and a crucial part of one
of the 70s most famous and successful bands Pink Floyd.
He has just released a
DVD of a stunning performance at the Royal Albert Hall.
Not biased at all though.
Impartiality, au revoir.
Well he did come in earlier to tell us all about the
concert that was described as a near perfect gig and I started by asking how
it felt to be perfect at the time.
[F#] It felt pretty close yes and we'd been touring
right around Europe and the States for a little while running up to them [N] and
there were a few that were pretty good but the Albert Hall is a wonderful place
and has a great sort of sense of occasion to it.
Whenever I go there in
the audience I always think it's you know a free storm of excitement as you
go in there.
It was a great gig yeah.
You also brought along with you some
chums, some very important and special chums.
We're going to play you a little
clip of a [D#] bit of that and then get your reaction to [A] it.
I will [G] keep you going to [F#] the [E] show.
[B] Come on it's time to go.
[D]
There is no thing you have [A] seen.
[D]
That is the ship's moor on the [A] horizon.
A.
It's my favourite [C] track.
B.
I like him as well but for you a treat and an old mate?
[G]
Not someone I know that well actually.
I've met him a few times before.
He's come to a
couple of concerts of ours in the past.
[G] Very graciously agreed to come and take
[D] Roger's part on Comfortably Numb that night at the Albert Hall and on condition
that he got to sing Arnold Lane as well which we were [C#] very happy [N] to allow him to do.
Why did he particularly want to do Arnold Lane?
I didn't ask him that but he's a big Sid Barrett fan from our early years and he actually covered another song of ours, a CME play on his Pin Ups album years ago.
When you are planning a gig how do you balance it with the classics but then with some of the new stuff?
You've had some really highly acclaimed solo stuff out as well.
Being a solo artist as this is, [D] one feels a little bit liberated and can step outside of the confines of what I might have chosen if it was a Pink [G] Floyd show.
I [C] did the whole of the new album in the first half which is something we often did in the older Pink Floyd days and then [G] chose some old favourites, some newer favourites, [C]
some Sid Barrett songs from the very early Pink Floyd years, a couple of Sid Barrett solo songs as well.
What kind of reactions do you get from the [F] audience to the different sections [Am] of the gig?
[D] Again one of the benefits of just [N] going out there on my own as a solo artist is that they are going to accept anything [D] that I do I think.
They take my judgment on it, they all seem very happy with [C] the choices.
We changed it around every night a little bit and there are several other [B] tracks that aren't in the main two and a half hour [Em] concert that are on the extras.
You said a moment ago that the Royal Albert Hall is a very special venue, a very [Am] special event, Live 8 which [D] we all loved as well and watched there and again [N] you quite rightly chose Comfortably Numb as being one of the tracks there.
It was the classic line up, everybody was there and you said recently, Tamsin found this, I think enough's enough, I'm 60 years old, I don't have the will to work as much anymore, Pink Floyd was an important part of my life, I've had a wonderful time but it's over.
How big is that full stop?
My sort of joy in doing this now resides in the thing that I am doing with the people I'm working with.
I find they're great people, they're really nice, they're really good musicians and I've had the greatest of times with Pink Floyd.
I couldn't have wanted a better time and a better career but now I'm looking forward and that seems to me to be rather looking back behind me and I've done that with the best will in the world, I want to move in that direction.
Absolutely, well it was a terrific concert on TV, I saw it the other evening and the DVD is sensational as well.
David Gilmour, thank you so much for coming in.
Thank you for having me.
Excellent David Gilmour, equally excellent Robin with
David Gilmour was the lead guitarist and a crucial part of one
of the 70s most famous and successful bands Pink Floyd.
He has just released a
DVD of a stunning performance at the Royal Albert Hall.
Not biased at all though.
Impartiality, au revoir.
Well he did come in earlier to tell us all about the
concert that was described as a near perfect gig and I started by asking how
it felt to be perfect at the time.
[F#] It felt pretty close yes and we'd been touring
right around Europe and the States for a little while running up to them [N] and
there were a few that were pretty good but the Albert Hall is a wonderful place
and has a great sort of sense of occasion to it.
Whenever I go there in
the audience I always think it's you know a free storm of excitement as you
go in there.
It was a great gig yeah.
You also brought along with you some
chums, some very important and special chums.
We're going to play you a little
clip of a [D#] bit of that and then get your reaction to [A] it.
I will [G] keep you going to [F#] the [E] show.
[B] Come on it's time to go.
[D]
There is no thing you have [A] seen.
[D]
That is the ship's moor on the [A] horizon.
A.
It's my favourite [C] track.
B.
I like him as well but for you a treat and an old mate?
[G]
Not someone I know that well actually.
I've met him a few times before.
He's come to a
couple of concerts of ours in the past.
[G] Very graciously agreed to come and take
[D] Roger's part on Comfortably Numb that night at the Albert Hall and on condition
that he got to sing Arnold Lane as well which we were [C#] very happy [N] to allow him to do.
Why did he particularly want to do Arnold Lane?
I didn't ask him that but he's a big Sid Barrett fan from our early years and he actually covered another song of ours, a CME play on his Pin Ups album years ago.
When you are planning a gig how do you balance it with the classics but then with some of the new stuff?
You've had some really highly acclaimed solo stuff out as well.
Being a solo artist as this is, [D] one feels a little bit liberated and can step outside of the confines of what I might have chosen if it was a Pink [G] Floyd show.
I [C] did the whole of the new album in the first half which is something we often did in the older Pink Floyd days and then [G] chose some old favourites, some newer favourites, [C]
some Sid Barrett songs from the very early Pink Floyd years, a couple of Sid Barrett solo songs as well.
What kind of reactions do you get from the [F] audience to the different sections [Am] of the gig?
[D] Again one of the benefits of just [N] going out there on my own as a solo artist is that they are going to accept anything [D] that I do I think.
They take my judgment on it, they all seem very happy with [C] the choices.
We changed it around every night a little bit and there are several other [B] tracks that aren't in the main two and a half hour [Em] concert that are on the extras.
You said a moment ago that the Royal Albert Hall is a very special venue, a very [Am] special event, Live 8 which [D] we all loved as well and watched there and again [N] you quite rightly chose Comfortably Numb as being one of the tracks there.
It was the classic line up, everybody was there and you said recently, Tamsin found this, I think enough's enough, I'm 60 years old, I don't have the will to work as much anymore, Pink Floyd was an important part of my life, I've had a wonderful time but it's over.
How big is that full stop?
My sort of joy in doing this now resides in the thing that I am doing with the people I'm working with.
I find they're great people, they're really nice, they're really good musicians and I've had the greatest of times with Pink Floyd.
I couldn't have wanted a better time and a better career but now I'm looking forward and that seems to me to be rather looking back behind me and I've done that with the best will in the world, I want to move in that direction.
Absolutely, well it was a terrific concert on TV, I saw it the other evening and the DVD is sensational as well.
David Gilmour, thank you so much for coming in.
Thank you for having me.
Excellent David Gilmour, equally excellent Robin with
Key:
D
G
C
A
F#
D
G
C
in London tonight. _ _ _
David Gilmour was the lead guitarist and a crucial part of one
of the 70s most famous and successful bands Pink Floyd.
He has just released a
DVD of a stunning performance at the Royal Albert Hall.
Not biased at all though.
Impartiality, au revoir.
Well he did come in earlier to tell us all about the
concert that was described as a near perfect gig and I started by asking how
it felt to be perfect at the time.
[F#] It felt pretty close yes and we'd been touring
right around Europe and the States for a little while running up to them [N] and
there were a few that were pretty good but the Albert Hall is a wonderful place
and has a great sort of sense of occasion to it.
Whenever I go there in
the audience I always think it's you know a free storm of excitement as you
go in there.
It was a great gig yeah.
You also brought along with you some
chums, some very important and special chums.
We're going to play you a little
clip of a [D#] bit of that and then get your reaction to [A] it.
I will [G] keep you going to [F#] the [E] show.
_ [B] Come on it's time to go.
_ _ [D] _
There is no thing you have [A] seen.
_ _ _ _ _ _ [D] _
That is the ship's moor on the [A] horizon.
_ _ _ A.
It's my favourite [C] track.
B.
I like him as well but for you a treat and an old mate?
[G] _ _
Not someone I know that well actually.
I've met him a few times before.
He's come to a
couple of concerts of ours in the past.
_ [G] Very graciously agreed to come and take
[D] Roger's part on Comfortably Numb that night at the Albert Hall and on condition
that he got to sing Arnold Lane as well which we were [C#] very happy [N] to allow him to do.
Why did he particularly want to do Arnold Lane?
I didn't ask him that but he's a big Sid Barrett fan from our early _ years and he actually covered another song of ours, a CME play on his Pin Ups album years ago. _ _
_ _ _ _ _ _ When you are planning a gig how do you balance it with the classics but then with some of the new stuff?
You've had some really highly acclaimed solo stuff out as well. _ _ _ _
_ Being a solo artist as this is, [D] one feels a little bit liberated and can step outside of the confines of what I might have chosen if it was a Pink [G] Floyd show.
I _ [C] did the whole of the new album in the first half which is something we often did in the older Pink Floyd days and then [G] chose some old favourites, some _ newer favourites, [C] _
some Sid Barrett songs from the very early Pink Floyd years, a couple of Sid Barrett solo songs as well.
_ What kind of reactions do you get from the [F] audience to the different sections [Am] of the gig?
_ _ _ _ [D] Again one of the benefits of just [N] going out there on my own _ as a solo artist is that they are going to accept anything [D] that I do I think.
They take my judgment on it, they all seem very happy with [C] the choices.
We changed it around every night a little bit and there are several other [B] tracks that aren't in the main two and a half hour [Em] concert that are on the extras.
You said a moment ago that the Royal Albert Hall is a very special venue, a very [Am] special event, Live 8 which [D] we all loved as well and watched there and again [N] you quite rightly chose Comfortably Numb as being one of the tracks there.
It was the classic line up, everybody was there and you said recently, Tamsin found this, I think enough's enough, I'm 60 years old, I don't have the will to work as much anymore, Pink Floyd was an important part of my life, I've had a wonderful time but it's over.
How big is that full stop? _ _
_ _ My sort of joy in doing this _ _ now resides in the thing that I am doing with the people I'm working with.
I find they're great people, they're really nice, they're really good musicians _ and I've had the greatest of times with Pink Floyd.
I couldn't have wanted a better time and a better career but now I'm looking forward and that seems to me to be rather looking back behind me and I've done that with the best will in the world, I want to move in that direction.
Absolutely, well it was a terrific concert on TV, I saw it the other evening and the DVD is sensational as well.
David Gilmour, thank you so much for coming in.
Thank you for having me. _ _
Excellent David Gilmour, equally excellent Robin with
David Gilmour was the lead guitarist and a crucial part of one
of the 70s most famous and successful bands Pink Floyd.
He has just released a
DVD of a stunning performance at the Royal Albert Hall.
Not biased at all though.
Impartiality, au revoir.
Well he did come in earlier to tell us all about the
concert that was described as a near perfect gig and I started by asking how
it felt to be perfect at the time.
[F#] It felt pretty close yes and we'd been touring
right around Europe and the States for a little while running up to them [N] and
there were a few that were pretty good but the Albert Hall is a wonderful place
and has a great sort of sense of occasion to it.
Whenever I go there in
the audience I always think it's you know a free storm of excitement as you
go in there.
It was a great gig yeah.
You also brought along with you some
chums, some very important and special chums.
We're going to play you a little
clip of a [D#] bit of that and then get your reaction to [A] it.
I will [G] keep you going to [F#] the [E] show.
_ [B] Come on it's time to go.
_ _ [D] _
There is no thing you have [A] seen.
_ _ _ _ _ _ [D] _
That is the ship's moor on the [A] horizon.
_ _ _ A.
It's my favourite [C] track.
B.
I like him as well but for you a treat and an old mate?
[G] _ _
Not someone I know that well actually.
I've met him a few times before.
He's come to a
couple of concerts of ours in the past.
_ [G] Very graciously agreed to come and take
[D] Roger's part on Comfortably Numb that night at the Albert Hall and on condition
that he got to sing Arnold Lane as well which we were [C#] very happy [N] to allow him to do.
Why did he particularly want to do Arnold Lane?
I didn't ask him that but he's a big Sid Barrett fan from our early _ years and he actually covered another song of ours, a CME play on his Pin Ups album years ago. _ _
_ _ _ _ _ _ When you are planning a gig how do you balance it with the classics but then with some of the new stuff?
You've had some really highly acclaimed solo stuff out as well. _ _ _ _
_ Being a solo artist as this is, [D] one feels a little bit liberated and can step outside of the confines of what I might have chosen if it was a Pink [G] Floyd show.
I _ [C] did the whole of the new album in the first half which is something we often did in the older Pink Floyd days and then [G] chose some old favourites, some _ newer favourites, [C] _
some Sid Barrett songs from the very early Pink Floyd years, a couple of Sid Barrett solo songs as well.
_ What kind of reactions do you get from the [F] audience to the different sections [Am] of the gig?
_ _ _ _ [D] Again one of the benefits of just [N] going out there on my own _ as a solo artist is that they are going to accept anything [D] that I do I think.
They take my judgment on it, they all seem very happy with [C] the choices.
We changed it around every night a little bit and there are several other [B] tracks that aren't in the main two and a half hour [Em] concert that are on the extras.
You said a moment ago that the Royal Albert Hall is a very special venue, a very [Am] special event, Live 8 which [D] we all loved as well and watched there and again [N] you quite rightly chose Comfortably Numb as being one of the tracks there.
It was the classic line up, everybody was there and you said recently, Tamsin found this, I think enough's enough, I'm 60 years old, I don't have the will to work as much anymore, Pink Floyd was an important part of my life, I've had a wonderful time but it's over.
How big is that full stop? _ _
_ _ My sort of joy in doing this _ _ now resides in the thing that I am doing with the people I'm working with.
I find they're great people, they're really nice, they're really good musicians _ and I've had the greatest of times with Pink Floyd.
I couldn't have wanted a better time and a better career but now I'm looking forward and that seems to me to be rather looking back behind me and I've done that with the best will in the world, I want to move in that direction.
Absolutely, well it was a terrific concert on TV, I saw it the other evening and the DVD is sensational as well.
David Gilmour, thank you so much for coming in.
Thank you for having me. _ _
Excellent David Gilmour, equally excellent Robin with