Chords for David Bowie Gets Annoyed
Tempo:
121.05 bpm
Chords used:
D
G
F
E
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I just wonder if you get tired of being outrageous at that game.
I don't think I'm outrageous at all.
Are you there, David Bowie?
Yes.
[D] Last time we met on the air, you were sitting in this studio at this side, and you had a very elegant earring hanging from either your left or right ear, I can't remember.
Do you remember that?
How are you, Russell?
It's nice to see you.
But I'm very happy to [N] present to you this golden record for your tremendous LP, Lowell.
Well, let's take it this way.
I want to look at it.
Well, you want to look at it.
All right.
Don't ask me that question.
I cannot believe you asked me that question.
No?
Do you believe you actually asked me that question?
Well, you're keeping some kind of
I've answered the question.
[B] Right, okay.
[E] You were going to point me to challenging a lot of social attitudes and sexual attitudes in [B] the 70s.
Now, you've just [D] finished making the film called The Man Who Came to Earth.
[N] Fell to Earth.
Fell to Earth, I beg your pardon.
Critics have claimed that you are more ideas.
You are the body man, yeah.
You describe yourself as ordinary.
What attitude did you use?
I'm David Bowie.
More ideas.
We're talking about films and filmmaking.
One of the people I presume you would have liked to have worked with would have been Piero [G] Pasolini.
Would I?
Well, look, there's a million things I could ask you and I can't go on.
[N] Well, I don't think
Can I say before we start, there's one question, David.
Don't you think we're over it anymore?
You know, sir, since you've been away, or quite recently, the newspapers have been having a bit of a bash at [G] your mother.
And saying that she's a bit tearful from time to time and [Db] that she's suffering a certain amount of anguish [D] and that she doesn't hear from you an awful lot.
Is that eye wash or is it real?
[G] That's really my own business.
And that's how it's going to stay, is it?
Yes.
[F]
Well, I'm reluctant to make the judgment about what [Gm] category you fit into and I'm hoping that you would say,
Yes, I know, I wouldn't be that pretentious, but maybe you have a feeling yourself.
[N] In the 60s you felt that bands had a really immediate feel.
Do you think that you've managed to recreate that?
[G] No.
Okay, now, what I wanted to say, as soon as you're outside of the protected area
Yeah, I got the question.
No.
No.
Do you know that the pop scene at this end, the pop world has changed somewhat since you left?
No.
No.
Have you heard of the Bay City Rollers?
Yes.
Well, you know that they're appealing to a kind of large, mass hysterical audience of young people who wave a lot of stuff around.
Now, [D] I wonder what kind of audience you're going to come back to face?
I don't know.
What do you think?
I don't know.
I'm thinking in a kind of way.
You may have to create a whole new scene for yourself.
[G] No.
[D] Do you want to be understood?
You know [N] what I mean?
Absolutely nothing to understand.
Ziggy Stardust was concerned with famine in the world and so on and prophecies of the world running out of
For someone who claims not to be all that good a musician, why are you coming back to perform on stage?
Are you a better musician, in fact, than you admit?
I can't link [D] those two parts.
If I'm not that good a musician, why am I coming back?
Yes.
Yes.
[F] Does this make you nervous to sit without your band and everything and just to chat a little bit?
Um
Oh, let's carry on talking.
Don't ask me that.
What color is your hair?
Which bit?
The center bit at the top, above where your nose would be.
Well, what color does it look?
Well, it looks like something out of the end of Storedogs.
Something out of the end of Storedogs.
[G] But he and she's [D] you've loved in your time, haven't you?
So I've read.
I've only heard, too, but you've been asked the question whether you're [B] bisexual or not.
Too many times.
Yes, and you've never quite [Eb] answered it.
Oh, I have.
I said I was bisexual.
That's enough.
[G]
[N] You said you don't feel yourself a hero.
No.
People make you a hero.
No, they don't.
For them.
No, they don't.
They don't make me a hero.
I know I'm not a hero.
But is the power still going on?
Do you think?
Doing it?
Doing
Making records?
Selling?
Yeah.
That's work.
Just work?
Yeah.
What are you looking for at this moment?
What are you searching for?
Got it.
Liquid.
Three [G] top apple dish.
Is it good?
Would you spit some across the satellite?
No.
[D] You're keeping something?
I've answered the question.
Right.
Okay.
Bits and pieces I used to do many years ago.
Like painting, writing, spending free time with myself and my family.
Getting out of cities.
On a relaxing way.
[G] No, not relaxing.
No.
No.
No.
That's really my own business.
No.
Is there a teacher in your group?
Yes, [N] quite technically.
I am the leader.
Are you?
You are the boss of you, aren't you?
I mean, you're equipped with fame.
You're equipped with a certain amount of fortune.
You're equipped with, I presume, the kind of advisors who will give you good advice.
And therefore, you're not like a girl or a boy sitting in a basement in Notting Hill struggling to get into some kind of proper situation.
Who wants to be an actor, who wants to be a film star, who wants to get onto the [D] scene.
[G] I was, though.
[Ab] I don't know where you read that, but that's not true.
[D]
I [Ab] don't think I would like to get into that over a 20 minute [D] interview.
When I come back to England, I [Ab] will talk to you about that.
Yes.
All [F] right.
At length.
[E] How calculated is any of this?
It doesn't have to be that one [G]-sided, does it?
Well, well.
Are you going to contribute?
A little bit, yes.
I'm worming away by expensive satellites.
No, well.
[F] Very, very excited to be here this evening.
Marvellous band, a marvellous new album that we're [G] going to be hearing.
I had a good night's view in [F] plan, so.
We run a bit late, so I might have to.
Rush this?
Yeah, let's get this done.
Well, David, we're coming towards the end of our, of our, um,
auto-beef conversation.
Oh, that's a shame.
I think that's going to be enough, because I can't go on.
I just can't go on badly.
[A] It is time for the auto-beef [F] show.
[D]
[A]
[Eb] OK.
[E] I'm going to have to make some [Bb] easy starts.
I'm never going to get through half of [Eb] these.
Oh, my God!
[D] [Gm] [N]
[G] [E]
I don't think I'm outrageous at all.
Are you there, David Bowie?
Yes.
[D] Last time we met on the air, you were sitting in this studio at this side, and you had a very elegant earring hanging from either your left or right ear, I can't remember.
Do you remember that?
How are you, Russell?
It's nice to see you.
But I'm very happy to [N] present to you this golden record for your tremendous LP, Lowell.
Well, let's take it this way.
I want to look at it.
Well, you want to look at it.
All right.
Don't ask me that question.
I cannot believe you asked me that question.
No?
Do you believe you actually asked me that question?
Well, you're keeping some kind of
I've answered the question.
[B] Right, okay.
[E] You were going to point me to challenging a lot of social attitudes and sexual attitudes in [B] the 70s.
Now, you've just [D] finished making the film called The Man Who Came to Earth.
[N] Fell to Earth.
Fell to Earth, I beg your pardon.
Critics have claimed that you are more ideas.
You are the body man, yeah.
You describe yourself as ordinary.
What attitude did you use?
I'm David Bowie.
More ideas.
We're talking about films and filmmaking.
One of the people I presume you would have liked to have worked with would have been Piero [G] Pasolini.
Would I?
Well, look, there's a million things I could ask you and I can't go on.
[N] Well, I don't think
Can I say before we start, there's one question, David.
Don't you think we're over it anymore?
You know, sir, since you've been away, or quite recently, the newspapers have been having a bit of a bash at [G] your mother.
And saying that she's a bit tearful from time to time and [Db] that she's suffering a certain amount of anguish [D] and that she doesn't hear from you an awful lot.
Is that eye wash or is it real?
[G] That's really my own business.
And that's how it's going to stay, is it?
Yes.
[F]
Well, I'm reluctant to make the judgment about what [Gm] category you fit into and I'm hoping that you would say,
Yes, I know, I wouldn't be that pretentious, but maybe you have a feeling yourself.
[N] In the 60s you felt that bands had a really immediate feel.
Do you think that you've managed to recreate that?
[G] No.
Okay, now, what I wanted to say, as soon as you're outside of the protected area
Yeah, I got the question.
No.
No.
Do you know that the pop scene at this end, the pop world has changed somewhat since you left?
No.
No.
Have you heard of the Bay City Rollers?
Yes.
Well, you know that they're appealing to a kind of large, mass hysterical audience of young people who wave a lot of stuff around.
Now, [D] I wonder what kind of audience you're going to come back to face?
I don't know.
What do you think?
I don't know.
I'm thinking in a kind of way.
You may have to create a whole new scene for yourself.
[G] No.
[D] Do you want to be understood?
You know [N] what I mean?
Absolutely nothing to understand.
Ziggy Stardust was concerned with famine in the world and so on and prophecies of the world running out of
For someone who claims not to be all that good a musician, why are you coming back to perform on stage?
Are you a better musician, in fact, than you admit?
I can't link [D] those two parts.
If I'm not that good a musician, why am I coming back?
Yes.
Yes.
[F] Does this make you nervous to sit without your band and everything and just to chat a little bit?
Um
Oh, let's carry on talking.
Don't ask me that.
What color is your hair?
Which bit?
The center bit at the top, above where your nose would be.
Well, what color does it look?
Well, it looks like something out of the end of Storedogs.
Something out of the end of Storedogs.
[G] But he and she's [D] you've loved in your time, haven't you?
So I've read.
I've only heard, too, but you've been asked the question whether you're [B] bisexual or not.
Too many times.
Yes, and you've never quite [Eb] answered it.
Oh, I have.
I said I was bisexual.
That's enough.
[G]
[N] You said you don't feel yourself a hero.
No.
People make you a hero.
No, they don't.
For them.
No, they don't.
They don't make me a hero.
I know I'm not a hero.
But is the power still going on?
Do you think?
Doing it?
Doing
Making records?
Selling?
Yeah.
That's work.
Just work?
Yeah.
What are you looking for at this moment?
What are you searching for?
Got it.
Liquid.
Three [G] top apple dish.
Is it good?
Would you spit some across the satellite?
No.
[D] You're keeping something?
I've answered the question.
Right.
Okay.
Bits and pieces I used to do many years ago.
Like painting, writing, spending free time with myself and my family.
Getting out of cities.
On a relaxing way.
[G] No, not relaxing.
No.
No.
No.
That's really my own business.
No.
Is there a teacher in your group?
Yes, [N] quite technically.
I am the leader.
Are you?
You are the boss of you, aren't you?
I mean, you're equipped with fame.
You're equipped with a certain amount of fortune.
You're equipped with, I presume, the kind of advisors who will give you good advice.
And therefore, you're not like a girl or a boy sitting in a basement in Notting Hill struggling to get into some kind of proper situation.
Who wants to be an actor, who wants to be a film star, who wants to get onto the [D] scene.
[G] I was, though.
[Ab] I don't know where you read that, but that's not true.
[D]
I [Ab] don't think I would like to get into that over a 20 minute [D] interview.
When I come back to England, I [Ab] will talk to you about that.
Yes.
All [F] right.
At length.
[E] How calculated is any of this?
It doesn't have to be that one [G]-sided, does it?
Well, well.
Are you going to contribute?
A little bit, yes.
I'm worming away by expensive satellites.
No, well.
[F] Very, very excited to be here this evening.
Marvellous band, a marvellous new album that we're [G] going to be hearing.
I had a good night's view in [F] plan, so.
We run a bit late, so I might have to.
Rush this?
Yeah, let's get this done.
Well, David, we're coming towards the end of our, of our, um,
auto-beef conversation.
Oh, that's a shame.
I think that's going to be enough, because I can't go on.
I just can't go on badly.
[A] It is time for the auto-beef [F] show.
[D]
[A]
[Eb] OK.
[E] I'm going to have to make some [Bb] easy starts.
I'm never going to get through half of [Eb] these.
Oh, my God!
[D] [Gm] [N]
[G] [E]
Key:
D
G
F
E
B
D
G
F
_ _ _ _ _ _ _
I just wonder if you get tired of _ _ being outrageous at that game.
I don't think I'm outrageous at all.
_ _ _ Are you there, David Bowie?
Yes.
[D] Last time we met on the air, you were sitting in this studio at this side, and you had a very elegant earring hanging from either your left or right ear, I can't remember.
Do you remember that?
_ How are you, Russell?
It's nice to see you.
But I'm very happy to [N] present to you this golden record for your tremendous LP, _ Lowell.
Well, let's take it this way.
I want to look at it.
Well, you want to look at it.
All right.
_ Don't ask me that question.
I cannot believe you asked me that question.
No?
Do you believe you actually asked me that question?
Well, you're keeping some kind of_
I've answered the question.
[B] Right, okay.
[E] You were going to point me to challenging a lot of social attitudes and sexual attitudes in [B] the 70s.
Now, you've just [D] finished making the film called The Man Who Came to Earth.
[N] Fell to Earth.
Fell to Earth, I beg your pardon.
Critics have claimed that you are more ideas.
You are the body man, yeah.
_ _ You describe yourself as ordinary.
What attitude did you use?
I'm _ David Bowie.
More ideas. _ _ _
We're talking about films and filmmaking.
One of the people I presume you would have liked to have worked with would have been Piero [G] Pasolini. _
Would I?
Well, look, there's a million things I could ask you and I can't go on.
[N] Well, I don't think_
Can I say before we start, there's one question, David.
Don't you think we're over it anymore?
You know, sir, since you've been away, or quite recently, the newspapers have been having a bit of a bash at [G] your mother. _ _ _
_ _ And saying that she's a bit tearful from time to time and [Db] that she's suffering a certain amount of anguish [D] and that she doesn't hear from you an awful lot.
Is that eye wash or is it real? _
_ [G] That's really my own business. _ _
And that's how it's going to stay, is it?
Yes.
_ [F]
Well, I'm reluctant to make the judgment about what [Gm] category you fit into and I'm hoping that you would say,
Yes, I know, I wouldn't be that pretentious, but maybe you have a feeling yourself.
[N] In the 60s you felt that bands had a really immediate feel.
Do you think that you've managed to recreate that?
_ _ [G] No. _
Okay, now, what I wanted to say, as soon as you're outside of the protected area_
Yeah, I got the question.
_ _ No.
_ No.
Do you know that the pop scene at this end, the pop world has changed somewhat since you left?
No.
No.
Have you heard of the Bay City Rollers?
Yes.
Well, you know that they're appealing to a kind of large, mass hysterical audience of young people who wave a lot of stuff around.
Now, [D] I wonder what kind of audience you're going to come back to face? _
I don't know.
What do you think?
I don't know.
I'm thinking in a kind of way.
You may have to create a whole new scene for yourself.
[G] _ _ No.
_ _ [D] _ _ _ Do you want to be understood?
You know [N] what I mean?
_ Absolutely nothing to understand.
Ziggy Stardust was concerned with famine in the world and so on and prophecies of the world running out of_
For someone who claims not to be all that good a musician, why are you coming back to perform on stage?
Are you a better musician, in fact, than you admit?
I can't link [D] those two parts.
If I'm not that good a musician, why am I coming back?
Yes.
_ Yes. _ _
_ _ [F] Does this make you nervous to sit without your band and everything and just to chat a little bit? _
_ _ _ _ Um_
Oh, let's carry on talking.
Don't ask me that.
What color is your hair?
_ Which bit?
The center bit at the top, above where your nose would be. _
_ Well, what color does it look?
Well, it looks like something out of the end of Storedogs.
_ Something out of the end of Storedogs.
[G] But he and she's [D] you've loved in your time, haven't you?
So I've read.
I've only heard, too, but you've been asked the question whether you're [B] bisexual or not.
Too many times.
Yes, and you've never quite [Eb] answered it.
Oh, I have.
I said I was bisexual.
That's enough.
_ [G] _ _ _
_ _ [N] You said you don't feel yourself a hero.
No.
_ People make you a hero.
No, they don't.
For them.
No, they don't.
They don't make me a hero.
I know I'm not a hero.
_ _ But is the power still going on?
Do you think?
Doing it?
_ _ Doing_
Making records?
Selling?
Yeah.
_ That's work.
Just work?
Yeah.
What are you looking for at this moment?
What are you searching for?
Got it.
Liquid.
Three [G] top apple dish.
Is it good?
_ Would you spit some across the satellite?
_ No.
[D] You're keeping something?
I've answered the question.
Right.
Okay.
Bits and pieces I used to do many years ago.
Like painting, writing, spending free time with myself and my family.
_ _ _ Getting out of cities.
_ _ On a relaxing way.
[G] No, not relaxing.
_ No.
_ No.
No.
_ That's really my own business. _
No.
Is there a teacher in your group?
Yes, [N] quite technically.
I am the leader.
Are you?
You are the boss of you, aren't you? _
I mean, you're equipped with _ fame.
You're equipped with a certain amount of fortune.
You're equipped with, I presume, the kind of advisors who will give you good advice.
And therefore, you're not like a girl or a boy sitting in a basement in Notting Hill struggling to get into some kind of proper situation.
Who wants to be an actor, who wants to be a film star, who wants to get onto the [D] scene.
_ [G] I was, though. _ _ _
[Ab] I don't know where you read that, but that's not true.
_ [D] _ _
I [Ab] don't think I would like to get into that over a 20 minute [D] interview. _
When I come back to England, I [Ab] will talk to you about that.
Yes.
All [F] right.
At length.
_ [E] How calculated is any of this? _ _ _
_ _ _ It doesn't have to be that one [G]-sided, does it?
Well, well.
Are you going to contribute?
A little bit, yes.
I'm worming away by expensive satellites.
No, well.
[F] Very, very excited to be here this evening.
Marvellous band, a marvellous new album that we're [G] going to be hearing.
I had a good night's view in [F] plan, so.
We run a bit late, so I might have to.
Rush this?
Yeah, let's get this done.
Well, David, we're coming towards the end of our, of our, um,
auto-beef conversation.
Oh, that's a shame.
I think that's going to be enough, because I can't go on.
I just can't go on badly. _ _ _ _ _
_ [A] _ _ It is time for the auto-beef [F] show.
_ [D] _ _
_ _ [A] _ _ _ _ _ _
[Eb] _ OK.
_ [E] I'm going to have to make some [Bb] easy starts.
I'm never going to get through half of [Eb] these.
_ Oh, my God!
_ _ _ _ [D] _ _ _ [Gm] _ _ _ _ [N] _ _
_ _ [G] _ _ _ [E] _ _ _
I just wonder if you get tired of _ _ being outrageous at that game.
I don't think I'm outrageous at all.
_ _ _ Are you there, David Bowie?
Yes.
[D] Last time we met on the air, you were sitting in this studio at this side, and you had a very elegant earring hanging from either your left or right ear, I can't remember.
Do you remember that?
_ How are you, Russell?
It's nice to see you.
But I'm very happy to [N] present to you this golden record for your tremendous LP, _ Lowell.
Well, let's take it this way.
I want to look at it.
Well, you want to look at it.
All right.
_ Don't ask me that question.
I cannot believe you asked me that question.
No?
Do you believe you actually asked me that question?
Well, you're keeping some kind of_
I've answered the question.
[B] Right, okay.
[E] You were going to point me to challenging a lot of social attitudes and sexual attitudes in [B] the 70s.
Now, you've just [D] finished making the film called The Man Who Came to Earth.
[N] Fell to Earth.
Fell to Earth, I beg your pardon.
Critics have claimed that you are more ideas.
You are the body man, yeah.
_ _ You describe yourself as ordinary.
What attitude did you use?
I'm _ David Bowie.
More ideas. _ _ _
We're talking about films and filmmaking.
One of the people I presume you would have liked to have worked with would have been Piero [G] Pasolini. _
Would I?
Well, look, there's a million things I could ask you and I can't go on.
[N] Well, I don't think_
Can I say before we start, there's one question, David.
Don't you think we're over it anymore?
You know, sir, since you've been away, or quite recently, the newspapers have been having a bit of a bash at [G] your mother. _ _ _
_ _ And saying that she's a bit tearful from time to time and [Db] that she's suffering a certain amount of anguish [D] and that she doesn't hear from you an awful lot.
Is that eye wash or is it real? _
_ [G] That's really my own business. _ _
And that's how it's going to stay, is it?
Yes.
_ [F]
Well, I'm reluctant to make the judgment about what [Gm] category you fit into and I'm hoping that you would say,
Yes, I know, I wouldn't be that pretentious, but maybe you have a feeling yourself.
[N] In the 60s you felt that bands had a really immediate feel.
Do you think that you've managed to recreate that?
_ _ [G] No. _
Okay, now, what I wanted to say, as soon as you're outside of the protected area_
Yeah, I got the question.
_ _ No.
_ No.
Do you know that the pop scene at this end, the pop world has changed somewhat since you left?
No.
No.
Have you heard of the Bay City Rollers?
Yes.
Well, you know that they're appealing to a kind of large, mass hysterical audience of young people who wave a lot of stuff around.
Now, [D] I wonder what kind of audience you're going to come back to face? _
I don't know.
What do you think?
I don't know.
I'm thinking in a kind of way.
You may have to create a whole new scene for yourself.
[G] _ _ No.
_ _ [D] _ _ _ Do you want to be understood?
You know [N] what I mean?
_ Absolutely nothing to understand.
Ziggy Stardust was concerned with famine in the world and so on and prophecies of the world running out of_
For someone who claims not to be all that good a musician, why are you coming back to perform on stage?
Are you a better musician, in fact, than you admit?
I can't link [D] those two parts.
If I'm not that good a musician, why am I coming back?
Yes.
_ Yes. _ _
_ _ [F] Does this make you nervous to sit without your band and everything and just to chat a little bit? _
_ _ _ _ Um_
Oh, let's carry on talking.
Don't ask me that.
What color is your hair?
_ Which bit?
The center bit at the top, above where your nose would be. _
_ Well, what color does it look?
Well, it looks like something out of the end of Storedogs.
_ Something out of the end of Storedogs.
[G] But he and she's [D] you've loved in your time, haven't you?
So I've read.
I've only heard, too, but you've been asked the question whether you're [B] bisexual or not.
Too many times.
Yes, and you've never quite [Eb] answered it.
Oh, I have.
I said I was bisexual.
That's enough.
_ [G] _ _ _
_ _ [N] You said you don't feel yourself a hero.
No.
_ People make you a hero.
No, they don't.
For them.
No, they don't.
They don't make me a hero.
I know I'm not a hero.
_ _ But is the power still going on?
Do you think?
Doing it?
_ _ Doing_
Making records?
Selling?
Yeah.
_ That's work.
Just work?
Yeah.
What are you looking for at this moment?
What are you searching for?
Got it.
Liquid.
Three [G] top apple dish.
Is it good?
_ Would you spit some across the satellite?
_ No.
[D] You're keeping something?
I've answered the question.
Right.
Okay.
Bits and pieces I used to do many years ago.
Like painting, writing, spending free time with myself and my family.
_ _ _ Getting out of cities.
_ _ On a relaxing way.
[G] No, not relaxing.
_ No.
_ No.
No.
_ That's really my own business. _
No.
Is there a teacher in your group?
Yes, [N] quite technically.
I am the leader.
Are you?
You are the boss of you, aren't you? _
I mean, you're equipped with _ fame.
You're equipped with a certain amount of fortune.
You're equipped with, I presume, the kind of advisors who will give you good advice.
And therefore, you're not like a girl or a boy sitting in a basement in Notting Hill struggling to get into some kind of proper situation.
Who wants to be an actor, who wants to be a film star, who wants to get onto the [D] scene.
_ [G] I was, though. _ _ _
[Ab] I don't know where you read that, but that's not true.
_ [D] _ _
I [Ab] don't think I would like to get into that over a 20 minute [D] interview. _
When I come back to England, I [Ab] will talk to you about that.
Yes.
All [F] right.
At length.
_ [E] How calculated is any of this? _ _ _
_ _ _ It doesn't have to be that one [G]-sided, does it?
Well, well.
Are you going to contribute?
A little bit, yes.
I'm worming away by expensive satellites.
No, well.
[F] Very, very excited to be here this evening.
Marvellous band, a marvellous new album that we're [G] going to be hearing.
I had a good night's view in [F] plan, so.
We run a bit late, so I might have to.
Rush this?
Yeah, let's get this done.
Well, David, we're coming towards the end of our, of our, um,
auto-beef conversation.
Oh, that's a shame.
I think that's going to be enough, because I can't go on.
I just can't go on badly. _ _ _ _ _
_ [A] _ _ It is time for the auto-beef [F] show.
_ [D] _ _
_ _ [A] _ _ _ _ _ _
[Eb] _ OK.
_ [E] I'm going to have to make some [Bb] easy starts.
I'm never going to get through half of [Eb] these.
_ Oh, my God!
_ _ _ _ [D] _ _ _ [Gm] _ _ _ _ [N] _ _
_ _ [G] _ _ _ [E] _ _ _