Chords for Daryl Hall "I'm in a Philly Mood" and interview

Performing a prime example of what he means,
I'm in a Philly mood is the name of the song from his brand new solo CD, Soul Alone.
Please give it up for Daryl Hall.
_ _ _ _ _ _ [C#] _ _
_ _ [F#] _ _ _ _ _ [G#] _
_ _ _ [D] _ _ [Bm] _ _ [A] _
_ _ [G#m] _ _ [F#] _ _ _ [B] _
_ _ _ _ _ _ _ [A] _
_ _ [E] _ [F#m] _ _ _ _ [Bm] _
_ _ _ [F#] _ _ _ [B] _ _
_ _ [F#m] _ _ _ _ [Bm] _ _
_ _ [F#m] _ _ _ _ [Bm] _ _
_ _ [D] Oh baby, it's [C#] been too long, I need to [F#] feel the same way
Oh, [E] yeah baby, yeah
[F#] _ _ Let's [B] make it through, let's make it through
Taking [Bm] it by a second, second, second
I'm [A] in a Philly mood _
Oh, [F#] _ _ [A#m] _ _ [G#] baby, come now
[Bm] Hold you now, hold you now
[A] I'm in a Philly mood [G#m] Philly mood
_ [C#] Lay down your love, [B] I can feel your soul
_ [F#m] When night is gone, [B] let our hearts carry on
_ [E] As sure as you are [F#m] of the love we've [B] made
[F#m] I know sometimes [Bm] we've been so out of place
_ [D] Oh, baby, _ [C#] girl, it seems [E] that [F#] we've come home
[D] To that place [B] that made us
Let's [F#] _ _ _ [B] make it through, let's make it through
[Bm] Taking it by a second, second, second
[A] I'm in a Philly [E] _ _ [F#] _ _ _ _ _ [B] _
_ _ _ _ [D] _ mood
[A] _
_ [F#m] Philly mood
_ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ [D#] _ [D] _ Philly, Philly
[C#]
Girl, it seems that [F#] we've come home
To [B] that place, to that place, to that place
That made the time
Oh, [F#] _
_ let's [B] make it through, let's make it through
[D] Taking it by a second, second, [B] second
I'm [A] _ _ _ [F#] _
_ _ _ _ in a Philly mood
[E] I wanna hold you now
Hold you [Bm] now
[A] Baby, _ _ [E] _ _
[F#] _ _ [G#] come _ [B] now _
[E] Hold you now
I wanna [B] hold you now
[D] I wanna hold you [E] now Now
[D] _ Cause I'm in a Philly [A] mood
_ [F#] Philly mood
You got that to come on
[A] Party, old man
_ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ I'm sitting with my twin brother, Darryl Hall
That's right, and uh
You're our partner, this is [G#] obviously half of the team of Hall & Oates
Your partner, [E] John Oates, was here sitting in with the [Dm] posse
I saw that, I saw that
He has his own CD
Yeah, [F#] so he's working on some things, he's doing a lot of production and things like that
And working on some songs
[E] Are you all finished as a duo?
Nah, we're good friends, so I never say never, you know
But right now we're thinking about doing things separately
So that's really all we're thinking about
What's your favorite on this CD?
It's too soon to know
I'm still part of it, you know, I have to step away from it a little bit
You [F#] love Marvin Gaye as most of us do
You based something on him, right?
Yeah, I
When I was just starting the project
Somebody gave me a piece of a tape
And they said it was an outtake from a Marvin Gaye record
[G] And uh
I actually said it was a demo
And I thought, okay, this would be a good song to write
You know, it's never seen the light of day
And uh, after I wrote a song
Called Stop Loving Me, Stop Loving You
[F#] I played it for somebody
They went, [Dm] oh man, that's a Hear My Dear album song
I went, well what's that?
It was this kind of [F#] obscure record of Marvin's
Because I'm a fan and I never heard of it, so it must be pretty obscure
And anyway, so I heard it afterward
And I was like, oh, okay, so that's what he wanted to do Yeah
I had a quote of yours
[N] From Us Magazine
In where, 1981, you talked about
How important it was for you to get a sexual response from audiences
Uh _ _
Is that still important?
Yeah, that works, that works
Are you concerned?
Because often when I hear your music, I'm in the car
And you don't want me jumping into the backseat with my woman
And have an accident, right?
You can pull over to the side, it's okay
Where's the strangest place you ever made [F#] love?
That one
I figured we're going in that direction
I'll tell you mine, you can tell me yours
I have to get back to you
Give me a couple minutes
[N] I have to give me a couple minutes, I'll come back to you
Mine was, I was opening for The Temptations at the Hyatt Regency
On River Road in Chicago
Down the street from that club, Daly
And uh, it was one of my first gigs
And I did it in the elevator, those clear elevators
At the Hyatt Regency, they [A#m] go up and down Yeah
[F#] Hey, didn't nobody know who I was?
It was like, ha ha _
Where was yours?
I can't tell you
I'm not allowed to tell you
Well that's cool, I appreciate you coming
I told them the name of the CD and everything
And we had Jazzy Jeff here last night
He was talking about how the Philadelphia sound is coming back Absolutely
That's right
You still living?
No, I haven't lived in Philadelphia for years
But I, you know
I carry it around with me all the time
When I first met Patti LaBelle
Opening for her, she told me that you were one of the
Studio musicians that was real famous in Philly
Yeah, I used to play for Patti LaBelle
A lot of people, because I starred with Gamow and Huff
And Tommy Bell and all those people
So it was a good place to learn how to do it
Everybody used to want you, like the stylistics
I used to play with them, Delphonic, stylistics
Yeah, that's deep
Well come back anytime
Hey, I'm here Darryl Hall
_ [E] _