Impala Tumbado Chords by Danny Felix

Tempo:
143.1 bpm
Chords used:

F#m

Bm

C#

B

C#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Danny Felix - Impala Tumbado chords
Start Jamming...
[F#m] Hey, it was good, isn't it?
[B] [F#m] You [G#] already know what it is, G.
[F#m] [A]
[Bm] [F#] [F] [G#m]
[F#m] [C#]
[F#m] [G#] [C#m]
[F#m] [C]
[Bm] [C]
[C#] [F#m]
[C#] [Bm]
[C#m] [F#m]
[Bm]
[D] [C#] [F#m]
[E] [Bm]
[C#m] [F#m]
[Bm] I'm proud, [G#] I'm still [C#] here [F#m] progressing.
With the Garcias [Bm] in Chicago I had a great time.
And in [C#m] San Francisco I also had a [F#m] great time.
And in Puerto Rico and on the beaches [Bm] enjoying,
but always [C#] firm and [F#m] representing.
[C] Hey, [B] yo.
[F#m]
This is [G#] Danny Villagr [C#] [F#m]- You heard?
[Bm]
[D] [C#] [D#] [F#m]
[B] [F#m]
[C#m] [F#m]
[Bm]
[F#m]
[B] [Bm] [E]
[F#m]
[B] [Bm] [D] [C#]
[F#m] [C#]
[B] [Bm] [C#m]
[F#m]
[B] [Bm] [D] I love her, [C#] a fucking [F#m] boss.
The Juana Adolfos, my Jason, [B] the [Bm] Cricona.
And [C#m] we are always well united in the [F#m] ball.
And my tattoos all tell [B] a [Bm] story.
Well, they are those [C#] marks of my [F#m] career.
[D]
No bullet, [B] [F#m] shot.
[G#] In Paramount, where I grew [C#] up and left the [F#m] neighborhood.
[C#]
[Bm] [F#m] [G] No bullet, [F#m] shot.
Thank God, [C] because the streets [B] have [F#m] graduated me.
[C#]
[F#m] [C]
[F#] [F#m] No bullet, [C#] shot.
[F#]
Key:  
F#m
123111112
Bm
13421112
C#
12341114
B
12341112
C#m
13421114
F#m
123111112
Bm
13421112
C#
12341114
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Chords
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Let's start jamming Danny Felix - Impala Tumbado chords, familiarize yourself with these chords - B, F#m, C#, F#m, Bm and F#m in sequence. Ease into the song by practicing at 71 BPM before reaching the track's full tempo of 143 BPM. Align the capo with your vocal depth and chord choice, bearing in mind the song's original key: F# Minor.

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_ _ _ _ _ _ _ _
[F#m] _ _ _ Hey, it was good, isn't it?
[B] _ _ [F#m] You [G#] already know what it is, G. _
_ [F#m] _ _ [A] _ _ _ _ _
[Bm] _ _ _ [F#] _ _ [F] _ _ [G#m] _
_ [F#m] _ _ _ _ _ _ [C#] _
_ _ [F#m] _ _ _ [G#] _ _ [C#m] _
_ [F#m] _ _ _ _ _ _ [C] _
_ [Bm] _ _ _ _ _ _ [C] _
_ [C#] _ _ _ _ [F#m] _ _ _
_ _ _ [C#] _ _ [Bm] _ _ _
_ [C#m] _ _ _ _ [F#m] _ _ _
_ _ _ _ _ _ [Bm] _ _
_ [D] _ _ [C#] _ _ [F#m] _ _ _
_ _ _ [E] _ _ [Bm] _ _ _
_ [C#m] _ _ _ _ _ [F#m] _ _
_ _ _ _ _ [Bm] _ I'm proud, [G#] I'm still [C#] here [F#m] progressing.
With the Garcias [Bm] in Chicago I had a great time.
And in [C#m] San Francisco I also had a [F#m] great time. _
And in Puerto Rico and on the beaches [Bm] enjoying, _
but always [C#] firm and [F#m] representing. _ _
_ _ _ [C] Hey, [B] yo.
_ [F#m]
This is [G#] Danny Villagr [C#] _ [F#m]- You heard?
_ _ _ [Bm] _ _ _ _ _
_ [D] _ _ [C#] _ _ [D#] _ _ [F#m] _
_ _ _ _ _ [B] _ _ [F#m] _
_ _ _ [C#m] _ _ [F#m] _ _ _
_ _ _ _ [Bm] _ _ _ _
_ _ _ [F#m] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [B] _ [Bm] _ _ _ [E] _ _ _
_ [F#m] _ _ _ _ _ _ _
_ [B] _ [Bm] _ _ _ [D] _ _ [C#] _
_ [F#m] _ _ _ [C#] _ _ _ _
_ [B] _ _ [Bm] _ _ [C#m] _ _ _
_ [F#m] _ _ _ _ _ _ _
_ [B] _ [Bm] _ _ [D] I love her, [C#] a fucking [F#m] boss.
The Juana Adolfos, my Jason, [B] the [Bm] Cricona.
And [C#m] we are always well united in the [F#m] ball.
And my tattoos all tell [B] a [Bm] story.
Well, they are those [C#] marks of my [F#m] _ career.
_ _ _ [D]
No bullet, [B] [F#m] shot.
_ [G#] In Paramount, where I grew [C#] up and left the [F#m] neighborhood.
_ _ _ [C#] _
_ [Bm] _ [F#m] _ _ _ _ [G] No bullet, [F#m] shot.
_ Thank God, [C] because the streets [B] have [F#m] graduated me.
_ _ [C#] _
_ [F#m] _ _ _ _ _ _ [C] _
_ [F#] _ _ _ [F#m] _ No bullet, [C#] shot.
_ _ [F#] _ _ _ _ _ _ _ _ _ _ _

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