Chords for Damon Albarn & Yukimi Nagano Interview - DAZED & CONFUZED (2010)
Tempo:
137.25 bpm
Chords used:
Cm
F
Ab
B
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I'd heard about Little Dragon, my partner was really into a couple of songs at that
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, we just became friends.
[Cm] [F]
[N]
Every time something nice, refreshing comes up, there's a frisson of excitement about
it, I mean, whether it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they possess, you know, and that changes constantly.
Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, nothing is static,
you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
[Ab] to extinction, [N]
we're learning something essential along the way and we're going to sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, yeah, it's not
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, we just became friends.
[Cm] [F]
[N]
Every time something nice, refreshing comes up, there's a frisson of excitement about
it, I mean, whether it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they possess, you know, and that changes constantly.
Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, nothing is static,
you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
[Ab] to extinction, [N]
we're learning something essential along the way and we're going to sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, yeah, it's not
Key:
Cm
F
Ab
B
A
Cm
F
Ab
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I'd heard about Little Dragon, my partner was really _ into a couple of songs at that
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, _ _ _ we just became friends.
[Cm] _ _ _ _ [F] _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Every time something _ nice, _ _ refreshing comes up, there's a frisson of excitement about
it, I mean, whether _ _ it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they _ _ possess, you know, and that changes _ _ constantly.
_ Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, _ nothing is static,
_ you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
_ [Ab] to extinction, _ [N] _
we're learning something _ essential along the way and we're going to _ sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, _ that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, _ everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, _ I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, _ yeah, _ it's not
_ _ _ _ _ _ _ _
_ _ _ I'd heard about Little Dragon, my partner was really _ into a couple of songs at that
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, _ _ _ we just became friends.
[Cm] _ _ _ _ [F] _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Every time something _ nice, _ _ refreshing comes up, there's a frisson of excitement about
it, I mean, whether _ _ it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they _ _ possess, you know, and that changes _ _ constantly.
_ Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, _ nothing is static,
_ you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
_ [Ab] to extinction, _ [N] _
we're learning something _ essential along the way and we're going to _ sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, _ that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, _ everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, _ I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, _ yeah, _ it's not