Chords for Crabby Appleton interview with Dick Clark plus Go Back - American Bandstand May 1970
Tempo:
132.7 bpm
Chords used:
E
Gb
Abm
B
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Michael, finally.
Correct?
Yes, sir.
I almost said Fleming there.
Let me move this down.
I couldn't do it if I wanted to.
Just swing it over here for a second.
Michael, where do you [D] gather a group of people like this?
They all come from one town?
Oh, no.
Flaco's from Cuba.
Flaco, let me say hello to you.
That's an unusual sound.
Nice to have you with us.
Is your whole family here now?
Yeah, they live in Miami.
That's nice.
You [B] got away all right, then.
Were you a musician in Cuba?
Yeah, I play a little bit.
And you play this instrument? Yeah.
Let me check the man on the organ, please.
That's Casey Fouts.
Casey, did you always play organ?
I started piano, trombone.
Now, this is what we're talking to the girl about over here.
Now, this is the man that interests me.
Who's your drummer?
Bill Jones.
Bill, what was your original instrument?
A French horn.
How the devil do you move from a [A] French horn to a set of drums?
Isn't that kind of a peculiar [Eb] transition?
[G] Well, it just takes a sense of rhythm, sort of, you know.
[G] I would kind of figure that.
Yeah, yeah.
And the man [E] buried behind us, Michael?
Hank Harvey.
Hank, very [B] nice to have you with us.
What [Bb] do you guys call your music?
Does it have any characterization?
Do you fall into one bag, or do you not like to be characterized?
It's just our music, you know.
We have, there's like some classical influences from Casey's background.
Rock and roll influences from Bill's.
[Gb] Latin music from Placo's.
Whatever that thing is, that's crazy.
I love that sound.
Tell me, if you will, a little bit about this paper mill place you were.
What was it, an old mill or something like that?
It was called the old mill, yeah, in Salt Lake.
Was it a nightclub?
Well, it used to be an old paper mill, [B] but now it's a nightclub, yeah.
About how big is it?
Yeah, really big.
[Fm]
Gigantic type [Gb] place, nice people?
Really nice.
Where is it?
Salt Lake City.
You've played practically everything.
Well, I'll ask you, if you will, to do one thing.
I think I've succeeded, finally, in tying us all [B] up with this microphone cord here.
So if you'll skip over this way, we'll play Ring of Levio or whatever it is.
The game's played with the kids.
This song is a single and it's in the album, the one called, was it Go Back?
Go Back.
All right, ladies and gentlemen, Crabby Ableton.
It's a single and it's in the album, the one called, was it Go Back?
Go [Ab] Back.
All right, ladies and gentlemen, Crabby Ableton.
[E]
[Ab] [E]
[Abm] [E]
[Abm] [E]
You know [Abm] me [E] so well, and it's [Abm] not hard [Db] to tell
when you [E] know in your [Gb]
heart that it's [Ab] wrong.
But your [Abm] thoughts are [E]
here and you're [Abm] making [Db] it clear
that [E] the one [Gb] you love [Ab] is wrong.
Well, I can't say that you're right.
No.
[B] I
[Bb] [A]
[Ab]
think [Gb] you're right.
The [E] [Ab] one you're feeling is love.
[Gb] Go back.
[F] [E] [Db] The one you're thinking of.
[Gb] Go
[E] back.
[B] The one you [Gb] can't
[Abm] see.
[E]
[Abm] [E]
Now [Abm] you look forward [E] to me.
Still [Abm] I can't help [Db] but see [E] you've been thinking [Gb] of him all [Ab] the time.
And [Abm] you know that [E]
when [Abm] you kiss me [Db]
tonight, [E] you could take [Gb] this [Ab] all my love.
[B]
[Bb] What you doing out there, [A] you know [Ab]
I'm thinking [Gb] of.
[E] [G] He's the one [Db] you're feeling of.
[Gb]
[E] [Eb] He's the one you're thinking [Gb] of.
[E] [B] He's the one that you [Gb] can't.
[Dbm] [N] [B]
Correct?
Yes, sir.
I almost said Fleming there.
Let me move this down.
I couldn't do it if I wanted to.
Just swing it over here for a second.
Michael, where do you [D] gather a group of people like this?
They all come from one town?
Oh, no.
Flaco's from Cuba.
Flaco, let me say hello to you.
That's an unusual sound.
Nice to have you with us.
Is your whole family here now?
Yeah, they live in Miami.
That's nice.
You [B] got away all right, then.
Were you a musician in Cuba?
Yeah, I play a little bit.
And you play this instrument? Yeah.
Let me check the man on the organ, please.
That's Casey Fouts.
Casey, did you always play organ?
I started piano, trombone.
Now, this is what we're talking to the girl about over here.
Now, this is the man that interests me.
Who's your drummer?
Bill Jones.
Bill, what was your original instrument?
A French horn.
How the devil do you move from a [A] French horn to a set of drums?
Isn't that kind of a peculiar [Eb] transition?
[G] Well, it just takes a sense of rhythm, sort of, you know.
[G] I would kind of figure that.
Yeah, yeah.
And the man [E] buried behind us, Michael?
Hank Harvey.
Hank, very [B] nice to have you with us.
What [Bb] do you guys call your music?
Does it have any characterization?
Do you fall into one bag, or do you not like to be characterized?
It's just our music, you know.
We have, there's like some classical influences from Casey's background.
Rock and roll influences from Bill's.
[Gb] Latin music from Placo's.
Whatever that thing is, that's crazy.
I love that sound.
Tell me, if you will, a little bit about this paper mill place you were.
What was it, an old mill or something like that?
It was called the old mill, yeah, in Salt Lake.
Was it a nightclub?
Well, it used to be an old paper mill, [B] but now it's a nightclub, yeah.
About how big is it?
Yeah, really big.
[Fm]
Gigantic type [Gb] place, nice people?
Really nice.
Where is it?
Salt Lake City.
You've played practically everything.
Well, I'll ask you, if you will, to do one thing.
I think I've succeeded, finally, in tying us all [B] up with this microphone cord here.
So if you'll skip over this way, we'll play Ring of Levio or whatever it is.
The game's played with the kids.
This song is a single and it's in the album, the one called, was it Go Back?
Go Back.
All right, ladies and gentlemen, Crabby Ableton.
It's a single and it's in the album, the one called, was it Go Back?
Go [Ab] Back.
All right, ladies and gentlemen, Crabby Ableton.
[E]
[Ab] [E]
[Abm] [E]
[Abm] [E]
You know [Abm] me [E] so well, and it's [Abm] not hard [Db] to tell
when you [E] know in your [Gb]
heart that it's [Ab] wrong.
But your [Abm] thoughts are [E]
here and you're [Abm] making [Db] it clear
that [E] the one [Gb] you love [Ab] is wrong.
Well, I can't say that you're right.
No.
[B] I
[Bb] [A]
[Ab]
think [Gb] you're right.
The [E] [Ab] one you're feeling is love.
[Gb] Go back.
[F] [E] [Db] The one you're thinking of.
[Gb] Go
[E] back.
[B] The one you [Gb] can't
[Abm] see.
[E]
[Abm] [E]
Now [Abm] you look forward [E] to me.
Still [Abm] I can't help [Db] but see [E] you've been thinking [Gb] of him all [Ab] the time.
And [Abm] you know that [E]
when [Abm] you kiss me [Db]
tonight, [E] you could take [Gb] this [Ab] all my love.
[B]
[Bb] What you doing out there, [A] you know [Ab]
I'm thinking [Gb] of.
[E] [G] He's the one [Db] you're feeling of.
[Gb]
[E] [Eb] He's the one you're thinking [Gb] of.
[E] [B] He's the one that you [Gb] can't.
[Dbm] [N] [B]
Key:
E
Gb
Abm
B
Ab
E
Gb
Abm
_ _ _ Michael, finally.
Correct?
Yes, sir.
I almost said Fleming there.
Let me move this down.
I couldn't do it if I wanted to.
Just swing it over here for a second.
Michael, where do you [D] gather a group of people like this?
They all come from one town?
Oh, no.
Flaco's from Cuba.
Flaco, let me say hello to you.
That's an unusual sound.
Nice to have you with us.
Is your whole family here now?
Yeah, they live in Miami.
That's nice.
You [B] got away all right, then.
Were you a musician in Cuba?
Yeah, I play a little bit.
And you play this instrument? Yeah.
Let me check the man on the organ, please.
That's Casey Fouts.
Casey, did you always play organ? _ _ _ _
I started piano, trombone.
Now, this is what we're talking to the girl about over here.
Now, this is the man that interests me.
Who's your drummer?
Bill Jones.
Bill, what was your original instrument?
A French horn.
How the devil do you move from a [A] French horn to a set of drums?
Isn't that kind of a peculiar [Eb] transition?
_ [G] Well, it just takes a sense of rhythm, sort of, you know.
[G] I would kind of figure that.
Yeah, yeah.
And the man [E] buried behind us, Michael?
Hank Harvey.
Hank, very [B] nice to have you with us.
What [Bb] do you guys call your music?
Does it have any characterization?
Do you fall into one bag, or do you not like to be characterized?
It's just our music, you know.
We have, there's like some classical influences from Casey's background.
Rock and roll influences from _ _ Bill's.
_ _ [Gb] Latin music from Placo's.
Whatever that thing is, that's crazy.
I love that sound.
Tell me, if you will, a little bit about this paper mill place you were.
What was it, an old mill or something like that?
It was called the old mill, yeah, in Salt Lake.
Was it a nightclub?
Well, it used to be an old paper mill, [B] but now it's a nightclub, yeah.
About _ _ _ how big is it?
_ _ Yeah, really big.
[Fm] _
Gigantic type [Gb] place, nice people?
Really nice.
Where is it?
Salt Lake City.
You've played practically everything.
Well, I'll ask you, if you will, to do one thing.
I think I've succeeded, finally, in tying us all [B] up with this microphone cord here.
So if you'll skip over this way, we'll play Ring of Levio or whatever it is.
The game's played with the kids.
This song is a single and it's in the album, the one called, was it Go Back?
Go Back.
All right, ladies and gentlemen, Crabby Ableton.
It's a single and it's in the album, the one called, was it Go Back?
Go [Ab] Back.
All right, ladies and gentlemen, Crabby Ableton.
_ _ _ _ _ [E] _
_ _ _ [Ab] _ _ [E] _ _ _
_ _ [Abm] _ _ _ _ _ [E] _
_ _ _ [Abm] _ _ _ [E] _ _
You know [Abm] _ me [E] so well, and it's [Abm] not hard [Db] to tell
when you [E] know in your [Gb]
heart that it's [Ab] wrong. _ _ _
But your [Abm] thoughts are [E]
here and you're [Abm] _ making [Db] it clear
that [E] the one _ [Gb] you love _ [Ab] is wrong. _
_ Well, I can't say that you're right.
No.
_ [B] I _ _ _ _
_ _ _ [Bb] _ _ _ _ [A] _
_ _ _ [Ab] _ _ _ _ _
_ think [Gb] you're right. _ _ _
The _ _ [E] _ _ [Ab] _ one you're feeling is love.
[Gb] Go back. _
_ [F] _ _ [E] _ _ [Db] The one you're thinking of.
[Gb] Go _ _ _
_ _ _ [E] _ _ back.
[B] The one you [Gb] can't _ _ _ _
_ _ _ [Abm] see.
_ _ [E] _
_ _ _ [Abm] _ _ _ _ [E] _
_ Now [Abm] you look forward [E] to me.
Still [Abm] I can't help [Db] but see _ [E] you've been thinking [Gb] of him all [Ab] the time. _ _
_ And [Abm] you know that _ [E] _
_ when [Abm] you kiss me [Db]
tonight, _ [E] you could take [Gb] this _ _ [Ab] all my love.
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ [Bb] What you doing out there, [A] you know _ _ [Ab] _ _ _ _ _
_ I'm thinking [Gb] of. _ _ _
_ _ _ [E] _ _ [G] He's the one [Db] you're feeling of.
[Gb] _ _ _ _ _
_ _ _ [E] _ _ [Eb] He's the one you're thinking _ [Gb] of. _ _ _ _
_ _ _ [E] _ _ _ [B] He's the one that you [Gb] can't.
[Dbm] _ _ _ [N] _ _ _ _ _ _ [B] _ _ _
Correct?
Yes, sir.
I almost said Fleming there.
Let me move this down.
I couldn't do it if I wanted to.
Just swing it over here for a second.
Michael, where do you [D] gather a group of people like this?
They all come from one town?
Oh, no.
Flaco's from Cuba.
Flaco, let me say hello to you.
That's an unusual sound.
Nice to have you with us.
Is your whole family here now?
Yeah, they live in Miami.
That's nice.
You [B] got away all right, then.
Were you a musician in Cuba?
Yeah, I play a little bit.
And you play this instrument? Yeah.
Let me check the man on the organ, please.
That's Casey Fouts.
Casey, did you always play organ? _ _ _ _
I started piano, trombone.
Now, this is what we're talking to the girl about over here.
Now, this is the man that interests me.
Who's your drummer?
Bill Jones.
Bill, what was your original instrument?
A French horn.
How the devil do you move from a [A] French horn to a set of drums?
Isn't that kind of a peculiar [Eb] transition?
_ [G] Well, it just takes a sense of rhythm, sort of, you know.
[G] I would kind of figure that.
Yeah, yeah.
And the man [E] buried behind us, Michael?
Hank Harvey.
Hank, very [B] nice to have you with us.
What [Bb] do you guys call your music?
Does it have any characterization?
Do you fall into one bag, or do you not like to be characterized?
It's just our music, you know.
We have, there's like some classical influences from Casey's background.
Rock and roll influences from _ _ Bill's.
_ _ [Gb] Latin music from Placo's.
Whatever that thing is, that's crazy.
I love that sound.
Tell me, if you will, a little bit about this paper mill place you were.
What was it, an old mill or something like that?
It was called the old mill, yeah, in Salt Lake.
Was it a nightclub?
Well, it used to be an old paper mill, [B] but now it's a nightclub, yeah.
About _ _ _ how big is it?
_ _ Yeah, really big.
[Fm] _
Gigantic type [Gb] place, nice people?
Really nice.
Where is it?
Salt Lake City.
You've played practically everything.
Well, I'll ask you, if you will, to do one thing.
I think I've succeeded, finally, in tying us all [B] up with this microphone cord here.
So if you'll skip over this way, we'll play Ring of Levio or whatever it is.
The game's played with the kids.
This song is a single and it's in the album, the one called, was it Go Back?
Go Back.
All right, ladies and gentlemen, Crabby Ableton.
It's a single and it's in the album, the one called, was it Go Back?
Go [Ab] Back.
All right, ladies and gentlemen, Crabby Ableton.
_ _ _ _ _ [E] _
_ _ _ [Ab] _ _ [E] _ _ _
_ _ [Abm] _ _ _ _ _ [E] _
_ _ _ [Abm] _ _ _ [E] _ _
You know [Abm] _ me [E] so well, and it's [Abm] not hard [Db] to tell
when you [E] know in your [Gb]
heart that it's [Ab] wrong. _ _ _
But your [Abm] thoughts are [E]
here and you're [Abm] _ making [Db] it clear
that [E] the one _ [Gb] you love _ [Ab] is wrong. _
_ Well, I can't say that you're right.
No.
_ [B] I _ _ _ _
_ _ _ [Bb] _ _ _ _ [A] _
_ _ _ [Ab] _ _ _ _ _
_ think [Gb] you're right. _ _ _
The _ _ [E] _ _ [Ab] _ one you're feeling is love.
[Gb] Go back. _
_ [F] _ _ [E] _ _ [Db] The one you're thinking of.
[Gb] Go _ _ _
_ _ _ [E] _ _ back.
[B] The one you [Gb] can't _ _ _ _
_ _ _ [Abm] see.
_ _ [E] _
_ _ _ [Abm] _ _ _ _ [E] _
_ Now [Abm] you look forward [E] to me.
Still [Abm] I can't help [Db] but see _ [E] you've been thinking [Gb] of him all [Ab] the time. _ _
_ And [Abm] you know that _ [E] _
_ when [Abm] you kiss me [Db]
tonight, _ [E] you could take [Gb] this _ _ [Ab] all my love.
_ _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ [Bb] What you doing out there, [A] you know _ _ [Ab] _ _ _ _ _
_ I'm thinking [Gb] of. _ _ _
_ _ _ [E] _ _ [G] He's the one [Db] you're feeling of.
[Gb] _ _ _ _ _
_ _ _ [E] _ _ [Eb] He's the one you're thinking _ [Gb] of. _ _ _ _
_ _ _ [E] _ _ _ [B] He's the one that you [Gb] can't.
[Dbm] _ _ _ [N] _ _ _ _ _ _ [B] _ _ _