Chords for Conspirare: A Musical Experience Like No Other
Tempo:
130.725 bpm
Chords used:
A
F#
F
A#
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [E] [F#m]
[D] Welcome, [A] we are honored by your [Em] presence.
Have a great evening.
This [B] is probably my 16th year of seeing Conspirare.
My wife and I came in from San Francisco just to hear Conspirare.
I [Em] say that it's like [F#] being on a journey with Conspirare.
Even our most traditional concerts aren't, and that's due to Craig.
He really likes to think outside the box.
We're singing this concert for each one of you individually.
It will hit you in different ways, it will [D#] be reflected in different ways through the prism of your own experience.
I was walking in and feeling like the newbie [G] and wasn't sure how I'd be received and everything.
It was just [F] sort of this big love fest, and it's not fake.
You hear all these great things [A] about this group down in Texas and you're [E] like, [A] well what is it?
And you realize that there's just [E] something different about it.
What keeps me singing with Conspirare really is this community of artists that Craig has created.
When you sing in choir sometimes it just follows what the [A] conductor wants solely.
So with Craig it was, [F#] well I don't know, what do you want to do with it?
And then, [F] in you can start.
All out the holly, put up [Dm] the tree before my spirit falls again.
I [A#] always want it to be a concert of remembering, allowing this to be a space that's just a big conversation and dialogue
[N] between centuries, texts from the 13th century and top 40 from last week.
I used to say you'd hear anything from St.
[C] Thomas Aquinas to the Beatles.
Everyone responds differently to [A#] music.
And if we really pigeonhole ourselves into one frame, yes we'll build an audience, but we won't [C] get our message across to everybody.
[C#]
Something in a text, something in [F#] a song will hit them [D] in a way that they're not expecting.
And that is the Conspirare difference.
There was a moment [N] in tonight's concert that somebody in the audience just [A] shouted out.
They just couldn't [Am] stop themselves.
That one shout [F] kind of broke that wall between the audience and the stage.
And everybody just started clapping and [F#] singing along and shouting.
[C] [G#] Energy and electricity and [C#] vibrancy and [F#] just flesh and blood of a live [C#] performance cannot be conveyed on a recording.
I call it when the whole room says yes.
It's an ensemble with a voice [F] to speak to [A#] humanity.
Let this be about words, [D#] music speaking again [Fm] and again to us, to our own hearts.
[A#]
[D] Welcome, [A] we are honored by your [Em] presence.
Have a great evening.
This [B] is probably my 16th year of seeing Conspirare.
My wife and I came in from San Francisco just to hear Conspirare.
I [Em] say that it's like [F#] being on a journey with Conspirare.
Even our most traditional concerts aren't, and that's due to Craig.
He really likes to think outside the box.
We're singing this concert for each one of you individually.
It will hit you in different ways, it will [D#] be reflected in different ways through the prism of your own experience.
I was walking in and feeling like the newbie [G] and wasn't sure how I'd be received and everything.
It was just [F] sort of this big love fest, and it's not fake.
You hear all these great things [A] about this group down in Texas and you're [E] like, [A] well what is it?
And you realize that there's just [E] something different about it.
What keeps me singing with Conspirare really is this community of artists that Craig has created.
When you sing in choir sometimes it just follows what the [A] conductor wants solely.
So with Craig it was, [F#] well I don't know, what do you want to do with it?
And then, [F] in you can start.
All out the holly, put up [Dm] the tree before my spirit falls again.
I [A#] always want it to be a concert of remembering, allowing this to be a space that's just a big conversation and dialogue
[N] between centuries, texts from the 13th century and top 40 from last week.
I used to say you'd hear anything from St.
[C] Thomas Aquinas to the Beatles.
Everyone responds differently to [A#] music.
And if we really pigeonhole ourselves into one frame, yes we'll build an audience, but we won't [C] get our message across to everybody.
[C#]
Something in a text, something in [F#] a song will hit them [D] in a way that they're not expecting.
And that is the Conspirare difference.
There was a moment [N] in tonight's concert that somebody in the audience just [A] shouted out.
They just couldn't [Am] stop themselves.
That one shout [F] kind of broke that wall between the audience and the stage.
And everybody just started clapping and [F#] singing along and shouting.
[C] [G#] Energy and electricity and [C#] vibrancy and [F#] just flesh and blood of a live [C#] performance cannot be conveyed on a recording.
I call it when the whole room says yes.
It's an ensemble with a voice [F] to speak to [A#] humanity.
Let this be about words, [D#] music speaking again [Fm] and again to us, to our own hearts.
[A#]
Key:
A
F#
F
A#
E
A
F#
F
_ [A] _ _ _ [E] _ [F#m] _ _ _
[D] Welcome, [A] we are honored by your [Em] presence.
Have a great evening.
This [B] is probably my _ 16th year of seeing Conspirare.
My wife and I came in from San Francisco just to hear Conspirare.
I [Em] say that it's like [F#] being on a journey with Conspirare.
Even our most traditional _ concerts _ aren't, and that's due to Craig.
He really likes to think outside the box.
We're singing this concert for each one of you individually.
It will hit you in different ways, it will [D#] be reflected in different ways through the prism of your own experience.
I _ was walking in and feeling like the newbie [G] and wasn't sure how I'd be received and everything.
It was just [F] sort of this big love fest, and it's not fake.
You hear all these great things [A] about this group down in Texas and you're [E] like, _ [A] well what is it?
And you realize that there's just [E] something different about it.
What keeps me singing with Conspirare really is this community of artists that Craig has created.
When you sing in choir sometimes it just follows what the [A] conductor wants solely.
So with Craig it was, _ [F#] well I don't know, what do you want to do with it?
And then, [F] _ in you can start.
All out the holly, _ _ put up [Dm] the tree before my _ spirit falls again. _
_ _ I [A#] always want it to be a concert of remembering, allowing this to be a space that's just a big conversation and dialogue
[N] between centuries, texts from the 13th century and top 40 from last week.
I used to say you'd hear anything from St.
[C] Thomas Aquinas to the Beatles.
Everyone responds differently to [A#] music.
And if we really pigeonhole ourselves into one frame, _ yes we'll build an audience, but we won't [C] get our message across to everybody.
_ [C#] _ _
_ _ Something in a text, something in [F#] a song will hit them [D] in a way that they're not expecting.
_ _ And that is the Conspirare difference.
There was a moment [N] in tonight's concert that somebody in the audience just [A] shouted out.
They just couldn't [Am] stop themselves.
That one shout [F] kind of broke that wall between the audience and the stage.
And everybody just started clapping and [F#] singing along and shouting. _ _ _
_ _ [C] _ _ [G#] Energy and electricity and [C#] vibrancy and [F#] just flesh and blood of a live [C#] performance cannot be conveyed on a recording.
I call it when the whole room says yes.
It's an ensemble _ with a voice [F] to speak to [A#] humanity.
Let this be about words, [D#] music speaking _ again [Fm] and again to us, to our own hearts.
_ _ [A#] _ _ _ _ _ _ _ _ _
[D] Welcome, [A] we are honored by your [Em] presence.
Have a great evening.
This [B] is probably my _ 16th year of seeing Conspirare.
My wife and I came in from San Francisco just to hear Conspirare.
I [Em] say that it's like [F#] being on a journey with Conspirare.
Even our most traditional _ concerts _ aren't, and that's due to Craig.
He really likes to think outside the box.
We're singing this concert for each one of you individually.
It will hit you in different ways, it will [D#] be reflected in different ways through the prism of your own experience.
I _ was walking in and feeling like the newbie [G] and wasn't sure how I'd be received and everything.
It was just [F] sort of this big love fest, and it's not fake.
You hear all these great things [A] about this group down in Texas and you're [E] like, _ [A] well what is it?
And you realize that there's just [E] something different about it.
What keeps me singing with Conspirare really is this community of artists that Craig has created.
When you sing in choir sometimes it just follows what the [A] conductor wants solely.
So with Craig it was, _ [F#] well I don't know, what do you want to do with it?
And then, [F] _ in you can start.
All out the holly, _ _ put up [Dm] the tree before my _ spirit falls again. _
_ _ I [A#] always want it to be a concert of remembering, allowing this to be a space that's just a big conversation and dialogue
[N] between centuries, texts from the 13th century and top 40 from last week.
I used to say you'd hear anything from St.
[C] Thomas Aquinas to the Beatles.
Everyone responds differently to [A#] music.
And if we really pigeonhole ourselves into one frame, _ yes we'll build an audience, but we won't [C] get our message across to everybody.
_ [C#] _ _
_ _ Something in a text, something in [F#] a song will hit them [D] in a way that they're not expecting.
_ _ And that is the Conspirare difference.
There was a moment [N] in tonight's concert that somebody in the audience just [A] shouted out.
They just couldn't [Am] stop themselves.
That one shout [F] kind of broke that wall between the audience and the stage.
And everybody just started clapping and [F#] singing along and shouting. _ _ _
_ _ [C] _ _ [G#] Energy and electricity and [C#] vibrancy and [F#] just flesh and blood of a live [C#] performance cannot be conveyed on a recording.
I call it when the whole room says yes.
It's an ensemble _ with a voice [F] to speak to [A#] humanity.
Let this be about words, [D#] music speaking _ again [Fm] and again to us, to our own hearts.
_ _ [A#] _ _ _ _ _ _ _ _ _