Chords for Chuck Berry Plays Sweet Little Sixteen and Johnny B. Goode - Rare Concert Footage
Tempo:
157.45 bpm
Chords used:
Bb
Eb
C
G
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
When people [N] see how smoothly this show proceeds, they often wonder about the split-second timing that must go on backstage.
Why, we get one or two letters a year asking to see some of that split-second backstage timing.
So I thought I'd tell you about some of it.
For instance, recently [Bb] we had Chuck Berry drop by.
And when you have a name that great, you give him what he wants.
Now Chuck Berry came expecting to find someone at the door with a band and a guitar of his own special choosing.
Our producer met him at the door, without the band and with the wrong guitar.
Fortunately for us, Chuck Berry is very patient.
And in the audience that night were David Brown, he's a bass guitarist from Santana, and a couple of other
Bossa, beat [F] for me, yeah.
[Bb]
[Eb]
[Bb] Even if I go head on in F, you go on in B flat.
[Eb]
[Bb] They're really rockin' in Bossa.
[Eb] [Bb]
[Eb]
[Bb] [Eb]
[Bb]
Hey, what's up?
Give me a
He thought we were playing alley-oop that time, okay.
They're really rockin' in Bossa.
A [Eb] Pittsburgh, D.A.
Deep in the [Bb] heart of Texas.
At Rama [Eb] Pistovi.
All [Ab] over St.
Louis.
[Fm] Way down in New [Eb]
Orleans.
Everybody [Bb] wants to dance with
Sweet [Eb] Little Things.
[Bb] Sweet Little Things.
Sweet Little Things.
You just [Eb] got to have
[Bb] About a half a million
Painted [Eb]
autographs.
While they're [Ab] filled with pictures.
You get to one by [Eb]
one
[Bb] Become so excited.
Watch her [Bm] look at her arms, oh.
[Eb] Oh, mommy, mommy.
Please, may I go?
Just to [Bb] decide to see
Somebody do a [Eb] show.
[Bb] Oh, daddy, daddy.
I beg of you.
Whisper to mommy.
It's all right [Eb] with you.
Cause [Bb] they be rockin' on Main.
A Philadelphia, [Eb] Pierre.
Deep in [Bb] the heart of Texas.
At Rama [Eb] Pistovi.
All over St.
Louis.
Way down in New Orleans.
Everybody [Bb] wants to dance with
Sweet [Eb] Little Things.
[Bb]
Sweet Little Things.
Got the grown [Eb] up blues.
[Bb] Many skirts and lipstick.
Sometimes don't [Eb] wear shoes.
[Bb] Oh, but [Ab] tomorrow morning
[Bb] You'll have to [Eb] change your train.
[Bb] And be sweet 16.
Go back to class [Eb] again.
[Bb] Cause they be rockin' on
Philadelphia, [Eb] Pierre.
Deep in the [A] heart of [Bb] Texas.
At Rama Pistovi.
[Eb]
All over St.
Louis.
Way down in New Orleans.
[Bb] Everybody wants to dance with
Sweet Little [Eb] Things.
[D]
[Eb]
Sweet Little Things.
[Gm]
[Cm]
[G]
[C]
[Eb]
[B] [C]
[G] [C] Deep down in Louisiana.
Across the New Orleans.
Way back up in the woods up in the Evergreens.
[F] Stood a long cabin made of earth and wood.
[C] Where lived a country boy named Johnny B.
[Gm] Goode.
Who never ever learned to read or write well.
But he [Cm] could play a guitar and do like a [Bb] reggae.
Go, [C] go.
Go, Johnny, go.
Go, Johnny.
[F]
[Cm] Say, go, Johnny, go.
[G] Go, go, go.
Johnny [C] B.
Goode.
[G] [C] He used to carry his guitar in a gunny sack.
Go sit beneath the tree by the gunny sack.
[F] Old engineer would see him spittin' in the shade.
[C] Strummin' with the rhythm that the drivers made.
[G] When people passed him by they would stop and say.
[Cm] Oh my, but that little country boy could play.
Go, go.
Go, Johnny, go.
Go, Johnny, go.
Go, [G]
Johnny, go.
[Cm] Go, Johnny, [G] go.
Go, go, go.
Johnny [C] B.
Goode.
[Cm]
[A]
[C]
[G] [A]
[C]
[G] [C] [G]
[Bb] [F] [Cm]
[C]
[G]
[Em]
[Cm] [C]
[E] [Am]
[C]
[A] [D]
[C]
[G] [Gm] His mother told him someday you will be a man.
You will be the leader of [Bb] a big old band.
[G] Many people comin' from miles around.
[Cm] To hear you play your music when the sun goes down.
[G] Maybe someday your name will be back in line.
[C] Say, Johnny B.
Goode.
Go, go.
Go, Johnny, go.
Go, Johnny, go.
Go, Johnny, go.
Go, Johnny, go.
[G] Go, [Cm]
Johnny, go.
[G] Johnny B.
Goode.
[Bb] [Cm]
[C]
[Em]
[C]
[G] [Cm]
[A] [G]
[C]
[G]
[A] [Gm] [C]
[Gm]
Why, we get one or two letters a year asking to see some of that split-second backstage timing.
So I thought I'd tell you about some of it.
For instance, recently [Bb] we had Chuck Berry drop by.
And when you have a name that great, you give him what he wants.
Now Chuck Berry came expecting to find someone at the door with a band and a guitar of his own special choosing.
Our producer met him at the door, without the band and with the wrong guitar.
Fortunately for us, Chuck Berry is very patient.
And in the audience that night were David Brown, he's a bass guitarist from Santana, and a couple of other
Bossa, beat [F] for me, yeah.
[Bb]
[Eb]
[Bb] Even if I go head on in F, you go on in B flat.
[Eb]
[Bb] They're really rockin' in Bossa.
[Eb] [Bb]
[Eb]
[Bb] [Eb]
[Bb]
Hey, what's up?
Give me a
He thought we were playing alley-oop that time, okay.
They're really rockin' in Bossa.
A [Eb] Pittsburgh, D.A.
Deep in the [Bb] heart of Texas.
At Rama [Eb] Pistovi.
All [Ab] over St.
Louis.
[Fm] Way down in New [Eb]
Orleans.
Everybody [Bb] wants to dance with
Sweet [Eb] Little Things.
[Bb] Sweet Little Things.
Sweet Little Things.
You just [Eb] got to have
[Bb] About a half a million
Painted [Eb]
autographs.
While they're [Ab] filled with pictures.
You get to one by [Eb]
one
[Bb] Become so excited.
Watch her [Bm] look at her arms, oh.
[Eb] Oh, mommy, mommy.
Please, may I go?
Just to [Bb] decide to see
Somebody do a [Eb] show.
[Bb] Oh, daddy, daddy.
I beg of you.
Whisper to mommy.
It's all right [Eb] with you.
Cause [Bb] they be rockin' on Main.
A Philadelphia, [Eb] Pierre.
Deep in [Bb] the heart of Texas.
At Rama [Eb] Pistovi.
All over St.
Louis.
Way down in New Orleans.
Everybody [Bb] wants to dance with
Sweet [Eb] Little Things.
[Bb]
Sweet Little Things.
Got the grown [Eb] up blues.
[Bb] Many skirts and lipstick.
Sometimes don't [Eb] wear shoes.
[Bb] Oh, but [Ab] tomorrow morning
[Bb] You'll have to [Eb] change your train.
[Bb] And be sweet 16.
Go back to class [Eb] again.
[Bb] Cause they be rockin' on
Philadelphia, [Eb] Pierre.
Deep in the [A] heart of [Bb] Texas.
At Rama Pistovi.
[Eb]
All over St.
Louis.
Way down in New Orleans.
[Bb] Everybody wants to dance with
Sweet Little [Eb] Things.
[D]
[Eb]
Sweet Little Things.
[Gm]
[Cm]
[G]
[C]
[Eb]
[B] [C]
[G] [C] Deep down in Louisiana.
Across the New Orleans.
Way back up in the woods up in the Evergreens.
[F] Stood a long cabin made of earth and wood.
[C] Where lived a country boy named Johnny B.
[Gm] Goode.
Who never ever learned to read or write well.
But he [Cm] could play a guitar and do like a [Bb] reggae.
Go, [C] go.
Go, Johnny, go.
Go, Johnny.
[F]
[Cm] Say, go, Johnny, go.
[G] Go, go, go.
Johnny [C] B.
Goode.
[G] [C] He used to carry his guitar in a gunny sack.
Go sit beneath the tree by the gunny sack.
[F] Old engineer would see him spittin' in the shade.
[C] Strummin' with the rhythm that the drivers made.
[G] When people passed him by they would stop and say.
[Cm] Oh my, but that little country boy could play.
Go, go.
Go, Johnny, go.
Go, Johnny, go.
Go, [G]
Johnny, go.
[Cm] Go, Johnny, [G] go.
Go, go, go.
Johnny [C] B.
Goode.
[Cm]
[A]
[C]
[G] [A]
[C]
[G] [C] [G]
[Bb] [F] [Cm]
[C]
[G]
[Em]
[Cm] [C]
[E] [Am]
[C]
[A] [D]
[C]
[G] [Gm] His mother told him someday you will be a man.
You will be the leader of [Bb] a big old band.
[G] Many people comin' from miles around.
[Cm] To hear you play your music when the sun goes down.
[G] Maybe someday your name will be back in line.
[C] Say, Johnny B.
Goode.
Go, go.
Go, Johnny, go.
Go, Johnny, go.
Go, Johnny, go.
Go, Johnny, go.
[G] Go, [Cm]
Johnny, go.
[G] Johnny B.
Goode.
[Bb] [Cm]
[C]
[Em]
[C]
[G] [Cm]
[A] [G]
[C]
[G]
[A] [Gm] [C]
[Gm]
Key:
Bb
Eb
C
G
Cm
Bb
Eb
C
_ _ _ When people [N] see how smoothly this show proceeds, they often wonder about the split-second timing that must go on backstage.
Why, we get one or two letters a year asking to see some of that split-second backstage timing.
So I thought I'd tell you about some of it.
For instance, recently [Bb] we had Chuck Berry drop by.
And when you have a name that great, you give him what he wants.
Now Chuck Berry came expecting to find someone at the door with a band and a guitar of his own special choosing.
_ _ _ Our producer met him at the door, _ without the band and with the wrong guitar.
_ Fortunately for us, Chuck Berry is very patient.
And in the audience that night were David Brown, he's a bass guitarist from Santana, and a couple of other_ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Bossa, beat [F] for me, yeah.
_ [Bb] _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ [Bb] _ Even if I go head on in F, you go on in B flat.
_ [Eb] _ _ _ _
[Bb] _ _ _ _ _ They're really rockin' in Bossa. _ _ _ _ _ _
[Eb] _ _ [Bb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Eb] _ _ _
[Bb] _ _ _ _ _ [Eb] _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ Hey, what's up? _ _ _
_ Give me a_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ He thought we were playing alley-oop that time, okay.
_ _ _ _ _ They're really rockin' in Bossa.
_ _ _ A [Eb] Pittsburgh, D.A.
_ _ Deep in the [Bb] heart of Texas.
_ _ At Rama [Eb] Pistovi.
_ _ _ _ All [Ab] over St.
Louis.
_ _ [Fm] Way down in New [Eb]
Orleans.
_ _ _ Everybody [Bb] wants to dance _ with_
Sweet [Eb] Little Things.
_ _ _ [Bb] _ _ Sweet Little Things.
Sweet Little Things.
_ _ You just [Eb] got to have_
_ _ _ [Bb] About a half a _ _ million_
Painted [Eb] _ _
_ autographs.
While they're [Ab] filled with pictures.
_ You get to one by [Eb] _ _
one_
_ [Bb] Become so excited.
_ _ _ Watch her [Bm] look at her arms, oh.
_ [Eb] Oh, mommy, mommy.
_ _ Please, may I go? _
_ _ Just to [Bb] decide to see_
_ _ Somebody do a [Eb] show. _
[Bb] _ Oh, daddy, daddy. _
_ I beg of you. _ _
_ _ _ Whisper to mommy. _
_ It's all right [Eb] with you. _ _
Cause [Bb] they be rockin' on Main. _ _
A Philadelphia, [Eb] _ Pierre. _ _
Deep in [Bb] the heart of Texas. _ _ _
At Rama _ [Eb] Pistovi. _ _ _
All over St.
Louis.
Way _ _ down in New Orleans. _ _ _
Everybody [Bb] wants to dance with_
Sweet [Eb] Little Things.
_ _ _ _ [Bb] _
_ Sweet Little Things. _ _ _ _
Got the grown [Eb] up blues. _ _ _
[Bb] Many skirts and lipstick. _ _ _
_ Sometimes don't [Eb] wear shoes. _ _
[Bb] Oh, but [Ab] tomorrow _ morning_ _
[Bb] You'll have to [Eb] change your train. _ _ _
[Bb] And be sweet 16. _ _ _
Go back to class [Eb] again. _ _ _
[Bb] Cause they be rockin' _ _ _ on_
Philadelphia, [Eb] Pierre. _ _ _
_ Deep in the [A] heart of [Bb] Texas. _
_ At Rama Pistovi.
[Eb] _ _ _ _
_ All over St.
Louis. _
_ Way down in New Orleans. _ _
_ _ _ [Bb] Everybody wants to dance with_
Sweet Little [Eb] Things. _ _ _
_ _ _ [D] _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
Sweet Little Things. _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ [Eb] _ _ _
_ _ [B] _ _ _ [C] _ _ _
_ [G] _ _ _ [C] Deep down in Louisiana.
Across the New Orleans.
Way back up in the woods up in the Evergreens.
[F] Stood a long cabin made of earth and wood.
[C] Where lived a country boy named Johnny B.
[Gm] Goode.
Who never ever learned to read or write well.
But he [Cm] could play a guitar and do like a [Bb] reggae.
Go, [C] go. _
Go, Johnny, go.
Go, _ _ _ Johnny.
_ [F] _ _ _ _ _
_ _ [Cm] Say, go, Johnny, go. _
_ _ _ [G] _ Go, go, go.
Johnny [C] B.
Goode. _ _
[G] _ _ [C] He used to carry his guitar in a gunny sack.
Go sit beneath the tree by the gunny sack.
[F] Old engineer would see him spittin' in the shade.
[C] Strummin' with the rhythm that the drivers made.
[G] When people passed him by they would stop and say.
[Cm] Oh my, but that little country boy could play.
Go, go. _ _
Go, Johnny, go.
_ _ _ Go, Johnny, go.
Go, [G] _ _ _
Johnny, go.
[Cm] _ Go, _ _ Johnny, [G] go.
Go, go, go.
Johnny [C] B.
Goode. _ _
_ _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ [G] _ _ _ _ [A] _ _ _
_ _ _ _ [C] _ _ _ _
[G] _ _ _ [C] _ _ [G] _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ [Cm] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ [Cm] _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ [Am] _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ _ _ [C] _ _ _ _ _
[G] _ _ [Gm] His mother told him someday you will be a man.
You will be the leader of [Bb] a big old band.
[G] Many people comin' from miles around.
[Cm] To hear you play your music when the sun goes down.
[G] Maybe someday your name will be back in line.
[C] Say, Johnny B.
Goode.
Go, go.
Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ _ [G] Go, _ _ [Cm] _
_ Johnny, go.
[G] Johnny B.
Goode. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ [C] _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ [G] _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Gm] _ _ [C] _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Why, we get one or two letters a year asking to see some of that split-second backstage timing.
So I thought I'd tell you about some of it.
For instance, recently [Bb] we had Chuck Berry drop by.
And when you have a name that great, you give him what he wants.
Now Chuck Berry came expecting to find someone at the door with a band and a guitar of his own special choosing.
_ _ _ Our producer met him at the door, _ without the band and with the wrong guitar.
_ Fortunately for us, Chuck Berry is very patient.
And in the audience that night were David Brown, he's a bass guitarist from Santana, and a couple of other_ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Bossa, beat [F] for me, yeah.
_ [Bb] _ _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ [Bb] _ Even if I go head on in F, you go on in B flat.
_ [Eb] _ _ _ _
[Bb] _ _ _ _ _ They're really rockin' in Bossa. _ _ _ _ _ _
[Eb] _ _ [Bb] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Eb] _ _ _
[Bb] _ _ _ _ _ [Eb] _ _ _
_ _ _ [Bb] _ _ _ _ _
_ _ Hey, what's up? _ _ _
_ Give me a_ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ He thought we were playing alley-oop that time, okay.
_ _ _ _ _ They're really rockin' in Bossa.
_ _ _ A [Eb] Pittsburgh, D.A.
_ _ Deep in the [Bb] heart of Texas.
_ _ At Rama [Eb] Pistovi.
_ _ _ _ All [Ab] over St.
Louis.
_ _ [Fm] Way down in New [Eb]
Orleans.
_ _ _ Everybody [Bb] wants to dance _ with_
Sweet [Eb] Little Things.
_ _ _ [Bb] _ _ Sweet Little Things.
Sweet Little Things.
_ _ You just [Eb] got to have_
_ _ _ [Bb] About a half a _ _ million_
Painted [Eb] _ _
_ autographs.
While they're [Ab] filled with pictures.
_ You get to one by [Eb] _ _
one_
_ [Bb] Become so excited.
_ _ _ Watch her [Bm] look at her arms, oh.
_ [Eb] Oh, mommy, mommy.
_ _ Please, may I go? _
_ _ Just to [Bb] decide to see_
_ _ Somebody do a [Eb] show. _
[Bb] _ Oh, daddy, daddy. _
_ I beg of you. _ _
_ _ _ Whisper to mommy. _
_ It's all right [Eb] with you. _ _
Cause [Bb] they be rockin' on Main. _ _
A Philadelphia, [Eb] _ Pierre. _ _
Deep in [Bb] the heart of Texas. _ _ _
At Rama _ [Eb] Pistovi. _ _ _
All over St.
Louis.
Way _ _ down in New Orleans. _ _ _
Everybody [Bb] wants to dance with_
Sweet [Eb] Little Things.
_ _ _ _ [Bb] _
_ Sweet Little Things. _ _ _ _
Got the grown [Eb] up blues. _ _ _
[Bb] Many skirts and lipstick. _ _ _
_ Sometimes don't [Eb] wear shoes. _ _
[Bb] Oh, but [Ab] tomorrow _ morning_ _
[Bb] You'll have to [Eb] change your train. _ _ _
[Bb] And be sweet 16. _ _ _
Go back to class [Eb] again. _ _ _
[Bb] Cause they be rockin' _ _ _ on_
Philadelphia, [Eb] Pierre. _ _ _
_ Deep in the [A] heart of [Bb] Texas. _
_ At Rama Pistovi.
[Eb] _ _ _ _
_ All over St.
Louis. _
_ Way down in New Orleans. _ _
_ _ _ [Bb] Everybody wants to dance with_
Sweet Little [Eb] Things. _ _ _
_ _ _ [D] _ _ _ _ _
_ [Eb] _ _ _ _ _ _ _
Sweet Little Things. _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ [Eb] _ _ _
_ _ [B] _ _ _ [C] _ _ _
_ [G] _ _ _ [C] Deep down in Louisiana.
Across the New Orleans.
Way back up in the woods up in the Evergreens.
[F] Stood a long cabin made of earth and wood.
[C] Where lived a country boy named Johnny B.
[Gm] Goode.
Who never ever learned to read or write well.
But he [Cm] could play a guitar and do like a [Bb] reggae.
Go, [C] go. _
Go, Johnny, go.
Go, _ _ _ Johnny.
_ [F] _ _ _ _ _
_ _ [Cm] Say, go, Johnny, go. _
_ _ _ [G] _ Go, go, go.
Johnny [C] B.
Goode. _ _
[G] _ _ [C] He used to carry his guitar in a gunny sack.
Go sit beneath the tree by the gunny sack.
[F] Old engineer would see him spittin' in the shade.
[C] Strummin' with the rhythm that the drivers made.
[G] When people passed him by they would stop and say.
[Cm] Oh my, but that little country boy could play.
Go, go. _ _
Go, Johnny, go.
_ _ _ Go, Johnny, go.
Go, [G] _ _ _
Johnny, go.
[Cm] _ Go, _ _ Johnny, [G] go.
Go, go, go.
Johnny [C] B.
Goode. _ _
_ _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ [G] _ _ _ _ [A] _ _ _
_ _ _ _ [C] _ _ _ _
[G] _ _ _ [C] _ _ [G] _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ [Cm] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ [Cm] _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ [Am] _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [D] _ _
_ _ _ [C] _ _ _ _ _
[G] _ _ [Gm] His mother told him someday you will be a man.
You will be the leader of [Bb] a big old band.
[G] Many people comin' from miles around.
[Cm] To hear you play your music when the sun goes down.
[G] Maybe someday your name will be back in line.
[C] Say, Johnny B.
Goode.
Go, go.
Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ Go, Johnny, go. _
_ _ _ [G] Go, _ _ [Cm] _
_ Johnny, go.
[G] Johnny B.
Goode. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bb] _ _ _ _ _ _ [Cm] _ _
_ _ _ _ _ [C] _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ [G] _ _ _ [Cm] _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Gm] _ _ [C] _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _