Chords for Chris Martin performs "yellow" in the Live Lounge
Tempo:
127.5 bpm
Chords used:
B
F#
E
G#
D#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
This song.
I think it's okay.
[G#] Wake up right now.
Get out of [A#] your bed.
With Nick Grimshaw.
[D#] We could talk about.
The T.T.
That's all [G#] everyone is talking about.
I [Gm] have been.
Are you asleep?
All you need to do is sniff out the sausage eater.
[Cm] Oh my gosh.
Just wake up.
Hi, Grim.
[Gm] We're in your studio.
[G#] Morning, [A] everybody.
Just got an 8 [Cm] a.m.
Monday morning on BBC Radio 1 [A#] and Live Lounge Month is on.
It kicked [G#] off on Friday.
Clara brought you [Cm] the Foo Fighters.
Live from L.A. and today [G#m] at midday.
[Gm] Make sure you are listening as it will continue.
Chris Martin [C]
going to be in the live lounge midday today [A#] on Radio 1.
Right [Gm] now, we're going to cross over [G#] live [C] to Malibu and say hello [A#] and good morning or
good evening to Chris Martin.
[G#] Hello.
Hello, Nick.
How you doing?
I'm really good.
How are you?
I'm happy to speak to you.
[F#] Nice to talk to you as well.
How's it going over there? It's wonderful.
We've got lots of British people here.
All stayed up really late to do the latest breakfast session ever or the earliest breakfast
session, but it's wonderful.
Yeah, but exciting.
I mean, I think this is such a treat for everybody.
Monday morning, it's slightly different weather temperature, I imagine, to Malibu.
It's a little bit drizzly, a little bit miserable.
It definitely feels a bit Monday today.
It's drizzle-able.
That's what you're trying to say.
It's drizzle-able, Chris.
Yeah.
But it's not going to be Chris-able when Chris Martin performs for us.
Sorry.
No, it's all right, man.
Terrible.
You want me to play?
[B] How are you doing, though?
Yeah, no, I'm good.
I'm really, really good.
I'm really good.
We're really looking forward to this.
So should we just do this?
I mean, I was going to have a chat.
Yeah, of course.
If the piano's already on, let's do this, Chris.
The piano's switched on, I've learned the song.
Let's just do it.
He's turned it on.
Has it got batteries in yet?
Three, uh, zero, seven.
Yep.
Other ones are available.
It's true.
There are plenty of other batteries.
This is called Yellow.
[B]
Look at the sky.
Look at the stars.
Look how they shine for you.
All the things you [E] do, they were [E] all yellow.
[B] I came [F#] along,
[B] wrote a song for [F#] you.
[B] [F#] Everything you [E] do, [B]
it was called Yellow.
[F#]
[B] Then I took my [F#]
turn.
[B] What a thing to do.
[E] [E]
[B]
[F#] [D#m] [E]
[G#m] [F#]
[E]
[G#m] [F#] [E]
[G#] [F#]
[E] [B]
[D#m]
[B] [D#m]
[E]
[B]
[F#] [B]
[F#] I came along, wrote a song for you.
What a thing to [E] do.
[B]
Cause you were all yellow.
[B] I drew a [F#] line for you.
[B] [F#]
What a thing to [B] do.
[E] You were all yellow.
[F#]
[D#m] [E]
Your skin.
[F#] Oh, yeah.
Your skin and [E] bones turn [G#]
into [F#] snow.
For [G#m] you [F#] I bleed [F#] myself dry For [E]
you I bleed [B] myself it's true
Look how they shine [F#] for you Look [D#m] how they shine [E] for you
Look how they shine [B] for
[F#] you Look how they [D#m] shine for [E] you
[B] [E] Look how they shine for [B] you Look at the [F#] stars
[B] Look how they shine [F#m] for you [C#m] All the things that [E] you do
That's the end.
[B] Thank you.
[G#] [N]
I think it's okay.
[G#] Wake up right now.
Get out of [A#] your bed.
With Nick Grimshaw.
[D#] We could talk about.
The T.T.
That's all [G#] everyone is talking about.
I [Gm] have been.
Are you asleep?
All you need to do is sniff out the sausage eater.
[Cm] Oh my gosh.
Just wake up.
Hi, Grim.
[Gm] We're in your studio.
[G#] Morning, [A] everybody.
Just got an 8 [Cm] a.m.
Monday morning on BBC Radio 1 [A#] and Live Lounge Month is on.
It kicked [G#] off on Friday.
Clara brought you [Cm] the Foo Fighters.
Live from L.A. and today [G#m] at midday.
[Gm] Make sure you are listening as it will continue.
Chris Martin [C]
going to be in the live lounge midday today [A#] on Radio 1.
Right [Gm] now, we're going to cross over [G#] live [C] to Malibu and say hello [A#] and good morning or
good evening to Chris Martin.
[G#] Hello.
Hello, Nick.
How you doing?
I'm really good.
How are you?
I'm happy to speak to you.
[F#] Nice to talk to you as well.
How's it going over there? It's wonderful.
We've got lots of British people here.
All stayed up really late to do the latest breakfast session ever or the earliest breakfast
session, but it's wonderful.
Yeah, but exciting.
I mean, I think this is such a treat for everybody.
Monday morning, it's slightly different weather temperature, I imagine, to Malibu.
It's a little bit drizzly, a little bit miserable.
It definitely feels a bit Monday today.
It's drizzle-able.
That's what you're trying to say.
It's drizzle-able, Chris.
Yeah.
But it's not going to be Chris-able when Chris Martin performs for us.
Sorry.
No, it's all right, man.
Terrible.
You want me to play?
[B] How are you doing, though?
Yeah, no, I'm good.
I'm really, really good.
I'm really good.
We're really looking forward to this.
So should we just do this?
I mean, I was going to have a chat.
Yeah, of course.
If the piano's already on, let's do this, Chris.
The piano's switched on, I've learned the song.
Let's just do it.
He's turned it on.
Has it got batteries in yet?
Three, uh, zero, seven.
Yep.
Other ones are available.
It's true.
There are plenty of other batteries.
This is called Yellow.
[B]
Look at the sky.
Look at the stars.
Look how they shine for you.
All the things you [E] do, they were [E] all yellow.
[B] I came [F#] along,
[B] wrote a song for [F#] you.
[B] [F#] Everything you [E] do, [B]
it was called Yellow.
[F#]
[B] Then I took my [F#]
turn.
[B] What a thing to do.
[E] [E]
[B]
[F#] [D#m] [E]
[G#m] [F#]
[E]
[G#m] [F#] [E]
[G#] [F#]
[E] [B]
[D#m]
[B] [D#m]
[E]
[B]
[F#] [B]
[F#] I came along, wrote a song for you.
What a thing to [E] do.
[B]
Cause you were all yellow.
[B] I drew a [F#] line for you.
[B] [F#]
What a thing to [B] do.
[E] You were all yellow.
[F#]
[D#m] [E]
Your skin.
[F#] Oh, yeah.
Your skin and [E] bones turn [G#]
into [F#] snow.
For [G#m] you [F#] I bleed [F#] myself dry For [E]
you I bleed [B] myself it's true
Look how they shine [F#] for you Look [D#m] how they shine [E] for you
Look how they shine [B] for
[F#] you Look how they [D#m] shine for [E] you
[B] [E] Look how they shine for [B] you Look at the [F#] stars
[B] Look how they shine [F#m] for you [C#m] All the things that [E] you do
That's the end.
[B] Thank you.
[G#] [N]
Key:
B
F#
E
G#
D#m
B
F#
E
This song.
I think it's okay.
[G#] Wake up right now.
Get out of [A#] your bed.
With Nick Grimshaw.
[D#] We could talk about.
The T.T.
That's all [G#] everyone is talking about.
I [Gm] have been.
Are you asleep?
All you need to do is sniff out the sausage eater.
[Cm] Oh my gosh.
Just wake up.
Hi, Grim.
[Gm] We're in your studio.
_ _ [G#] Morning, [A] everybody.
Just got an 8 [Cm] a.m.
Monday morning on BBC Radio 1 [A#] and Live Lounge Month is on.
It kicked [G#] off on Friday.
Clara brought you [Cm] the Foo Fighters.
Live from L.A. and today [G#m] at midday.
[Gm] Make sure you are listening as it will continue.
Chris Martin [C]
going to be in the live lounge midday today [A#] on Radio 1.
Right [Gm] now, we're going to cross over [G#] live [C] to Malibu and say hello [A#] and good morning or
good evening to Chris Martin.
[G#] Hello.
Hello, Nick.
How you doing?
I'm really good.
How are you?
I'm happy to speak to you.
[F#] Nice to talk to you as well.
How's it going over there? It's wonderful.
We've got lots of British people here.
All stayed up really late to do the latest breakfast session ever or the earliest breakfast
session, but it's wonderful.
Yeah, but exciting.
I mean, I think this is such a treat for everybody.
Monday morning, it's slightly different weather temperature, I imagine, to Malibu.
It's a little bit drizzly, a little bit miserable.
It definitely feels a bit Monday today.
It's drizzle-able.
That's what you're trying to say.
It's drizzle-able, Chris.
Yeah.
But it's not going to be Chris-able when Chris Martin performs for us.
Sorry.
No, it's all right, man.
Terrible.
You want me to play?
_ [B] _ How are you doing, though? _
Yeah, no, I'm good.
I'm really, really good.
I'm really good.
We're really looking forward to this.
So should we just do this?
I mean, I was going to have a chat.
Yeah, of course.
If the piano's already on, let's do this, Chris.
The piano's switched on, I've learned the song.
Let's just do it.
He's turned it on.
Has it got batteries in yet?
Three, uh, zero, seven. _
Yep.
Other ones are available.
_ It's true.
There are plenty of other batteries.
This is called Yellow.
[B] _ _ _
_ _ _ _ _ _ _ _
Look at the sky.
Look at the stars.
_ Look how they shine for you. _ _ _
_ _ All the things you [E] do, _ _ _ _ _ _ they were [E] all yellow.
[B] _ I came [F#] along, _
[B] _ wrote a song for _ [F#] you.
_ [B] _ _ [F#] _ _ Everything you [E] do, _ [B] _ _ _
it was called Yellow.
[F#] _ _ _ _
_ [B] _ Then I took my [F#] _
turn.
_ [B] _ _ What a thing to do.
_ [E] _ _ _ _ _ [E] _
_ _ _ _ _ [B] _ _ _
[F#] _ _ [D#m] _ _ _ _ _ [E] _
_ _ _ _ [G#m] _ _ [F#] _ _
_ _ [E] _ _ _ _ _ _
[G#m] _ _ [F#] _ _ _ _ [E] _ _
_ _ _ [G#] _ _ _ [F#] _ _
_ [E] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#m] _ _
_ _ _ [B] _ _ _ _ [D#m] _
_ _ _ [E] _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ [F#] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
[F#] I came along, wrote a song for you. _ _ _ _
What a thing to _ [E] do.
_ [B] _
_ Cause you were all yellow.
[B] I drew _ _ _ _ a [F#] line for you.
[B] _ _ _ [F#] _
What a thing to [B] do. _ _ _
_ [E] You were all yellow.
[F#] _ _
_ _ [D#m] _ _ _ _ _ [E] _
Your skin.
_ [F#] Oh, yeah.
Your skin and [E] bones turn _ _ [G#]
into [F#] snow.
_ _ _ _ For _ _ [G#m] _ you [F#] I bleed [F#] myself dry For _ [E] _
you I bleed [B] myself it's true _
_ Look how they shine [F#] for you _ _ Look [D#m] how they shine [E] for you _ _ _
Look how they shine [B] for _ _ _ _
_ _ _ _ _ _ [F#] you _ _ Look how they [D#m] shine for [E] you
_ [B] _ _ [E] Look how they shine for [B] you Look at the [F#] stars
_ [B] Look how they shine [F#m] for you _ [C#m] _ _ _ All the things that [E] you do
_ That's _ _ the end.
[B] _ _ Thank you.
_ _ _ _ _ [G#] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
I think it's okay.
[G#] Wake up right now.
Get out of [A#] your bed.
With Nick Grimshaw.
[D#] We could talk about.
The T.T.
That's all [G#] everyone is talking about.
I [Gm] have been.
Are you asleep?
All you need to do is sniff out the sausage eater.
[Cm] Oh my gosh.
Just wake up.
Hi, Grim.
[Gm] We're in your studio.
_ _ [G#] Morning, [A] everybody.
Just got an 8 [Cm] a.m.
Monday morning on BBC Radio 1 [A#] and Live Lounge Month is on.
It kicked [G#] off on Friday.
Clara brought you [Cm] the Foo Fighters.
Live from L.A. and today [G#m] at midday.
[Gm] Make sure you are listening as it will continue.
Chris Martin [C]
going to be in the live lounge midday today [A#] on Radio 1.
Right [Gm] now, we're going to cross over [G#] live [C] to Malibu and say hello [A#] and good morning or
good evening to Chris Martin.
[G#] Hello.
Hello, Nick.
How you doing?
I'm really good.
How are you?
I'm happy to speak to you.
[F#] Nice to talk to you as well.
How's it going over there? It's wonderful.
We've got lots of British people here.
All stayed up really late to do the latest breakfast session ever or the earliest breakfast
session, but it's wonderful.
Yeah, but exciting.
I mean, I think this is such a treat for everybody.
Monday morning, it's slightly different weather temperature, I imagine, to Malibu.
It's a little bit drizzly, a little bit miserable.
It definitely feels a bit Monday today.
It's drizzle-able.
That's what you're trying to say.
It's drizzle-able, Chris.
Yeah.
But it's not going to be Chris-able when Chris Martin performs for us.
Sorry.
No, it's all right, man.
Terrible.
You want me to play?
_ [B] _ How are you doing, though? _
Yeah, no, I'm good.
I'm really, really good.
I'm really good.
We're really looking forward to this.
So should we just do this?
I mean, I was going to have a chat.
Yeah, of course.
If the piano's already on, let's do this, Chris.
The piano's switched on, I've learned the song.
Let's just do it.
He's turned it on.
Has it got batteries in yet?
Three, uh, zero, seven. _
Yep.
Other ones are available.
_ It's true.
There are plenty of other batteries.
This is called Yellow.
[B] _ _ _
_ _ _ _ _ _ _ _
Look at the sky.
Look at the stars.
_ Look how they shine for you. _ _ _
_ _ All the things you [E] do, _ _ _ _ _ _ they were [E] all yellow.
[B] _ I came [F#] along, _
[B] _ wrote a song for _ [F#] you.
_ [B] _ _ [F#] _ _ Everything you [E] do, _ [B] _ _ _
it was called Yellow.
[F#] _ _ _ _
_ [B] _ Then I took my [F#] _
turn.
_ [B] _ _ What a thing to do.
_ [E] _ _ _ _ _ [E] _
_ _ _ _ _ [B] _ _ _
[F#] _ _ [D#m] _ _ _ _ _ [E] _
_ _ _ _ [G#m] _ _ [F#] _ _
_ _ [E] _ _ _ _ _ _
[G#m] _ _ [F#] _ _ _ _ [E] _ _
_ _ _ [G#] _ _ _ [F#] _ _
_ [E] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#m] _ _
_ _ _ [B] _ _ _ _ [D#m] _
_ _ _ [E] _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ [F#] _ _ _ _ _ [B] _ _
_ _ _ _ _ _ _ _
[F#] I came along, wrote a song for you. _ _ _ _
What a thing to _ [E] do.
_ [B] _
_ Cause you were all yellow.
[B] I drew _ _ _ _ a [F#] line for you.
[B] _ _ _ [F#] _
What a thing to [B] do. _ _ _
_ [E] You were all yellow.
[F#] _ _
_ _ [D#m] _ _ _ _ _ [E] _
Your skin.
_ [F#] Oh, yeah.
Your skin and [E] bones turn _ _ [G#]
into [F#] snow.
_ _ _ _ For _ _ [G#m] _ you [F#] I bleed [F#] myself dry For _ [E] _
you I bleed [B] myself it's true _
_ Look how they shine [F#] for you _ _ Look [D#m] how they shine [E] for you _ _ _
Look how they shine [B] for _ _ _ _
_ _ _ _ _ _ [F#] you _ _ Look how they [D#m] shine for [E] you
_ [B] _ _ [E] Look how they shine for [B] you Look at the [F#] stars
_ [B] Look how they shine [F#m] for you _ [C#m] _ _ _ All the things that [E] you do
_ That's _ _ the end.
[B] _ _ Thank you.
_ _ _ _ _ [G#] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _