Chords for Chick Corea & Béla Fleck: "Two" Album Trailer, 2015 ( Official )

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[Am] _ _ [G] _ _ _ _ _ [Am] _
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One of the [Em] beauties about the duet is [Am] there's not much preparation that's needed.
It's [A] very casual.
It's my [Am] favorite way to perform, [Em] which is [F] casually, like hanging out.
And you get the audience [Am] into that relaxed [Em] demeanor.
They feel comfortable.
[C] They can listen.
[F] They can [Em] respond.
[Dm] And then things start rolling,
and then the [C] creativity [A] starts to become less and less constrained.
[G] You kind of let [N] it go more and more and more and more.
And everyone goes with it.
They like that.
Chicken meal, take one. _ _ _
Laughter
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With _ [F] _ _ [G#] _ [Em] _ _ [Am] _
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[Am] _ _ _ _ _ [F] _ _ [C] _
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_ [Fm] _ _ [Am] _ _ Bela, our duet [F] has become so simpatico [Am] and comfortable.
Comfortable spiritually, [F] not meaning that [C] we're not [Am] adventuring musically,
but I know that whatever we [C] do is going to be [Dm] musical. _
[Am] _ I wanted to make a [Gm] live record.
We both did.
Then you added these other ideas that made it [G] kind of unusual.
Well, I know Chick originally _ [Cm] felt that we should look for one night, a [Gm] great night,
you know, the whole night all the way through.
[F] I felt like there were nights [Gm] when different [D] songs were just magic,
and it wasn't always [Gm] the same night.
And [G] so I hated the idea of [Cm] leaving some incredible version of a song off the record
because it wasn't on the night we had chosen.
And there was always [F] magic.
Every single show had [Gm] magic, but there was super magic.
You know, on certain songs, [Cm] lightning would [Gm] strike and things would happen
[G] that we could never have planned.
Not that we planned much anyway,
[Gm] but there was just magical things that seemed to happen.
And I was looking for those nights where, I don't know, there was something in the air.
There was like we were hearing each other really great.
We were feeling each other's [Cm] timing, following each [F] other really, [Gm] really well.
The conversation was really lively. _ _ _ _
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[C] _ _ _ _ _ _ _ _
_ _ _ _ [Gm] The recordings come from a lot of [D#] different tours, probably [Gm] over what, four-year period,
something like that?
[G#] So those improvisations, [Gm] even as different as they are from night to night
on a tour when you get to a year [C] later, it's a [Cm] whole different kind of improvisation.
You just get into some different stuff.
The more [G] you do things, the better you get at [Gm] it, and the more free and the more relaxed
and the more you inhabit it.
I like where we got to take the songs [G] after [D#] really opening them up
and not having the [Gm] constraint of having them be [D#] short and fit [F#] one CD.
[Cm] _ _ [F#] _ [Cm] _ _ _ _ [A] _
[A#] _ [G] _ _ [Gm] It seemed like a real [F#]
natural [Bm] process of adventure that we both wanted to get into,
this whole thing of [B] improvising.
When you play _ your banjo solos, that's the zone.
[Em] And [Bm] when we do that together, we accept each other's phrasings.
I mean, I'm throwing harmonies at you, but you always make something out of it.
That's right.
[B] Yeah, absolutely.
[E] There's a lot of rhythm in the music [Bm] that I like.
Yeah, well, that's the thing that makes it [Em] work so well, I think,
is [B] that I think we [Em] have that in common, that excitement about rhythm.
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[A] _ [F#] _ _ [C] _ [Em] _ _ _ _
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