Chords for Caroline Corr (The Corrs) on Keith Barry part 1 (pregnant 2004)
Tempo:
87.125 bpm
Chords used:
Gm
G
D
Am
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm]
Caroline, thanks for joining [Gm] me here today.
Thank you.
Now, last night I wrote something down for you, okay, just before I went to bed last night.
It's inside [D] this envelope and I'll leave this here in full view for the duration of this effect.
Okay.
Now, [Ab] what I'd like you to do, if you wouldn't [E] mind, is just place [Gm] out a tune on the piano here.
Can you do that for me?
Anything?
Yeah, just go ahead and play out a tune.
Okay.
[D]
[Am] [D]
[G] [D] [C]
[Am] [G] Do you [C] mind if I stop you there?
Sure.
What [Eb] is the name of that tune?
[Am] What's the name of it?
You want me to tell you the name of it?
It's a tune called Lock, Air and Shore, an Irish [Bm] tune.
It's an Irish tune?
Yeah.
Right, it's not Runaway?
[Gm] No, it's definitely not Runaway.
Okay.
I didn't recognize that tune, but last night for some reason I wrote down a tune [Am] inside
this envelope, okay, and you could have played pretty much any tune there, agreed?
[Bm] Yeah, absolutely, yeah.
I want you to just take the envelope, I don't [Gm] want to touch it at all, open it up and see
what's written inside.
Ooh.
I wrote it there last night.
[Am] [Bm]
Okay, you're scaring me now.
[Gm] Lock, Air and Shore.
I don't know how you did that.
And [G] that just popped into your mind, that [Am] song?
I just thought of a song that I'd [Bm] play, you know, that was it, and I don't understand [Gm] how you
I'm freaked.
I'm freaked.
[Dm]
[D] I've got a [Gm] painting behind this piece of black velvet.
Have you any idea what painting it might be?
Now I'm going to give you a little clue.
[G] It's a duplicate [D] of one of the most famous paintings in existence.
Okay.
Have a guess.
Have [F] a guess?
Yeah.
[Gm] Think of the most famous painting.
Um
I'll give you a clue, a smile.
[G] What, the Mona Lisa?
Okay, Mona Lisa.
[B] Yeah.
Excellent, it [Em] is indeed the Mona Lisa, but you can see she is [Bm] missing her smile.
She is.
Okay, now that's not a [Gm] mistake, she actually is missing her smile for a reason.
I've got pieces of different jigsaws inside this bag, you can see that they're all [Em] different.
I want you to reach inside and just grab a few pieces, but look at me [G] as you do, because
I want your subconscious to get in tune with this.
Okay, grab a [Gm] few pieces.
Yeah, like four or five, as many as you want.
Just hold on to them when you come out.
Now I'm [G] going to tell you what I didn't tell you [Am] before, okay?
Her [Em] smile is actually inside [G] here somewhere.
Earlier on I took it out, okay, and I imparted a little bit of my energy onto [Gm] that piece.
I want you to dip inside, but look at me as you do so, because I want you to get in tune
with your subconscious, reach around, and whichever [Em] piece feels right to you, that's
the piece you should take out with your right hand.
So do that now.
[Bm] But look at me as you do it.
I don't want you to just visually pick [Gm] a piece out.
Whichever piece you want, take one out and hold it in your closed fist, just one piece.
Okay.
Got a piece?
I got it.
I [G] actually influence you to pick a certain [Dm] piece.
Now with your left hand, just turn over the pieces that you have.
[G] Okay, now let's see if any of these fit.
You just [D] grabbed these without actually thinking about [D] it.
You see [Gm] this one doesn't fit in any way at all.
Okay, this piece doesn't fit either.
[Dm] This piece, now this is because you weren't [D] thinking about it.
I never even told you that our smile was in there at that moment in time that you took
out these pieces with your left [G] hand.
Agreed?
Yes.
But then I told you that that piece was in there.
I told you I imparted a little bit of my energy onto that [Em] piece before.
I stared directly at you as you went inside.
I want you yourself to see does that piece match?
[Bm]
Oh, that looks like a [Dm] mouth.
I can stick it [Gm] all the way in.
Oh wow.
Perfect match.
Her smile [Gm] is back.
She's back.
[Am] I don't know.
I don't know.
Woman's [Bm] intuition, you found.
It must have been something.
You gave me something then to [G] find it.
I don't know.
[Gm] I don't know.
I mean I took a few out of the bag and then, you know, I mean I [Am] just can't see how [A] I would
[Bm] have been able to pick out the one that, [G] the actual [Gm] one.
I don't know.
There's a lot in the bag.
I don't know how you did it.
I don't know.
I don't know.
I want
Caroline, thanks for joining [Gm] me here today.
Thank you.
Now, last night I wrote something down for you, okay, just before I went to bed last night.
It's inside [D] this envelope and I'll leave this here in full view for the duration of this effect.
Okay.
Now, [Ab] what I'd like you to do, if you wouldn't [E] mind, is just place [Gm] out a tune on the piano here.
Can you do that for me?
Anything?
Yeah, just go ahead and play out a tune.
Okay.
[D]
[Am] [D]
[G] [D] [C]
[Am] [G] Do you [C] mind if I stop you there?
Sure.
What [Eb] is the name of that tune?
[Am] What's the name of it?
You want me to tell you the name of it?
It's a tune called Lock, Air and Shore, an Irish [Bm] tune.
It's an Irish tune?
Yeah.
Right, it's not Runaway?
[Gm] No, it's definitely not Runaway.
Okay.
I didn't recognize that tune, but last night for some reason I wrote down a tune [Am] inside
this envelope, okay, and you could have played pretty much any tune there, agreed?
[Bm] Yeah, absolutely, yeah.
I want you to just take the envelope, I don't [Gm] want to touch it at all, open it up and see
what's written inside.
Ooh.
I wrote it there last night.
[Am] [Bm]
Okay, you're scaring me now.
[Gm] Lock, Air and Shore.
I don't know how you did that.
And [G] that just popped into your mind, that [Am] song?
I just thought of a song that I'd [Bm] play, you know, that was it, and I don't understand [Gm] how you
I'm freaked.
I'm freaked.
[Dm]
[D] I've got a [Gm] painting behind this piece of black velvet.
Have you any idea what painting it might be?
Now I'm going to give you a little clue.
[G] It's a duplicate [D] of one of the most famous paintings in existence.
Okay.
Have a guess.
Have [F] a guess?
Yeah.
[Gm] Think of the most famous painting.
Um
I'll give you a clue, a smile.
[G] What, the Mona Lisa?
Okay, Mona Lisa.
[B] Yeah.
Excellent, it [Em] is indeed the Mona Lisa, but you can see she is [Bm] missing her smile.
She is.
Okay, now that's not a [Gm] mistake, she actually is missing her smile for a reason.
I've got pieces of different jigsaws inside this bag, you can see that they're all [Em] different.
I want you to reach inside and just grab a few pieces, but look at me [G] as you do, because
I want your subconscious to get in tune with this.
Okay, grab a [Gm] few pieces.
Yeah, like four or five, as many as you want.
Just hold on to them when you come out.
Now I'm [G] going to tell you what I didn't tell you [Am] before, okay?
Her [Em] smile is actually inside [G] here somewhere.
Earlier on I took it out, okay, and I imparted a little bit of my energy onto [Gm] that piece.
I want you to dip inside, but look at me as you do so, because I want you to get in tune
with your subconscious, reach around, and whichever [Em] piece feels right to you, that's
the piece you should take out with your right hand.
So do that now.
[Bm] But look at me as you do it.
I don't want you to just visually pick [Gm] a piece out.
Whichever piece you want, take one out and hold it in your closed fist, just one piece.
Okay.
Got a piece?
I got it.
I [G] actually influence you to pick a certain [Dm] piece.
Now with your left hand, just turn over the pieces that you have.
[G] Okay, now let's see if any of these fit.
You just [D] grabbed these without actually thinking about [D] it.
You see [Gm] this one doesn't fit in any way at all.
Okay, this piece doesn't fit either.
[Dm] This piece, now this is because you weren't [D] thinking about it.
I never even told you that our smile was in there at that moment in time that you took
out these pieces with your left [G] hand.
Agreed?
Yes.
But then I told you that that piece was in there.
I told you I imparted a little bit of my energy onto that [Em] piece before.
I stared directly at you as you went inside.
I want you yourself to see does that piece match?
[Bm]
Oh, that looks like a [Dm] mouth.
I can stick it [Gm] all the way in.
Oh wow.
Perfect match.
Her smile [Gm] is back.
She's back.
[Am] I don't know.
I don't know.
Woman's [Bm] intuition, you found.
It must have been something.
You gave me something then to [G] find it.
I don't know.
[Gm] I don't know.
I mean I took a few out of the bag and then, you know, I mean I [Am] just can't see how [A] I would
[Bm] have been able to pick out the one that, [G] the actual [Gm] one.
I don't know.
There's a lot in the bag.
I don't know how you did it.
I don't know.
I don't know.
I want
Key:
Gm
G
D
Am
Bm
Gm
G
D
_ _ [Dm] _ _ _ _ _ _
_ _ Caroline, thanks for joining [Gm] me here today.
Thank you.
Now, last night I wrote something down for you, okay, just before I went to bed last night.
It's inside [D] this envelope and I'll leave this here in full view for the duration of this effect.
Okay.
Now, [Ab] what I'd like you to do, if you wouldn't [E] mind, is just place [Gm] out a tune on the piano here.
Can you do that for me?
Anything?
Yeah, just go ahead and play out a tune.
Okay.
_ [D] _ _ _
_ _ _ _ _ [Am] _ _ [D] _
_ _ _ _ [G] _ _ [D] _ [C] _
_ _ _ [Am] _ _ [G] Do you [C] mind if I stop you there?
Sure.
What [Eb] is the name of that tune?
[Am] What's the name of it?
You want me to tell you the name of it?
It's a tune called Lock, Air and Shore, an Irish [Bm] tune.
It's an Irish tune?
Yeah.
Right, it's not Runaway?
[Gm] No, it's definitely not Runaway.
Okay.
I didn't recognize that tune, but last night for some reason I wrote down a tune [Am] inside
this envelope, okay, and you could have played pretty much any tune there, agreed?
[Bm] Yeah, absolutely, yeah.
I want you to just take the envelope, I don't [Gm] want to touch it at all, open it up and see
what's written inside.
_ _ Ooh.
I wrote it there last night.
[Am] _ _ _ _ _ [Bm] _
Okay, you're scaring me now.
_ [Gm] Lock, Air and Shore.
I don't know how you did that.
And [G] that just popped into your mind, that [Am] song?
I just thought of a song that I'd [Bm] play, you know, that was it, and I don't understand [Gm] how you_
I'm freaked.
I'm freaked.
_ _ _ _ [Dm] _ _ _ _
_ _ _ [D] _ _ _ I've got a [Gm] painting behind this piece of black velvet.
Have you any idea what painting it might be?
Now I'm going to give you a little clue.
[G] It's a duplicate [D] of one of the most famous paintings in existence. _ _ _
Okay.
Have a guess.
Have [F] a guess?
Yeah.
[Gm] Think of the most famous painting.
Um_
I'll give you a clue, a smile.
[G] What, the Mona Lisa?
Okay, Mona Lisa.
[B] Yeah.
Excellent, it [Em] is indeed the Mona Lisa, but you can see she is [Bm] missing her smile.
She is.
Okay, now that's not a [Gm] mistake, she actually is missing her smile for a reason.
I've got pieces of different jigsaws inside this bag, you can see that they're all [Em] different.
I want you to reach inside and just grab a few pieces, but look at me [G] as you do, because
I want your subconscious to get in tune with this.
Okay, grab a [Gm] few pieces.
Yeah, like four or five, as many as you want.
Just hold on to them when you come out.
_ Now I'm [G] going to tell you what I didn't tell you [Am] before, okay?
Her [Em] smile is actually inside [G] here somewhere.
Earlier on I took it out, okay, and I imparted a little bit of my energy onto [Gm] that piece.
I want you to dip inside, but look at me as you do so, because I want you to get in tune
with your subconscious, reach around, and whichever [Em] piece feels right to you, that's
the piece you should take out with your right hand.
So do that now.
[Bm] But look at me as you do it.
I don't want you to just visually pick [Gm] a piece out.
Whichever piece you want, take one out and hold it in your closed fist, just one piece.
Okay.
Got a piece?
I got it.
I [G] actually influence you to pick a certain [Dm] piece.
Now with your left hand, just turn over the pieces that you have.
[G] Okay, now let's see if any of these fit.
You just [D] grabbed these without actually thinking about [D] it.
You see [Gm] this one doesn't fit in any way at all.
Okay, this piece doesn't fit either. _
_ [Dm] This piece, now this is because you weren't [D] thinking about it.
I never even told you that our smile was in there at that moment in time that you took
out these pieces with your left [G] hand.
Agreed?
Yes.
But then I told you that that piece was in there.
I told you I imparted a little bit of my energy onto that [Em] piece before.
I stared directly at you as you went inside.
I want you yourself to see does that piece match?
[Bm] _ _ _
Oh, that looks like a [Dm] mouth.
I can stick it [Gm] all the way in.
Oh wow.
Perfect match.
Her smile [Gm] is back.
She's back.
_ [Am] I don't know.
I don't know.
Woman's [Bm] intuition, you found.
It must have been something.
You gave me something then to [G] find it.
I don't know.
[Gm] _ _ I don't know.
I mean I took a few out of the bag and then, you know, I mean I [Am] _ just can't see how [A] I would
[Bm] have been able to pick out the one that, _ [G] the actual [Gm] one.
I don't know.
There's a lot in the bag.
I don't know how you did it.
I don't know.
I don't know.
I want
_ _ Caroline, thanks for joining [Gm] me here today.
Thank you.
Now, last night I wrote something down for you, okay, just before I went to bed last night.
It's inside [D] this envelope and I'll leave this here in full view for the duration of this effect.
Okay.
Now, [Ab] what I'd like you to do, if you wouldn't [E] mind, is just place [Gm] out a tune on the piano here.
Can you do that for me?
Anything?
Yeah, just go ahead and play out a tune.
Okay.
_ [D] _ _ _
_ _ _ _ _ [Am] _ _ [D] _
_ _ _ _ [G] _ _ [D] _ [C] _
_ _ _ [Am] _ _ [G] Do you [C] mind if I stop you there?
Sure.
What [Eb] is the name of that tune?
[Am] What's the name of it?
You want me to tell you the name of it?
It's a tune called Lock, Air and Shore, an Irish [Bm] tune.
It's an Irish tune?
Yeah.
Right, it's not Runaway?
[Gm] No, it's definitely not Runaway.
Okay.
I didn't recognize that tune, but last night for some reason I wrote down a tune [Am] inside
this envelope, okay, and you could have played pretty much any tune there, agreed?
[Bm] Yeah, absolutely, yeah.
I want you to just take the envelope, I don't [Gm] want to touch it at all, open it up and see
what's written inside.
_ _ Ooh.
I wrote it there last night.
[Am] _ _ _ _ _ [Bm] _
Okay, you're scaring me now.
_ [Gm] Lock, Air and Shore.
I don't know how you did that.
And [G] that just popped into your mind, that [Am] song?
I just thought of a song that I'd [Bm] play, you know, that was it, and I don't understand [Gm] how you_
I'm freaked.
I'm freaked.
_ _ _ _ [Dm] _ _ _ _
_ _ _ [D] _ _ _ I've got a [Gm] painting behind this piece of black velvet.
Have you any idea what painting it might be?
Now I'm going to give you a little clue.
[G] It's a duplicate [D] of one of the most famous paintings in existence. _ _ _
Okay.
Have a guess.
Have [F] a guess?
Yeah.
[Gm] Think of the most famous painting.
Um_
I'll give you a clue, a smile.
[G] What, the Mona Lisa?
Okay, Mona Lisa.
[B] Yeah.
Excellent, it [Em] is indeed the Mona Lisa, but you can see she is [Bm] missing her smile.
She is.
Okay, now that's not a [Gm] mistake, she actually is missing her smile for a reason.
I've got pieces of different jigsaws inside this bag, you can see that they're all [Em] different.
I want you to reach inside and just grab a few pieces, but look at me [G] as you do, because
I want your subconscious to get in tune with this.
Okay, grab a [Gm] few pieces.
Yeah, like four or five, as many as you want.
Just hold on to them when you come out.
_ Now I'm [G] going to tell you what I didn't tell you [Am] before, okay?
Her [Em] smile is actually inside [G] here somewhere.
Earlier on I took it out, okay, and I imparted a little bit of my energy onto [Gm] that piece.
I want you to dip inside, but look at me as you do so, because I want you to get in tune
with your subconscious, reach around, and whichever [Em] piece feels right to you, that's
the piece you should take out with your right hand.
So do that now.
[Bm] But look at me as you do it.
I don't want you to just visually pick [Gm] a piece out.
Whichever piece you want, take one out and hold it in your closed fist, just one piece.
Okay.
Got a piece?
I got it.
I [G] actually influence you to pick a certain [Dm] piece.
Now with your left hand, just turn over the pieces that you have.
[G] Okay, now let's see if any of these fit.
You just [D] grabbed these without actually thinking about [D] it.
You see [Gm] this one doesn't fit in any way at all.
Okay, this piece doesn't fit either. _
_ [Dm] This piece, now this is because you weren't [D] thinking about it.
I never even told you that our smile was in there at that moment in time that you took
out these pieces with your left [G] hand.
Agreed?
Yes.
But then I told you that that piece was in there.
I told you I imparted a little bit of my energy onto that [Em] piece before.
I stared directly at you as you went inside.
I want you yourself to see does that piece match?
[Bm] _ _ _
Oh, that looks like a [Dm] mouth.
I can stick it [Gm] all the way in.
Oh wow.
Perfect match.
Her smile [Gm] is back.
She's back.
_ [Am] I don't know.
I don't know.
Woman's [Bm] intuition, you found.
It must have been something.
You gave me something then to [G] find it.
I don't know.
[Gm] _ _ I don't know.
I mean I took a few out of the bag and then, you know, I mean I [Am] _ just can't see how [A] I would
[Bm] have been able to pick out the one that, _ [G] the actual [Gm] one.
I don't know.
There's a lot in the bag.
I don't know how you did it.
I don't know.
I don't know.
I want