Chords for brian mcknight's official tutorial how i play "anytime"
Tempo:
89.2 bpm
Chords used:
Bbm
B
Gb
F
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm] [C] [Eb]
[G] [Gb]
[Eb] [F]
[C] [Db]
[C] [Em] What's up?
Here we are again, Brian McKnife with the official tutorials.
Now everyone
asked after these last ones if they want to hear anytime, if they want to see anytime.
[F] And that's one of the, to me, one of the easiest turnarounds that I do.
But the most important
thing isn't necessarily the notes that are being played.
The most important thing is
the relationship between the notes that you're playing and the way you use the pedal down
below.
What you want to [Bb] do is, I'll give you the notes, I'm going to start in B flat
minor.
[Db] [Bbm]
[Eb] [B] As Seamsbury said, let me run it again.
[Eb] You're walking down B flat [Bbm] minor.
[Fm] [Gb]
[B]
What happens
is, as you can hear, I'm [F] putting the pedal down as some of these things are going [Db] by.
So you got [Bbm] down, up,
[B] down.
[Db] [Bbm] It's important with the beat that you play a little bit [Ebm] high.
[Abm]
[Bbm]
Once you have that, you can then [Gb] start to expand on it.
[Eb] [Bbm]
[Ebm] [B] [Bbm]
[Ebm] [B] [Bbm]
[F] [Ebm]
[Db] So many different turnarounds,
so [Gb] many different ways.
The way I [N] think about it is, if you know the route that you need
to take to some place you're going, and you know every single way to get there, every
single shortcut, that's the way I approach my chord structures and the [Fm] way I put chords
together.
I'll have the basic.
[Bbm] [Ebm] [B]
So many other ways to go.
[F]
[Bbm] You've got to establish the original
first.
[B] It's the art of having more than one hook.
You have [Bb] musical hooks, you have melodical
hooks, and all these things can't come into play when you hear that drum beat come to
the guitar.
And once you hear [Fm] this, you know what [Gb] song it is.
And that's the school I come
from, [F] to be able to have so many recognizable things happen before you even sing a note.
But then once you sing the note, then you have those [Bbm] other melodical hooks that can
happen.
[Gb]
[Ebm] [Abm] [Db]
[Bbm] [Abm]
[G] [Gb]
[Eb] [F]
[C] [Db]
[C] [Em] What's up?
Here we are again, Brian McKnife with the official tutorials.
Now everyone
asked after these last ones if they want to hear anytime, if they want to see anytime.
[F] And that's one of the, to me, one of the easiest turnarounds that I do.
But the most important
thing isn't necessarily the notes that are being played.
The most important thing is
the relationship between the notes that you're playing and the way you use the pedal down
below.
What you want to [Bb] do is, I'll give you the notes, I'm going to start in B flat
minor.
[Db] [Bbm]
[Eb] [B] As Seamsbury said, let me run it again.
[Eb] You're walking down B flat [Bbm] minor.
[Fm] [Gb]
[B]
What happens
is, as you can hear, I'm [F] putting the pedal down as some of these things are going [Db] by.
So you got [Bbm] down, up,
[B] down.
[Db] [Bbm] It's important with the beat that you play a little bit [Ebm] high.
[Abm]
[Bbm]
Once you have that, you can then [Gb] start to expand on it.
[Eb] [Bbm]
[Ebm] [B] [Bbm]
[Ebm] [B] [Bbm]
[F] [Ebm]
[Db] So many different turnarounds,
so [Gb] many different ways.
The way I [N] think about it is, if you know the route that you need
to take to some place you're going, and you know every single way to get there, every
single shortcut, that's the way I approach my chord structures and the [Fm] way I put chords
together.
I'll have the basic.
[Bbm] [Ebm] [B]
So many other ways to go.
[F]
[Bbm] You've got to establish the original
first.
[B] It's the art of having more than one hook.
You have [Bb] musical hooks, you have melodical
hooks, and all these things can't come into play when you hear that drum beat come to
the guitar.
And once you hear [Fm] this, you know what [Gb] song it is.
And that's the school I come
from, [F] to be able to have so many recognizable things happen before you even sing a note.
But then once you sing the note, then you have those [Bbm] other melodical hooks that can
happen.
[Gb]
[Ebm] [Abm] [Db]
[Bbm] [Abm]
Key:
Bbm
B
Gb
F
Db
Bbm
B
Gb
_ _ [Dm] _ _ _ [C] _ _ [Eb] _
_ _ [G] _ _ _ _ [Gb] _ _
_ [Eb] _ _ _ _ [F] _ _ _
[C] _ _ [Db] _ _ _ _ _ _
_ [C] _ _ _ _ [Em] What's up?
Here we are again, Brian McKnife with the official tutorials.
Now everyone
asked after these last ones if they want to hear anytime, if they want to see anytime.
[F] And that's one of the, to me, one of the easiest turnarounds that I do.
But the most important
thing isn't necessarily the notes that are being played.
The most important thing is
the relationship between the notes that you're playing and the way you use the pedal down
below.
What you want to [Bb] do is, I'll give you the notes, I'm going to start in B flat
minor.
_ [Db] _ _ [Bbm] _ _ _ _ _
[Eb] _ _ [B] _ _ As Seamsbury said, let me run it again.
[Eb] You're walking down B flat [Bbm] minor.
_ [Fm] _ [Gb] _ _
_ _ _ _ _ [B] _ _ _
What happens
is, as you can hear, I'm [F] putting the pedal down as some of these things are going [Db] by.
So you got _ _ [Bbm] down, up, _ _
_ _ [B] _ down.
[Db] _ [Bbm] It's important with the beat that you play a little bit [Ebm] high.
_ _ [Abm] _ _ _
_ [Bbm] _ _ _ _ _ _
Once you have that, you can then [Gb] start to expand on it. _ _
_ [Eb] _ _ _ _ [Bbm] _ _ _
[Ebm] _ _ [B] _ _ _ _ _ [Bbm] _
_ _ [Ebm] _ _ [B] _ _ _ [Bbm] _
_ _ [F] _ _ [Ebm] _ _ _ _
[Db] So many different turnarounds,
so [Gb] many different ways.
The way I [N] think about it is, if you know the route that you need
to take to some place you're going, and you know every single way to get there, every
single shortcut, that's the way I approach my chord structures and the [Fm] way I put chords
together.
I'll have the basic.
_ [Bbm] _ _ _ [Ebm] _ _ [B]
So many other ways to go.
_ _ _ [F] _ _ _
_ _ [Bbm] _ You've got to establish the original
first. _
_ [B] It's the art of having more than one hook.
You have [Bb] musical hooks, you have melodical
hooks, and all these things can't come into play when you hear that drum beat come to
the guitar.
And once you hear [Fm] this, you know what [Gb] song it is.
And that's the school I come
from, [F] to be able to have so many recognizable things happen before you even sing a note.
But then once you sing the note, then you have those [Bbm] other melodical hooks that can
happen.
_ [Gb] _ _ _
[Ebm] _ _ [Abm] _ _ _ _ [Db] _ _
[Bbm] _ _ _ _ _ [Abm] _ _ _
_ _ [G] _ _ _ _ [Gb] _ _
_ [Eb] _ _ _ _ [F] _ _ _
[C] _ _ [Db] _ _ _ _ _ _
_ [C] _ _ _ _ [Em] What's up?
Here we are again, Brian McKnife with the official tutorials.
Now everyone
asked after these last ones if they want to hear anytime, if they want to see anytime.
[F] And that's one of the, to me, one of the easiest turnarounds that I do.
But the most important
thing isn't necessarily the notes that are being played.
The most important thing is
the relationship between the notes that you're playing and the way you use the pedal down
below.
What you want to [Bb] do is, I'll give you the notes, I'm going to start in B flat
minor.
_ [Db] _ _ [Bbm] _ _ _ _ _
[Eb] _ _ [B] _ _ As Seamsbury said, let me run it again.
[Eb] You're walking down B flat [Bbm] minor.
_ [Fm] _ [Gb] _ _
_ _ _ _ _ [B] _ _ _
What happens
is, as you can hear, I'm [F] putting the pedal down as some of these things are going [Db] by.
So you got _ _ [Bbm] down, up, _ _
_ _ [B] _ down.
[Db] _ [Bbm] It's important with the beat that you play a little bit [Ebm] high.
_ _ [Abm] _ _ _
_ [Bbm] _ _ _ _ _ _
Once you have that, you can then [Gb] start to expand on it. _ _
_ [Eb] _ _ _ _ [Bbm] _ _ _
[Ebm] _ _ [B] _ _ _ _ _ [Bbm] _
_ _ [Ebm] _ _ [B] _ _ _ [Bbm] _
_ _ [F] _ _ [Ebm] _ _ _ _
[Db] So many different turnarounds,
so [Gb] many different ways.
The way I [N] think about it is, if you know the route that you need
to take to some place you're going, and you know every single way to get there, every
single shortcut, that's the way I approach my chord structures and the [Fm] way I put chords
together.
I'll have the basic.
_ [Bbm] _ _ _ [Ebm] _ _ [B]
So many other ways to go.
_ _ _ [F] _ _ _
_ _ [Bbm] _ You've got to establish the original
first. _
_ [B] It's the art of having more than one hook.
You have [Bb] musical hooks, you have melodical
hooks, and all these things can't come into play when you hear that drum beat come to
the guitar.
And once you hear [Fm] this, you know what [Gb] song it is.
And that's the school I come
from, [F] to be able to have so many recognizable things happen before you even sing a note.
But then once you sing the note, then you have those [Bbm] other melodical hooks that can
happen.
_ [Gb] _ _ _
[Ebm] _ _ [Abm] _ _ _ _ [Db] _ _
[Bbm] _ _ _ _ _ [Abm] _ _ _