Chords for Brad Paisley Talks About Recording Hot Rod Heart with John Fogerty
Tempo:
77.65 bpm
Chords used:
E
A
B
Em
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [E]
[E] It was really a dream come true for me to get to collaborate with John.
[A] I've been a fan of his all my life and
He's somebody that stands [A] for all the things that are important [E] to me, which is
songwriting
Musicianship guitar playing guitar tone.
He's always been great at that great records.
He has fun with his songs
He also tackles important social topics and he's a consummate singer.
I mean what a guy so
This for me being [B] able to collaborate with him
[E] Sort of raises the bar for me, especially [G] being in the studio and getting to see [A] the way he does it
I'll never forget it and I hope we can do more
[Dm] [E]
I wanted to pick a song that people weren't all that familiar with it wasn't something that was a single
It sounded like it should have been
Hot rod heart [B] is
couple of the things I really [E] love
guitars and
[Gm] Souped [A] up machine
[Em] It gave us the ability to really [A] let loose and solo and I know after we tracked it
I went off into my studio and [E] I went nuts sort of in the lab
[F#m] Going crazy on the guitar and then sent [E] it to John
He did the same thing and returned favor and we both tried [A] to one-up each other
It's really it did feel a little [B] bit like a garage session because of the fact that it's all about
[Em] getting out on the open [F#] road with a [E] machine that's been tuned up and
Kind of similar in the way we approached it,
[B] [E]
[A] [B] you know, I think that
[Em] One of the really [E] interesting things about John Fogerty is that he was the center of a very important band
That he became sort of a solo artist in reverse
[B] You know, he was [F#] so much the heart and soul [E] of Creedence that
his
Transition to solo artist was very natural and very easy [A] for me.
It was sort of backwards
I feel a lot like a [E] band member, but I've always been a solo artist and
I really approach it the same way that he did which is to write the songs to play the guitar parts
Sing them try to come up with a creative concept and a creative direction
And tackle [B] topics the same way that he did.
So [F] he's been a big inspiration to me in that area and [A] I
Love the way he doesn't stop practicing [E] and he doesn't stop
[F] Reinventing as a [E] songwriter and so I really should give him some [A] credit for my attempt to do the same
[E] [A]
[E] It was really a dream come true for me to get to collaborate with John.
[A] I've been a fan of his all my life and
He's somebody that stands [A] for all the things that are important [E] to me, which is
songwriting
Musicianship guitar playing guitar tone.
He's always been great at that great records.
He has fun with his songs
He also tackles important social topics and he's a consummate singer.
I mean what a guy so
This for me being [B] able to collaborate with him
[E] Sort of raises the bar for me, especially [G] being in the studio and getting to see [A] the way he does it
I'll never forget it and I hope we can do more
[Dm] [E]
I wanted to pick a song that people weren't all that familiar with it wasn't something that was a single
It sounded like it should have been
Hot rod heart [B] is
couple of the things I really [E] love
guitars and
[Gm] Souped [A] up machine
[Em] It gave us the ability to really [A] let loose and solo and I know after we tracked it
I went off into my studio and [E] I went nuts sort of in the lab
[F#m] Going crazy on the guitar and then sent [E] it to John
He did the same thing and returned favor and we both tried [A] to one-up each other
It's really it did feel a little [B] bit like a garage session because of the fact that it's all about
[Em] getting out on the open [F#] road with a [E] machine that's been tuned up and
Kind of similar in the way we approached it,
[B] [E]
[A] [B] you know, I think that
[Em] One of the really [E] interesting things about John Fogerty is that he was the center of a very important band
That he became sort of a solo artist in reverse
[B] You know, he was [F#] so much the heart and soul [E] of Creedence that
his
Transition to solo artist was very natural and very easy [A] for me.
It was sort of backwards
I feel a lot like a [E] band member, but I've always been a solo artist and
I really approach it the same way that he did which is to write the songs to play the guitar parts
Sing them try to come up with a creative concept and a creative direction
And tackle [B] topics the same way that he did.
So [F] he's been a big inspiration to me in that area and [A] I
Love the way he doesn't stop practicing [E] and he doesn't stop
[F] Reinventing as a [E] songwriter and so I really should give him some [A] credit for my attempt to do the same
[E] [A]
Key:
E
A
B
Em
F#
E
A
B
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [E] _
[E] It was really a dream come true for me to get to collaborate with John.
[A] I've been a fan of his all my life and
He's somebody that stands [A] for all the things that are important [E] to me, which is
songwriting
Musicianship guitar playing guitar tone.
He's always been great at that great records.
He has fun with his songs
He also tackles important social topics and he's a consummate singer.
I mean what a guy so
This for me being [B] able to collaborate with him
_ [E] Sort of raises the bar for me, especially [G] being in the studio and getting to see [A] the way he does it
I'll never forget it and I hope we can do more
[Dm] _ _ [E] _ _ _ _
_ I wanted to pick a song that people weren't all that familiar with it wasn't something that was a single
It sounded like it should have been
Hot rod heart [B] is
couple of the things I really [E] love
guitars and
[Gm] Souped [A] up machine
[Em] It gave us the ability to really [A] let loose and solo and I know after we tracked it
I went off into my studio and [E] I went nuts sort of in the lab
[F#m] Going crazy on the guitar and then sent [E] it to John
He did the same thing and returned favor and we both tried [A] to one-up each other
It's really it did feel a little [B] bit like a garage session because of the fact that it's all about
[Em] getting out on the open [F#] road with a [E] machine that's been tuned up and
Kind of similar in the way we approached it, _ _ _ _ _ _
[B] _ _ _ _ [E] _ _ _ _
_ _ [A] _ _ _ [B] you know, I think that
[Em] One of the really [E] interesting things about John Fogerty is that he was the center of a very important band
That he became sort of a solo artist in reverse
[B] You know, he was [F#] so much the heart and soul [E] of Creedence that
his
Transition to solo artist was very natural and very easy [A] for me.
It was sort of backwards
I feel a lot like a [E] band member, but I've always been a solo artist and
_ I really approach it the same way that he did which is to write the songs to play the guitar parts
Sing them try to come up with a creative concept and a creative direction
And tackle [B] topics the same way that he did.
So [F] he's been a big inspiration to me in that area and [A] I
Love the way he doesn't stop practicing [E] and he doesn't stop
[F] Reinventing as a [E] songwriter and so I really should give him some [A] credit for my attempt to do the same
_ [E] _ _ _ _ [A] _ _
_ _ _ [A] _ _ _ [E] _
[E] It was really a dream come true for me to get to collaborate with John.
[A] I've been a fan of his all my life and
He's somebody that stands [A] for all the things that are important [E] to me, which is
songwriting
Musicianship guitar playing guitar tone.
He's always been great at that great records.
He has fun with his songs
He also tackles important social topics and he's a consummate singer.
I mean what a guy so
This for me being [B] able to collaborate with him
_ [E] Sort of raises the bar for me, especially [G] being in the studio and getting to see [A] the way he does it
I'll never forget it and I hope we can do more
[Dm] _ _ [E] _ _ _ _
_ I wanted to pick a song that people weren't all that familiar with it wasn't something that was a single
It sounded like it should have been
Hot rod heart [B] is
couple of the things I really [E] love
guitars and
[Gm] Souped [A] up machine
[Em] It gave us the ability to really [A] let loose and solo and I know after we tracked it
I went off into my studio and [E] I went nuts sort of in the lab
[F#m] Going crazy on the guitar and then sent [E] it to John
He did the same thing and returned favor and we both tried [A] to one-up each other
It's really it did feel a little [B] bit like a garage session because of the fact that it's all about
[Em] getting out on the open [F#] road with a [E] machine that's been tuned up and
Kind of similar in the way we approached it, _ _ _ _ _ _
[B] _ _ _ _ [E] _ _ _ _
_ _ [A] _ _ _ [B] you know, I think that
[Em] One of the really [E] interesting things about John Fogerty is that he was the center of a very important band
That he became sort of a solo artist in reverse
[B] You know, he was [F#] so much the heart and soul [E] of Creedence that
his
Transition to solo artist was very natural and very easy [A] for me.
It was sort of backwards
I feel a lot like a [E] band member, but I've always been a solo artist and
_ I really approach it the same way that he did which is to write the songs to play the guitar parts
Sing them try to come up with a creative concept and a creative direction
And tackle [B] topics the same way that he did.
So [F] he's been a big inspiration to me in that area and [A] I
Love the way he doesn't stop practicing [E] and he doesn't stop
[F] Reinventing as a [E] songwriter and so I really should give him some [A] credit for my attempt to do the same
_ [E] _ _ _ _ [A] _ _