Chords for Boogie Woogie Bugle Boy (2016 Remaster)
Tempo:
98.3 bpm
Chords used:
F
C
G
Am
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [Cm] [Bb]
[Eb] [C]
[Em] He was a famous trumpet man from out Chicago way, he had a boogie style that no one else could play.
[A] He was a top man at his craft, [Am] but then his number came up and he was gone with the draft.
[G] He's in the army now, [F] a blown Reveille, he's the boogie [G] woogie bugle boy of Company B.
[C] He [Am] couldn't blow a bugle for his Uncle Sam, it really brought him down because he could not jam.
[A] The captain seemed to understand, [Am] he got to next to the cap, went out and drafted [G] the band.
And now the company jumps [F] when he plays Reveille, [Em] he's the boogie woogie bugle boy of Company B.
A root, a doodle, a doodly attitude, he blows an eight to the bar.
In boogie [A] rhythm, he can't blow a note unless the bass and guitar [C] is playing with [Am] him.
[G] And the company jumps [Cm] when he plays Reveille, [C] he's the boogie woogie bugle boy of Company B.
[Cm] He was some boogie woogie bugle boy of Company B.
[F] And when he played boogie woogie [C] bugle, he was busy as a busy bee.
[G] And when he played he made the [F] company jump eight to the bar.
[C] He's the [Am] boogie woogie bugle boy of Company B.
A doodle, a doodly, a doodle, a doodly, a doodle, a doodle, he blows an eight to the bar.
[F] He can't blow a note if a bass and guitar [C] isn't [Am] with him.
[G] And the company jumps [F] when he plays Reveille, he's the [G] boogie woogie bugle boy of Company B.
[Em]
[F] [Am]
[G] [F] [C]
Of course the boys will sleep with boogie every night.
And wake them up the same way in the early bright.
They [Cm] clap their hands and stamp their feet.
And [C] they know, [A] boys, boys, it's time to get to work.
And they know, [C]
[Em]
[F] boys, boys, [G]
[G] [F] [Em] it's time to get to work.
And they know, boys, boys, it's time to [F] get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And [Gm] they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
[Eb] [C]
[Em] He was a famous trumpet man from out Chicago way, he had a boogie style that no one else could play.
[A] He was a top man at his craft, [Am] but then his number came up and he was gone with the draft.
[G] He's in the army now, [F] a blown Reveille, he's the boogie [G] woogie bugle boy of Company B.
[C] He [Am] couldn't blow a bugle for his Uncle Sam, it really brought him down because he could not jam.
[A] The captain seemed to understand, [Am] he got to next to the cap, went out and drafted [G] the band.
And now the company jumps [F] when he plays Reveille, [Em] he's the boogie woogie bugle boy of Company B.
A root, a doodle, a doodly attitude, he blows an eight to the bar.
In boogie [A] rhythm, he can't blow a note unless the bass and guitar [C] is playing with [Am] him.
[G] And the company jumps [Cm] when he plays Reveille, [C] he's the boogie woogie bugle boy of Company B.
[Cm] He was some boogie woogie bugle boy of Company B.
[F] And when he played boogie woogie [C] bugle, he was busy as a busy bee.
[G] And when he played he made the [F] company jump eight to the bar.
[C] He's the [Am] boogie woogie bugle boy of Company B.
A doodle, a doodly, a doodle, a doodly, a doodle, a doodle, he blows an eight to the bar.
[F] He can't blow a note if a bass and guitar [C] isn't [Am] with him.
[G] And the company jumps [F] when he plays Reveille, he's the [G] boogie woogie bugle boy of Company B.
[Em]
[F] [Am]
[G] [F] [C]
Of course the boys will sleep with boogie every night.
And wake them up the same way in the early bright.
They [Cm] clap their hands and stamp their feet.
And [C] they know, [A] boys, boys, it's time to get to work.
And they know, [C]
[Em]
[F] boys, boys, [G]
[G] [F] [Em] it's time to get to work.
And they know, boys, boys, it's time to [F] get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And [Gm] they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
Key:
F
C
G
Am
Em
F
C
G
_ _ [B] _ _ [Cm] _ [Bb] _ _ _
[Eb] _ _ _ [C] _ _ _ _ _
_ [Em] _ _ _ _ _ He was a famous trumpet man from out Chicago way, he had a boogie style that no one else could play.
[A] He was a top man at his craft, [Am] but then his number came up and he was gone with the draft.
[G] He's in the army now, [F] a blown Reveille, he's the boogie [G] woogie bugle boy of Company B.
[C] He [Am] couldn't blow a bugle for his Uncle Sam, it really brought him down because he could not jam.
[A] The captain seemed to understand, [Am] he got to next to the cap, went out and drafted [G] the band.
And now the company jumps [F] when he plays Reveille, [Em] he's the boogie woogie bugle boy of Company B.
A root, a doodle, a doodly attitude, he blows an eight to the bar.
In boogie [A] rhythm, he can't blow a note unless the bass and guitar [C] is playing with [Am] him. _
[G] And the company jumps [Cm] when he plays Reveille, [C] he's the boogie woogie bugle boy of Company B.
[Cm] He was some boogie woogie bugle boy of Company B.
[F] And when he played boogie woogie [C] bugle, he was busy as a busy bee.
[G] And when he played he made the [F] company jump eight to the bar.
[C] He's the [Am] boogie woogie bugle boy of Company B.
A doodle, a doodly, a doodle, a doodly, a doodle, a doodle, he blows an eight to the bar.
[F] He can't blow a note if a bass and guitar [C] isn't [Am] with him.
[G] And the company jumps [F] when he plays Reveille, he's the [G] boogie woogie bugle boy of Company B.
[Em] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ [Am] _ _
[G] _ _ [F] _ _ [C] _ _ _
Of course the boys will sleep with boogie every night.
And wake them up the same way in the early bright.
They [Cm] clap their hands and stamp their feet.
And [C] they know, [A] boys, boys, it's time to get to work.
And they know, _ _ _ [C] _ _ _ _
[Em] _ _ _ _ _ _ _
[F] boys, boys, [G] _ _ _ _ _ _
[G] _ _ [F] _ [Em] it's time to get to work.
And they know, boys, boys, it's time to [F] get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And [Gm] they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work. _ _ _ _ _ _
[Eb] _ _ _ [C] _ _ _ _ _
_ [Em] _ _ _ _ _ He was a famous trumpet man from out Chicago way, he had a boogie style that no one else could play.
[A] He was a top man at his craft, [Am] but then his number came up and he was gone with the draft.
[G] He's in the army now, [F] a blown Reveille, he's the boogie [G] woogie bugle boy of Company B.
[C] He [Am] couldn't blow a bugle for his Uncle Sam, it really brought him down because he could not jam.
[A] The captain seemed to understand, [Am] he got to next to the cap, went out and drafted [G] the band.
And now the company jumps [F] when he plays Reveille, [Em] he's the boogie woogie bugle boy of Company B.
A root, a doodle, a doodly attitude, he blows an eight to the bar.
In boogie [A] rhythm, he can't blow a note unless the bass and guitar [C] is playing with [Am] him. _
[G] And the company jumps [Cm] when he plays Reveille, [C] he's the boogie woogie bugle boy of Company B.
[Cm] He was some boogie woogie bugle boy of Company B.
[F] And when he played boogie woogie [C] bugle, he was busy as a busy bee.
[G] And when he played he made the [F] company jump eight to the bar.
[C] He's the [Am] boogie woogie bugle boy of Company B.
A doodle, a doodly, a doodle, a doodly, a doodle, a doodle, he blows an eight to the bar.
[F] He can't blow a note if a bass and guitar [C] isn't [Am] with him.
[G] And the company jumps [F] when he plays Reveille, he's the [G] boogie woogie bugle boy of Company B.
[Em] _ _ _ _ _ _ _ _
[F] _ _ _ _ _ _ [Am] _ _
[G] _ _ [F] _ _ [C] _ _ _
Of course the boys will sleep with boogie every night.
And wake them up the same way in the early bright.
They [Cm] clap their hands and stamp their feet.
And [C] they know, [A] boys, boys, it's time to get to work.
And they know, _ _ _ [C] _ _ _ _
[Em] _ _ _ _ _ _ _
[F] boys, boys, [G] _ _ _ _ _ _
[G] _ _ [F] _ [Em] it's time to get to work.
And they know, boys, boys, it's time to [F] get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And [Gm] they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work.
And they know, boys, boys, it's time to get to work. _ _ _ _ _ _