Chords for BOOGIE SHOES by kc & sunshine band
Tempo:
116.9 bpm
Chords used:
B
E
F#
G
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
You heard Jimmy BoHorn earlier in our show today and the two men who produced and [E] wrote that [N] particular record and album are here with other friends.
They've been here a few times in the past and on New Year's Eve and many other gala occasions.
[G#m] I don't have the album jacket yet.
By the time this show airs you should run down to your local meat market and find it right there in living [N] color.
But this is what it is going to look like.
Are you ready?
KC and the Sum Sum Band!
[B]
[E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[E]
[A] [B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[N]
[B] [G]
[F] [N]
[G]
[B] [N]
Only six years?
I had the feeling that you knew each other since you were little baby boys.
Where's your home originally?
My home is in Miami, Florida.
Yours?
Indiana.
Were you not a maintenance man [G#] or something in the recording studio at any [B] time?
I was doing all the [A#] engineering in the old [B] TK studio.
And [N] you were shuffling stuff in the warehouse?
That was shipping records out the door.
Mopping floors and running down to get the booze for the boss.
You can do it!
Henry's got a lock window.
His secret is out.
Man, that is a very, very successful operation.
What does that mean?
Stretch.
Stretch?
Oh, we have time to talk.
Well, no, that's always easy with
Boy, here we go with the army again.
Okay, well, we'll start with the gentleman dressed in white down there.
Would you give me introductions?
Sure.
His name is JT James Taylor.
James Taylor.
Yes!
Next to him, Paul Lewis.
Paul likes to have you with us.
Eugene Timmons.
You're going to like that.
Yes, there's good old what's-his-name.
And next James Weaver. James Weaver.
Weaver.
And [B] behind him, on lead guitar, Jerome [N] Smith.
All right, and back on drums here.
Robert Johnson.
Robert Johnson on drums.
I always get proud of these congas, bongos.
What do they sing?
Furman bongos.
I mean, do we follow?
And the man's name?
Congas.
All right, now, congas.
This is a male chauvinist [Bm] world, ladies.
You've got to wait your turn.
[B] Lady in white.
Beverly Champion.
And next to her, [Bm] Jeanette Williams.
Jeanette, thank you [A#m] very, very much.
You guys, you know, the reason I love [F#] being around [N] you is obviously you all like one another.
You make great music.
Are you tired of this whole thing yet?
No, not yet.
We have a long way to go.
All right, then.
Then why
No, then if you're not, then why, after having had three number one records in a single chart song
Has anybody ever done The Beatles, by the way?
Writing hit after hit after hit?
The Bee Gees, The Bee Gees.
I forgot.
We did it, yes.
I'm going to get you a number two with that.
So, no, you're pretty good, by the way, The Beatles, The
They've been here a few times in the past and on New Year's Eve and many other gala occasions.
[G#m] I don't have the album jacket yet.
By the time this show airs you should run down to your local meat market and find it right there in living [N] color.
But this is what it is going to look like.
Are you ready?
KC and the Sum Sum Band!
[B]
[E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[E]
[A] [B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[F#] [E]
[B]
[N]
[B] [G]
[F] [N]
[G]
[B] [N]
Only six years?
I had the feeling that you knew each other since you were little baby boys.
Where's your home originally?
My home is in Miami, Florida.
Yours?
Indiana.
Were you not a maintenance man [G#] or something in the recording studio at any [B] time?
I was doing all the [A#] engineering in the old [B] TK studio.
And [N] you were shuffling stuff in the warehouse?
That was shipping records out the door.
Mopping floors and running down to get the booze for the boss.
You can do it!
Henry's got a lock window.
His secret is out.
Man, that is a very, very successful operation.
What does that mean?
Stretch.
Stretch?
Oh, we have time to talk.
Well, no, that's always easy with
Boy, here we go with the army again.
Okay, well, we'll start with the gentleman dressed in white down there.
Would you give me introductions?
Sure.
His name is JT James Taylor.
James Taylor.
Yes!
Next to him, Paul Lewis.
Paul likes to have you with us.
Eugene Timmons.
You're going to like that.
Yes, there's good old what's-his-name.
And next James Weaver. James Weaver.
Weaver.
And [B] behind him, on lead guitar, Jerome [N] Smith.
All right, and back on drums here.
Robert Johnson.
Robert Johnson on drums.
I always get proud of these congas, bongos.
What do they sing?
Furman bongos.
I mean, do we follow?
And the man's name?
Congas.
All right, now, congas.
This is a male chauvinist [Bm] world, ladies.
You've got to wait your turn.
[B] Lady in white.
Beverly Champion.
And next to her, [Bm] Jeanette Williams.
Jeanette, thank you [A#m] very, very much.
You guys, you know, the reason I love [F#] being around [N] you is obviously you all like one another.
You make great music.
Are you tired of this whole thing yet?
No, not yet.
We have a long way to go.
All right, then.
Then why
No, then if you're not, then why, after having had three number one records in a single chart song
Has anybody ever done The Beatles, by the way?
Writing hit after hit after hit?
The Bee Gees, The Bee Gees.
I forgot.
We did it, yes.
I'm going to get you a number two with that.
So, no, you're pretty good, by the way, The Beatles, The
Key:
B
E
F#
G
Bm
B
E
F#
_ _ _ You heard Jimmy BoHorn earlier in our show today and the two men who produced and [E] wrote that [N] particular record and album are here with other friends.
They've been here a few times in the past and on New Year's Eve and many other gala occasions.
[G#m] I don't have the album jacket yet.
By the time this show airs you should run down to your local meat market and find it right there in living [N] color.
But this is what it is going to look like.
_ Are you ready? _
KC and the Sum Sum Band! _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
[B] _ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
[A] _ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ [B] _ _ _ _ _ _ _
_ _ _ [F#] _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _
_ [B] _ _ _ [G] _ _ _ _
_ _ _ [F] _ _ [N] _ _ _
_ _ _ _ _ _ [G] _ _
_ [B] _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Only six years?
I had the feeling that you knew each other since you were little baby boys.
Where's your home originally?
My home is in Miami, Florida.
Yours?
Indiana.
_ Were you not a maintenance man [G#] or something in the recording studio at any [B] time?
I was doing all the [A#] engineering in the old [B] TK studio.
And [N] _ _ you were shuffling stuff in the warehouse?
That was shipping records out the door.
Mopping floors and running down to get the booze for the boss.
You can do it!
_ Henry's got a lock window.
His secret is out.
Man, that is a very, very successful operation.
What does that mean?
Stretch.
Stretch? _ _ _ _
Oh, we have time to talk.
Well, no, that's always easy _ _ _ with_
Boy, here we go with the army again.
Okay, well, we'll start with the gentleman dressed in white down there.
Would you give me introductions?
Sure.
His name is JT James Taylor.
James Taylor.
Yes!
_ Next to him, Paul Lewis.
Paul likes to have you with us. _ _ _ _
Eugene Timmons.
You're going to like that. _ _ _
Yes, there's good old what's-his-name.
And next_ James Weaver. James Weaver.
Weaver.
And [B] behind him, _ on lead guitar, Jerome [N] Smith.
All right, and back on drums here.
Robert Johnson.
Robert Johnson on drums.
I always get proud of these congas, bongos.
What do they sing?
Furman bongos.
I mean, do we follow? _
And the man's name?
Congas.
All right, now, congas. _ _
_ This is a male chauvinist [Bm] world, ladies.
You've got to wait your turn.
[B] Lady in white.
Beverly Champion.
And next to her, [Bm] Jeanette Williams.
Jeanette, thank you [A#m] very, very much.
You guys, you know, the reason I love [F#] being around [N] you is obviously you all like one another.
You make great music.
Are you tired of this whole thing yet?
No, not yet.
We have a long way to go.
All right, then.
Then why_
No, then if you're not, then why, after having had three number one records in a single chart song_
Has anybody ever done The Beatles, by the way?
Writing hit after hit after hit?
The Bee Gees, The Bee Gees.
I forgot.
We did it, yes.
I'm going to get you a number two with that.
So, no, you're pretty good, by the way, The Beatles, The
They've been here a few times in the past and on New Year's Eve and many other gala occasions.
[G#m] I don't have the album jacket yet.
By the time this show airs you should run down to your local meat market and find it right there in living [N] color.
But this is what it is going to look like.
_ Are you ready? _
KC and the Sum Sum Band! _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
[B] _ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
[A] _ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ [B] _ _ _ _ _ _ _
_ _ _ [F#] _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ [F#] _ _ _ _ [E] _ _
_ _ [B] _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _
_ [B] _ _ _ [G] _ _ _ _
_ _ _ [F] _ _ [N] _ _ _
_ _ _ _ _ _ [G] _ _
_ [B] _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Only six years?
I had the feeling that you knew each other since you were little baby boys.
Where's your home originally?
My home is in Miami, Florida.
Yours?
Indiana.
_ Were you not a maintenance man [G#] or something in the recording studio at any [B] time?
I was doing all the [A#] engineering in the old [B] TK studio.
And [N] _ _ you were shuffling stuff in the warehouse?
That was shipping records out the door.
Mopping floors and running down to get the booze for the boss.
You can do it!
_ Henry's got a lock window.
His secret is out.
Man, that is a very, very successful operation.
What does that mean?
Stretch.
Stretch? _ _ _ _
Oh, we have time to talk.
Well, no, that's always easy _ _ _ with_
Boy, here we go with the army again.
Okay, well, we'll start with the gentleman dressed in white down there.
Would you give me introductions?
Sure.
His name is JT James Taylor.
James Taylor.
Yes!
_ Next to him, Paul Lewis.
Paul likes to have you with us. _ _ _ _
Eugene Timmons.
You're going to like that. _ _ _
Yes, there's good old what's-his-name.
And next_ James Weaver. James Weaver.
Weaver.
And [B] behind him, _ on lead guitar, Jerome [N] Smith.
All right, and back on drums here.
Robert Johnson.
Robert Johnson on drums.
I always get proud of these congas, bongos.
What do they sing?
Furman bongos.
I mean, do we follow? _
And the man's name?
Congas.
All right, now, congas. _ _
_ This is a male chauvinist [Bm] world, ladies.
You've got to wait your turn.
[B] Lady in white.
Beverly Champion.
And next to her, [Bm] Jeanette Williams.
Jeanette, thank you [A#m] very, very much.
You guys, you know, the reason I love [F#] being around [N] you is obviously you all like one another.
You make great music.
Are you tired of this whole thing yet?
No, not yet.
We have a long way to go.
All right, then.
Then why_
No, then if you're not, then why, after having had three number one records in a single chart song_
Has anybody ever done The Beatles, by the way?
Writing hit after hit after hit?
The Bee Gees, The Bee Gees.
I forgot.
We did it, yes.
I'm going to get you a number two with that.
So, no, you're pretty good, by the way, The Beatles, The