Chords for Bloc Party - The Making of I Still Remember
Tempo:
67.75 bpm
Chords used:
F
C
D
Dm
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
Okay, so this is I still remember and it starts off.
I think this is quite a jackknife Lee sort of [F] sound that this starts
on sounds great
He likes to layer up kind of reverbed
guitars
Bang incomes a riff.
This is another twinkle toes moment from Russell.
[C] It's got radio hit written all over it
[Dm] [F] Say um, yeah, it's I guess it's you know song about
[D] [F] about
a memory of [D] a chance past really a love past and
[G]
When you know [F] character wasn't brave enough to embrace it really and how that over the course of one's life can
[C]
How [F] it was caused for one's life how that can cast pretty horrible so shadows
[D]
It's you know, it's a [F] real
You know, it's a real sort of gentle kind of [G] kind of euphoric kind of rock song really
[F] This was the first song we did for a fair enough.
Yeah, [D] and in fact at the point
[F] At that point which is by April
we
When you had the songs pretty much didn't we?
Few after this what this in April?
[D] Yeah, we wrote some
Yeah, we [Bb] wrote some for clay right in [Dm] Kreutzberg and [F] Sunday right before the end
but this one was
At the point where we had some songs we were ready to work on and we [Bb] still really debating about
producers [F] and
We went into studio in a cool rack
[C] With Jack I flea and [F] did it and
[C] You [F] know, I think really on the basis of what he did with this was really kind of
[G] Made us want to do the rest of it.
Yeah, by the time we finished doing this
We [F] were talking about
Where we were gonna do it
[G] [F] Discussing things about the record with him.
I think it was quite difficult for him to get a feel for [Dm] us
Yeah [F] based on just this.
Yeah.
Yeah.
Yeah, you know because if you listen to this song on its own
[D] It doesn't [F] particularly tell you, you know what the whole records gonna sound like
So he had to kind of make a guess about what we're trying to do and how we get to fit into that book
[D] I think [F] one of the he just made this song sound
[D]
Kind of give it [F] give weight to it without just kind of making it yeah more rock just sort of filled it up with
[D] twinkling
[F] Dynamics and and techniques and just watching him like with Russell kind of
[Dm] urging little
You know things out of Russell that
You know, we all know how good the guitarist he is.
But yeah
To get Russell to do more stuff than even he knew he was capable of and there was some [F] great stuff on this with
[Dm] Garrett sort of sat behind Russell [Bb] sort of bending the neck to get that kind of down feel on this
[C] chords and stuff
So [F] I think we knew watching him in the guitar
[C] Like everything else, [Dm] you know, I'm just gonna [F] be the man for the job
[C] Some good some good vocal performances as well from all three singers
[F]
Sorry, [C] well all three [F] all three of the
Yeah
[C] [F]
This is also something [G] Russell wrote at the end was quite a new order this little
If you see I think if you give Russell a guitar and end of studio time, that's what his solo record
[Gm] Yeah, I'm not the end of that
I think this is quite a jackknife Lee sort of [F] sound that this starts
on sounds great
He likes to layer up kind of reverbed
guitars
Bang incomes a riff.
This is another twinkle toes moment from Russell.
[C] It's got radio hit written all over it
[Dm] [F] Say um, yeah, it's I guess it's you know song about
[D] [F] about
a memory of [D] a chance past really a love past and
[G]
When you know [F] character wasn't brave enough to embrace it really and how that over the course of one's life can
[C]
How [F] it was caused for one's life how that can cast pretty horrible so shadows
[D]
It's you know, it's a [F] real
You know, it's a real sort of gentle kind of [G] kind of euphoric kind of rock song really
[F] This was the first song we did for a fair enough.
Yeah, [D] and in fact at the point
[F] At that point which is by April
we
When you had the songs pretty much didn't we?
Few after this what this in April?
[D] Yeah, we wrote some
Yeah, we [Bb] wrote some for clay right in [Dm] Kreutzberg and [F] Sunday right before the end
but this one was
At the point where we had some songs we were ready to work on and we [Bb] still really debating about
producers [F] and
We went into studio in a cool rack
[C] With Jack I flea and [F] did it and
[C] You [F] know, I think really on the basis of what he did with this was really kind of
[G] Made us want to do the rest of it.
Yeah, by the time we finished doing this
We [F] were talking about
Where we were gonna do it
[G] [F] Discussing things about the record with him.
I think it was quite difficult for him to get a feel for [Dm] us
Yeah [F] based on just this.
Yeah.
Yeah.
Yeah, you know because if you listen to this song on its own
[D] It doesn't [F] particularly tell you, you know what the whole records gonna sound like
So he had to kind of make a guess about what we're trying to do and how we get to fit into that book
[D] I think [F] one of the he just made this song sound
[D]
Kind of give it [F] give weight to it without just kind of making it yeah more rock just sort of filled it up with
[D] twinkling
[F] Dynamics and and techniques and just watching him like with Russell kind of
[Dm] urging little
You know things out of Russell that
You know, we all know how good the guitarist he is.
But yeah
To get Russell to do more stuff than even he knew he was capable of and there was some [F] great stuff on this with
[Dm] Garrett sort of sat behind Russell [Bb] sort of bending the neck to get that kind of down feel on this
[C] chords and stuff
So [F] I think we knew watching him in the guitar
[C] Like everything else, [Dm] you know, I'm just gonna [F] be the man for the job
[C] Some good some good vocal performances as well from all three singers
[F]
Sorry, [C] well all three [F] all three of the
Yeah
[C] [F]
This is also something [G] Russell wrote at the end was quite a new order this little
If you see I think if you give Russell a guitar and end of studio time, that's what his solo record
[Gm] Yeah, I'm not the end of that
Key:
F
C
D
Dm
G
F
C
D
_ Okay, so this is I still remember and it starts off.
I think this is quite a jackknife Lee sort of [F] sound that this starts
on sounds great
He likes to layer up kind of reverbed
guitars
Bang incomes a riff.
_ This is another twinkle toes moment from Russell.
_ _ _ _ [C] It's got radio hit written all over it
_ [Dm] _ [F] Say um, yeah, it's I guess it's you know song about
_ [D] [F] about
_ _ _ a memory of [D] a chance past really a love past and
[G] _
When you know [F] character wasn't brave enough to embrace it really and how that over the course of one's life can
[C]
How [F] it was caused for one's life how that can cast pretty horrible so shadows
_ [D]
It's you know, it's a [F] real
You know, it's a real sort of gentle kind of [G] kind of euphoric kind of rock song really
[F] _ _ This was the first song we did for a fair enough.
Yeah, [D] and in fact at the point
[F] At that point which is by April
we
When you had the songs pretty much didn't we?
Few after this what this in April?
[D] Yeah, we wrote some
Yeah, we [Bb] wrote some for clay right in [Dm] Kreutzberg and [F] Sunday right before the end
but this one was
At _ the point where we had some songs we were ready to work on and we [Bb] still really debating about
_ producers [F] and
We went into studio in a cool rack
_ [C] _ With Jack I flea and [F] did it and
[C] You [F] know, I think really on the basis of what he did with this was really kind of
[G] Made us want to do the rest of it.
Yeah, by the time we finished doing this
We [F] were talking about
Where we were gonna do it
[G] _ [F] Discussing things about the record with him.
I think it was quite difficult for him to get a feel for [Dm] us
Yeah [F] based on just this.
Yeah.
Yeah.
Yeah, you know because if you listen to this song on its own
[D] It doesn't [F] particularly tell you, you know what the whole records gonna sound like
So he had to kind of make a guess about what we're trying to do and how we get to fit into that book
[D] I think [F] one of the he just made this song sound
_ _ [D]
Kind of give it [F] give weight to it without just kind of making it yeah more rock just sort of filled it up with
[D] twinkling
_ [F] Dynamics and and techniques and just watching him like with Russell kind of
[Dm] urging little
You know things out of Russell that
You know, we all know how good the guitarist he is.
But yeah
To get Russell to do more stuff than even he knew he was capable of and there was some [F] great stuff on this with
[Dm] Garrett sort of sat behind Russell [Bb] sort of bending the neck to get that kind of down feel on this
[C] chords and stuff
So [F] I think we knew watching him in the guitar
[C] Like everything else, [Dm] you know, I'm just gonna [F] be the man for the job _ _
[C] Some good some good vocal performances as well from all three singers
_ [F]
Sorry, [C] well all three [F] all three of the
Yeah _ _ _ _
_ [C] _ [F] _ _ _ _ _ _
_ _ _ _ _ _ This is also something [G] Russell wrote at the end was quite a new order this little
If you see I think if you give Russell a guitar and end of studio time, that's what his solo record
[Gm] Yeah, I'm not the end of that
I think this is quite a jackknife Lee sort of [F] sound that this starts
on sounds great
He likes to layer up kind of reverbed
guitars
Bang incomes a riff.
_ This is another twinkle toes moment from Russell.
_ _ _ _ [C] It's got radio hit written all over it
_ [Dm] _ [F] Say um, yeah, it's I guess it's you know song about
_ [D] [F] about
_ _ _ a memory of [D] a chance past really a love past and
[G] _
When you know [F] character wasn't brave enough to embrace it really and how that over the course of one's life can
[C]
How [F] it was caused for one's life how that can cast pretty horrible so shadows
_ [D]
It's you know, it's a [F] real
You know, it's a real sort of gentle kind of [G] kind of euphoric kind of rock song really
[F] _ _ This was the first song we did for a fair enough.
Yeah, [D] and in fact at the point
[F] At that point which is by April
we
When you had the songs pretty much didn't we?
Few after this what this in April?
[D] Yeah, we wrote some
Yeah, we [Bb] wrote some for clay right in [Dm] Kreutzberg and [F] Sunday right before the end
but this one was
At _ the point where we had some songs we were ready to work on and we [Bb] still really debating about
_ producers [F] and
We went into studio in a cool rack
_ [C] _ With Jack I flea and [F] did it and
[C] You [F] know, I think really on the basis of what he did with this was really kind of
[G] Made us want to do the rest of it.
Yeah, by the time we finished doing this
We [F] were talking about
Where we were gonna do it
[G] _ [F] Discussing things about the record with him.
I think it was quite difficult for him to get a feel for [Dm] us
Yeah [F] based on just this.
Yeah.
Yeah.
Yeah, you know because if you listen to this song on its own
[D] It doesn't [F] particularly tell you, you know what the whole records gonna sound like
So he had to kind of make a guess about what we're trying to do and how we get to fit into that book
[D] I think [F] one of the he just made this song sound
_ _ [D]
Kind of give it [F] give weight to it without just kind of making it yeah more rock just sort of filled it up with
[D] twinkling
_ [F] Dynamics and and techniques and just watching him like with Russell kind of
[Dm] urging little
You know things out of Russell that
You know, we all know how good the guitarist he is.
But yeah
To get Russell to do more stuff than even he knew he was capable of and there was some [F] great stuff on this with
[Dm] Garrett sort of sat behind Russell [Bb] sort of bending the neck to get that kind of down feel on this
[C] chords and stuff
So [F] I think we knew watching him in the guitar
[C] Like everything else, [Dm] you know, I'm just gonna [F] be the man for the job _ _
[C] Some good some good vocal performances as well from all three singers
_ [F]
Sorry, [C] well all three [F] all three of the
Yeah _ _ _ _
_ [C] _ [F] _ _ _ _ _ _
_ _ _ _ _ _ This is also something [G] Russell wrote at the end was quite a new order this little
If you see I think if you give Russell a guitar and end of studio time, that's what his solo record
[Gm] Yeah, I'm not the end of that