Chords for Blessed Assurance (hymn) - Tutorial
Tempo:
88.9 bpm
Chords used:
A
G
D
Dm
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey, welcome to WorshipTutorials.com. My name is Brian.
This is a tutorial for the song
Blessed Assurance.
This is sort of an original arrangement of this song.
So if you head to
WorshipTutorials.com, there's a link below.
At the end of the video, there'll be a link up here
somewhere around here to go to Worship Tutorials.
You can get all of our resources on this song.
So
currently the chord charts are free for this song.
You can see the arrangement that we recorded here
at Worship Tutorials.
It's sort of a simplified acoustic arrangement, but it works really well
for this kind of arrangement of this hymn.
You can also get the full multitrack for that
arrangement in multiple keys.
And the chord charts come in all 12 keys, so you can do it in any key
that you want, whatever fits the vocalist that is going to sing the song or your congregation
the best.
And all the other
And the tutorial with, you know, written out strumming patterns
and chord diagrams and that kind of thing is all there as well.
Hit the link below, it'll take you
there.
This one stays true to the original hymn, and I really like this arrangement.
There are a
couple
It's not a difficult song to play, but there are a couple things about it that
maybe you haven't run into before.
So first of all, it's in the key of D,
which [F#] works well for a male vocal.
It's not too high, it's not too low.
The biggest thing about
this song is that it's in 9-8 time all the way through.
So if 9-8 time is not something you've
ever heard of before, you probably have heard of 6-8 time.
So 6-8 time, you just count to six.
One, two, three, four, five, six.
That would be one measure.
So for 9-8 time, it's really not as hard
as it sounds.
All you have to do to think about it is [D#] a measure of 6-8 time and a half measure of 6-8
time.
So it goes
You count to nine instead of six.
One, two, three, four, five, six, seven, eight, nine.
One, two, three, four, five, six, seven, eight, nine.
What you really have to do is pay attention
to the phrasing where the words come in, and I felt this felt fairly traditional, which was what
I was going for for this song.
I feel like this is going to work well.
This arrangement will work well
in a traditional setting or in a more modern contemporary setting, [D] however you want to sort
of play it.
So like I said, we're in the key of D.
Chords we're going to use are D, [D] G, [A] A, B [Bm] minor.
Those are your typical key of D chords.
There's an [E] E and an E [Em] minor, [E] which is a little strange to
have an E major and an E minor in the same song, but often these hymns are written with chord
progressions that aren't like what we typically see in just a modern worship song.
Okay, so those
are the six chords that you find in this song.
[F] Strumming pattern is pretty simple as well.
Down,
up, down, up, down, up, [G#m] down, up, down, up, down, up, down, up, down.
You can just kind of [G] keep it going.
And here's how [F#] you would count it with a measure of nine.
One, two, three, [D#]
[Em] [G] [F#]
four, five, six, seven,
eight, nine.
Down, up, [D#] down, up, down, up, down, up, down, up.
That would be one measure.
Okay,
so let's talk about the intro, and I'll show you how this whole nine, eight time thing works with
these chord changes.
So it starts on the [A] D for six counts.
[D] One, two, three, four, five, six,
[G] to G.
Seven, eight, [Dm] nine.
One, two, three, four, five, to G.
[G] Seven, eight, nine.
[A] B minor.
One, two,
three, four, five, six, to A.
Seven, eight, [D] nine, G for all nine.
Okay, I'll play it [Dm] again.
D.
Seven, eight, nine, B.
Two, three, four, five, six, [D] G.
Seven, [Bm] eight, nine, B minor.
Three, four, five,
[A] six, to A.
Seven, [G] eight, nine, G.
Two, three, four, five, six, seven, eight, nine.
And [E] then let's just
go straight into the verse.
Blessed [D] assurance is D.
[G] G.
Jesus is mine.
D.
Oh, what a B minor four taste
of [E] E.
Glory [A] divine, A.
Heir of [Dm] salvation, D.
[G] To G.
Purchase [A] of God, D.
Born of his [Em] spirit is E minor.
[A] A.
Washed in his D blood.
Okay, [E] I'll play the intro for you and the verse.
[Dm] D.
To G.
D.
[G] To G.
[Bm] To B minor.
[A] To A.
[G] G.
Four, five, six, seven.
[D] Blessed assurance.
[G] Jesus [Dm] is mine.
Oh, what [Bm] a
four taste [E] of glory [A] divine.
Heir [Dm] of salvation.
[A] Purchase of God.
Washed [Em] in his spirit.
Sorry,
born of his spirit.
[A] Washed in his blood.
[Dm] This is my story.
[E] So for the chorus or the refrain,
this is my story.
This is actually interesting about this song.
The chord progression for the
chorus is exactly the same as the verse.
You just sing it [D] different.
So it's D.
Story.
[G] G.
This is
my song.
D.
Praising my B [Bm] minor savior.
To [E] E.
All the [A] day.
A.
Long.
This is my story.
[A] D.
To G.
[G] This is my [Dm] song.
D.
[Em] Praising my E minor savior.
A.
[A] All the day.
Long.
D.
And after the first
[Dm] chorus, you do half of [F#m] the [A] intro.
D.
To [G] G.
To [D] D.
Perfect submission.
Then [Em] you're back into verse
I'll go from the last line of the verse into the chorus.
Born of his spirit.
Washed [A] in his blood.
This is my story.
[G] This is my [Dm] song.
Praising [Bm] my savior.
[E] All the [A] day long.
This is my story.
And [G] this is [Dm] my song.
Praising [Em] my savior.
[A] All the [Dm] day long.
[G] G.
[D] D.
Three, four, five, six.
Perfect
submission.
All is at [E] rest.
So you sing the second verse of this song, which I just didn't sing
is perfect submission, perfect delight.
Then you repeat the refrain or the chorus.
This is my story.
Then in this [F] arrangement, I went into a solo section, which is just the intro [D] again.
So D,
G, E, [B] G, B minor, A, [G] G.
And then for the last [E] verse, I sort of dropped it down, but it's exactly
the same.
[D] Perfect submission.
All is at rest.
That's [Dm] where all is at rest is.
That's [E] the third
verse in this arrangement.
And then at the end, it's just a chorus with a tag at the end.
So this
is how the tag goes.
Praising my E [Em] minor savior.
[A] A.
All the day long.
Instead of going to [Bm] D,
you go to B minor.
Praising [Em] my E minor savior.
[A] A.
All the day [D] D long.
And then you play an outro
the same as the intro.
[Dm] [N] Okay.
So I'll just play you the whole last refrain and show you how that tag
part goes.
This is my story.
[G] This is my [Dm] song.
Praising [Bm] my savior.
[E] All the day [A] long.
This is my
story.
[G]
This is [Dm] my song.
Praising [E] my savior.
[A] All the [Bm] day long.
Praising [Em] my savior.
[A]
All the day long.
[G] Same as the intro.
[D] [G] [Bm]
[A] [G]
[D] And that's how the song ends.
So pretty simple arrangement [G] of a blessed
assurance.
[D] Thank you so much for watching.
See you in the next video.
[Bm] [A] [G]
[D] [G] [D]
This is a tutorial for the song
Blessed Assurance.
This is sort of an original arrangement of this song.
So if you head to
WorshipTutorials.com, there's a link below.
At the end of the video, there'll be a link up here
somewhere around here to go to Worship Tutorials.
You can get all of our resources on this song.
So
currently the chord charts are free for this song.
You can see the arrangement that we recorded here
at Worship Tutorials.
It's sort of a simplified acoustic arrangement, but it works really well
for this kind of arrangement of this hymn.
You can also get the full multitrack for that
arrangement in multiple keys.
And the chord charts come in all 12 keys, so you can do it in any key
that you want, whatever fits the vocalist that is going to sing the song or your congregation
the best.
And all the other
And the tutorial with, you know, written out strumming patterns
and chord diagrams and that kind of thing is all there as well.
Hit the link below, it'll take you
there.
This one stays true to the original hymn, and I really like this arrangement.
There are a
couple
It's not a difficult song to play, but there are a couple things about it that
maybe you haven't run into before.
So first of all, it's in the key of D,
which [F#] works well for a male vocal.
It's not too high, it's not too low.
The biggest thing about
this song is that it's in 9-8 time all the way through.
So if 9-8 time is not something you've
ever heard of before, you probably have heard of 6-8 time.
So 6-8 time, you just count to six.
One, two, three, four, five, six.
That would be one measure.
So for 9-8 time, it's really not as hard
as it sounds.
All you have to do to think about it is [D#] a measure of 6-8 time and a half measure of 6-8
time.
So it goes
You count to nine instead of six.
One, two, three, four, five, six, seven, eight, nine.
One, two, three, four, five, six, seven, eight, nine.
What you really have to do is pay attention
to the phrasing where the words come in, and I felt this felt fairly traditional, which was what
I was going for for this song.
I feel like this is going to work well.
This arrangement will work well
in a traditional setting or in a more modern contemporary setting, [D] however you want to sort
of play it.
So like I said, we're in the key of D.
Chords we're going to use are D, [D] G, [A] A, B [Bm] minor.
Those are your typical key of D chords.
There's an [E] E and an E [Em] minor, [E] which is a little strange to
have an E major and an E minor in the same song, but often these hymns are written with chord
progressions that aren't like what we typically see in just a modern worship song.
Okay, so those
are the six chords that you find in this song.
[F] Strumming pattern is pretty simple as well.
Down,
up, down, up, down, up, [G#m] down, up, down, up, down, up, down, up, down.
You can just kind of [G] keep it going.
And here's how [F#] you would count it with a measure of nine.
One, two, three, [D#]
[Em] [G] [F#]
four, five, six, seven,
eight, nine.
Down, up, [D#] down, up, down, up, down, up, down, up.
That would be one measure.
Okay,
so let's talk about the intro, and I'll show you how this whole nine, eight time thing works with
these chord changes.
So it starts on the [A] D for six counts.
[D] One, two, three, four, five, six,
[G] to G.
Seven, eight, [Dm] nine.
One, two, three, four, five, to G.
[G] Seven, eight, nine.
[A] B minor.
One, two,
three, four, five, six, to A.
Seven, eight, [D] nine, G for all nine.
Okay, I'll play it [Dm] again.
D.
Seven, eight, nine, B.
Two, three, four, five, six, [D] G.
Seven, [Bm] eight, nine, B minor.
Three, four, five,
[A] six, to A.
Seven, [G] eight, nine, G.
Two, three, four, five, six, seven, eight, nine.
And [E] then let's just
go straight into the verse.
Blessed [D] assurance is D.
[G] G.
Jesus is mine.
D.
Oh, what a B minor four taste
of [E] E.
Glory [A] divine, A.
Heir of [Dm] salvation, D.
[G] To G.
Purchase [A] of God, D.
Born of his [Em] spirit is E minor.
[A] A.
Washed in his D blood.
Okay, [E] I'll play the intro for you and the verse.
[Dm] D.
To G.
D.
[G] To G.
[Bm] To B minor.
[A] To A.
[G] G.
Four, five, six, seven.
[D] Blessed assurance.
[G] Jesus [Dm] is mine.
Oh, what [Bm] a
four taste [E] of glory [A] divine.
Heir [Dm] of salvation.
[A] Purchase of God.
Washed [Em] in his spirit.
Sorry,
born of his spirit.
[A] Washed in his blood.
[Dm] This is my story.
[E] So for the chorus or the refrain,
this is my story.
This is actually interesting about this song.
The chord progression for the
chorus is exactly the same as the verse.
You just sing it [D] different.
So it's D.
Story.
[G] G.
This is
my song.
D.
Praising my B [Bm] minor savior.
To [E] E.
All the [A] day.
A.
Long.
This is my story.
[A] D.
To G.
[G] This is my [Dm] song.
D.
[Em] Praising my E minor savior.
A.
[A] All the day.
Long.
D.
And after the first
[Dm] chorus, you do half of [F#m] the [A] intro.
D.
To [G] G.
To [D] D.
Perfect submission.
Then [Em] you're back into verse
I'll go from the last line of the verse into the chorus.
Born of his spirit.
Washed [A] in his blood.
This is my story.
[G] This is my [Dm] song.
Praising [Bm] my savior.
[E] All the [A] day long.
This is my story.
And [G] this is [Dm] my song.
Praising [Em] my savior.
[A] All the [Dm] day long.
[G] G.
[D] D.
Three, four, five, six.
Perfect
submission.
All is at [E] rest.
So you sing the second verse of this song, which I just didn't sing
is perfect submission, perfect delight.
Then you repeat the refrain or the chorus.
This is my story.
Then in this [F] arrangement, I went into a solo section, which is just the intro [D] again.
So D,
G, E, [B] G, B minor, A, [G] G.
And then for the last [E] verse, I sort of dropped it down, but it's exactly
the same.
[D] Perfect submission.
All is at rest.
That's [Dm] where all is at rest is.
That's [E] the third
verse in this arrangement.
And then at the end, it's just a chorus with a tag at the end.
So this
is how the tag goes.
Praising my E [Em] minor savior.
[A] A.
All the day long.
Instead of going to [Bm] D,
you go to B minor.
Praising [Em] my E minor savior.
[A] A.
All the day [D] D long.
And then you play an outro
the same as the intro.
[Dm] [N] Okay.
So I'll just play you the whole last refrain and show you how that tag
part goes.
This is my story.
[G] This is my [Dm] song.
Praising [Bm] my savior.
[E] All the day [A] long.
This is my
story.
[G]
This is [Dm] my song.
Praising [E] my savior.
[A] All the [Bm] day long.
Praising [Em] my savior.
[A]
All the day long.
[G] Same as the intro.
[D] [G] [Bm]
[A] [G]
[D] And that's how the song ends.
So pretty simple arrangement [G] of a blessed
assurance.
[D] Thank you so much for watching.
See you in the next video.
[Bm] [A] [G]
[D] [G] [D]
Key:
A
G
D
Dm
E
A
G
D
Hey, welcome to WorshipTutorials.com. My name is Brian.
This is a tutorial for the song
Blessed Assurance.
This is sort of an original arrangement of this song.
So if you head to
WorshipTutorials.com, there's a link below.
At the end of the video, there'll be a link up here
somewhere around here to go to Worship Tutorials.
You can get all of our resources on this song.
So
currently the chord charts are free for this song.
You can see the arrangement that we recorded here
at Worship Tutorials.
It's sort of a simplified acoustic arrangement, but it works really well
for this kind of arrangement of this hymn.
You can also get the full multitrack for that
arrangement in multiple keys.
And the chord charts come in all 12 keys, so you can do it in any key
that you want, whatever fits the vocalist that is going to sing the song or your congregation
the best.
And all the other_
And the tutorial with, you know, written out strumming patterns
and chord diagrams and that kind of thing is all there as well.
Hit the link below, it'll take you
there.
This one stays true to the original hymn, and I really like this arrangement.
There are a
couple_
It's not a difficult song to play, but there are a couple things about it that
_ maybe you haven't run into before.
So first of all, it's in the key of D,
which [F#] works well for a male vocal.
It's not too high, it's not too low.
The biggest thing about
this song is that it's in 9-8 time all the way through.
So if 9-8 time is not something you've
ever heard of before, you probably have heard of 6-8 time.
So 6-8 time, you just count to six.
One, two, three, four, five, six.
That would be one measure.
So for 9-8 time, it's really not as hard
as it sounds.
All you have to do to think about it is [D#] a measure of 6-8 time and a half measure of 6-8
time.
So it goes_
You count to nine instead of six.
One, two, three, four, five, six, seven, eight, nine.
One, two, three, four, five, six, seven, eight, nine.
What you really have to do is pay attention
to the phrasing where the words come in, and I felt this felt fairly traditional, which was what
I was going for for this song.
I feel like this is going to work well.
This arrangement will work well
in a traditional setting or in a more modern contemporary setting, [D] however you want to sort
of play it.
So like I said, we're in the key of D.
Chords we're going to use are D, [D] G, _ [A] A, B [Bm] minor.
Those are your typical key of D chords.
There's an [E] E _ and an E [Em] minor, [E] which is a little strange to
have an E major and an E minor in the same song, but often these hymns are written with chord
progressions that aren't like what we typically see in just a modern worship song.
Okay, so those
are the six chords that you find in this song.
[F] Strumming pattern is pretty simple as well.
Down,
up, down, up, down, up, [G#m] down, up, down, up, down, up, down, up, down.
You can just kind of [G] keep it going.
And here's how [F#] you would count it with a measure of nine.
One, two, three, _ _ [D#] _ _ _
_ _ _ [Em] _ _ [G] _ _ [F#]
four, five, six, seven,
eight, nine.
Down, up, [D#] down, up, down, up, down, up, down, up.
That would be one measure.
Okay,
so let's talk about the intro, and I'll show you how this whole nine, eight time thing works with
these chord changes.
So it starts on the [A] D for six counts.
[D] One, two, three, four, five, six,
[G] to G.
Seven, eight, [Dm] nine.
One, two, three, four, five, to G.
[G] Seven, eight, nine.
[A] B minor.
One, two,
three, four, five, six, to A.
Seven, eight, [D] nine, G for all nine.
_ Okay, I'll play it [Dm] again.
D.
_ _ Seven, eight, nine, B.
Two, three, four, five, six, [D] G.
Seven, [Bm] eight, nine, B minor.
Three, four, five,
[A] six, to A.
Seven, [G] eight, nine, G.
Two, three, four, five, six, seven, eight, nine.
And [E] then let's just
go straight into the verse.
Blessed [D] assurance is D. _
[G] G.
Jesus is mine.
D. _ _
Oh, what a B minor four taste
of [E] E.
Glory [A] divine, A.
_ _ Heir of [Dm] salvation, D. _
[G] To G.
Purchase [A] of God, D. _ _
Born of his [Em] spirit is E minor.
_ [A] A.
Washed in his D blood.
Okay, [E] I'll play the intro for you and the verse.
[Dm] D.
_ _ To G.
_ D. _
[G] To G.
[Bm] To B minor.
_ [A] To A.
[G] G.
Four, five, six, seven.
[D] Blessed _ assurance.
[G] Jesus [Dm] is mine. _
_ Oh, what [Bm] a
four taste [E] of glory [A] _ divine.
_ Heir [Dm] of _ salvation.
_ [A] Purchase of God.
_ Washed [Em] in his spirit.
Sorry,
born of his spirit.
[A] Washed in his blood.
[Dm] _ _ _ This is my story.
[E] So for the chorus or the refrain,
this is my story.
This is actually interesting about this song.
The chord progression for the
chorus is exactly the same as the verse.
You just sing it [D] different.
So it's D.
Story.
_ [G] G.
This is
my song.
D.
_ _ Praising my B [Bm] minor savior.
To [E] E.
All the [A] day.
A.
Long. _ _
This is my story.
[A] D.
_ To G.
[G] This is my [Dm] song.
D.
_ _ [Em] Praising my E minor savior.
A.
[A] All the day.
Long.
D.
And after the first
[Dm] chorus, you do half of [F#m] the [A] intro.
D. _
To [G] G.
To [D] D.
_ _ Perfect submission.
Then [Em] you're back into verse
I'll go from the last line of the verse into the chorus.
Born of his spirit.
Washed [A] in his blood.
_ _ This is my story.
[G] This is my [Dm] song. _
Praising [Bm] my _ savior.
[E] All the [A] day long.
_ _ This is my story.
And [G] this is [Dm] my song. _ _
Praising [Em] my savior.
_ [A] All the [Dm] day long.
_ _ [G] G.
[D] D.
Three, four, five, six.
Perfect
_ submission.
All is at [E] rest.
So you sing the second verse of this song, which I just didn't sing
is perfect submission, perfect delight.
Then you repeat the refrain or the chorus.
This is my story.
Then in this [F] arrangement, I went into a solo section, which is just the intro [D] again.
So D,
G, E, [B] G, B minor, A, [G] G.
And then for the last [E] verse, I sort of dropped it down, but it's exactly
the same.
[D] Perfect submission.
All is at rest.
That's [Dm] where all is at rest is.
That's [E] the third
verse in this arrangement.
And then at the end, it's just a chorus with a tag at the end.
So this
is how the tag goes.
Praising my E [Em] minor savior.
_ [A] A.
All the day long.
Instead of going to [Bm] D,
you go to B minor.
_ _ Praising [Em] my E minor savior. _
[A] A.
All the day [D] D long.
And then you play an outro
the same as the intro.
[Dm] _ [N] Okay.
So I'll just play you the whole last refrain and show you how that tag
part goes.
This is my story.
[G] This is my [Dm] song.
_ _ Praising [Bm] my savior.
[E] All the day [A] long.
_ This is my
story.
_ [G]
This is [Dm] my song.
_ _ Praising [E] my savior.
_ [A] All the [Bm] day long. _
_ Praising [Em] my savior.
_ [A]
All the day long.
_ [G] Same as the intro. _ _
[D] _ _ _ [G] _ _ [Bm] _ _ _
_ [A] _ _ _ [G] _ _ _ _
_ _ _ [D] _ _ And that's how the song ends.
So pretty simple arrangement [G] of a blessed
assurance.
[D] Thank you so much for watching.
See you in the next video.
_ [Bm] _ _ _ _ [A] _ _ [G] _ _ _ _ _
_ [D] _ _ _ _ [G] _ _ [D] _
This is a tutorial for the song
Blessed Assurance.
This is sort of an original arrangement of this song.
So if you head to
WorshipTutorials.com, there's a link below.
At the end of the video, there'll be a link up here
somewhere around here to go to Worship Tutorials.
You can get all of our resources on this song.
So
currently the chord charts are free for this song.
You can see the arrangement that we recorded here
at Worship Tutorials.
It's sort of a simplified acoustic arrangement, but it works really well
for this kind of arrangement of this hymn.
You can also get the full multitrack for that
arrangement in multiple keys.
And the chord charts come in all 12 keys, so you can do it in any key
that you want, whatever fits the vocalist that is going to sing the song or your congregation
the best.
And all the other_
And the tutorial with, you know, written out strumming patterns
and chord diagrams and that kind of thing is all there as well.
Hit the link below, it'll take you
there.
This one stays true to the original hymn, and I really like this arrangement.
There are a
couple_
It's not a difficult song to play, but there are a couple things about it that
_ maybe you haven't run into before.
So first of all, it's in the key of D,
which [F#] works well for a male vocal.
It's not too high, it's not too low.
The biggest thing about
this song is that it's in 9-8 time all the way through.
So if 9-8 time is not something you've
ever heard of before, you probably have heard of 6-8 time.
So 6-8 time, you just count to six.
One, two, three, four, five, six.
That would be one measure.
So for 9-8 time, it's really not as hard
as it sounds.
All you have to do to think about it is [D#] a measure of 6-8 time and a half measure of 6-8
time.
So it goes_
You count to nine instead of six.
One, two, three, four, five, six, seven, eight, nine.
One, two, three, four, five, six, seven, eight, nine.
What you really have to do is pay attention
to the phrasing where the words come in, and I felt this felt fairly traditional, which was what
I was going for for this song.
I feel like this is going to work well.
This arrangement will work well
in a traditional setting or in a more modern contemporary setting, [D] however you want to sort
of play it.
So like I said, we're in the key of D.
Chords we're going to use are D, [D] G, _ [A] A, B [Bm] minor.
Those are your typical key of D chords.
There's an [E] E _ and an E [Em] minor, [E] which is a little strange to
have an E major and an E minor in the same song, but often these hymns are written with chord
progressions that aren't like what we typically see in just a modern worship song.
Okay, so those
are the six chords that you find in this song.
[F] Strumming pattern is pretty simple as well.
Down,
up, down, up, down, up, [G#m] down, up, down, up, down, up, down, up, down.
You can just kind of [G] keep it going.
And here's how [F#] you would count it with a measure of nine.
One, two, three, _ _ [D#] _ _ _
_ _ _ [Em] _ _ [G] _ _ [F#]
four, five, six, seven,
eight, nine.
Down, up, [D#] down, up, down, up, down, up, down, up.
That would be one measure.
Okay,
so let's talk about the intro, and I'll show you how this whole nine, eight time thing works with
these chord changes.
So it starts on the [A] D for six counts.
[D] One, two, three, four, five, six,
[G] to G.
Seven, eight, [Dm] nine.
One, two, three, four, five, to G.
[G] Seven, eight, nine.
[A] B minor.
One, two,
three, four, five, six, to A.
Seven, eight, [D] nine, G for all nine.
_ Okay, I'll play it [Dm] again.
D.
_ _ Seven, eight, nine, B.
Two, three, four, five, six, [D] G.
Seven, [Bm] eight, nine, B minor.
Three, four, five,
[A] six, to A.
Seven, [G] eight, nine, G.
Two, three, four, five, six, seven, eight, nine.
And [E] then let's just
go straight into the verse.
Blessed [D] assurance is D. _
[G] G.
Jesus is mine.
D. _ _
Oh, what a B minor four taste
of [E] E.
Glory [A] divine, A.
_ _ Heir of [Dm] salvation, D. _
[G] To G.
Purchase [A] of God, D. _ _
Born of his [Em] spirit is E minor.
_ [A] A.
Washed in his D blood.
Okay, [E] I'll play the intro for you and the verse.
[Dm] D.
_ _ To G.
_ D. _
[G] To G.
[Bm] To B minor.
_ [A] To A.
[G] G.
Four, five, six, seven.
[D] Blessed _ assurance.
[G] Jesus [Dm] is mine. _
_ Oh, what [Bm] a
four taste [E] of glory [A] _ divine.
_ Heir [Dm] of _ salvation.
_ [A] Purchase of God.
_ Washed [Em] in his spirit.
Sorry,
born of his spirit.
[A] Washed in his blood.
[Dm] _ _ _ This is my story.
[E] So for the chorus or the refrain,
this is my story.
This is actually interesting about this song.
The chord progression for the
chorus is exactly the same as the verse.
You just sing it [D] different.
So it's D.
Story.
_ [G] G.
This is
my song.
D.
_ _ Praising my B [Bm] minor savior.
To [E] E.
All the [A] day.
A.
Long. _ _
This is my story.
[A] D.
_ To G.
[G] This is my [Dm] song.
D.
_ _ [Em] Praising my E minor savior.
A.
[A] All the day.
Long.
D.
And after the first
[Dm] chorus, you do half of [F#m] the [A] intro.
D. _
To [G] G.
To [D] D.
_ _ Perfect submission.
Then [Em] you're back into verse
I'll go from the last line of the verse into the chorus.
Born of his spirit.
Washed [A] in his blood.
_ _ This is my story.
[G] This is my [Dm] song. _
Praising [Bm] my _ savior.
[E] All the [A] day long.
_ _ This is my story.
And [G] this is [Dm] my song. _ _
Praising [Em] my savior.
_ [A] All the [Dm] day long.
_ _ [G] G.
[D] D.
Three, four, five, six.
Perfect
_ submission.
All is at [E] rest.
So you sing the second verse of this song, which I just didn't sing
is perfect submission, perfect delight.
Then you repeat the refrain or the chorus.
This is my story.
Then in this [F] arrangement, I went into a solo section, which is just the intro [D] again.
So D,
G, E, [B] G, B minor, A, [G] G.
And then for the last [E] verse, I sort of dropped it down, but it's exactly
the same.
[D] Perfect submission.
All is at rest.
That's [Dm] where all is at rest is.
That's [E] the third
verse in this arrangement.
And then at the end, it's just a chorus with a tag at the end.
So this
is how the tag goes.
Praising my E [Em] minor savior.
_ [A] A.
All the day long.
Instead of going to [Bm] D,
you go to B minor.
_ _ Praising [Em] my E minor savior. _
[A] A.
All the day [D] D long.
And then you play an outro
the same as the intro.
[Dm] _ [N] Okay.
So I'll just play you the whole last refrain and show you how that tag
part goes.
This is my story.
[G] This is my [Dm] song.
_ _ Praising [Bm] my savior.
[E] All the day [A] long.
_ This is my
story.
_ [G]
This is [Dm] my song.
_ _ Praising [E] my savior.
_ [A] All the [Bm] day long. _
_ Praising [Em] my savior.
_ [A]
All the day long.
_ [G] Same as the intro. _ _
[D] _ _ _ [G] _ _ [Bm] _ _ _
_ [A] _ _ _ [G] _ _ _ _
_ _ _ [D] _ _ And that's how the song ends.
So pretty simple arrangement [G] of a blessed
assurance.
[D] Thank you so much for watching.
See you in the next video.
_ [Bm] _ _ _ _ [A] _ _ [G] _ _ _ _ _
_ [D] _ _ _ _ [G] _ _ [D] _